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Choozu Mian is a special little chicken — or so he thinks!
As he hurries off to the King's Palace, he meets Fire, Wind and Water, each of whom is in trouble. But he's in too much of a rush to stop and help them.
But when he's in the soup, will anyone come to his rescue?
This folktale has been retold by India's third President, Dr Zakir Hussain. 'For all children,' he wrote, 'the first books they read are the key to the magic of the world.'
Translated into English by the author's great-granddaughter Samina Mishra, these books will delight anyone learning to read for the first time, and are perfect for parents and teachers to read aloud. With colourful illustrations and simple text, they can unlock the wonderful world of a child's imagination...
Two sisters, one very strange Aunt, and a flock of escaped birds... Magic and mayhem comes in unexpected shapes and sizes to one small corner of a very big city.
Each page of this spectacular picture book will delight and amaze children. Anitha Balachandran's unique illustration style combines real objects and drawing: there's so much to discover in every page. Together with the delightfully quirky text, this unique book brings to life the wonders of India and the world seen through the eyes of these to - rather special - young girls.
This simple, charming picture book introduces youngsters to the importance of taking care of their own bodies. From simple tips on hygiene to an empowering message of personal safety, Shruti Singhal’s visuals and text provide perfect reading material for talking about health, safety, emotional and physical well-being with very young children.
In the third of the Foxy Four adventures, Charu, Padma, Jahan and Mandy are at it again: solving mysteries, breaking the rules, dodging eagle-eyed gatekeepers, careening around in Aunt Razia’s car, and driving their school principal crazy!
Travel with our four feisty friends to a crumbling old haveli in Bhopal; to the Kalakshetra dance school in Chennai; pandal-hopping at Durga Puja; and crime-busting in the gullies of Old Delhi.
Each story is narrated by one of the girls. Mandy, the fashionista babe, reveals a surprising brain beneath that perfect hair. Padma may be a computer geek, but she knows a thing or two about classical dance. Jahan seems like the cool-headed type, but even she gets the shivers in a haunted haveli. And then there’s Charu, who everyone knows, is just destined to be a writer...
This landmark collection on colonial history is now available in a brand new edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This collection of essays stands at an unarticulated conjuncture within the feminist movement and women's studies that have emerged in India since the 1970s. The anthology attempts to explore the inter-relation of patriarchies with political economy, law, religion and culture and to suggest a different history of 'reform' movements, and of class and gender relations. The book seeks to uncover the dialectical relation of feminism and patriarchy both in the policies of the colonial State and the politics of anticolonial movements. The writers in this volume include scholars from various disciplines.
Kumkum Sangari and Sudesh Vaid taught literature at Indraprastha College for Women, Delhi University. Together they have edited a collection of essays entitled Women and Culture and have carried out extensive research on widow immolation in Rajasthan.
In 2008, when the Azad Foundation, an NGO based in Delhi, began training poor women to become drivers of commercial and private vehicles, most people thought they were somewhat out of touch with reality. Poor, illiterate women, many of them from violent homes, some of them single mothers, others from families and communities which had never allowed women to step out of the home – how could these women take the wheel, drive around in unsafe cities, be confident and competent, earn money? At the time, there was only one known woman auto driver in Delhi. When Azad turned to radio cab companies to suggest they take in women drivers, there wasn’t much interest. Today, more than 300 women drivers have received training from Azad and are on the roads of several cities. Nine years after radio companies turned Azad away, special services or women with women drivers are being introduced within these same companies. In 2015, the Delhi Transport Corporation got its first woman driver, and in 2016, the Delhi Commission for Women recruited 25 women drivers to be part of their women’s helpline. Clearly, things are changing.
Lady Driver maps the journeys of twelve women from poor, marginalized communities who have transformed their lives by taking up the challenge of becoming women drivers. Each story is unique; there’s no Cinderella effect here. Reality does not change overnight. Instead, as the women featured here painstakingly claim a relationship with the road, it translates into claims for identity, for dignity, for a livelihood. Their stories are about beginnings, but have no endings – there is still quite a way to drive. OR – there are many kilometres to drive yet.
The final installment of Payal Dhar's thrilling Shadow in Eternity trilogy. Maya Subramaniam's life is far more complex than that of an average fourteen-year-old. The youngest Halvard of the Sands of Time, torn between loyalty to her family and to her Watcher, and dogged by a prophcy that predicts her to be the cause of the destruction of time itself... honestly, how much can one person take? An adolescent caught up in a world of grown-ups, Maya finds herself in the middle of a Warrior conspiracy to see the Ai'diyar Prophecy to its conclusion. Homeless and confused, convinced that she wrecks the lives of those she loves, Maya finds herself doubting her ability to see right from wrong. rnAs she and her friends stumble into the Timeless Land, she is faced with a choice that could have a devastating impact on reality as we know it.
Baby Crocodile has a problem. She just won't open her mouth! Mama and Papa Crocodile try everything, but Baby just stares and stares.
Sounds like a job for Grandma! With a little bit of know-how and the help of some friendly frogs, the family is soon set right with a smacking, big crocodile kiss - that goes: pchak! pchak!
A delightful tale for children - and crocodiles - everywhere!
