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Kamaladevi Chattopadhyay (1903-1988) was a remarkable woman of many passions and gifts. She played an important role in the struggle for Indian independence and was similarly a key figure in the international socialist feminist movement. She was India’s ambassador to Asia and Africa, an articulate and unflinching exponent of the idea of decolonization, and one of the earliest advocates of the idea of the global South. A staunch champion of women’s rights, she held views on women’s equality that continue to resonate in our times.
Greatly disheartened by the partition of India in 1947, Kamaladevi became involved in the resettlement of refugees and appeared to withdraw from political life. Indeed, the Kamaladevi that most Indians are familiar with is a figure who, above all, revived Indian handicrafts, became the country’s most well-known expert on carpets, puppets and its thousands of craft traditions, and nurtured the greater majority of the country’s national institutions charged with the promotion of dance, drama, art, theatre, music and puppetry. Throughout her life, however, she upheld with all the intellectual vigour and emotional force at her command the idea of the dignity of every human life.
Kamaladevi wrote voluminously and her sojourns took her all over the world. She travelled in China during World War II, lectured in Japan, visited Native American pueblos in New Mexico, and forged links with working women and anti-colonial activists in countries across Asia, Africa and Europe. Sadly, most of her writings have long been out of print. The editors of this comprehensive anthology, which is the first serious scholarly attempt to grapple with Kamaladevi’s life and body of work, have sought to represent the wide range of her interests. The extensive selections, comprised largely of journal articles and excerpts from Kamaladevi’s books, are accompanied by a set of original essays by contemporary Indian and American scholars which analyse and contextualize her life and work. This volume should provide the resources for further examination and appreciation of Kamaladevi Chattopadhyay’s unusual gifts and her place in modern Indian and world history.
In the early nineteen thirties Ayi Tendulkar, a young journalist from a small town in Maharashtra, travelled to Germany to study. Within a short time he married Eva Schubring, his professor's daughter. Soon after the short-lived marriage broke up, Tendulkar, by now also a well-known journalist in Berlin, met and fell lin love with the filmmaker Thea von Harbou, divorced wife of Fritz Lang, and soon to be Tendulkar's wife.
Many years his senior, Thea became Tendulkar's support and mainstay in Germany, encouraging and supporting him in bringing other young Indian students to the country. Hitler's coming to power put an end to all that, and on Thea von Harbou's advice, Tendulkar returned to India, where he became involved in Gandhi's campaign of non-cooperation with the British and where, with Thea's consent, he soon married Indumati Gunaji, a Gandhian activist.
Caught up in the whirlwind of Gandhi's activism, Indumati and Tendulkar spent several years in Indian prisions, being able to come together as a married couple only after their release -- managing thereby to comply with a condition that Gandhi had put to their marriage, that they remain apart for several years 'to serve the nation?. In this unique account, Indumati and Tendulkar's daughter, Laxmi Tendulkar Dhaul, traces the turbulent lives of her parents and Thea von Harbou against the backremove of Nazi Germany and Gandhi's India, using a wealth of documents, letters, newspaper articles and photographs to piece together the intermeshed histories of two women, the man they loved, their own growing friendship and two countries battling with violence and non-violence, fascism and colonialism.
"Few children are capable of writing about their parents' lives with empathy and clinical precision." --Somak Ghoshal, Live Mint
The dark legacies of Partition have cast a long shadow on the lives of the people of India, Pakistan and Bangladesh. The borders that were drawn in 1947, and redrawn in 1971, divided not only nations and histories but also families and friends.
The essays in this volume explore new ground in Partition research, looking into areas such as art, literature, mirgation, and notions of ‘foreignness’ and ‘belonging’. It brings focus to hitherto unaddressed areas of Partition, just as the northeast and Ladakh.
Contributors include: Sanjb Baruah | Sarah Ghani | Vishwajyoti Ghosh | Sanjeev Jain | Sukeshi Kamra | Rita Kothari | Kavita Panjabi | Prajna Paramita Parasher | Tarun K. Saint | Alok Sarin | Amiya Sen | Jhuma Sen | Jyotirmaya Sharma | Siddiq Wahid | Andrew Whitehead