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"At various levels, from the city to the institutions and from the neighborhood to the dwelling, the ideal and the real about the social relationship between men and women is expressed in the built form. Cultural rules govern the use of space and codes regulate behavior between genders.
This book examines the role of women as consumers and creators of the built space and focuses particularly on India and parts of South Asia. The essays included here explore the gender perspective from various angles. They cover a wide range of issues such as domesticity and home, women laborers and construction work, the practice of architecture, education in general and in schools of architecture, women and leisure as well as women's relationship to the public sphere and housing in the vernacular mode."
"The absence of gender awareness in policy and planning in the past has given rise to a variety of efficiency, welfare and equity costs. This book develops an analytical framework and a set of tools which can assist planners, as well as trainers, to ensure that gender is systematically integrated into different aspects of their work. It offers as inventory of the kinds of assumptions which lead to gender-blind policy, and assesses integrationist and transformatory strategies by feminist advocates to influence the mainstream policy agenda. An analytical framework for examining the gender inequalities generated by key institutions through which development takes place occupies a central place in the book. A selection of case studies from the Indian context serves to illustrate different aspects of the framework and its application.
The Self-Respect Movement launched by Periyar (E.V.Ramasami Naiker) in 1926 questioned the ways in which the lower castes were systematically excluded from the Indian nation and constructed as the 'Other' by the Brahmin elites. While Periyar's role within the movement has received critical and scholarly attention, women Self-Respecters and the issues they raised have gone largely unnoticed. This collection of essays and fiction by women Self-Respecter translated from the Tamil could serve as the material basis for writing an alternative history of the writing an alternative history of the movement. In mapping the voices of women who identified with movement this anthology helps us arrive at a different and richer understanding of what the Self-Respect movement stood for. There is an urgent need not only to improve upon existing Self respect histories but also to critique the ways in which they have so far been written. This anthology provides a basis for such critique.
In The Sexual Life of English, Shefali Chandra examines how English became an Indian language. She rejects the idea that English was fully formed before its life in India or that it was imposed from without. Rather, by drawing attention to sexuality and power, Chandra argues that the English language was produced through conflicts over caste, religion, and class. Sentiments and experiences of desire, respectability, conjugality, status, consumption and fashion, came together to create the Indian history of English. The language was shaped by the sexual experiences of Indians and by native attempts to discipline the normative sexual subject. Focusing on the years between 1850 and 1930, Chandra scrutinizes the English-education project as Indians gained the power to direct it themselves. She delves into the history of schools, the composition of the student bodies, and disagreements about curricula, the way that English-educated subjects wrote about English and debates in English and Marathi popular culture. Chandra shows how concerns over linguistic change were popularly voiced in a sexual idiom, how English and the vernacular were separated through the vocabulary of sexual difference, and how the demand for matrimony naturalized the social location of the English language.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India, as well as two standalone volumes) comprising over fifty research papers and two book-length studies, detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
In this remarkable and wide-ranging study, activist and historian V. Geetha unpacks the meanings of impunity in relation to sexual violence in the context of South Asia. The State’s misuse of its own laws against its citizens is only one aspect of the edifice of impunity; its less-understood resilience comes from its consistent denial of the recognition of suffering on the part of victims, and its refusal to allow them the dignity of pain, grief and loss.
Time and again, in South Asia, the State has worked to mediate public memory, to manipulate forgetting, particularly in relation to its own acts of commission. It has done this by refusing to take responsibility, not only for its acts but also for the pain such acts have caused. It has done this by denying suffering the eloquence, the words, the expression that it deserves and papering over the hurt of people with routine government procedures.
The author argues that the State and its citizens must work together to accord social recognition to the suffering of victims and survivors of sexual violence, and thereby join in what she calls ‘a shared humanity’. While this may or may not produce legal victories, the acknowledgment that the suffering of our fellow citizens is our collective responsibility is an essential first step towards securing justice. It is this, that in a fundamental sense, challenges and illuminates the contours and details of State impunity and positions impunity as not merely a legal or political conundrum, but as resolute refusal on the part of State personnel to be part of a shared humanity.
