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This is the memoir of a remarkable woman, Begum Kurshid Mirza, the daughter of Sheikh Abdullah and Waheed Jahan Begu, the founders of Aligarh Women's College. An intimate of an upper class Muslim family in India and Pakistan from until the recent past, this narrative is much more than an account of Kurshid Mirza's personal life. It spans the years from 1857 to 1983 and provides an insight into the the social conditions of Indian Muslims, the state of Muslim women's education, and the transition to Pakistan, while illuminating Kurshid Mirza's rich and tried life as an actor, activist, radio and TV artiste, a writer, a devoted daughter, wife and mother. Kurshid Mirza's vitality and dynamism, her pioneering spirit and unconventionally led her to leave the cloistered world of Aligarh after an early marriage to a police officer and then pursue a career in films in Bombay. She rapidly climbed the ladder to sardom as Renuka Devi and worked alongside well-known actors and directors of the time. Partition cut short her film career and she left for the new country Pakistan, where she remained deeply engaged as ever and contributed to many worthy causes, especially for the benefit of the women. The coming of Pakistan to gave her a fresh opportunity to express her theatrical talents and she soon became one of Pakistan's best known television actors winning many award in 1985. A true Woman of Substance.
From the heart of a well-known family of Hyderabad to life in a single room with the barest of necessities, Shaukat Kaifi's memoir of her life with the renowned poet Kaifi Azmi speaks of love and commitment. A marriage of over a half a century, a life steeped in poetry and progressive politics, continuing involvement with the Indian People's Theatre Association, the Progressive Writers Association, Prithvi Theatre... all of these and more inform this beautifully told tale of love. Shaukat Kaifi's writing details life in a communist commune, a long career in theatre and film and a life spent bringing up her two children, cinematographer Baba Azmi and actor Shabana Azmi. Nasreen Rehman's deft and fluent translation brings this luminous memoir alive with warmth and empathy. "To say that this is a lovely book would be an understatement. It is an enchanting recollection of the life of a hugely talented and sensitive human being, shared with a great poet." -- Amartya Sen.
On September 1, 1995, Tibetan nationalism and international feminism cam together in front of a global audience when nine exiled Tibetan women staged a demonstration at the United Nations Fourth World Conference on Women in Beijing. From a Tibetan perspective, the women created history by becoming the first Tibetans ever to hold a protest on Chinese soil. This book traces the history of organized political resistance by Tibetan women over the 40-year period leading up of the Beijing Conference. It describes and analyses the development of the Tibetan Women's Association, the mass women's organization of the Tibetan Exile Community and in particular the impact of feminism on it. It looks at at the overlaps and tensions between nationalism and feminism, and examines how both can be constructed in exile. In doing so, the book raises questions of belonging and representation, of change and permanence, of political expediency and idealism. Overall, it provides a unique insight into the nature of Tibetan Nationalism and its interaction with international forces and movements.
"Gulabi Gang! Gulabi Gang!
Watch out, here we come!
Don't try and step out of line
for the Gulabi Gang will win!"
Donning pink saris and holding sticks in their hands, the Gulabi Gang is a threat to every policeman who refuses to file a report on violence against a dalit, every husband who beats up his wife, and every goon who grabs land that does not belong to him. In this recounted autobiographical account, Sampat Pal, the founder and leader of the Gulabi Gang, looks back to trace her journey as a young girl of twelve, forced into child marriage, who later goes on to become the leader of the most feared group of women vigilantes in the country. Her rebellious instinct, fervour for justice and her desire to free women from their everyday oppression led her to organize the women in and around her village in Uttar Pradesh into a gang.
The Goddess and the Nation charts the pictorial life and career of Bharat Mata, 'Mother India,' the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country's diverse communities. Soon after Mother India's emergence in the late nineteenth century, artists began to incorporate the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Combining visual studies, gender studies, and the history of cartography, The Goddess and the Nation offers a rigorous analysis of Mother India's appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history, they actively make it.
'Call Me Confused, Please' requests one of the stories in this insightful and engaging collection from women of South Asian origin living in North America. 'Made in the USA?' wonders another.
Through poems, short stories and scholarly pieces, writers who are in their twenties, thirties and forties share what it is to live and grow up in a country that is your home and yet alien to you. They touch upon issues of culture, belonging, romance, body, race, ethnicity and the notion of 'home'. Moving beyond the idea of ABCDs (America-Born Confused Desi) and the 'identity crisis', the writers grapple with the richness of their diverse inheritances to produce a more nuanced understanding of self.
