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Globalization and the failure of development have led to the feminization of poverty, environmental degradation, and an uncertain future for global peace and security. Development studies has reached an impasse, both in its theoretical paradigms and its practical prescriptions. Too economistic, too little focused on the daily lives of women, and devoid of vision, the field needs a radical imaginative overhaul. The contributors to this book, who work at the intersection of cultural studies, feminist studies, and critical development studies, articulate a new theoretical framework that they call Women, Culture and Development. They apply it to a range of issues and, through a series of shorter think pieces, present their ideas for the future.
The last few decades have witnessed growing theoretical and practical concerns with intersections between violent conflict and development. Links between poverty and natural resources have been minutely explored, and attention has also been given to how state collapse and bad governance have contributed to violent conflict. However, gender relations and ideologies have often been overlooked in theorization of these interconnections, as well as in designing development strategies meant to mend the devastating impact that war leaves on a society.
This book looks at the intersections between development practice and violent conflict from an explicit gender perspective and situates the fields of inquiry within a global condition of neo-liberal economy and militarism. Using the notions of femininity and masculinity as analytical tools, contributors question theoretical, political and policy approaches pertaining to specific development strategies in times of prolonged violent conflict, transitions to peace, and post-conflict periods. They further analyse various social, cultural, economic and political processes and relations of power that impact upon different groups of women, men and children in the contexts of militarization and violence.
Dubvravka Zarkov is a senior lecturer at the Institute of Social Studies, The Hague. She works on gender, sexuality, ethnicity and violent conflict. With Cynthia Cockburn she has co-edited The Postwar Moment: Militaries, Masculinities and International Peacekeeping, on experiences in Bosnia and the Netherlands. Her book The Fe/Male Body and the Productive Power of Violence: On `Media War’ and `Ethnic War’ in Former Yugoslavia, is forthcoming.
"Feminist Post-Development Thought addresses the crucial question of what development means for women. Is it still their best hope of social progress and equality, or does it simply raise false expectations for the future? In this groundbreaking collection with its diverse perspectives, feminist thinkers explore whether Third World women ought to continue along the path of development or abandon full-scale modernization and seek post-development alternatives instead. It represents the first attempt to ascertain the possibilities, and limitations, of the post-development path for women.
Why does the world’s largest democracy turn a blind eye to systematic violations of human rights in its periphery?
Drawing on the findings of a comparative research project, this volume tackles a set of intricate questions about the workings of impunity in India. How do victims of abuse and survivors of sexual violence end up being denied justice? What do those on the margins—those with the wrong sex, wrong identity markers, wrong political leanings— tell us about violence by state and non-state actors?
Bringing together senior academics, civil society leaders and fresh voices from across India, the volume offers analysis—contextual, structural and gendered—and breaks new conceptual ground on the underbelly of India Shining. The volume contains testimonies that were collected during fieldwork in four states.
Contributors include: Sanjay Barbora, Shahana Basavapatna, Anjuman Ara Begum, Uma Chakravarti, Warisha Farasat, Satish K. Jain, Ram Narayan Kumar, Harsh Mander, Bhagat Oinam
This book focuses on feminist research methodology, exploring and analysing its constituting methods, theory, ontology, epistemology and ethics and politics, as well as the significance of the subjectivity of the researcher in research issues relating to women, gender and feminism in Sri Lanka. The book examines ways of meaning-making for political, ideological and social change, and constructs an example of feminist research praxis.
Using this South Asian country as a case study, the author looks at the means by which researchers in this field inhabit, engage with and represent the multiple realities of women and society in Sri Lanka. In analysing what constitutes feminist research methodology in a transitional country, the book links local research practices with Western feminist approaches, taking into account the commonalities, distinctions and specificities of working in a South Asian context.
With an emphasis on general issues and debates in global feminist theory and methodology, the book explores the issues of reflexivity, standpoint, gender, women’s agency, empiricism, and the feminist politics of Marxism and democracy, positivism, induction, deduction, post-modernism and postcolonialism.
Engaging with and re-conceptualising three traditionally different types of research — women’s studies, gender studies and feminist studies — Feminist Research Methodology provides a framework for researching feminist issues. Applicable at both local and global levels, this original methodological framework will be of value to researchers working in any context.
Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona construction, Mookherjee opens the possibility for a more politico-economic, ethical, and nuanced inquiry into the sexuality of war.
"The absence of gender awareness in policy and planning in the past has given rise to a variety of efficiency, welfare and equity costs. This book develops an analytical framework and a set of tools which can assist planners, as well as trainers, to ensure that gender is systematically integrated into different aspects of their work. It offers as inventory of the kinds of assumptions which lead to gender-blind policy, and assesses integrationist and transformatory strategies by feminist advocates to influence the mainstream policy agenda. An analytical framework for examining the gender inequalities generated by key institutions through which development takes place occupies a central place in the book. A selection of case studies from the Indian context serves to illustrate different aspects of the framework and its application.
This powerful counter-narrative to the mainstream assumptions about the development of feminism in India in the 20th century is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
The last decade saw the emergence and assertion of separate Dalitbahujan women's organizations both at the national and regional levels. Excluded from political and cultural spheres, Dalit women's movements have sought to transform both Dalit and feminist politics in India. They have fought against the reproduction of caste within modern spaces like universities, bureaucracies and within the women's movement as well as women's studies. The assumptions about caste identities being private and personal have been questioned and serious challenges posed for understanding caste and gender in contemporary India.
Located within this context, this book brings together extracts from the work of Kumud Pawade, Urmila Pawar, Shantabai Kamble, Mukta Sarvagod, Shantabai Dani, Vimal More and Janabai Girhe.
Sharmila Rege is a Professor at the Department of Sociology, University of Pune. She has worked for several years with the Krantijyoti Savitribai Phule Women?s Studies Centre, University of Pune. She has written and published on sociology of gender, Dalit feminism and Dalitbahajun public culture in Maharashtra. Her present work concerns the documentation of music and print cultures of the Ambedkarite counterpublics in contemporary Maharashtra.
"So riveting is the narration that it is difficult to put down the book until their stories are finished. For a non-fiction academic work this is no small feat." -- Anupama Katakam, The Hindu
“It is …a commendable job done by the editor Dr. Mohan Rao to have put together this very readable anthology of rare media writings about the real health issues that plague women’s lives. To which he has also contributed a very lucid and well argued preface that adds to the value of the volume.” -- Mrinal Pande, The Book Review
The contributing journalists are winners of the Panos Reproductive Health Media Fellowship.
Mohan Rao teaches at the Centre of Social Medicine and Community Health, Jawaharlal Nehru University, New Delhi. His publications include From Population Control to Reproductive Health: Malthusian Arithmetic and Disinvesting in Health: The World Bank’s Prescriptions for Health.
Celebratory new features about India's thriving middle class tell only part of the story of the country's recent economic rise, frequently glossing over the 300 million Indians who live on the margins and struggle to survive under economic liberalization. How do those, cast out of their country's successes, perceive and respond to their position and mobilize against disempowerment?
Aradhana Sharma takes up these questions, focusing on the work of an innovative women's programme called Mahila Samakhya, that is part governmental and part non-governmental and strives to empower those rural Indian woman who have been pushed aside. Detailing the awkward ideological articulations and paradoxical outcomes of this unique activist-cum-government organization, Paradoxes of Empowerment fosters a deeper understanding of development and politics in contemporary India.
The Reproduction and Child Health policy (RCH) in India has been in force since 1995. Coming after the Cairo conference, 1994, the RHC was expected to usher in 'paradigm shift' in India's population policy. From a family welfare programme that has historically been top-down, even coercive, the Indian government projected the RHC to be a participatory, women-centered reproductive health service. Ironically, the policy was devised barely four years after the start of Indian State's tryst with the market development, and was launched into a political environment in ideological transition. This book provides a political analysis of RHC policy, tracking how neo-liberal and purportedly, women-centered reproductive health discourses are positioned against each other.
Part memoir, part oral testimony, part eyewitness account, Binodini's The Maharaja's Household provides a unique and engrossingly intimate view of life in the erstwhile royal household of Manipur in northeast India. It brings to life stories of kingdoms long vanished, and is an important addition to the untold histories of the British Raj.
Maharaj Kumari Binodini Devi, who wrote under the single name of Binodini, published The Maharaja's Household as a series of essays between 2002 and 2007 for an avid newspaper reading public in Manipur. Already celebrated across the state for her award-winning novel, short stories, and film scripts, Binodini entranced her readers anew with her stories of royal life, told from a woman's point of view and informed by a deep empathy for the common people in her father's gilded circle.
