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In May 2009, the Sri Lankan army overwhelmed the last stronghold of the Liberation Tigers of Tamil Eelam -- better known as the Tamil Tigers -- officially bringing to an end nearly three decades of civil war. The conflict resulted in massive displacement of people from their homes.
The figures are shocking around 80,000 Muslims were expelled from the LTTE controlled north, and nearly half of all Sri Lankan Tamils were displaced during the civil war.
Sharika Thiranagama's book focuses on two groups of displaced peoples : Sri Lankan Tamils from the north and Sri Lankan Muslims. Through detailed engagement with ordinary people struggling to find a home in the world, Thiranagama explores the dynamics with and between these two minority communities, describing how these relations were reshaped by violence, displacement and authoritarianism.
She tackles three major themes: the ideas of home, transformations within the family, and the impact of political violence on ordinary lives and public speech. Only by taking stock of these new Tamil and Muslim identities forged by the civil war can one envisage and work towards a peaceful future for this troubled land.
This collection provides a synoptic representation of the development of women's studies in India from the late seventies to the present. Divided into different subject areas, the Reader captures the wealth of information in this new field, and looks at how women's studies scholarship has shaped both the academy and spheres of policy-making and advocacy. The essays included here offer not only a curriculum for the teaching of women's studies, but also act as an introductory text for the interested reader. The book represents the work of several women's studies scholars such as Vina Mazumdar, Lotika Sarkar, Devaki Jain, Nirmala Banerjee, Patricia Uberoi, Bina Agarwal, Flavia Agnes, Shohini Ghosh, Malavika Karlekar, Leela Kasturi, Joy Deshmukh, Zoya Hasan, Ratna Sudarshan, Ratna Kapur and others. Themes covered include the women's movement in India, the legal framework, politics, educational intervention, encounters with violence, the family, sexuality and work.
Mala Khullar is a freelance consultant and has worked with the Asian Centre for Women's Studies, EWHA Women's University, Seoul; the Aga Khan Foundation, New Delhi; Bernard Van Leer Foundation, the Hague; and the Centre for Women's Development Studies, New Delhi.
Organizing Empire critically examines how concepts of individualism functioned to support and resist British imperialism in India. Through readings of British colonial and Indian nationalist narratives that emerged in parliamentary debates, popular colonial histories, newsletters, memoirs, biographies, and novels. Purnima Bose investigates the ramifications of reducing collective activism to individual intentions. Paying particular attention to the construction of gender, she shows that ideas of individualism rhetorically and theoretically bind colonials, feminists, nationalists, and neocolonials to one another. She demonstrates how reliance on ideas of the individual - as scapegoat or hero - enabled colonial and neocolonial powers to deny the violence that they perpetrated. At the same time, she shows how analyses of the role of the individual provide a window into the dynamics and limitations of state formations and feminist and nationalist resistance movements.
From a historically grounded, feminist perspective, Bose offers four case studies, each of which illuminates a distinct individualizing rhetorical strategy. She looks at the parliamentary debates on the Amritsar Massacre of 1919, in which several hundred unarmed Indian protestors were killed; Margaret Cousin's firsthand account of feminist organizing in Ireland and India; Kalpana Dutt's memoir of the Bengali terrorist movement of the 1930s, which was modeled in part on Irish anti-colonial activity; and the popular histories generate by ex-colonial officials and their wives. Bringing to the fore the constraints that colonial domination placed upon agency and activism, Organizing Empire highlights the complexity of the multiple narratives that constitute British colonial history.
PURNIMA BOSE is Associate Professor of English at Indiana University.
Winner of the Joan Kelley Memorial Prize in Women's History
A huge international controversy followed the 1927 publication of Mother India, an expose written by American journalist Katherine Mayo. Mother India provided graphic details of a variety of social ills in India, especially those related to the status of women and to the particular plight of the country's child wives. The book was translated into more than a dozen languages, and it was reviewed in virtually every major publication on five continents. Mrinalini Sinha traces the controversy surrounding Mother India, explaining how the uproar became a catalyst for far-reaching changes, including a reconfiguration of the relationship between the political and social spheres in colonial India.
Mrinalini Sinha is Associate Professor of History and Women's Studies at Penn State University.
Mahua Sarkar examines how Muslim women in colonial Bengal came to be more marginalized in nationalist discourse than their Hindu counterparts. She considers how their near-invisibility, except as victims, underpins the construction of the ideal citizen-subject in late colonial India. She argues that the nation-centredness of history as a discipline, and the intellectual politics of liberal feminism, have together contributed to the production of Muslim women as the oppressed, mute, and invisible 'other' of the normative modern Indian subject.
Drawing on extensive archival research and oral histories, Sarkar traces Muslim women as they surface and disappear in colonial, Hindu, nationalist and liberal Muslim writings. This compelling study concludes by tracing the complex links between past constructions of Muslim women, current representations, and the violence against them in contemporary India.
"...an analytically insightful, genuinely original work that breaks new ground in South Asian history, gender and women's studies, postcolonial theory, and historical sociology." -- Antoinette Burton
Water management is not an engineering matter alone, it involves ecological, socio- political, administrative and legal concerns. Gender is a key factor but has been neglected both conventionally and in recent water reform policies and structures. Yet, a cross-section of South Asian women have challenged socio-cultural norms and crossed personal and professional boundaries to make a profound impact on water and sanitation management. Their inspiring stories have scarcely been documented. This book is the first to profile women from Bangladesh, India, Nepal, Pakistan and Sri Lanka ? women at the grassroots or with NGOs, women activists, journalists, administrators, scientists, academics, action-researchers - who have faced challenges related to water with courage and determination. Complementing the 32 women?s voices is data compiled from an analysis of the situation of women water professionals in the region. Written in an engaging manner, this book will be of interest both to the general reader and to academics and practitioners in water management and gender/women's studies.
