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Be transported into dystopian cities and alternate universes.
Hang out with unicorns, cyborgs and pixies.
Learn how to waltz in outer space.
Be amazed and beguiled by a fairy tale with an unexpected twist,
a futuristic take on a TV cooking show,
and a playscript with tentacles.
In other words, get ready for a wild ride!
This collection of sci-fi and fantasy writing, including six graphic stories, showcases twenty of the most exciting writers and artists from India and Australia, in an all-female, all-star line-up!
Samhita Arni, Kuzhali Manickavel, Manjula Padmanabhan, Vandana Singh, Payal Dhar, Anita Roy, Annie Zaidi, Penni Russon, Kate Constable, Isobelle Carmody, Justine Larbalestier, Alyssa Brugman, Kirsty Murray, Margo Lanagan, Priya Kuriyan, Prabha Mallya, Amruta Pail, Lily Mae Martin, Nicki Greenberg and Mandy Ord.
All rights available, except Australia and NZ
|ISBN||978 93 83074 85 3|
Meet Squiggle—curious, confused and crazy!
Squiggle is confused. She doesn’t know quite what she is! So she sets off through the pages of a notebook in search of answers. Is she a comma or colon? A question mark? Surely not an exclamation! Splash, run, bump, trip and swing with her until she finds her own kind.
Natasha Sharma’s delightful book introduces young readers to the correct way to use punctuation in this deliciously comic tale. The book also includes a section with pointers on punctuation, interesting facts from history, and mayhem brought about by incorrect punctuation.
Jump into this adventure with Squiggle and you’ll never lose that comma again!
This delightful folktale from Bhutan is retold by one of the country's leading writers, Kunzang Choden.
One day, a poor young orphan girl finds unexpected riches when she topples down a mousehole and is befriended by its charming occupant. But when a spoilt, rich brat tries to replicate the experience, her gifts are quite the opposite!
Along with Room in Your Heart, these charming picture books will make perfect bedtime reading for youngsters, and are beautifully illustrated with evocative watercolours of the Bhutanese landscapes and people by Pema Tshering.
Talaash is the second novel of the Bangladeshi writer Shaheen Akhtar. It captures the brutalities of the 1971 war of liberation and its contingent afterlife -- more specifically, the scars it has left on women. For thirty long years, Mariam, the protagonist of the novel, lives with memories of a war that refuses to end for her. The analeptic and proleptic shapings of Shaheen's prose travel in and through those shattered memories (and their public use) to construct a devastating archive of pain and anguish, far beyond the pale of cause and effect. Shaheen Akhtar's mesmerizing and moving novel, set against the background of the Bangladesh war of independence, explores the violence done to women, their courage and heartbreak, their search for love and their betrayal. Taalash (The Search) was awarded the Prothom Alo Literary Prize in 2004.
When fifteen-year-old Samir discovers that he's got new neighbours, he's horrified: he's left certain 'secret documents' in their flat, which should not be seen by anyone - and especially not by a cute girl his own age like Akhila Handa! But to Samir's surprise and relief, Akhila is amazingly sporting about them, and pretty soon their friendship blossoms as Samir gets to know the family: the bouncy boxer dog, Akhila's younger brother Sumit, who is 'a bit slow', and their strangely withdrawn mother. And most of all, her jolly, affectionate father who dotes upon his daughter.
Dotes, perhaps, a little too much...
Samir slowly comes to realise that all is far from well in the Handa family, and an incredible and terrible suspicion begins to form.
Smitten is a story that dares to talk about sexual abuse within the family. It is a story of love, and its opposite. Of bravery and cowardice. Of tough decisions and loyalties sorely tested.
With characteristic lightness and sureness of touch, Ranjit Lal tackles one of the great taboos in Indian society. A must for every school library and bookshelf, the book includes discussion points and questions to facilitate conversations in the classroom or at home.
The Dungri Garasiya, an indigenous group in north Gujarat, believed that the first being to be created was woman and so in their society women were as respected as men and property passed down from mother to daughter.
At the dawn of creation, girls were as desired as sons. It was a time when girls beat boys in games and races: a time when there was no gender divide. And so also in these stories it is the women who are stronger, wiser, faster, sharper, and certainly far more beautiful than their men. It is they who think out of the box, who are imaginative and creative and full of wise ideas.
