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"A wise and wonderful insight into modern motherhood"" - Farah Khan.
What do you call a feminist who is a mother? A femimom? A mominist? Or just a confused woman balancing the many roles in her life: working professional, mother, wife, daughter...
Meet Tara Mistri, stay-at-home mom and frustrated architect: a baker of biscuits and maker of bricks.
Inspired by and in total awe of the Salk Institute in California, Tara hankers to replicate its clean lines and perfect symmetry in her own life. But with two small children to look after, her set squares and scales are used for scraping plasticine out of the carpet and her career looks like it may remain on the backburner forever. Then, one day, she is offered a job and finds herself on the horns of a dilemma.
Goaded by her own personal demon — a nagging Yakshi who just won’t let her alone — Tara’s struggle to balance life and love, work and playdoh will have readers nodding in recognition, wincing in sympathy and laughing along with her.
‘It took my mother, Khonuo, exactly forty-five years before she could bring herself to talk about the war.’
These powerful words introduce the reader to Easterine Kire’s stunning new novel, A Respectable Woman. In Nagaland, the decisive Battle of Kohima has been fought and won by the Allies, and people in and around Kohima are trying hard to come to terms with the devastation, the loss of home and property, and the deaths of their loved ones. Forty years after the event, Khonuo recreates this moment, stitching together her memories, bit by painful bit, for her young daughter.
As memory passes from mother to daughter, the narrative glides seamlessly into the present, a moment in which Nagaland, much transformed, confronts different realities and challenges. Using storytelling traditions so typical of her region, Kire leads the reader gently into a world where history and memory meld — where, through this blurring, a young woman comes to understand the legacy of her parents and her land.
“Kire delicately mixes live traditions with new standards.”
— Luis A. Gomez, National Herald
“Hauntingly beautiful and lyrical, Easterine Kire's prose is... [an] example of her effortless hold over words and stories.”
— Swati Daftuar, The Hindu
“… one of the most prominent literary voices of the Northeast.”
— Maitreyee Boruah, The Telegraph
EASTERINE KIRE is a writer, poet and translator. She is Nagaland’s first novelist in the English language. Her book, When the River Sleeps (Zubaan, 2014), won the 2015 Hindu Prize for Fiction. She is also the author of A Naga Village Remembered (2003), A Terrible Matriarchy (Zubaan, 2007), Mari (2010), Life on Hold (2011), Bitter Wormwood (Zubaan, 2011), the Sahitya Akademi-honoured Son of the Thundercloud (2016), Don’t Run, My Love (2017), and The Rain-Maiden and the Bear-Man (forthcoming 2019). She lives in Norway.
This simple, charming picture book introduces youngsters to the importance of taking care of their own bodies. From simple tips on hygiene to an empowering message of personal safety, Shruti Singhal’s visuals and text provide perfect reading material for talking about health, safety, emotional and physical well-being with very young children.
A great resource for teaching children about good touch/bad touch and consent.
'Call Me Confused, Please' requests one of the stories in this insightful and engaging collection from women of South Asian origin living in North America. 'Made in the USA?' wonders another.
Through poems, short stories and scholarly pieces, writers who are in their twenties, thirties and forties share what it is to live and grow up in a country that is your home and yet alien to you. They touch upon issues of culture, belonging, romance, body, race, ethnicity and the notion of 'home'. Moving beyond the idea of ABCDs (America-Born Confused Desi) and the 'identity crisis', the writers grapple with the richness of their diverse inheritances to produce a more nuanced understanding of self.
