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Across the South Asian region, water determines livelihoods and in some cases even survival. However, water also creates exclusions. Access to water, and its social organisation, are intimately tied up with power relations. This book provides an overview of gender, equity and water issues relevant to South Asia. The essays empirically illustrate and theoretically argue how gender intersects with other axes of social difference such as class, caste, ethnicity, age and religion to shape water access, use and management practices. Divided into six thematic sections, each of which starts with an introduction of relevant concepts, debates and theories, the book looks at laws and rights, policies, technologies and intervention strategies. In all, the book clearly shows how understanding and changing the use, distribution and management of water is conditional upon understanding and accommodating gender relations.
Drawing from feminist, post modern, cultural, sociological and medical anthropological literature, this work shows the complex intertwining of illness and culture in the context of mental disorder.
The ethnographic context of the study is the interface between mental health professionals, patients and their families in a local psychiatric hospital in New Delhi. The book anchors the discussion around feminist thinking and praxis in the mental health realm, along with the traditions of cultural psychiatry and medical anthropology.
Deconstructing Mental Illness is relevant and contemporary, and makes an important contribution to the field of mental health of women. This important new work extends the frontiers of social science research and offers alternative perspectives on women, health and disability.
"The absence of gender awareness in policy and planning in the past has given rise to a variety of efficiency, welfare and equity costs. This book develops an analytical framework and a set of tools which can assist planners, as well as trainers, to ensure that gender is systematically integrated into different aspects of their work. It offers as inventory of the kinds of assumptions which lead to gender-blind policy, and assesses integrationist and transformatory strategies by feminist advocates to influence the mainstream policy agenda. An analytical framework for examining the gender inequalities generated by key institutions through which development takes place occupies a central place in the book. A selection of case studies from the Indian context serves to illustrate different aspects of the framework and its application.
The Tamil text Nīlakeci, dated around the 5th century CE (debated), is an unusual literary creation. It retrieves a violent, vengeful pēy (female possessing spirit) of Palayanur, transforming her into a Jaina philosopher. It was a profoundly subversive idea of its time, using the female persona and voice (for a hitherto disembodied being) to debate with preceptors of different schools of thought/religions of the time, all male, barring the Buddhist nun, Kuṇṭalakeci. Nīlakeci’s debates focus on questions of non-violence, existence of the soul, authorship and caste, among others.
However, in order to truly appreciate this alter-texting, one has to unravel layers of other texts and traditions: the lesser known villuppāttu (bow-song) and nātakam (theatrical) versions of the pēy Nīli stories, as well as the story of Kuṇṭalakeci’s own transformative journey. Umamaheshwari situates these in a comparative context, while maintaining the centrality of the debates within Nīlakeci, using translation of selected excerpts.
R. UMAMAHESHWARI did her doctorate in History from Jawaharlal Nehru University, New Delhi. She has been an independent journalist and historian for some years. She was Fellow at the Institut d’Études Avancées de Nantes (Nantes Institute for Advanced Study), France (2017-18), and the Indian Institute of Advanced Study, Shimla (2014-16). She is author of Reading History with the Tamil Jainas: A Study on Identity, Memory and Marginalisation, 2017 and When Godavari Comes: People’s History of a River (A Journey in the Zone of the Dispossessed), 2014.
Cornelia Sorabji was a social reformer, an author and the first woman to practise law in India and Britain. By the time poor sight ended her work in India, she had helped many hundreds of wives, widows and orphans. She also successfully organized a League for Infant Welfare, Maternity and District Nursing.