"Diverse voices challenge social binaries - of race, sexuality, nationality - to showcase the many facets of brown-ness." - Bandana Purkayastha, University of Connecticut
This story of extraordinary courage and survival is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This is the story of Baby Halder, a young woman working as a domestic in a home in Delhi. Hurriedly married off at the age of twelve, a mother by the time she was fourteen, Baby writes movingly and evocatively of her life as a young girl, and later as a young woman. The long absences of her father, the hardships faced by her mother, and her decision to walk out of her marriage, leaving Baby and her sister to manage the household, were the realities that shaped Baby's early life.When marriage came, Baby, still a child, yearned to play and study, but was burdened with the responsibility of being wife and mother while facing considerable violence from her husband. Escape finally came many years later, by which time the still young Baby was a mother of three, and she fled to the city in the hope of finding a job. Working in Delhi as a domestic help, Baby was lucky enough to come across an employer who encouraged her to read -- which she did voraciously -- and then to write. The story of Baby's life is a lesson in courage and survival.
Since it was first published in Hindi, this book has become a bestseller, receiving accolades from some of the best-known writers and critics in India and elsewhere. It has also been translated into other Indian languages.
Baby Halder is a writer and a domestic worker who lives and works in a home near Delhi. She is now working on her second book.
Urvashi Butalia is a publisher and writer whose work includes the award-winning oral history of Partition, The Other Side of Silence: Voices from the Partition of India.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India) comprising over fifty research papers and two book-length studies detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
Disputed Legacies focuses on Pakistan, examining law, pedagogy, medical practice and the situations that arise when ‘secular’ law comes into conflict with traditional practice and belief. The contributors to this volume trace the often-troubled interaction between the state and its women citizens and examine the structures and social systems that enable impunity for perpetrators of sexual violence to gain strength.
CONTRIBUTORS: Sahar Zareen Bandial | Nazish Brohi | Iftikhar Firdous | Huma Qurban Fouladi | Neelam Hussain | Hooria Hayat Khan | Zainab Zeeshan Malik | Noreen Naseer | Zahaid Rehman | Fahmida Riaz | Rubina Saigol | Zahra Shah | Sarah Zaman | Afiya Shehrbano Zia | Maliha Zia
When Revathi’s powerful memoir, The Truth About Me, first appeared in 2011, it caused a sensation. Readers learned of Revathi’s childhood unease with her male body; her escape from her birth family to a house of hijras (the South Asian generic term for transgender people), and her eventual transition to being the woman she always she knew was. This new book charts her remarkable journey from relative obscurity to becoming India’s leading spokesperson for transgender rights and an inspiration to thousands.
Revathi describes her life, her work in the NGO Sangama, which works with people across a spectrum of gender identities and sexual orientations, and how she rose from office assistant to director in the organization. Today she is an independent activist, theatre person, actor and writer, and works for the rights of transgender persons.
In the second part of the book, Revathi offers the reader insight into one of the least talked about experiences on the gender trajectory, that of being trans men. Calling several female-to-male trans persons her sons, Revathi puts before us their moving, passionate and sometimes tragic stories of marginalisation, courage, resistance and triumph.
An unforgettable book, A Life in Trans Activism will leave the reader questioning the ‘safe’ and ‘comfortable’ binaries of male/female that so many of us take for granted.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
The Self-Respect Movement launched by Periyar (E.V.Ramasami Naiker) in 1926 questioned the ways in which the lower castes were systematically excluded from the Indian nation and constructed as the 'Other' by the Brahmin elites. While Periyar's role within the movement has received critical and scholarly attention, women Self-Respecters and the issues they raised have gone largely unnoticed. This collection of essays and fiction by women Self-Respecter translated from the Tamil could serve as the material basis for writing an alternative history of the writing an alternative history of the movement. In mapping the voices of women who identified with movement this anthology helps us arrive at a different and richer understanding of what the Self-Respect movement stood for. There is an urgent need not only to improve upon existing Self respect histories but also to critique the ways in which they have so far been written. This anthology provides a basis for such critique.
Part memoir, part oral testimony, part eyewitness account, Binodini's The Maharaja's Household provides a unique and engrossingly intimate view of life in the erstwhile royal household of Manipur in northeast India. It brings to life stories of kingdoms long vanished, and is an important addition to the untold histories of the British Raj.
Maharaj Kumari Binodini Devi, who wrote under the single name of Binodini, published The Maharaja's Household as a series of essays between 2002 and 2007 for an avid newspaper reading public in Manipur. Already celebrated across the state for her award-winning novel, short stories, and film scripts, Binodini entranced her readers anew with her stories of royal life, told from a woman's point of view and informed by a deep empathy for the common people in her father's gilded circle.