December 2012: Tens of thousands of people – women, men, families, young, old, rich, poor – come out onto the streets of towns and cities in India to protest the brutal gang rape and murder of a young medical student in Delhi. For days and months, the protests refuse to die down. People demand change, action, commitment to the ideals of democracy and egalitarianism. And they refuse to be silenced.
Soon, a new law is put in place. More and more people start to report incidents of sexual assault. New conversations, new debates begin: is violence increasing? Are we seeing more of it? Was it previously invisible?
In this bold and brilliant collection of visual stories, fourteen young women respond to the activism and debates on the ground; they negotiate anger, fear, hope, resistance. Created in a week-long workshop, these stories talk to each other as they powerfully describe the fierce determination of the writers/artists to continue the battle for change.
This landmark collection on colonial history is now available in a brand new edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This collection of essays stands at an unarticulated conjuncture within the feminist movement and women's studies that have emerged in India since the 1970s. The anthology attempts to explore the inter-relation of patriarchies with political economy, law, religion and culture and to suggest a different history of 'reform' movements, and of class and gender relations. The book seeks to uncover the dialectical relation of feminism and patriarchy both in the policies of the colonial State and the politics of anticolonial movements. The writers in this volume include scholars from various disciplines.
Kumkum Sangari and Sudesh Vaid taught literature at Indraprastha College for Women, Delhi University. Together they have edited a collection of essays entitled Women and Culture and have carried out extensive research on widow immolation in Rajasthan.
On September 1, 1995, Tibetan nationalism and international feminism cam together in front of a global audience when nine exiled Tibetan women staged a demonstration at the United Nations Fourth World Conference on Women in Beijing. From a Tibetan perspective, the women created history by becoming the first Tibetans ever to hold a protest on Chinese soil. This book traces the history of organized political resistance by Tibetan women over the 40-year period leading up of the Beijing Conference. It describes and analyses the development of the Tibetan Women's Association, the mass women's organization of the Tibetan Exile Community and in particular the impact of feminism on it. It looks at at the overlaps and tensions between nationalism and feminism, and examines how both can be constructed in exile. In doing so, the book raises questions of belonging and representation, of change and permanence, of political expediency and idealism. Overall, it provides a unique insight into the nature of Tibetan Nationalism and its interaction with international forces and movements.
Why does gender bias persist in natural resource management policies and programmes, despite increasing recognition of rural and tribal women's contribution to conservation and sustainability?
Examining this question from the perspective of an academic and a practitioner, Sumi Krishna looks at diverse areas including the socialization of attitudes, the shaping of community ideologies, and the construction of disciplines and research methodologies. The author advances the novel concept of 'genderscapes' to reflect the totality of women's lifeworlds to revision natural resource management in complex landscapes. Rich case studies unravel the caring practices of forest-dwellers, women's knowledge of biodiversity, their responsibility for farming and food production.
SHORTLISTED FOR 2007 CROSSWORD BOOK PRIZE
It's raining in Shillong. Eight-year-old Sophie Das has just realised she is adopted, but there is also the baby kicking inside her mother's stomach whom she's dying to meet. IAS aspirant Aman Moondy is planning a first-of-its-kind Happening and praying the lovely Concordella will come. College lecturer Firdaus Ansari is going to finish her thesis, have a hard talk with her boyfriend, and then get out.
Poetic, funny, tender, Lunatic in my Head is a moving portrait of a small town and of three people joined to each other in an intricate web, determined to break out of their small town destinies.