"Diverse voices challenge social binaries - of race, sexuality, nationality - to showcase the many facets of brown-ness." - Bandana Purkayastha, University of Connecticut
Set in mid-nineteenth century Assam when the forces of tradition were being challenged by new concepts of modernity, Swarnalata is the story of three women from very different social backgrounds, each caught in the whirlpool of change, each trying to chart her own course in life, heroically, silently. As the intertwined lives of Swarnalata, Tora and Lakhi unfold, the reader is taken on a fascinating journey into the social milieu of the times where issues like women's education and widow remarriage held centre stage. The plight of indentured labour, peasant resistance against colonial exploitation, the reformist initiatives of the Brahmo Samaj and the proselytizing efforts of the Christian missionaries are themes that run through the narrative. Considered one of the finest historical novels in Assamese, where real historical personages - such as Rabindranath Tagore - are presented side by side with fictional characters, Swarnalata provides a wonderful blend of history and fiction. Swarnalata was first published in Asomiya in 1991. It was awarded the Ishan Puraskar by the Bhartiya Bhasha Parishad in 1995 and translated into Bangla and Hindi under the 'Adaan-Pradaan' programme of the National Book Trust. The Asomiya original is now in its fouth edition and has received wide critical acclaim in the last 15 years.
This anthology is not only about what Gujarati women speak, but also what they don’t. In a state that registers increasing cases of violence against women, what kind of truths does its literature embody?
If malestream writing in Gujarat seldom mirrors its everyday truths, do the women risk unpleasantness? Kothari’s introduction builds upon such premises and leads the reader to a trajectory of women writers from the beginning of the twentieth century to the present day, starting with the journal entries of a dancer at the end of the nineteenth century, to the journal entries of an academic woman at the end of the twentieth century. The wide range of stories and fictional excerpts show how Gujarati women inhabit their fictional worlds. The trajectory hints at an imperceptible shift from muffled voices to more candid ways of being, and yet it never loses completely the middle-class genteelness that characterizes literary discourses in Gujarat.
Rita Kothari teaches at St. Xavier’s College, Ahmedabad. Her publications on literary sociology of Gujarat and translation include Translating India, Modern Gujarati Poetry: A Selection, Coral Island: Poems by Niranjan Bhagat, Angaliyat (a Gujarati Dalit novel). Her forthcoming book is Stigmatised Identities: The Sindhis of Gujarat.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
SHORTLISTED FOR 2007 CROSSWORD BOOK PRIZE
It's raining in Shillong. Eight-year-old Sophie Das has just realised she is adopted, but there is also the baby kicking inside her mother's stomach whom she's dying to meet. IAS aspirant Aman Moondy is planning a first-of-its-kind Happening and praying the lovely Concordella will come. College lecturer Firdaus Ansari is going to finish her thesis, have a hard talk with her boyfriend, and then get out.
Poetic, funny, tender, Lunatic in my Head is a moving portrait of a small town and of three people joined to each other in an intricate web, determined to break out of their small town destinies.
"A classic" -- BIBLIO
"Here is a writer of worth, and worth reading" -- The Hindu
"The delicacy and pungency of her portraits of these characters is very striking, as is her evocation of the provincial milieu of 'the hill-encircled town' in which they live, and against whose ingrained codes they beat their wings" -- Mint
"Compelling" -- Hindustan Times
Set in the forests of northern Odisha, Mahuldia Days is the moving story of a young civil servant caught between her commitment to the tribal communities she knows are the original inhabitants of the forest, and the monolithic state, oblivious to the diverse realities of life on the ground. The moonlit Brahmani river snakes through the story with a life of its own while the city of the narrator’s childhood returns to her in dreams. Agnihotri creates a poignant, intense narrative layered with an awareness of the pressures of motherhood and personal love.
Praise for Anita Agnihotri:
“Agnihotri draws you in with her well fleshed out characters. Their dreams, idiosyncrasies and disappointments are all too real; as are their failures.”
—Aparna Singh, Women’s Web
“Urgently told and precise in their direction... Each story crackles with intensity and purpose.”
—Mike McClelland, Spectrum Culture
“[Anita Agnihotri] sensitively and beautifully chronicles the plight of a major chunk of the country’s population.”
—Abdullah Khan, The Hindu
Anita Agnihotri works in the Ministry of Social Justice in India. She is a Bengali writer of over twenty-five books, including Seventeen and The Awakening, both also published by Zubaan. Seventeen won the Economist-Crossword Book Award for translation in 2011.
Kalpana Bardhan is a writer and translator based in San Francisco.