Elephan hunts, polo matches and Hindu temple performances form the backdrop for palace intrigues, colonial rule and White Rajahs. With gentle humour, piquant obersavations and heartfelt nostalgia, Binodini evokes a lifestyle and era that is now lost. Her book paints a portrait of the household of a king that only a princess - his daughter - could have written.
This landmark collection on colonial history is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This collection of essays stands at an unarticulated conjuncture within the feminist movement and women's studies that have emerged in India since the 1970s. The anthology attempts to explore the inter-relation of patriarchies with political economy, law, religion and culture and to suggest a different history of 'reform' movements, and of class and gender relations. The book seeks to uncover the dialectical relation of feminism and patriarchy both in the policies of the colonial State and the politics of anticolonial movements. The writers in this volume include scholars from various disciplines.
Kumkum Sangari and Sudesh Vaid taught literature at Indraprastha College for Women, Delhi University. Together they have edited a collection of essays entitled Women and Culture and have carried out extensive research on widow immolation in Rajasthan.
Originally published in Marathi in 1989, this contemporary classic details the history of women's participation in the Dalit movement led by Dr B.R. Ambedkar, for the first time. Focusing on the involvement of women in various Dalit struggles since the early twentieth century, the book goes on to consider the social conditions of Dalit women's lives, daily religious practices and marital rules, the practice of ritual prostitution, and women's issues. Drawing on diverse sources including periodicals, records of meetings, and personal correspondence, the latter half of the book is composed of interviews with Dalit women activists from the 1930s. These first-hand accounts from more than forty Dalit women make the book an invaluable resource for students of caste, gender, and politics in India. A rich store of material for historians of the Dalit movement and gender studies in India, We Also Made History remains a fundamental text of the modern women's movement.
Poster Women is an archive of over 1500 posters from the Indian Women's Movement, collected over an 18 monthperiod from all over India. Put together by Zubaan, this unique archive demonstrates the dynamism, richness and variety of this important movement. Spanning the periodfrom the 70s to the present day, the collection is divide into a number of key campaigns that cover areas such as violence, health, political participation, the environment, religion and communalism, literacy and rights and marginalization. Also included are posters on different themes such as the use of the goddess metaphor, or the marking of particular days that ara important to the movement. The collection has been sourced from over 200 groups all over the country.
Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. In this first full-length study on the subject, Halberstam catalogues the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among 'transgender dykes,' 'lesbians who pass as men' and female-to-male transsexuals who may find the label of 'lesbian' a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviours and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not somernbad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.
"Drawing from field research in Cameroon, Ghana, Viet Nam and the Amazon forests of South America, this book explores the relationship between gender and land, revealing the workings of global capital and of people's responses to it.
A central theme is the people's resistance to global forces, frequently through an insistence on the uniqueness of their livelihoods.
The book addresses a gap in the literature on land tenure and gender in developing countries. It raises new questions about the process of globalization, particularly about who the actors are (local people, the state, NGOs, multinational companies) and the shifting relations among them. The book also challenges the very concepts of gender, land and globalization. "
Dzodzi Tsikata is a senior Research Fellow at Institute of Statistical, Social and Economic Research(ISSER) and Deputy Head of the Centre for Gender Studies and Advocacy (CEGENSA) at the University of Ghana. Her research interests are the areas of gender and livelihoods, gender and development policy and practice, land and resources tenure reforms. She has several publications on these subjects including a book, Living in the Shadow of the Large Dams: Long Term Responses of Lakeside and Downstream Communities of Ghana's Volta River Project(2006).
Pamela Gholah worked as Program Officer with the Women's Rights and Citizenship Program at the International Development Research Centre, Canada. In 2009, she joined the Research and Evaluation Branch at Citizenship and Immigration Canada as a Policy and Research Analyst.
Winner of the 2005 Ananda Kentish Coomaraswamy Book Prize
Even childbirth is affected by globalization—and in India, as elsewhere, the trend is away from home births assisted by midwives toward hospital births that increasingly rely on new technologies. And yet, as this work of critical feminist ethnography clearly demonstrates, as biomedical models of childbirth spread throughout the globe, they fuse with local practices to create distinctive forms of modern birth.