"A classic" -- BIBLIO
"Here is a writer of worth, and worth reading" -- The Hindu
"The delicacy and pungency of her portraits of these characters is very striking, as is her evocation of the provincial milieu of 'the hill-encircled town' in which they live, and against whose ingrained codes they beat their wings" -- Mint
"Compelling" -- Hindustan Times
This book links caste and gender to the social production of motherhood. Dandekar argues that in contradiction to the assumption about motherhood being primarily a female-centred and positive domain, subaltern agency produces it as malign, dangerous, malevolent and marginal.
Highlighting the manner in which the experience and expression of motherhood is constructed as androgynous and nonthreatening to patriarchal hegemony, the author emphasizes the consolidation of ‘lower’ caste positive identity through valorization processes and endorses high caste and class ownership and power by producing the birth and survival of a male child as its ideological validaton.
Little has been written about the experiences of motherhood in India, outside of the debates around public health statistics. Here, the author reinvents and deconstructs existing notions of maternity by interrogating the very systemic and patriarchal nature of its language that depoliticizes oppression.
In the run-up the fourth World Social Forum held in Mumbai, India in January 2004, civil activists and student organised a major series of seminars in Delhi University to discuss the Forum and its politics. The 'Open Space' seminar series, as it came to be called, picked up on the idea of the Forum as a relatively free space, where all kinds of ideas could not meet and be discussed. The book, the first in a series that explore the new ideas generated by the discusssions took place on all these issues, comprises chapters based on the transcripts of presentation made by academics and activists during the seminars, as well as discussions on the questions arising from the presentation. Can the World Social Forum helps us to conceptualise and actualise a new politics? Can this new politics? Can this new politics be free from violence? Can the experience and knowledge of great movements such as the movements for environment, and the women's movement, contribute to the creation of a new politics? How can such a politics be sustained? The essays in this book, written in an easy and accessible style, are informed by these question. they offer the reader different and complex ways of understanding the processes that have helped to shape the world social forum and the new politics that seems to be emerging, and what all this represents, for life, society, and politics more generally.
Why does the world’s largest democracy turn a blind eye to systematic violations of human rights in its periphery?
Drawing on the findings of a comparative research project, this volume tackles a set of intricate questions about the workings of impunity in India. How do victims of abuse and survivors of sexual violence end up being denied justice? What do those on the margins—those with the wrong sex, wrong identity markers, wrong political leanings— tell us about violence by state and non-state actors?
Bringing together senior academics, civil society leaders and fresh voices from across India, the volume offers analysis—contextual, structural and gendered—and breaks new conceptual ground on the underbelly of India Shining. The volume contains testimonies that were collected during fieldwork in four states.
Contributors include: Sanjay Barbora, Shahana Basavapatna, Anjuman Ara Begum, Uma Chakravarti, Warisha Farasat, Satish K. Jain, Ram Narayan Kumar, Harsh Mander, Bhagat Oinam
Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona construction, Mookherjee opens the possibility for a more politico-economic, ethical, and nuanced inquiry into the sexuality of war.
Kamaladevi Chattopadhyay (1903-1988) was a remarkable woman of many passions and gifts. She played an important role in the struggle for Indian independence and was similarly a key figure in the international socialist feminist movement. She was India’s ambassador to Asia and Africa, an articulate and unflinching exponent of the idea of decolonization, and one of the earliest advocates of the idea of the global South. A staunch champion of women’s rights, she held views on women’s equality that continue to resonate in our times.
Greatly disheartened by the partition of India in 1947, Kamaladevi became involved in the resettlement of refugees and appeared to withdraw from political life. Indeed, the Kamaladevi that most Indians are familiar with is a figure who, above all, revived Indian handicrafts, became the country’s most well-known expert on carpets, puppets and its thousands of craft traditions, and nurtured the greater majority of the country’s national institutions charged with the promotion of dance, drama, art, theatre, music and puppetry. Throughout her life, however, she upheld with all the intellectual vigour and emotional force at her command the idea of the dignity of every human life.