Squiggle’s back - this time, in a fun-filled adventure that helps turn muddled sentences into ones that make sense!
Squiggle’s stuck! She’s fallen into a dictionary and can’t escape. The only way out is to create a grammatically correct sentence and use it to jump off the page. She’s even got to rescue a very mixed-up character called Doodle Dude while helping him learn about verbs, nouns, prepositions and more such. Can you help them build a getaway sentence?
This new adventure follows on from Natasha Sharma’s brilliant and highly acclaimed Squiggle Takes a Walk, the best way to figure out the world of punctuation.
A great, fun book for teaching children about sentences in the English language!
It has been ten years since Ram's return from fallen Lanka. Ayodhya is shining. Ayodhya is prosperous. But darkness lurks at the heart of the victrorious regime. A pointed question piques a young journalist's curiousity: What happened to Sita? Where is Ram's absent wife whose abduction triggered the war with Lanka?
And so begins the journalist's search for the missing queen. Soon her investigation attracts the notice of Ayodhya's all-powerful secret police and its mysterious head, the Washerman. Forced to flee Ayodhya, the journalist makes her way through a war-devastated Lanka in search of answers.
In this stylish speculative thriller, Samhita Arni skilfully combines her love for mythology with riveting storytelling.
"Pacy, gritty and very clever." -- Samit Basu
"Of late, a jungle of mythological retellings seems to have sprouted on Indian bookshelves. But this highly original take by Samhita Arni is a rare exception. A refreshing even radical revisiting brings new insights while providing a thrilling read." -- Ashok Banker
"Samhita Arni started telling stories from the Mahabharata, in an enchanting way, to her grandmother. And here she gets entangled at the same time in the Ramayana and today's world." --Roberto Calasso
In Other Words brings you 14 of the most innovative and adventurous contemporary Indian women writers. The stories in this collection are remarkable not only for this richness of subject and style, but also for the confidence and poise of their writing. All the authors, except two, belong to the post-Independence generation. Their preoccupations range from an observation of the past through the lives of their ancestresses, to that of the present, sparkling, but exquisitely poignant vignette of growing up urban in the 80's. For some, fiction writing- and the short story in particular- is relatively new; each writer approaches the language in which she has chosen to write-English-and the art and craft of fiction writing, with a confidence and panache that is hard to match.
From Rokeya Sakhawat Hossain (1880-1932), the writer of the feminist utopian fantasy ‘Sultana’s Dream’, come these tales of gumptious wit, describing the twists and turns of India’s two-hundred-year relationship with the imperial British.
Freedom Fables begins with the two eponymous fables, both compact in form but temporally vast. The first story ‘Muktiphal’ (translated in this volume as ‘The Freedom Tree’) traces the rise of and divisions within India’s Congress party. ‘Gyanphal’ or ‘The Tree of Knowledge’, the second fable, begins in the Garden of Eden and moves swiftly to an idealised Kanakadwipa where a trading company beguiles the prosperous country and proceeds to ruin it. Throughout both, the fantastic floats easily over mere facts. Adam and Eve, the Almighty, djinns, paris, demons, and Mayavi magicians: these classic characters play decisive, intriguing roles.
These major political satires are accompanied in this edition by six essays and two poems, which the intrepid Hossain wrote over a period of seventeen years. Interwoven through her writings are ideals that endure even today: education and emancipation for women, dignity for those living in the subcontinent, and freedom from colonial rule and influence.
“It was perhaps in the rancorous tumult of the breaking and making of nations that Rokeya Sakhawat Hossain’s word and vision was lost.”
— Rafia Zakaria, Dawn
“You can feel Hossain’s anger... and her scathing criticism of a system that allows what she saw as lazy, violent men to dominate while their gentler, wiser female counterparts are marginalized.”
— Tahmima Anam, NPR
"“Hossain slyly pointed out back in 1905 what is often discussed now, particularly in the subcontinent—why should women be taught to stay safe, when men are not taught to not threaten or abuse or rape or be a danger to women?”
