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This book links caste and gender to the social production of motherhood. Dandekar argues that in contradiction to the assumption about motherhood being primarily a female-centred and positive domain, subaltern agency produces it as malign, dangerous, malevolent and marginal.
Highlighting the manner in which the experience and expression of motherhood is constructed as androgynous and nonthreatening to patriarchal hegemony, the author emphasizes the consolidation of ‘lower’ caste positive identity through valorization processes and endorses high caste and class ownership and power by producing the birth and survival of a male child as its ideological validaton.
Little has been written about the experiences of motherhood in India, outside of the debates around public health statistics. Here, the author reinvents and deconstructs existing notions of maternity by interrogating the very systemic and patriarchal nature of its language that depoliticizes oppression.
In Queer Activism in India, Naisargi N. Dave examines the formation of lesbian communities in India from the 1980s to the early 2000s. Based on ethnographic research conducted with activist organizations in Delhi, a body of letters written by lesbian women, and research with lesbian communities and queer activist groups across the country, Dave studies the everyday practices that constitute queer activism in India.
Dave argues that activism is an ethical practice comprising critique, inven- tion, and relational practice. She investigates the relationship between the ethics of activism and the existing social norms and conditions from which activism emerges. Through her analysis of different networks and institutions, Dave documents how activism oscillates between the potential for new social arrangements and the questions that arise once the activists’ goals have been achieved. Queer Activism in India addresses a relevant and timely phenomenon and makes an important contribution to the anthropology of queer communi- ties, social movements, affect, and ethics.
“The exciting aspect of this book is how Dave draws on the everyday practices of queer activism, in particular lesbian activism in India, to expose the deeply considered and ethical positions that they take. . . . Dave’s book marks a significant contribution to the archive of queer scholarship generally, but more importantly to making visible a postcolonial perspective in this scholarship.” — Ratna Kapur, Journal of Anthropological Research
“A beautifully written ethnography, offering a passionately detailed ethnographic perspective on queer politics, feminism, and social movements in India.” — Kamala Visweswaran, author of Un/common Cultures: Racism and the Rearticulation of Cultural Difference
“Dave’s book, with its anecdotes, observations, and rich endnotes, will no doubt add to our understanding of urban lesbian activism while compelling us to reflect about methods and ethics in the age of “affect.”” — Shohini Ghosh, Journal of Asian Studies
In this creative, ethnographic and historical critique of labor practices on an Indian plantation, Piya Chatterjee provides a sophisticated examination of the production, consumption and circulation of tea. Allowing personal, scholarly and artistic voices to speak in turn, the author discusses the fetishization of women who labor under colonial, post/colonial and now neofeudal conditions. A Time for Tea demonstrates that at the heart of these narratives of travel, conquest and settlement are compelling stories of women workers. While exploring the global and political dimensions of local practices of gendered labor, Chatterjee also reflects on the privileges and paradoxes of her own "decolonisation" as a third-world feminist anthropologist.
PIYA CHATTERJEE is Associate Professor of Women's Studies at the University of California, Riverside, USA
This book sets out to examine the gendered expressions of Shia Muslim faith. How do contemporary women construct and experience their religious lives? How does gender impact Shia piety? In this intriguing study, the author critically analyses the world of women's religious expression, helping us to better understand not only the ritual lives of Shia women, but Muslim faith and practice in general.
The author argues that most research and writing on Shia Islam reflects male expressions and beliefs. Men have dominated the formation of knowledge within the Shia religious hierarchy, as well as the study of Shia Islam within the fields of Religious Studies and Islamic Studies. In contrast, the author takes women's lives and beliefs as her starting point, and uncovers powerful female expressions which dynamically shape Shia Muslim religious life.
Diane D'Souza helps us discover a vibrant women-centred narrative underpinning Shia faith. Whether by bringing to life female personalities which profoundly shaped religious history, illuminating the dynamic female leadership within today's religious rituals, or uncovering the fascinating development of a women-only shrine, this book provides a richer, more complete understanding of Shia Islam.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India) comprising over fifty research papers and two book-length studies detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
The essays in this volume focus on Nepal, which though not directly colonized, has not remained immune from the influence of colonialism in its neighbourhood. In addition to home-grown feudal patriarchal structures, the writers in this volume clearly demonstrate that it is the larger colonial and post-colonial context of the subcontinent that has enabled the structuring of inequalities and power relations in ways that today allow for widespread sexual violence and impunity in the country – through legal systems, medical regimes and social institutions.