Her writings provide a priceless and fascinating documentation of one of India's most outstanding women of the nineteenth and twentieth centuries. Her noble career and valuable archives have left behind a heritage to the people of India and their causes. Her truly extraordinary life of dedication to public service, evident from her writings and ceaseless hard work deserve to be acknowledged and publicised. This book achieves both.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
Organizing Empire critically examines how concepts of individualism functioned to support and resist British imperialism in India. Through readings of British colonial and Indian nationalist narratives that emerged in parliamentary debates, popular colonial histories, newsletters, memoirs, biographies, and novels. Purnima Bose investigates the ramifications of reducing collective activism to individual intentions. Paying particular attention to the construction of gender, she shows that ideas of individualism rhetorically and theoretically bind colonials, feminists, nationalists, and neocolonials to one another. She demonstrates how reliance on ideas of the individual - as scapegoat or hero - enabled colonial and neocolonial powers to deny the violence that they perpetrated. At the same time, she shows how analyses of the role of the individual provide a window into the dynamics and limitations of state formations and feminist and nationalist resistance movements.
From a historically grounded, feminist perspective, Bose offers four case studies, each of which illuminates a distinct individualizing rhetorical strategy. She looks at the parliamentary debates on the Amritsar Massacre of 1919, in which several hundred unarmed Indian protestors were killed; Margaret Cousin's firsthand account of feminist organizing in Ireland and India; Kalpana Dutt's memoir of the Bengali terrorist movement of the 1930s, which was modeled in part on Irish anti-colonial activity; and the popular histories generate by ex-colonial officials and their wives. Bringing to the fore the constraints that colonial domination placed upon agency and activism, Organizing Empire highlights the complexity of the multiple narratives that constitute British colonial history.
PURNIMA BOSE is Associate Professor of English at Indiana University.
Though commonplace today as a technological quick fix for infertility, assisted reproduction is a complex phenomenon, located at the intersection of patriarchy, medicalization and commerce, These technologies create both challenges and opportunities, and responses to them have sought to balance questions of ethics, rights and politics. The essays in this volume map the journey of ARTs in different countries, examining the global industry and the challenges it poses in the context of markets, and look at regulatory frameworks in diverse settings.Together they bring a feminist lens to the examination of the now-established ART industry. Sama's long-standing work provides a special focus on India: the spread and features of the industry, the gendered nature of the burden and treatment of infertility, the destabilisation of the family as we know it, and feminist debated around surrogacy that reassess ideas of agency and commodification.
“ … the strength of the volume lies in its ability to mesh its diverse theoretical concerns with rich empirical data from all across India …” -- Seminar
This timely volume brings together the work of some of India’s leading feminist economists, historians, political scientists, journalists and anthropologists to investigate the contemporary situation of women in India. It focuses on four broad domains: the cultural, the social, the political and the economic. The writers argue that despite apparently positive indicators of progress in education and paid employment, women’s status has not improved.
Karin Kapadia has taught at the London School of Econmoics, the School of Oriental and African Studies, and at the Unviersities of Sussex and Durham. Her publications include Siva and Her Sisters: Gender, Caste and Class in Rural South India, The Worlds of Indian Industrial Labour (co-edited) and Rural Labour Relations in India (co-edited). From January 1999 to November 2001 she worked at the World Bank, Washington D.C., as the South Asia Region Coordinator for Gender and Development.
In the last couple of decades, violence as an analytic category has loomed large in the historical, literary, and anthropological scholarship of South Asia.
The challenge of thinking violence in its gendered incarnations fully and in all its complexity is not only theoretical or critical but also irreducibly ethical and political, given the proliferation of civil wars, pogroms and riots, fundamentalist movements, insurgencies and counterinsurgencies, and new technologies of violence and injury. All of these simultaneously feature and help constitute gendered actors and gendered scripts of violence.
States of Trauma seeks to examine this terrain by staging a set of questions. How are we to think about the moral charge that accrues to violence? What is the relationship between violence and non-violence? In considering the moral and affective economy of violence, how may we speak of the seductions of the idioms and practices of militarism and sexualized violence for women? How are these seductions/pleasures distinct from those proffered to men, if indeed they are distinct?