— Mahvesh Murad, Tor.com
ROKEYA SAKHAWAT HOSSAIN was a feminist activist and writer, as well as a visionary campaigner for women’s education. Born in 1880 in Rangpur (in what is contemporary Bangladesh), Hossain—also known as Begum Rokeya—wrote prolifically on issues of women’s liberation and against British colonial rule over India. Her ‘Sultana’s Dream’, written in 1905, is arguably the first work of feminist science fiction from Asia. Hossain founded the Muslim Women’s Association in 1916 to fight for women’s education and employment. She remained fiercely engaged in feminist debates and conferences until her death in 1932.
KALYANI DUTTA is an award-winning translator. Her translations from Bengali to English form a part of The Essential Tagore, published by Harvard University Press in 2011. She is also the co-author of Women, Education, and Politics: The Women’s Movement and Delhi’s Indraprastha College which brings together her twin interests, women’s studies and education.
Be transported into dystopian cities and alternate universes.
Hang out with unicorns, cyborgs and pixies.
Learn how to waltz in outer space.
Be amazed and beguiled by a fairy tale with an unexpected twist,
a futuristic take on a TV cooking show,
and a playscript with tentacles.
In other words, get ready for a wild ride!
This collection of sci-fi and fantasy writing, including six graphic stories, showcases twenty of the most exciting writers and artists from India and Australia, in an all-female, all-star line-up!
Samhita Arni, Kuzhali Manickavel, Manjula Padmanabhan, Vandana Singh, Payal Dhar, Anita Roy, Annie Zaidi, Penni Russon, Kate Constable, Isobelle Carmody, Justine Larbalestier, Alyssa Brugman, Kirsty Murray, Margo Lanagan, Priya Kuriyan, Prabha Mallya, Amruta Pail, Lily Mae Martin, Nicki Greenberg and Mandy Ord.
* WINNER OF THE 2011 ECONOMIST-CROSSWORD BOOK AWARD FOR TRANSLATION *
A brother and sister visit the unique crater-lake that their dead, estranged mother had written to them about in her letters. A middle-class employee's orderly life turns upside down when his employer holds back his cheque without an explanation. The employees of a forgotten outpost in a sun-baked town threaten mass suicide because they have no hope of survival.
Seventeen is a collection of short stories from among more than 100 of Anita Agnihotri's published short fiction. By turn intense, brittle, angry sad and torn apart in conflict, the stories bring out the different faces of human hardship and explore the India that is still largely unknown. Set in metros and villages, in small-town India and in international suburbia, the stories run the gamut of experiences both everyday and extraordinary. From deeply personal relationships against the backremove of turmoil to intensely social truths told through the unique life of individuals, each of these stories is a picture of human fragility. This is literary craftsmanship at its best.
Each story in this anthology testifies to women's many concerns, whether with a way of life, or with being caught inside the four walls of the home, or in a relationship with someone other than the husband, or being caught at the intersection of many forces within a situation of political violence and armed conflict. In one way or another the woman's body becomes a site upon which many battles take place: for control, for power, for progeny, but there is seldom a resolution in which the women remain a mere victim, or more acted upon the acting. Whether she is in the palaces of the gods, or caught in the body of snake, or speaking through the spirit of the countryside which witnessed her rape, the woman's voice is unique, singular and in each story, different. While this gives substance to the cliche that India is a country where many and varied realities exist simultaneously, it gives the lie to the cliche that all women speak with a sameness and a commonality of experience.
Contributors: Vandana Singh, Indira Goswami, Temsula Ao, Mridula Garg, Shama Futehally, Shashi Deshpande, Nayantara Sehgal, Mahasweta Devi, Anjana Appachana, Manjula Padmanabhan, C.S. Lakshmi (Ambai), Bulbul Sharma, Anita Agnihotri, Priya Sarukkai Chabria, Githa Hariharan, Chandrika B.
Urvashi Butalia is a publisher and writer. Co-founder of Kali for Women, India's best-known feminist publisher, and now Director of Zubaan, she is also author of the award winning oral history of Partition, The Other Side of Silence: Voices from the Partition of India. Her other publications include Women and the Hindu Right (co-edited with Tanika Sarkar) and Speaking Peace: Women's Voices from Kashmir (edited).