From tales of ghostly possession to magic mantras, from kings and queens full of passion to village youth bursting with sexual ardour, these timeless folktales are full of the joy of being alive, of sensual enjoyment and pleasure. While Kudrat (God is imagined as being feminine) and Deva conspire and wreak havoc on their people, the dance of life continues with naked young maidens swimming in the streams or being courted by dark handsome youths amidst much laughter and teasing. The forests are full of birds and beasts and fish and life for the tribals is for the most part simple and innocent, truth and right always prevail and defeat the forces of darkness — be it a scheming stepmother, a murderous wife or lover, or a cruel and lustful king.
'I'm proud to be white,' the Swan proclaimed.
'I'm proud to be black,' the Raven said.
'And I,' said the Parrot, 'am justly famed for my jacket so green and scarf so red.'
But the Peacock is glum. Very glum indeed. All he wants is to be grey - now that would be really cool, and really chic! so Peacock decides to give all his colours away to the other birds. But does this make him happy? No chance! Luckily, the Glum Peacock needn't stay glum for long with the help of his clever and resourceful friend, Miss Snake.
Written by one of India's leading authors, this enchanting fable will amuse and delight children learning about colours, birds - and the importance of being happy with who you are.
Two sisters, one very strange Aunt, and a flock of escaped birds... Magic and mayhem comes in unexpected shapes and sizes to one small corner of a very big city.
Each page of this spectacular picture book will delight and amaze children. Anitha Balachandran's unique illustration style combines real objects and drawing: there's so much to discover in every page. Together with the delightfully quirky text, this unique book brings to life the wonders of India and the world seen through the eyes of these to - rather special - young girls.
In Suki, fabulist Suniti Namjoshi weaves a delightful tapestry from threads of longing, loss, memory, metaphor, and contemplation. The whole picture is a stunning evocation of the love and friendship shared between S and her Super Cat, Suki, a lilac Burmese. Suki suggests that she could be a goddess, and S her high priestess. S declines, but as they discuss the merits of vegetarianism, or the meaning of happiness, or morality, or just daily life, it soon becomes clear that the bond between them is a deep and complex one. The days of Suki's life are figured as leaves, which fall vividly but irrevocably into time's stream and are recollected with a wild tenderness by the grieving S, who learns through the disciplines of meditation how to lose what is most loved.
This beautiful narrative, both memoir and elegy, offers solace and celebration to everyone who has felt the trust that passes between a person and a beloved creature.
What is happening to my body? Am I attractive? Am I 'normal'? Do I want to be? What is this sex stuff really all about? When is the right time to start? How will I know if my relationship is good for me? Can I have fun safely? Will it still be fun? In this book, young adults can find information about different aspects of sexuality and relationships. The Blue Book has been written keeping in mind what young adults may want to know and what they might already know but might be confused by. It is a guide to exploring sexuality as well as a great conversation-starter for any questions young adults might have.
NOW ALSO AVAILABLE IN HINDI!
Shortlisted for the 2008-2009 Grand Canyon Reader Award Master List, USA
Selected by the Children's Library Guild, USA, 2007
In a small, sleepy town in northern India, three children gaze out onto a rain-drenched street, waiting for a most unusual guest. Their father's younger brother is coming to stay. Who is Younguncle? What?s his real name? Was he really, truly kidnapped by monkeys when he was little? Can he really make a noise like a sewing machine? Will he ever (heaven forbid!) Settle Down and Get Married? When he finally arrives, Sarita, Ravi and the baby know instantly that their lives will never be the same again.
Meet India's newest and most engaging literary creation, as he outwits the local hoodlums, rescues the town's finest milk-cow, evades the baby's schemes to eat his shirts, flummoxes unwanted in-laws, plucks the hair from a sleeping tiger's tail, and generally turns the world upside-down. The adventures of Younguncle and his family will entertain, delight and amuse readers of any age -- from babies to ancient old fossils.