Kamaladevi wrote voluminously and her sojourns took her all over the world. She travelled in China during World War II, lectured in Japan, visited Native American pueblos in New Mexico, and forged links with working women and anti-colonial activists in countries across Asia, Africa and Europe. Sadly, most of her writings have long been out of print. The editors of this comprehensive anthology, which is the first serious scholarly attempt to grapple with Kamaladevi’s life and body of work, have sought to represent the wide range of her interests. The extensive selections, comprised largely of journal articles and excerpts from Kamaladevi’s books, are accompanied by a set of original essays by contemporary Indian and American scholars which analyse and contextualize her life and work. This volume should provide the resources for further examination and appreciation of Kamaladevi Chattopadhyay’s unusual gifts and her place in modern Indian and world history.
Drawing from feminist, post modern, cultural, sociological and medical anthropological literature, this work shows the complex intertwining of illness and culture in the context of mental disorder.
The ethnographic context of the study is the interface between mental health professionals, patients and their families in a local psychiatric hospital in New Delhi. The book anchors the discussion around feminist thinking and praxis in the mental health realm, along with the traditions of cultural psychiatry and medical anthropology.
Deconstructing Mental Illness is relevant and contemporary, and makes an important contribution to the field of mental health of women. This important new work extends the frontiers of social science research and offers alternative perspectives on women, health and disability.
Shenkottai Sri Avudai Akkal, a remarkable eighteenth-century woman saint from Tamil Nadu, was a self-realised advaitin who sang passionately about the ecstasy of spiritual union with the Absolute. A desolate and stigmatised Brahmin child-widow, she was initiated into Vedanta by the great master Tiruvisainallur Shridhara Venkatesa Ayyawal. Her songs, a radical elision of the metaphysical sublime and personal devotion, are narrated through existential tropes sourced from daily life, and also offer a powerful critique of the oppressive orthodox socio-religious practices of that period.
Composed in simple, colloquial Tamil, and bringing hope and solace to women in general and widows in particular for almost three centuries, these songs by Avudai Akkal were preserved within the oral tradition by Brahmin women of Tirunellveli district who sang them on all occasions. The songs were documented in the nineteenth and twentieth centuries and have appeared in many Tamil publications. They appear in English translation for the first time in this book. Each song is accompanied by annotations and themed essays.
This book is an attempt to understand the causes, nature and consequences of gender-based violence in public spaces. It provides a framework that locates gender based violence within the politics and dynamics of public space, and helps us to understand the commonality between these diverse forms of violence, ranging from sexual harassment, sexual assault, moral policing, 'honour' killing, acid throwing, witch hunting, parading naked, tonsuring, rape and homicide. The writers unpack and examine the idea of a 'public' space: although by and large a notional space, they begin by identifying it as the geographical space between the home and the workplace and then, go beyond this to look at the violation faced by homeless women and girls who live on the streets, as well as those who work in public spaces in the unorganised sector.
Across the South Asian region, water determines livelihoods and in some cases even survival. However, water also creates exclusions. Access to water, and its social organisation, are intimately tied up with power relations. This book provides an overview of gender, equity and water issues relevant to South Asia. The essays empirically illustrate and theoretically argue how gender intersects with other axes of social difference such as class, caste, ethnicity, age and religion to shape water access, use and management practices. Divided into six thematic sections, each of which starts with an introduction of relevant concepts, debates and theories, the book looks at laws and rights, policies, technologies and intervention strategies. In all, the book clearly shows how understanding and changing the use, distribution and management of water is conditional upon understanding and accommodating gender relations.
In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories.
Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, Gopinath stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian and Latinx artists such as Sheba Chhachhi, Allan deSouza, Tracey Moffat and Akram Zaatari. Unruly Visions shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality.
The queer optics produced by these visual practices create South-to-South, region-to-region and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization and diasporic dislocation as they indelibly mark both bodies and landscapes.