The period after the 1990 democratic movement, the subsequent political transformation in the aftermath of the Maoist insurgency and the writing of the new constitution, has seen an increase in public discussion about sexual violence. The State has brought in a slew of legislation and action plans to address this problem. And yet, impunity for perpetrators remains intact and justice elusive. What are the structures that enable such impunity? What can be done to radically transform these? How must States understand the search for justice for victims and survivors of sexual violence? The essays in this volume attempt to trace a history of sexual violence in Nepal, look at the responses of women’s groups and society at large, and suggest how this serious and wide-ranging problem may be addressed.
This book focuses on feminist research methodology, exploring and analysing its constituting methods, theory, ontology, epistemology and ethics and politics, as well as the significance of the subjectivity of the researcher in research issues relating to women, gender and feminism in Sri Lanka. The book examines ways of meaning-making for political, ideological and social change, and constructs an example of feminist research praxis.
Using this South Asian country as a case study, the author looks at the means by which researchers in this field inhabit, engage with and represent the multiple realities of women and society in Sri Lanka. In analysing what constitutes feminist research methodology in a transitional country, the book links local research practices with Western feminist approaches, taking into account the commonalities, distinctions and specificities of working in a South Asian context.
With an emphasis on general issues and debates in global feminist theory and methodology, the book explores the issues of reflexivity, standpoint, gender, women’s agency, empiricism, and the feminist politics of Marxism and democracy, positivism, induction, deduction, post-modernism and postcolonialism.
Engaging with and re-conceptualising three traditionally different types of research — women’s studies, gender studies and feminist studies — Feminist Research Methodology provides a framework for researching feminist issues. Applicable at both local and global levels, this original methodological framework will be of value to researchers working in any context.
"Drawing from field research in Cameroon, Ghana, Viet Nam and the Amazon forests of South America, this book explores the relationship between gender and land, revealing the workings of global capital and of people's responses to it.
A central theme is the people's resistance to global forces, frequently through an insistence on the uniqueness of their livelihoods.
The book addresses a gap in the literature on land tenure and gender in developing countries. It raises new questions about the process of globalization, particularly about who the actors are (local people, the state, NGOs, multinational companies) and the shifting relations among them. The book also challenges the very concepts of gender, land and globalization. "
Dzodzi Tsikata is a senior Research Fellow at Institute of Statistical, Social and Economic Research(ISSER) and Deputy Head of the Centre for Gender Studies and Advocacy (CEGENSA) at the University of Ghana. Her research interests are the areas of gender and livelihoods, gender and development policy and practice, land and resources tenure reforms. She has several publications on these subjects including a book, Living in the Shadow of the Large Dams: Long Term Responses of Lakeside and Downstream Communities of Ghana's Volta River Project(2006).
Pamela Gholah worked as Program Officer with the Women's Rights and Citizenship Program at the International Development Research Centre, Canada. In 2009, she joined the Research and Evaluation Branch at Citizenship and Immigration Canada as a Policy and Research Analyst.
"Women always face violence from men. Equality is only preached, but not put into practice. Dalit women face more violence every day, and they will continue to do so until society changes and accepts them as equals." --Bharati from Andhra Pradesh
The right to equality regardless of gender and caste is a fundamental right in India. However, the Indian government has acknowledged that institutional forces arraigned against this right are powerful and shape people's mindsets to accept pervasive gender and caste inequality. This is no more apparent than when one visits Dalit women living in their caste-segregated localities. Vulnerably positioned at the bottom of India's gender, caste and class hierarchies, Dalit women experience the outcome of severely imbalanced social, economic and political power equations in terms of endemic caste-class-gender discrimination and violence.
This study presents an analytical overview of the complexities of systemic violence that Dalit women face through an analysis of 500 Dalit women's narratives across four states. Excerpts of these narratives are utilised to illustrate the wider trends and patterns of different manifestations of violence against Dalit women.
Originally published in Marathi in 1989, this contemporary classic details the history of women's participation in the Dalit movement led by Dr B.R. Ambedkar, for the first time. Focusing on the involvement of women in various Dalit struggles since the early twentieth century, the book goes on to consider the social conditions of Dalit women's lives, daily religious practices and marital rules, the practice of ritual prostitution, and women's issues. Drawing on diverse sources including periodicals, records of meetings, and personal correspondence, the latter half of the book is composed of interviews with Dalit women activists from the 1930s. These first-hand accounts from more than forty Dalit women make the book an invaluable resource for students of caste, gender, and politics in India. A rich store of material for historians of the Dalit movement and gender studies in India, We Also Made History remains a fundamental text of the modern women's movement.