"Vandana Singh is a fresh, new voice in children's fiction, this book is a treat that has you turning the pages with a smile and the last page with a sigh." -- R. Sriram, CEO & MD, Crossword Bookstores
"One of the best children's books I saw this year, Younguncle Comes to Town has none of the self-consciousness you often find in adults who write for children, very plausible dilemmas and a delightful style" -- Nilanjana Roy, Business Standard
"Vandana Singh is a most promising and original young writer" -- Ursula K. LeGuin, author of The Earthsea Trilogy
A thick mist envelopes an isolated house and a cottage atop a hill. Raseel, looking out from the verandah of the house, watches the mist as it covers first the plants, then the trees and finally the house. Suddenly it parts, and three men come into view, furtive, quick. Then they're gone. Minutes later, Raseel hears the sound of shots. Then there is silence.
The reader is pulled into Bijoya Sawian's tense and dramatic story of the strange death of a dkhar, an outsider, in the beautiful hill town of Shillong in northeastern India. Why was he killed? Who are the killers? Are they known to the housekeeper and driver? As she begins to unravel this mystery, Raseel finds herself caught in a tale of intrigue and violence that mirrors the world of insurgency around her. In lyrical, haunting prose, Bijoya Sawian paints a dark, threatening picture and shows how violence has tainted the very fabric of everyday life in a place that was once peaceful, untroubled and calm.
"I was the youngest in a family of five children. I sometimes felt I was an afterthought, and maybe Father and Mother didn't quite know what to do with me. Also, because I was a girl after four boys they never seemed to be sure whether to buy me girls' clothing or let me wear leftover boys' clothing."
Young Dielieno is five years old when she is sent off to live with her disciplinarian grandmother who wants her to grow up to be a good Naga wife and mother. According to Grandmother, girls didn't need an education, they didn't need love and affection or time to play or even a good piece of meat with their gravy! Naturally Dielieno hates her with a vengeance.
This is the evocative tale of a young girl growing up in a traditional society in India's Northeast, which is in the midst of tremendous change.
Easterine Iralu writes about a place and a people that she knows well and is a part of and brings to the storytelling a lyrical beauty which can on occasion chill the reader with its realistic portrayals of the spirits of the dead that inhabit the quiet hills and valleys of Nagaland.
It's raining in Shillong. Eight-year-old Sophie Das has just realised she is adopted, but there is also the baby kicking inside her mother s stomach whom she s dying to meet. IAS aspirant Aman Moondy is planning a first-of-its-kind Happening and praying the lovely Concordella will come. College lecturer Firdaus Ansari is going to finish her thesis, have a hard talk with her boyfriend, and then get out.
Poetic, funny, tender, Lunatic in my Head is a moving portrait of a small town and of three people joined to each other in an intricate web, determined to break out of their small town destinies.
A postman turns up with an unexpected letter one rainy afternoon in Cherrapunji, a letter that will turn fourteen-year-old Saphira’s world upside down.
Dalinia’s life seems perfect, with a successful husband, beautiful children and a well-appointed home. But the arrival of a handsome competitor on the manicured greens of the Shillong golf course brings back a flood of unwanted memories of her troubled past.
Told in a simple, lyrical style, Bijoya Sawian’s collection of ten short stories is not only an enthralling read but, like her debut novel Shadow Men, transports the reader to a place little known to outsiders: Meghalaya.
Strains of love, loss and longing run through all these stories, whose endings are not mere shocks, but revelations. Both her books should be read for a better understanding of India’s Northeast – its communities, its landscape, and in particular, the lives of the women who live there.
“Love, loss and longing are the predominant emotions in these tales. With a touch of Blakesian magic, Sawian’s songs of innocence and experience are lyrical and pantheistic. [The] stories, like vintage wine, have a mature blend of wit and irony, sense and sensibility and the ability to stay with the reader long after the covers are closed.”—Sudipta Bhattacharjee, Telegraph
Susan Visvanathan's new work, Phosphorus and Stone is composed in the lucid but subversive style that characterises her feminist writings. In this novella she examines a fishing hamlet from the startling perspectives of the bourgeois enclaves set both in a village called Valli, Kerala, and in the suburbs of Chennai and Bangalore.
This is the story of a young woman and her refusal to be betrayed by death, obsession or love. It engages with the activist concern for the fisherpeople as well as the problematic of middle-class loyalties and the antagonisms of sect and gender. The most complex narrative, in this slim volume, is the apocryphal reading, from a feminist perspective, of Jesus's resurrection.
This richly descriptive and deeply philosophical novel from Bhutan is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
As a young girl, Tsomo asks her mother, "Where is the furthest I can travel?"
