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_Feminist Subversion and Complicity_ interrogates a specific form of feminist practice, that which has involved engaging with state and international institutions to insert gender knowledge in their development interventions. Bringing together contributions from eight feminists located in very different kinds of institutions and spaces from Bangladesh, Nepal, Pakistan, Sri Lanka and India, this book is the outcome of a deeply reflexive process to produce a critique from within of this present day feminist practice. An array of experiences and encounters are scrutinised from bringing feminist perspectives to governmental projects on education, health, and legal reform to transformations in the discourses and practices of women’s movements and feminisms as they encountered developmentalisms. The writers show that feminist politics is not merely assimilated in governmental projects but that it interrupts these projects even as it is assimilated; a feminist politics in which complicity is often a subversive activity, is destabilizing and contesting of meaning.
This is the memoir of a remarkable woman, Begum Kurshid Mirza, the daughter of Sheikh Abdullah and Waheed Jahan Begu, the founders of Aligarh Women's College. An intimate of an upper class Muslim family in India and Pakistan from until the recent past, this narrative is much more than an account of Kurshid Mirza's personal life. It spans the years from 1857 to 1983 and provides an insight into the the social conditions of Indian Muslims, the state of Muslim women's education, and the transition to Pakistan, while illuminating Kurshid Mirza's rich and tried life as an actor, activist, radio and TV artiste, a writer, a devoted daughter, wife and mother. Kurshid Mirza's vitality and dynamism, her pioneering spirit and unconventionally led her to leave the cloistered world of Aligarh after an early marriage to a police officer and then pursue a career in films in Bombay. She rapidly climbed the ladder to sardom as Renuka Devi and worked alongside well-known actors and directors of the time. Partition cut short her film career and she left for the new country Pakistan, where she remained deeply engaged as ever and contributed to many worthy causes, especially for the benefit of the women. The coming of Pakistan to gave her a fresh opportunity to express her theatrical talents and she soon became one of Pakistan's best known television actors winning many award in 1985. A true Woman of Substance.
Good governance became the mantra in international development debates in the 1990s. The key approaches to bringing about good governance involved reforming the state and 'improving' public administration. Improving and strengthening democratic governance, while acknowledged as important by some international development agencies, was concentrated nevertheless on reforming the institutional design of the state through reforms of th electoral, judicial and legal systems and decentralization and devolution of government. But were these approaches sufficient to make governance participatory, accountable and responsive to citizens and respectful of rights? The action research on which this book is based undertaken in eight country contexts across two regions, Southern Africa and South Asia, by sixteen civil society organisations, looked at governance as political process, rather than solely as a series of technical interventions to improve state functioning. It investigated how women among marginalized groups could be enabled to stake their claim to participation in governance, and ho to create accountability of governance institutions to poor women's interest and rights. The book provides insights into the changing role of civil society organisations representing women's interest in creating 'voice' of the most marginalized women and strategies, methods and tools developed to reach poor women's voices to governance institutions in order to ensure policy responsiveness and implementation.
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