This powerful counter-narrative to the mainstream assumptions about the development of feminism in India in the 20th century is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
The last decade saw the emergence and assertion of separate Dalitbahujan women's organizations both at the national and regional levels. Excluded from political and cultural spheres, Dalit women's movements have sought to transform both Dalit and feminist politics in India. They have fought against the reproduction of caste within modern spaces like universities, bureaucracies and within the women's movement as well as women's studies. The assumptions about caste identities being private and personal have been questioned and serious challenges posed for understanding caste and gender in contemporary India.
Located within this context, this book brings together extracts from the work of Kumud Pawade, Urmila Pawar, Shantabai Kamble, Mukta Sarvagod, Shantabai Dani, Vimal More and Janabai Girhe.
Sharmila Rege is a Professor at the Department of Sociology, University of Pune. She has worked for several years with the Krantijyoti Savitribai Phule Women?s Studies Centre, University of Pune. She has written and published on sociology of gender, Dalit feminism and Dalitbahajun public culture in Maharashtra. Her present work concerns the documentation of music and print cultures of the Ambedkarite counterpublics in contemporary Maharashtra.
"So riveting is the narration that it is difficult to put down the book until their stories are finished. For a non-fiction academic work this is no small feat." -- Anupama Katakam, The Hindu
Khabar Lahariya, an eight-page newspaper published every fortnight since 2002 from Uttar Pradesh's Chitrakoot district, covers the news that mainstream media forgot. It is brought out by an all-women team. Most of them are Dalit. Some of them, barely literate. Waves in the Hinterland takes you on a journey through women's lives in feudal Bundelkhand, on dusty pot-holed roads, through caste prejudice, water shortages, police stations, polling booths, and the world of small-town journalism to tell the story of the extraordinary women behind this extraordinary newspaper.
Originally published in Marathi in 1989, this contemporary classic details the history of women's participation in the Dalit movement led by Dr B.R. Ambedkar, for the first time. Focusing on the involvement of women in various Dalit struggles since the early twentieth century, the book goes on to consider the social conditions of Dalit women's lives, daily religious practices and marital rules, the practice of ritual prostitution, and women's issues. Drawing on diverse sources including periodicals, records of meetings, and personal correspondence, the latter half of the book is composed of interviews with Dalit women activists from the 1930s. These first-hand accounts from more than forty Dalit women make the book an invaluable resource for students of caste, gender, and politics in India. A rich store of material for historians of the Dalit movement and gender studies in India, We Also Made History remains a fundamental text of the modern women's movement.
While women's language, women's writings, and women's views about the world we live in have all been the focus of much debate and study, this book explores the translation of these experiences and these writings in the context of India, with its multifaceted, multilingual character. If women's language is different from the patriarchal language that forms the basis of communication in most language communities, what has been the impact of writings from the women's perspective and how have these writings been translated? Indian women writers have been translated into English in the Indian context as well as into other western languages. What are the linguistic and cultural specificities of these literary productions? What is foregrounded and what is erased in these translations? What are the politics that inform the choices of the authors to be translated? What is the agency of the translators, and of the archivist, in these cultural productions? What is the role of women translators? These are some of the questions that this book explores. The book contains insightful essays by some of the best translation scholars in India with an in-depth Introduction and an essay by the well-known writer Ambai on her experience of being translated.
This book addresses the current issues of violence, masculinity and power in the postcolonial context and their representation in films.The essays contribute critical insights into the analyses of films based on societal violence in postcolonial cultures: be it in the context of colonial oppression, terrorism, genocide, communal riots, criminal underworld or mob violence etc.
The volume seeks to investigate some of those variegated facets of postcolonial 'violences' as they are played out in historically and culturally diverse public spaces of different postcolonial societies through the paradigm of cinematic representation. Although the book seeks to explore the phases of differences among postcolonial cultures, the essays hinge around common questions ? How does the experience and representation of violence change with the specificity of the postcolonial context? How do postcolonial cinemas negotiate ideas of conflict through the scenes of violence? How does violence as a cinematic trope shape postcolonial identities, especially of masculinities?
The authors set out to discuss these through the spectacle of violence in postcolonial films, consequently invoking issues of both representational and affective aspects of violence as a performative act in the postcolonial public space.
In the last couple of decades, violence as an analytic category has loomed large in the historical, literary, and anthropological scholarship of South Asia.
The challenge of thinking violence in its gendered incarnations fully and in all its complexity is not only theoretical or critical but also irreducibly ethical and political, given the proliferation of civil wars, pogroms and riots, fundamentalist movements, insurgencies and counterinsurgencies, and new technologies of violence and injury. All of these simultaneously feature and help constitute gendered actors and gendered scripts of violence.
States of Trauma seeks to examine this terrain by staging a set of questions. How are we to think about the moral charge that accrues to violence? What is the relationship between violence and non-violence? In considering the moral and affective economy of violence, how may we speak of the seductions of the idioms and practices of militarism and sexualized violence for women? How are these seductions/pleasures distinct from those proffered to men, if indeed they are distinct?
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