This remarkable study focuses on the relationship between forms of prostitution, discourses on law making, and law enforcement practices.
Across the 19th and early 20th centuries, the colonial government in Bombay city formulated laws on prostitution that were enormously repetitive. Activities such as soliciting men, pimping and procuring women and girls for prostitution were banned in identical ways in multiple eras. Across the same hundred years, commercial sex grew vast in scale, and Bombay became a node in a transnational sex trade circuit.
This book argues that while the expansion of Bombay's sex trade over the past century might suggest that laws were simply ineffectual, law making was instead a productive process that sustained particular forms of prostitution. In examining this dimension of colonial governance, Tambe evaluates the uses and limits of Foucault's approach to law and sexuality.
This collection provides a synoptic representation of the development of women's studies in India from the late seventies to the present. Divided into different subject areas, the Reader captures the wealth of information in this new field, and looks at how women's studies scholarship has shaped both the academy and spheres of policy-making and advocacy. The essays included here offer not only a curriculum for the teaching of women's studies, but also act as an introductory text for the interested reader. The book represents the work of several women's studies scholars such as Vina Mazumdar, Lotika Sarkar, Devaki Jain, Nirmala Banerjee, Patricia Uberoi, Bina Agarwal, Flavia Agnes, Shohini Ghosh, Malavika Karlekar, Leela Kasturi, Joy Deshmukh, Zoya Hasan, Ratna Sudarshan, Ratna Kapur and others. Themes covered include the women's movement in India, the legal framework, politics, educational intervention, encounters with violence, the family, sexuality and work.
Mala Khullar is a freelance consultant and has worked with the Asian Centre for Women's Studies, EWHA Women's University, Seoul; the Aga Khan Foundation, New Delhi; Bernard Van Leer Foundation, the Hague; and the Centre for Women's Development Studies, New Delhi.
In May 2009, the Sri Lankan army overwhelmed the last stronghold of the Liberation Tigers of Tamil Eelam -- better known as the Tamil Tigers -- officially bringing to an end nearly three decades of civil war. The conflict resulted in massive displacement of people from their homes.
The figures are shocking around 80,000 Muslims were expelled from the LTTE controlled north, and nearly half of all Sri Lankan Tamils were displaced during the civil war.
Sharika Thiranagama's book focuses on two groups of displaced peoples : Sri Lankan Tamils from the north and Sri Lankan Muslims. Through detailed engagement with ordinary people struggling to find a home in the world, Thiranagama explores the dynamics with and between these two minority communities, describing how these relations were reshaped by violence, displacement and authoritarianism.
She tackles three major themes: the ideas of home, transformations within the family, and the impact of political violence on ordinary lives and public speech. Only by taking stock of these new Tamil and Muslim identities forged by the civil war can one envisage and work towards a peaceful future for this troubled land.
This book is an attempt to understand the causes, nature and consequences of gender-based violence in public spaces. It provides a framework that locates gender based violence within the politics and dynamics of public space, and helps us to understand the commonality between these diverse forms of violence, ranging from sexual harassment, sexual assault, moral policing, 'honour' killing, acid throwing, witch hunting, parading naked, tonsuring, rape and homicide. The writers unpack and examine the idea of a 'public' space: although by and large a notional space, they begin by identifying it as the geographical space between the home and the workplace and then, go beyond this to look at the violation faced by homeless women and girls who live on the streets, as well as those who work in public spaces in the unorganised sector.
The Tamil text Nīlakeci, dated around the 5th century CE (debated), is an unusual literary creation. It retrieves a violent, vengeful pēy (female possessing spirit) of Palayanur, transforming her into a Jaina philosopher. It was a profoundly subversive idea of its time, using the female persona and voice (for a hitherto disembodied being) to debate with preceptors of different schools of thought/religions of the time, all male, barring the Buddhist nun, Kuṇṭalakeci. Nīlakeci’s debates focus on questions of non-violence, existence of the soul, authorship and caste, among others.
However, in order to truly appreciate this alter-texting, one has to unravel layers of other texts and traditions: the lesser known villuppāttu (bow-song) and nātakam (theatrical) versions of the pēy Nīli stories, as well as the story of Kuṇṭalakeci’s own transformative journey. Umamaheshwari situates these in a comparative context, while maintaining the centrality of the debates within Nīlakeci, using translation of selected excerpts.