Winner of the 2005 Ananda Kentish Coomaraswamy Book Prize
Even childbirth is affected by globalization—and in India, as elsewhere, the trend is away from home births assisted by midwives toward hospital births that increasingly rely on new technologies. And yet, as this work of critical feminist ethnography clearly demonstrates, as biomedical models of childbirth spread throughout the globe, they fuse with local practices to create distinctive forms of modern birth.
Through vivid description and animated dialogue, this book conveys the birth stories of the women of Tamil Nadu in their own voices. Cecilia Van Hollen uses these stories to explore larger questions about how the structures of colonialism and postcolonial international and national development have helped to shape the form and meaning of birth for Indian women today.
Cecilia Van Hollen is Assistant Professor of Anthropology at Syracuse University.
This collection provides a synoptic representation of the development of women's studies in India from the late seventies to the present. Divided into different subject areas, the Reader captures the wealth of information in this new field, and looks at how women's studies scholarship has shaped both the academy and spheres of policy-making and advocacy. The essays included here offer not only a curriculum for the teaching of women's studies, but also act as an introductory text for the interested reader. The book represents the work of several women's studies scholars such as Vina Mazumdar, Lotika Sarkar, Devaki Jain, Nirmala Banerjee, Patricia Uberoi, Bina Agarwal, Flavia Agnes, Shohini Ghosh, Malavika Karlekar, Leela Kasturi, Joy Deshmukh, Zoya Hasan, Ratna Sudarshan, Ratna Kapur and others. Themes covered include the women's movement in India, the legal framework, politics, educational intervention, encounters with violence, the family, sexuality and work.
Mala Khullar is a freelance consultant and has worked with the Asian Centre for Women's Studies, EWHA Women's University, Seoul; the Aga Khan Foundation, New Delhi; Bernard Van Leer Foundation, the Hague; and the Centre for Women's Development Studies, New Delhi.
Knowing Our Rights is designed as a tool for activists engaged in lobbying and advocacy related to Muslim women's rights within the family, at the policy level and in communities. It covers twenty-six topics relevant to marriage and divorce, including the status of children (paternity and adoption) and child custody and guardianship. It is unique in providing a user-friendly, cross-comparative analysis of the diversities and commonalities of laws and customs across the Muslim world. This handbook is an essential resource for those taking a critical and questioning approach to rights, laws, and constructions of womanhood in Muslim countries and communities and beyond.
Women Living Under Muslim Laws (WLUML) is an international support network formed in 1984, in response to situations that required urgent action, related to Islam, laws and women. Starting as an Action Committee, WLUML evolved into an international network of information, solidarity and support.
Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. In this first full-length study on the subject, Halberstam catalogues the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among 'transgender dykes,' 'lesbians who pass as men' and female-to-male transsexuals who may find the label of 'lesbian' a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviours and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not somernbad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.
A fascinating, multi-disciplinary exploration of water, wells and women’s spaces in Gujarat. Centuries ago, in the arid landscape of Gujarat, where water is scarce and rains scanty, stepwells sustained life and enabled crops to flourish. Women played a major role in the construction and patronage of many of these stepwells, which were unique structures that linked three worlds: the subterranean, the earthly and the celestial. Women also frequently served as inspiration for their construction — these were often built to honour a virtuous wife or benevolent mother, a local goddess or a beloved mistress. As a gathering place for women, the stepwells also became a favourite subject in folklore. Every stepwell yields tales of love and betrayal, courage and sacrifice. Through a historical analysis and visual documentation of these distinctly female spaces, Purnima Bhatt sheds light on the relationship between women, water, architecture and religion. Examining the artistic and aesthetic aspects of these structures, the author describes the art of the stepwells as looking beyond the patriarchal gods of classical Hinduism and celebrating the feminine principle. She also explores the idea of these wells acting as indicators of women’s changing social and economic status and challenging the stereotypes of the passivity of women. Her focus on ‘the woman factor’ aims to give voice to countless women who are forgotten and neglected by history, thereby making the invisible, visible.
In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories.
Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, Gopinath stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian and Latinx artists such as Sheba Chhachhi, Allan deSouza, Tracey Moffat and Akram Zaatari. Unruly Visions shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality.
The queer optics produced by these visual practices create South-to-South, region-to-region and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization and diasporic dislocation as they indelibly mark both bodies and landscapes.
“A tremendous advance over the current scholarship analyzing visuality, affect, and South-to-South queer diasporic artistic expression, Unruly Visions charts new cartographies of diasporic connections that provide a fresh orientation to our understanding of settler colonialism, empire, and racialization. Gayatri Gopinath’s book is a singular achievement that will have a profound impact within queer studies, indigenous and diaspora studies, visual studies, and aesthetics.”
—Nayan Shah, author of Stranger Intimacy: Contesting Race, Sexuality, and the Law in the North American West
“A wonderfully detailed examination of queer diasporic films and visual art projects, this book explores how critical regionalism can interrupt conventional conceptions of local/global and metropolis/diaspora distinctions. Gayatri Gopinath's concept of a 'queer cartographic imaginary' resists neat categories and generalizations, offering an eclectic range of case studies—queer diaspora from Kerala and the Middle East, Latinx and U.S. cultures of immigration, and indigeneity.”
—Ann Cvetkovich, author of Depression: A Public Feeling
GAYATRI GOPINATH is Associate Professor in the Department of Social and Cultural Analysis at New York University. She works at the intersections of transnational feminist and queer studies, postcolonial studies and diaspora studies.
Conflicted Democracies and Gendered Violence elucidates the centrality of political and foundational violence in the governance of conflicted democracies in the postcolony, calling attention to the urgent need for transformation. Spectacular and quotidian gendered and sexualized violence by states and collectives holds in place fraught and unjust histories and relations between elites and subalterns, majoritarian subjects and non-dominant “Others.” At the intersections of nationalist and decolonial confrontations, such violence regularizes states of emergency and exception. Through oral history, archival, and legal research undertaken over three years, this interdisciplinary work underscores the need for transitional and transformative justice mechanisms in conflicted democracies to address protracted conflict (focusing on their internal dimensions) and social upheaval. India serves as a case in point, exemplified by ongoing and recent conflicts in Jammu and Kashmir and Punjab and episodic social upheavals in Gujarat (in 2002) and Odisha (in 2008). Victim-survivor narratives of counter-memory, historical records, and legal analyses of formative cases detail the depth and texture of social suffering and illustrate the inadequacy and inhumanity of official responses to events of extraordinary violence. Expanding on methods in justice and accountability and espousing the right to heal, scholars and practitioners raise critical questions regarding the state, civil society, and diverse institutions, and the most elemental of constituents: victim-survivors.
“A very important feature of Conflicted Democracies and Gendered Violence: The Right to Heal is that it shows the ubiquity of sexual violence that is not simply concomitant to other forms of violence but is a weapon that is part and parcel of the weaponry in the hands of the state and of transnational militant movements. What are the mechanisms through which violence is continuously sustained within democracies? This exemplary book helps us ask that question without the plethora of evasions that often allow democratic states to deflect that question to some other concern—national security, national honor or the necessity of pragmatism in view of the enormity of new forms of warfare. I am so grateful for this book and for the courage of scholar-activists and the victim-survivors who have put the results of years of hard labor on these questions before us.”
Veena Das, Krieger-Eisenhower Professor of Anthropology, John Hopkins University
“The monograph provides an incisive, comparative, and contextual framework for grappling with some of the most challenging issues of our time—gender and sexual violence in conflict. The document makes a compelling case for the development of effective national accountability mechanisms for political democracies to address conflict-based issues and grave social violence. The monograph underlines the pressing need to place victims-survivors at the center of owning knowledge and defining remedy. This monumental work stands to impact scholarship, policy, and advocacy for addressing gender-based and sexualized violence in conflicted democracies.”