Twelve short stories about everyday life and the political realities of Assam.
“My stories,” says the author, “are a lot about darkness but they are also about the small sparks of light that occasionally dispel the demons in our souls.”
In this collection, a doctor’s comfortable existence in a tea estate is rudely shattered by violent conflict, a daughter reflects on the failure of her parents’ inter-religious marriage, and children discover how shockingly little time it takes to go from joking to being thrown headlong into bloody carnage.
Sharp and eloquent, Uddipana Goswami’s stories bring into harsh focus how interwoven political violence is with everyday life.
Talaash is the second novel of the Bangladeshi writer Shaheen Akhtar. It captures the brutalities of the 1971 war of liberation and its contingent afterlife -- more specifically, the scars it has left on women. For thirty long years, Mariam, the protagonist of the novel, lives with memories of a war that refuses to end for her. The analeptic and proleptic shapings of Shaheen's prose travel in and through those shattered memories (and their public use) to construct a devastating archive of pain and anguish, far beyond the pale of cause and effect. Shaheen Akhtar's mesmerizing and moving novel, set against the background of the Bangladesh war of independence, explores the violence done to women, their courage and heartbreak, their search for love and their betrayal. Taalash (The Search) was awarded the Prothom Alo Literary Prize in 2004.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
East is East and West is West, but the twain meet with a crash in Gurgaon - the epicentre of the outsourcing revolution in India, where thousands of the country's youth live with their bodyclocks set to US time zones and their cultural antennae pointing west. Into this maelstrom walk three very different young women:
Ayra, the golden girl: with a high profile job and a fancy title, everything seems to be going her way, until she finds herself at the helm of what could be the worst disaster of her career,
Shivaa, the perfect housewife turned desperate career woman who has to fight life, marriage and her irrational new boss to make sense of her existence, and
Sara, the shy college graduate turned spunky office-goer, who is willing to risk it all rather than be pushed into an early marriage by her anxious parents.
Debut author, Shruti Saxena weaves a very modern fairytale of professional jealousy and ruthless manipulation, heroic victories and egoistic cowardice, unfulfilled dreams and desires and raw, unadulterated ambition as seen though the eyes of these three extraordinary woman and the men who love them.
Lifelines is an enthralling collection of short stories that will take you on some unforgettable journeys —journeys that span continents and decades, transgressing social boundaries and raising ethical dilemmas along the way.
The protagonists of these tales find themselves re-drawing their own destinies as they map their lifelines in unique, often unanticipated ways. The rapidly changing realities of the 21st-century require these individuals to navigate through uncharted waters, in a world increasingly shaped by the forces of globalisation, development and migration. One where the old ways are being challenged as never before, even in the traditionalist heartlands of South Asia.
Lifelines portrays the trials and triumphs of men, women and children who find themselves facing unexpected challenges—and discover that the decisions that they take, for better or worse, have consequences they never envisaged.
In the 1950s, ten-year-old Dayamoyee watches with bewilderment and curiosity as her village, Dighpait, begins to change and people she knows and loves start to pack their belongings and move away. India has been partitioned, and Dighpait has now become part of a new country, (East) Pakistan. Soon, Dayamoyee's aunt, with whom she lives, also begins to prepare to travel across the border, to Hindustan where Dayamoyee's parents, both teachers, have made their home. Forced to leave her beloved home, her friends, and especially their family retainer, Majam, whom she calls Dada, Dayamoyee resolves, on her journey from Pakistan to Hindustan, never to mention the home they have left behind. And so, from childhood to adulthood, from adulthood to middle age, Dayamoyee never speaks of Dighpait. And then, in the early 1990s, she hears of Majam's death and the floodgates of memory open. Sunanda Sikdar's beautiful and moving memoir A Life Long Ago (Dayamoyeer Katha in Bengali) was awarded the Lila Puraskar by Calcutta University in 2008, and the Ananda Puraskar in 2010.
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