R. UMAMAHESHWARI did her doctorate in History from Jawaharlal Nehru University, New Delhi. She has been an independent journalist and historian for some years. She was Fellow at the Institut d’Études Avancées de Nantes (Nantes Institute for Advanced Study), France (2017-18), and the Indian Institute of Advanced Study, Shimla (2014-16). She is author of Reading History with the Tamil Jainas: A Study on Identity, Memory and Marginalisation, 2017 and When Godavari Comes: People’s History of a River (A Journey in the Zone of the Dispossessed), 2014.
In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories.
Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, Gopinath stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian and Latinx artists such as Sheba Chhachhi, Allan deSouza, Tracey Moffat and Akram Zaatari. Unruly Visions shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality.
The queer optics produced by these visual practices create South-to-South, region-to-region and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization and diasporic dislocation as they indelibly mark both bodies and landscapes.
“A tremendous advance over the current scholarship analyzing visuality, affect, and South-to-South queer diasporic artistic expression, Unruly Visions charts new cartographies of diasporic connections that provide a fresh orientation to our understanding of settler colonialism, empire, and racialization. Gayatri Gopinath’s book is a singular achievement that will have a profound impact within queer studies, indigenous and diaspora studies, visual studies, and aesthetics.”
—Nayan Shah, author of Stranger Intimacy: Contesting Race, Sexuality, and the Law in the North American West
“A wonderfully detailed examination of queer diasporic films and visual art projects, this book explores how critical regionalism can interrupt conventional conceptions of local/global and metropolis/diaspora distinctions. Gayatri Gopinath's concept of a 'queer cartographic imaginary' resists neat categories and generalizations, offering an eclectic range of case studies—queer diaspora from Kerala and the Middle East, Latinx and U.S. cultures of immigration, and indigeneity.”
—Ann Cvetkovich, author of Depression: A Public Feeling
GAYATRI GOPINATH is Associate Professor in the Department of Social and Cultural Analysis at New York University. She works at the intersections of transnational feminist and queer studies, postcolonial studies and diaspora studies.
A thematic history of the women's movement in India both before and after independence, this book covers the period from the nineteenth century to the present day. It looks at how women's issues were raised, initially by men and as part of the movements for social reform, and then with the involvement of women in the nationalist movement, by women themselves. Using photographs, old and new documents, excerpts from letters, books and informal writings, the author documents the growing involvement of women and the formation of the early women's organizations, she examines the foregrounding of the `women's issue' during the reform and nationalist movements and its subsequent disappearance from the agenda of public debate until the post independence period of the sixties and seventies when it surfaces again.
Radha Kumar is Senior Fellow and Director of the project on Ethnic Conflict, Partition and Post-Conflict Reconstruction at the Council on Foreign Relations in New York. She is author of Divide and Fall: Bosnia in the Annals of Partition. She was formerly Executive Director, Helsinki Citizen's Assembly.
Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women’s autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences and diaries, to prose, fiction, architecture and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing - in whatever form it takes - provides the means towards more fully understanding the historical, social and cultural milieu in which the author performs herself and creates her subjectivity.
Drawing from feminist, post modern, cultural, sociological and medical anthropological literature, this work shows the complex intertwining of illness and culture in the context of mental disorder.
The ethnographic context of the study is the interface between mental health professionals, patients and their families in a local psychiatric hospital in New Delhi. The book anchors the discussion around feminist thinking and praxis in the mental health realm, along with the traditions of cultural psychiatry and medical anthropology.
Deconstructing Mental Illness is relevant and contemporary, and makes an important contribution to the field of mental health of women. This important new work extends the frontiers of social science research and offers alternative perspectives on women, health and disability.
Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. In this first full-length study on the subject, Halberstam catalogues the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among 'transgender dykes,' 'lesbians who pass as men' and female-to-male transsexuals who may find the label of 'lesbian' a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviours and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not somernbad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.
Why does the world’s largest democracy turn a blind eye to systematic violations of human rights in its periphery?
Drawing on the findings of a comparative research project, this volume tackles a set of intricate questions about the workings of impunity in India. How do victims of abuse and survivors of sexual violence end up being denied justice? What do those on the margins—those with the wrong sex, wrong identity markers, wrong political leanings— tell us about violence by state and non-state actors?
Bringing together senior academics, civil society leaders and fresh voices from across India, the volume offers analysis—contextual, structural and gendered—and breaks new conceptual ground on the underbelly of India Shining. The volume contains testimonies that were collected during fieldwork in four states.
Contributors include: Sanjay Barbora, Shahana Basavapatna, Anjuman Ara Begum, Uma Chakravarti, Warisha Farasat, Satish K. Jain, Ram Narayan Kumar, Harsh Mander, Bhagat Oinam
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