Elephan hunts, polo matches and Hindu temple performances form the backdrop for palace intrigues, colonial rule and White Rajahs. With gentle humour, piquant obersavations and heartfelt nostalgia, Binodini evokes a lifestyle and era that is now lost. Her book paints a portrait of the household of a king that only a princess - his daughter - could have written.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
A searing memoir of a political life that took the Telugu literary world by storm.
Well-known as the widow of Kondapalli Seetharamaiah (KS), founder of the Maoist movement in Andhra Pradesh, Koteswaramma’s life spans a tumultuous century of the Independence movement, the Communist insurrection and the Naxalite movement in Andhra Pradesh. A dedicated worker for the Communist Party, she went underground in the difficult years of the late forties, living a secret life, running from safe house to safe house. Throughout, it was the support and companionship of her husband, Seetharamaiah, that gave her strength. And then, everything changed when he deserted her.
Refusing to be cowed down, Koteswaramma rebuilt her life step by painful step. She educated herself, took up a job, raised her grandchildren, wrote poetry and prose and established herself as a thinking person in her own right. This moving memoir is a testimony of her courage and tenacity in the face of overwhelming odds, as well as her understanding of the frailties of human beings and political institutions. That women in India often face incredible suffering is known. That they can fight back and emerge winners is exemplified in Koteswaramma’s life.
A true-life ‘rags to riches’ story of the First Lady of Bengali Cinema. Kanan Devi, one of the early singing stars, came into the film world in the silent era and, unlike many others, survived the transition to talkies.
Reduced to working as a domestic help after the death of her father, her life took a dramatic turn when she was offered a film role and, encouraged by her uncle, took it.
In this lively and candid account of her experiences (originally published in 1973 as Shobarey Aami Nomi), Kanan Devi recalls the early days of cinema in Bengal, analysing and comparing conditions of film acting in the early 1930s with what she saw about two or three decades later when she herself was a producer and director, with her own film company, Shrimati Pictures.
This fascinating and unusual story offers not only a different perspective on the growth of the film industry in Bengal, but also a first-hand account of the position of women who came into the public sphere in the early decades of the last century.
Ever wondered how to keep your little angel from the negative influences of the world in this challenging time? How to help her grow into a rnresponsible, successful and happy adult you can be proud of? Does it sometimes feel that divine intervention is needed?
Help is at hand in this brilliant new book by the best-selling author, Mridula Agarwal.
In this outstanding book, Farishta flies down from heaven to see for himself how little kids are being brought up, and what is making Almighty so unhappy. What he discovers on his travels surprises and shocks him, but how familiar those scenes are to us! As he moves from home to home, he talks to kids and watches how their moms and dads behave around them. For a divine being, Farishta is thoroughly down-to-earth and the lessons we, as parents, learn through his eyes are invaluable.
The result is a simple, practical set of guiding principles that can help you as a parent understand how to help your child grow in the most positive and successful way possible.
Best known as a young revolutionary who took up arms against the British establishment, Bina Das numbers among the heroes of Indian history - alongside Bhagat Singh, Rajguru, Preetilata Wadedar - who took up arms against the colonisers.
This short memoir movingly recounts the story of her involvement in the shooting of the British Governor of Bengal, Stanley Jackson, at the Annual Convocation Meeting of Calcutta University in 1932, her subsequent incarceration, and her growing involvement in politics.
Despite her importance in Indian history, Bina Das disappeared from public view in later life and is rumoured to have passed away in Rishikesh in early 1997. This account captures the early years of her life and gives insights into the context and history of the times that inspired Bina to take the path that she chose.
One of the grand ‘singing ladies’ who began their lives in the first quarter of the twentieth century, Malka Pukhraj was educated in Urdu, Persian, music and dance. These latter two became her life an she began her career as a court singer in the erstwhile princely state of Jammu and Kashmir, going on to become an independent performer, whose voice and words are now familiar to millions in the subcontinent.
In this remarkable, witty and candid account, Malka Pukhraj recalls her rich and eventful life, ‘My birth’, she begins, ‘was nothing short of a miracle’. Then, in her simple and inimitable style, she takes us through her childhood as a court singer, her absorption in her music, and her gradual understanding of the intrigues of court life. From singing and dancing, to acting, from childhood to adolescence and romance, and finally to marriage and family, the author brings the reader close to her sorrows and joys, her dilemmas and concerns, and ends with a moving and poignant account of the acceptance of old age, and all that it brings with it.