"Where," her mother responds, "I don't know. Where can a girl travel to?"
Caught in the everyday reality of household life, fifteen-year-old Tsomo is suddenly called upon to travel when her mother dies. She makes her first journey to a faraway village to light the ritual butter lamps in her mother?s memory. Beginning here, her travels take her to distant places, across Bhutan and into India. As she faces the world, a woman alone, Tsomo embarks on what becomes a life journey, in which she begins to find herself, and to grow as a person and a woman.
The first novel by a woman to come out of the Himalayan kingdom of Bhutan, The Circle of Karma, written in English, is rich in detailed descriptions of ritual life. The measured pace of its prose, the many nuances of the story, the different levels at which the narrative works, weave a complex tapestry of life in which the style and content are closely interwoven, each informing and enriching the other.
Kunzang Choden is one of Bhutan's foremost writers. In her early fifties, she has written a number of short stories and has also published collections of folk tales from Bhutan. This is her first novel.
"Kunzang Choden has given us an unforgettable tale of a simple woman's pilgrimage and journey to self-realisation." -- Anna Sujata Mathai, The Hindu
As the monsoon rains wash over the city of Kolkata, four women sit and read and talk in the kitchen of Kailash-- the old mansion of the Chattopadhyays where Uma comes to live after her marriage in the summer of 1962. Her husband's silence about his mother and the childhood tragedy that beckons him from the shadowy landing of Kailash, the embroidered handkerchiefs in an old soap box in her father-in-law's room and the presence of the old, green-eyed Pishi intrigue Uma. But it is only as she begins to read aloud the traditional Chandimangal composed by her husband's grandfather to celebrate the goddess that the smothered stories begin to emerge... The novel weaves in the history of the militant goddess recast as wife, the Portuguese in Bengal, the rise of print and the making of memories from the Swadeshi movement to the turbulent sixties in Bengal as Uma discovers that the foundation of Kailash is not only very deep but also camouflages the stench of death.
India’s top ten best-loved animal fables come to life in a new and lively collection by Bittie Mithal.
Superb colour illustrations by Premola Ghose accompany the stories of how the monkey manages to escape being a crocodile’s breakfast, the crows escape from the hungry black snake, how the merchant’s beautiful parrot finally finds her freedom, and how even the king of the elephants needs the help of the smallest creatures sometimes.
This beautiful collection makes perfect read-aloud bed-time stories for younger children, and a gift to treasure for children starting to read for themselves.
Rabia is growing up in a conservative community in southern India. One day, she
and her friends sneak off to the pictures. Caught on her return home, Rabia gets a beating from her mother, Zohra, who cries as she beats her daughter into submission. Firdaus is beautiful and of marriageable age. A groom is found for her, a wealthy man who lives abroad. On her wedding night, she takes one look at him and says, 'I’m not going to live with you, don’t touch me!’ Inside their male dominated world, Rabia,
Zohra, Firdaus, and many others make their small rebellions and compromises, friendships are made and broken, families come together and fall apart, and almost imperceptibly change creeps in. Salma’s beautiful, evocative, poetic novel recreates the sometimes suffocating, and sometimes heartbreaking world of Muslim women in southern India. The Hour Past Midnight is translated into English by Lakshmi Holmstrom.
An essential guide to the best Indian children's books available in the market.
An invaluable guide to some of the very best Indian children's books in English. From beloved classics to the latest publications, this book is a must-have one-stop shop for teachers, parents, kids, librarians, bookstores and indeed anyone interested in children's books. Conveniently divided according to age-groups from 0 to 15, the books have been reviewed by a range of readers, children as well as adults, who simply love that book and want to share their enthusiasm with others. In a list that has been extensively and collaboratively compiled by some of the leading experts, publishers, writers, booksellers and teachers in the country, 101 Indian Children's Books We Love, is sure to be a classic.
The guide is supplemented by essays by leading Indian language experts on children's literature in Hindi, Bengali, Marathi and Malayalam, an essay on bilingual books by Radhika Menon of Tulika, extended entries on key figures such as Ruskin Bond, Satyajit Ray and Jim Corbett, and on the importance of early learning by leading UK book consultant Wendy Cooling.
"A gem of a book"-- Sanjna Kapoor
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