Navanethem Pillay, United Nations High Commissioner for Human Rights, 2008-2014
Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women’s autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences and diaries, to prose, fiction, architecture and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing - in whatever form it takes - provides the means towards more fully understanding the historical, social and cultural milieu in which the author performs herself and creates her subjectivity.
In May 2009, the Sri Lankan army overwhelmed the last stronghold of the Liberation Tigers of Tamil Eelam -- better known as the Tamil Tigers -- officially bringing to an end nearly three decades of civil war. The conflict resulted in massive displacement of people from their homes.
The figures are shocking around 80,000 Muslims were expelled from the LTTE controlled north, and nearly half of all Sri Lankan Tamils were displaced during the civil war.
Sharika Thiranagama's book focuses on two groups of displaced peoples : Sri Lankan Tamils from the north and Sri Lankan Muslims. Through detailed engagement with ordinary people struggling to find a home in the world, Thiranagama explores the dynamics with and between these two minority communities, describing how these relations were reshaped by violence, displacement and authoritarianism.
She tackles three major themes: the ideas of home, transformations within the family, and the impact of political violence on ordinary lives and public speech. Only by taking stock of these new Tamil and Muslim identities forged by the civil war can one envisage and work towards a peaceful future for this troubled land.
Why does the world’s largest democracy turn a blind eye to systematic violations of human rights in its periphery?
Drawing on the findings of a comparative research project, this volume tackles a set of intricate questions about the workings of impunity in India. How do victims of abuse and survivors of sexual violence end up being denied justice? What do those on the margins—those with the wrong sex, wrong identity markers, wrong political leanings— tell us about violence by state and non-state actors?
Bringing together senior academics, civil society leaders and fresh voices from across India, the volume offers analysis—contextual, structural and gendered—and breaks new conceptual ground on the underbelly of India Shining. The volume contains testimonies that were collected during fieldwork in four states.
Contributors include: Sanjay Barbora, Shahana Basavapatna, Anjuman Ara Begum, Uma Chakravarti, Warisha Farasat, Satish K. Jain, Ram Narayan Kumar, Harsh Mander, Bhagat Oinam
Shenkottai Sri Avudai Akkal, a remarkable eighteenth-century woman saint from Tamil Nadu, was a self-realised advaitin who sang passionately about the ecstasy of spiritual union with the Absolute. A desolate and stigmatised Brahmin child-widow, she was initiated into Vedanta by the great master Tiruvisainallur Shridhara Venkatesa Ayyawal. Her songs, a radical elision of the metaphysical sublime and personal devotion, are narrated through existential tropes sourced from daily life, and also offer a powerful critique of the oppressive orthodox socio-religious practices of that period.
Composed in simple, colloquial Tamil, and bringing hope and solace to women in general and widows in particular for almost three centuries, these songs by Avudai Akkal were preserved within the oral tradition by Brahmin women of Tirunellveli district who sang them on all occasions. The songs were documented in the nineteenth and twentieth centuries and have appeared in many Tamil publications. They appear in English translation for the first time in this book. Each song is accompanied by annotations and themed essays.
This book sets out to examine the gendered expressions of Shia Muslim faith. How do contemporary women construct and experience their religious lives? How does gender impact Shia piety? In this intriguing study, the author critically analyses the world of women's religious expression, helping us to better understand not only the ritual lives of Shia women, but Muslim faith and practice in general.
The author argues that most research and writing on Shia Islam reflects male expressions and beliefs. Men have dominated the formation of knowledge within the Shia religious hierarchy, as well as the study of Shia Islam within the fields of Religious Studies and Islamic Studies. In contrast, the author takes women's lives and beliefs as her starting point, and uncovers powerful female expressions which dynamically shape Shia Muslim religious life.
Diane D'Souza helps us discover a vibrant women-centred narrative underpinning Shia faith. Whether by bringing to life female personalities which profoundly shaped religious history, illuminating the dynamic female leadership within today's religious rituals, or uncovering the fascinating development of a women-only shrine, this book provides a richer, more complete understanding of Shia Islam.
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