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The midnight knock on the door and the disappearance of a loved one into the hands of authorities is a 20th-century horror story familiar to many destined to “live in interesting times.” Yet, some stories remain untold. Such is the account of the internment of ethnic Chinese who had settled for many years in northern India. When the Sino-Indian Border War of 1962 broke out, over 2,000 Chinese-Indians were rounded up, placed in local jails, then transported over a thousand miles away to the Deoli internment camp in the Rajasthan Desert.
Born in Calcutta, India, in 1949, and raised in Darjeeling, Yin Marsh was just thirteen years old when first her father was arrested, and then she, her grandmother and her eight-year-old brother were all taken to the Darjeeling Jail, then sent to Deoli. Ironically, Nehru – India’s first Prime Minister and the one who had authorized the mass arrests – had once “done time” in Deoli during India’s war for independence. Yin and her family were assigned to the same bungalow where Nehru had also been unjustly held.
Eventually released, Yin emigrated to America with her mother, attended college, married and raised her own family, even as the emotional trauma remained buried. When her own college-age daughter began to ask questions and when a friend’s wedding would require a return to her homeland, Yin was finally ready to face what had happened to her family.
Poor King Vikram! Tasked by the sorcerer Shaitanish to bring him a corpse, he finds that a vampire named Betal has taken residence in it. He’ll come along only if King Vikram lends a willing ear to a series of riddling tales. There’s the one about the world’s most sensitive ladies: Queens Touchmenot, Itsratherhot and Oohmyhead. There’s the tale of the four foolish brothers Nin, Com, Poo and Oops. Each tale is crazier, funnier, madder than the last, and even if King Vikram doesn’t enjoy the journey - you sure will!
The story of Vikram and Betal is over a thousand years old. See this much-loved traditional tale come alive with Priya Kuriyan’s fabulous illustrations.
The constructed “naturalness” of a world made up of two sexes, two genders, and heterosexual desire as the only legitimate desire has been continuously questioned and challenged by those marginalised by these norms. This forces us to ask some important questions: How is gender really understood and constructed in the world that we inhabit? How does it operate through the various socio-political-cultural structures around us? And, most crucially, how is it lived?
No Outlaws in the Gender Galaxy answers these questions with a research study that attempts to understand gender through the lives of queer persons assigned gender female at birth. The lived realities of the respondents, echoing in the book through their voices, help to interrogate gender as well as provide clues to how it can be envisioned or revisioned to be egalitarian.
This book explores how gender plays out in public and private institutions like the family, educational institutions, work and public spaces. Looking at each of these independently, it elaborates the specific ways in which binary gender norms are woven into each arena and it also explores the multiple ways in which interlocking systems of heteronormativity, casteism, class and ableism are enmeshed within patriarchy to create exclusion, marginalisation, pathologisation and violence. This book illustrates the multiplicity of ways in which people live gender and testifies that even if there are gender laws, in a just world there can be no gender outlaws.
First published in Marathi in 1966, this unique novella in free verse tells an age-old story: that of a woman’s deep desire to be a mother
Setting out life as a game in which the moves are predetermined, and yet where rules exist only to be twisted, perhaps negotiated, sometimes even changed, Anuradha Vaidya deftly engages the reader in a sort of play, suggesting a joining of the dots, a connecting of line endings that lead the reader deeper into the story.
As the story traces a relationship that begins with unquestioning love that, over time, transforms into tension and distance, the reader is encouraged to linger, or jump back and forth across stanzas and lines, to navigate, interpret, and savour the beauty of the expression, both in the turn of phrase and the coinage of new words.
The sheer beauty of the almost allegorical imagery of life as a game played on the worldly board by people who are actually pawns, marks every page of this poetic narrative.
Zubaan is an independent feminist publishing house based in New Delhi. We publish academic books, fiction, memoirs and popular nonfiction, as well as books for children and young adults under our Young Zubaan imprint, aiming always to be pioneering, cutting-edge, progressive and inclusive.
Apart from publishing many many books every year Zubaan also handles a few research and outreach projects. We’re currently working on the SVI Project that documents Sexual Violence and Impunity across South Asia funded by the IDRC, and a feasibility study that explores women's museums across the world in teh hopes of setting one up in India, funded by Ford Foundation - IIE.
We have a diverse set of lists that range from fiction, non fiction, children's books, young adult books to specific lists that focus on the North East of India, Sexual Violence and Sexuality Education. Discover more about Zubaan's lists here
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We at Zubaan keep up with technology! All our books from 2007 onward are available as ebooks in multiple formats suitable for multiple platforms. What's more, they're DRM-Free! Find out more about our eBooks and shop for theme right here! Ebook readers confusing you? We can help. Check out our recommendations for e-readers and eBook reading apps for Android and iOS.
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