Saleem Kidwai is a historian who taught at Delhi University. He is co-editor, with Ruth Vanita, of Same Sex Love in India: Readings from Indian Literature and History.
“This must be one of the most gripping memoirs ever translated from an Indian language…Saleem Kidwai…has done a wonderful job of preserving the idiomatic vigour of the original, has skilfully edited Pukhraj’s account of her time in Lahore, which she wrote in one uninterrupted paragraph. …But it is the adventure of Pukhraj’s early days, with her masterly ability to recreate a lost world, that makes this book so memorable.” -- India Today
“…this remarkable saga is a vivid sub-continental document of interesting people in interesting times, the kind we no longer seem to have.” -- The Indian Express
A moving memoir by one of the most highly respected and important authors from India’s Northeast.
Temsula Ao was born in 1945 in the Assamese town of Jorhat. Her happy childhood with her five siblings was cut tragically short with the deaths of both their parents. Desperately poor, emotionally scarred, lonely and often hungry, the young Temsula made up for her lack of resources with courage and determination.
From these unpromising beginnings, Ao went on to build a distinguished teaching career, serving as Director of the Northeast Zone Cultural Centre, and finally Dean of the School of Humanities and Education, North- Eastern Hill University, Shillong.
Temsula Ao describes the book as “an attempt to exorcise my own personal ghosts from a fractured childhood that was ripped apart by a series of tragedies... [it] is about love and what it is like to be deprived of it.”
For her readers, Ao’s memoir gives not only an insight into her role as a leading figure in the Northeast, but is also a moving account of a writerly life.
The essential guide to the who, why, what, when, where and how of sexuality education. Talking to children and young people about sexuality is never easy. This non-nonsense, straightforward and accessible guide will help adults get across the necessary information in the best way possible. Since 1996, TARSHI has been counseling and supporting people - young and not-so-young - on issues to do with sexual health. Building on the success of the highly popular Red Book (for 10-14-year-olds) and Blue Book (for 15+), the team have put together The Yellow Book specifically for parents and teachers. The Yellow Book is full of tips and tools, information and advice to help you talk to your children about sexuality at every stage of their lives.
Narrated in the intimate anger of a young woman's journal-keeping voice, this novel explores the politics of sex and class through the lives of women compelled to live their lives in the seclusion of the inner courtyard or aangan. Set in the thirties India, Inner Courtyard is the story of a dystopic home where the battles of the world are played out. Based on the interiority of women's lives it explores realpolitik through the personal and political affiliations of one family.
In 1970s Karachi, where violence and political and social uncertainty are on the rise, a talented painter, Tahira, tries to hold her life together as it shatters around her. Her marriage is quickly revealed to be a trap from which there appears no escape. Accustomed to the company of her brother Waseem and friends, Andaleep and Safdar, who are activists, writers and thinkers, Tahira struggles to adapt to her new world of stifling conformity and to fight for her identity as a woman and an artist.
Tragedy strikes when her brother and friends are caught up in the cynically repressive regime. Faced with loss and injustice, she embarks upon a series of paintings entitled ‘The Empty Room’, filling the blank canvases with vivid colour and light.
Elegant, poetic, and powerful, The Empty Room is an important addition to contemporary Pakistani literature, a moving portrait of life in Karachi at a pivotal moment in the nation’s history, and a powerful meditation on art and the dilemmas faced by women who must find their own creative path in hostile conditions.
"‘Regret is only one kind of torment in a world generous with pain’, writes Sadia Abbas. In her debut novel, regret and pain appear in light, luminous hues as the story of a new nation, struggling to retain its democratic resolve, is enmeshed with the story of a rocky marriage. The courage, wit and capacity for love displayed by the characters are sure to linger long after the last chapter has been read."
— Annie Zaidi, author of Gulab and Love Stories #1-14
"A gripping and wonderfully observed account of domestic life and its many perils in Pakistan's early decades. The portrait of a marriage set in the minefield of an extended family, this novel offers us an extraordinarily nuanced view of a woman's life."
— Faisal Devji, author of The Impossible Indian: Gandhi and The Temptation of Violence
"The personal and the political come together in this tale of a nation and a young, newly-married woman, as they push against horizons, stretch boundaries and make painful self-discoveries."
— Rakhshanda Jalil, writer and translator
Sadia Abbas grew up in Pakistan and Singapore. She received her PhD in English literature from Brown University, and she teaches in the English Department at Rutgers University-Newark. Sadia is Adjunct Professor at the Stavros Niarchos Center for Hellenic Studies at Simon Fraser University. She loves long walks, the Mediterranean and, indiscriminately, all sorts of films.
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