Through vivid description and animated dialogue, this book conveys the birth stories of the women of Tamil Nadu in their own voices. Cecilia Van Hollen uses these stories to explore larger questions about how the structures of colonialism and postcolonial international and national development have helped to shape the form and meaning of birth for Indian women today.
Cecilia Van Hollen is Assistant Professor of Anthropology at Syracuse University.
Shenkottai Sri Avudai Akkal, a remarkable eighteenth-century woman saint from Tamil Nadu, was a self-realised advaitin who sang passionately about the ecstasy of spiritual union with the Absolute. A desolate and stigmatised Brahmin child-widow, she was initiated into Vedanta by the great master Tiruvisainallur Shridhara Venkatesa Ayyawal. Her songs, a radical elision of the metaphysical sublime and personal devotion, are narrated through existential tropes sourced from daily life, and also offer a powerful critique of the oppressive orthodox socio-religious practices of that period.
Composed in simple, colloquial Tamil, and bringing hope and solace to women in general and widows in particular for almost three centuries, these songs by Avudai Akkal were preserved within the oral tradition by Brahmin women of Tirunellveli district who sang them on all occasions. The songs were documented in the nineteenth and twentieth centuries and have appeared in many Tamil publications. They appear in English translation for the first time in this book. Each song is accompanied by annotations and themed essays.
A fascinating, multi-disciplinary exploration of water, wells and women’s spaces in Gujarat. Centuries ago, in the arid landscape of Gujarat, where water is scarce and rains scanty, stepwells sustained life and enabled crops to flourish. Women played a major role in the construction and patronage of many of these stepwells, which were unique structures that linked three worlds: the subterranean, the earthly and the celestial. Women also frequently served as inspiration for their construction — these were often built to honour a virtuous wife or benevolent mother, a local goddess or a beloved mistress. As a gathering place for women, the stepwells also became a favourite subject in folklore. Every stepwell yields tales of love and betrayal, courage and sacrifice. Through a historical analysis and visual documentation of these distinctly female spaces, Purnima Bhatt sheds light on the relationship between women, water, architecture and religion. Examining the artistic and aesthetic aspects of these structures, the author describes the art of the stepwells as looking beyond the patriarchal gods of classical Hinduism and celebrating the feminine principle. She also explores the idea of these wells acting as indicators of women’s changing social and economic status and challenging the stereotypes of the passivity of women. Her focus on ‘the woman factor’ aims to give voice to countless women who are forgotten and neglected by history, thereby making the invisible, visible.
This is the memoir of a remarkable woman, Begum Kurshid Mirza, the daughter of Sheikh Abdullah and Waheed Jahan Begu, the founders of Aligarh Women's College. An intimate of an upper class Muslim family in India and Pakistan from until the recent past, this narrative is much more than an account of Kurshid Mirza's personal life. It spans the years from 1857 to 1983 and provides an insight into the the social conditions of Indian Muslims, the state of Muslim women's education, and the transition to Pakistan, while illuminating Kurshid Mirza's rich and tried life as an actor, activist, radio and TV artiste, a writer, a devoted daughter, wife and mother. Kurshid Mirza's vitality and dynamism, her pioneering spirit and unconventionally led her to leave the cloistered world of Aligarh after an early marriage to a police officer and then pursue a career in films in Bombay. She rapidly climbed the ladder to sardom as Renuka Devi and worked alongside well-known actors and directors of the time. Partition cut short her film career and she left for the new country Pakistan, where she remained deeply engaged as ever and contributed to many worthy causes, especially for the benefit of the women. The coming of Pakistan to gave her a fresh opportunity to express her theatrical talents and she soon became one of Pakistan's best known television actors winning many award in 1985. A true Woman of Substance.
The book interrogates the experience of being young and becoming adult in rural Bangladesh, in a context of profound processes of socioeconomic change.
Throughout South Asia, new educational opportunities and an increase in the age at which girls and boys get married are opening new spaces for young people to live the passage to adulthood. This book documents and describes the everyday reality of this changing gendered transition for young people in a rural area of South West Bangladesh. It focuses on three main areas that are central to young people's experience: those of college and student life, friendships and relationships with those of the same sex and across sexes and marriage and the issues involved in the choice of a marriage partner.
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