“A tremendous advance over the current scholarship analyzing visuality, affect, and South-to-South queer diasporic artistic expression, Unruly Visions charts new cartographies of diasporic connections that provide a fresh orientation to our understanding of settler colonialism, empire, and racialization. Gayatri Gopinath’s book is a singular achievement that will have a profound impact within queer studies, indigenous and diaspora studies, visual studies, and aesthetics.”
—Nayan Shah, author of Stranger Intimacy: Contesting Race, Sexuality, and the Law in the North American West
“A wonderfully detailed examination of queer diasporic films and visual art projects, this book explores how critical regionalism can interrupt conventional conceptions of local/global and metropolis/diaspora distinctions. Gayatri Gopinath's concept of a 'queer cartographic imaginary' resists neat categories and generalizations, offering an eclectic range of case studies—queer diaspora from Kerala and the Middle East, Latinx and U.S. cultures of immigration, and indigeneity.”
—Ann Cvetkovich, author of Depression: A Public Feeling
GAYATRI GOPINATH is Associate Professor in the Department of Social and Cultural Analysis at New York University. She works at the intersections of transnational feminist and queer studies, postcolonial studies and diaspora studies.
In May 2009, the Sri Lankan army overwhelmed the last stronghold of the Liberation Tigers of Tamil Eelam -- better known as the Tamil Tigers -- officially bringing to an end nearly three decades of civil war. The conflict resulted in massive displacement of people from their homes.
The figures are shocking around 80,000 Muslims were expelled from the LTTE controlled north, and nearly half of all Sri Lankan Tamils were displaced during the civil war.
Sharika Thiranagama's book focuses on two groups of displaced peoples : Sri Lankan Tamils from the north and Sri Lankan Muslims. Through detailed engagement with ordinary people struggling to find a home in the world, Thiranagama explores the dynamics with and between these two minority communities, describing how these relations were reshaped by violence, displacement and authoritarianism.
She tackles three major themes: the ideas of home, transformations within the family, and the impact of political violence on ordinary lives and public speech. Only by taking stock of these new Tamil and Muslim identities forged by the civil war can one envisage and work towards a peaceful future for this troubled land.
"Drawing from field research in Cameroon, Ghana, Viet Nam and the Amazon forests of South America, this book explores the relationship between gender and land, revealing the workings of global capital and of people's responses to it.
A central theme is the people's resistance to global forces, frequently through an insistence on the uniqueness of their livelihoods.
The book addresses a gap in the literature on land tenure and gender in developing countries. It raises new questions about the process of globalization, particularly about who the actors are (local people, the state, NGOs, multinational companies) and the shifting relations among them. The book also challenges the very concepts of gender, land and globalization. "
Dzodzi Tsikata is a senior Research Fellow at Institute of Statistical, Social and Economic Research(ISSER) and Deputy Head of the Centre for Gender Studies and Advocacy (CEGENSA) at the University of Ghana. Her research interests are the areas of gender and livelihoods, gender and development policy and practice, land and resources tenure reforms. She has several publications on these subjects including a book, Living in the Shadow of the Large Dams: Long Term Responses of Lakeside and Downstream Communities of Ghana's Volta River Project(2006).
Pamela Gholah worked as Program Officer with the Women's Rights and Citizenship Program at the International Development Research Centre, Canada. In 2009, she joined the Research and Evaluation Branch at Citizenship and Immigration Canada as a Policy and Research Analyst.
“It is …a commendable job done by the editor Dr. Mohan Rao to have put together this very readable anthology of rare media writings about the real health issues that plague women’s lives. To which he has also contributed a very lucid and well argued preface that adds to the value of the volume.” -- Mrinal Pande, The Book Review
The contributing journalists are winners of the Panos Reproductive Health Media Fellowship.
Mohan Rao teaches at the Centre of Social Medicine and Community Health, Jawaharlal Nehru University, New Delhi. His publications include From Population Control to Reproductive Health: Malthusian Arithmetic and Disinvesting in Health: The World Bank’s Prescriptions for Health.
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