It is 2040AD. The place is Pune, India. The future is here and now. Liquid computers. Flawless Skin. Emotional cars. Illusion pods. Synthetic life. For thirteen-yearold Tara and her elder brother Aditya, it's a world full of tough questions and infinite possibilities. Why are Tara's new friends, Francis and Ria, so freaked by the night sky? Is their strange and beautiful mother, Mandira, friend or foe? Where is their father? Is he a terrorist or a genius? And what, exactly, is the beast with nine billion feet?
As Tara and Aditya soon find out, there are no simple answers. They find themselves on very different tracks, caught up in a deadly game - a struggle for power and control, a fight for the genetic code to life itself. In the 'here and how' of Anil Menon's brilliant and disturbing debut novel, the future itself is at stake.
Meet Squiggle—curious, confused and crazy!
Squiggle is confused. She doesn’t know quite what she is! So she sets off through the pages of a notebook in search of answers. Is she a comma or colon? A question mark? Surely not an exclamation! Splash, run, bump, trip and swing with her until she finds her own kind.
Natasha Sharma’s delightful book introduces young readers to the correct way to use punctuation in this deliciously comic tale. The book also includes a section with pointers on punctuation, interesting facts from history, and mayhem brought about by incorrect punctuation.
Jump into this adventure with Squiggle and you’ll never lose that comma again!
July 15, 2004, Imphal (Manipur): An amazing scene unfolds in front of Kangla Fort, the headquarters of the Assam Rifles, a unit of the Indian army. Soldiers and officers watch aghast as twelve women, all in their sixties and seventies, position themselves in front of the gates and then, one by one, strip themselves naked. The imas, the mothers of Manipur, are in a cold fury, protesting the custodial rape and murder, by the army, of Thangjam Manorama, a 32-year-old woman suspected of being a militant. The women hold aloft banners and shout, ‘Indian Army Rape Us’, ‘Take Our Flesh’. Never has this happened before: the army is appalled. Very soon, news of the protest goes viral. People around the country are shocked. Can this be possible? A naked protest in India by mothers?
In this unusual book, journalist Teresa Rehman tells the story of these twelve women, the momentous decision they took, and how they carried it out with precision and care. In doing so she connects the reader to the broader history of conflict-torn Manipur and the courage and resistance of its people, in particular its women.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India) comprising over fifty research papers and two book-length studies detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
In this collection of essays on Sri Lanka the authors – activists, lawyers, academics, journalists – look back at Sri Lanka’s long and intense armed conflict during which women and men were sexually brutalized, assaulted, tortured and disappeared. They examine not only the rampant sexual violence during the conflict period, and the impunity enjoyed by its perpetrators, but focus also on women’s struggles for survival, their interactions with community leaders and their navigation of society’s expectations, their understanding of, and access to justice. Essay after essay argues compellingly for the need to stop treating survivors of sexual violence as victims and to start seeing them as potentially powerful agents of change.
The writers highlight a hitherto unaddressed aspect of sexual violence: that of the structures that enable impunity on the part of perpetrators, be they security personnel and paramilitary forces, members of armed rebel groups, gangs, local politicians and police or ordinary citizens including close family members.
They demonstrate how impunity for perpetrators is both a failure of the formal justice process and a product of individual, community and social conditions and indeed the choices that victims and families often make, which promote silence over truth. At the end of more than a quarter century of conflict that has left some 100,000 dead, 50,000 women-headed households struggling to survive, and created countless victims and survivors of sexual violence, the calls for justice can no longer be ignored.
When Sunil is sent to stay with his Uncle Vish, he doesn't know quite what to expect. All he knows is that it's a long way from the city to the jungles of Madhya Pradesh, and that his Uncle's job is to protect the tigers that live there.
Befriended by a little Adivasi girl called Jungu, Sunil soon has to face some tough questions. If the tigers are to survive, then the people must be moved out of the forest. But what will happen to Jungu and all the other Baiga villagers? Don't they have a right to be there? And meanwhile, there's a very real, very dangerous gang of poachers to be caught...
Vithal Rajan's delightful tale of an unusual friendship between a city boy and an Adivasi girl introduces, children to the magical world of the Baigas, teaching tolerance, respect and the importance of protecting the natural environment.
Do you sometimes feel Anxious? Bored? Confused? Depressed? Enervated? Fat? Glum? Horribly Irritated? Jealous? Kleptomaniac? Low-down? Miserable? No? Or Perhaps Quite Rapturous? Super-Trendy, Uplifted, Very Wonderful, eXtremely ... Yawn.... Zzzzzzz....
Life’s tough for a kid, and problems come in all shapes and sizes: from agonizing auntie-jis to zealous parents, from acne to zits. But don’t worry – help is here! This little book is packed with hints, advice, information, things to get you thinking, stuff to do, and loads of fun for kids of all shapes and sizes. Because no matter how big (or small) the problem, you know it’s nothing you can’t handle.
Reena Daruwalla divides her time between Delhi and Mumbai. Her favourite pastime is playing with Pépé, her daschund.
In Suki, fabulist Suniti Namjoshi weaves a delightful tapestry from threads of longing, loss, memory, metaphor, and contemplation. The whole picture is a stunning evocation of the love and friendship shared between S and her Super Cat, Suki, a lilac Burmese. Suki suggests that she could be a goddess, and S her high priestess. S declines, but as they discuss the merits of vegetarianism, or the meaning of happiness, or morality, or just daily life, it soon becomes clear that the bond between them is a deep and complex one. The days of Suki's life are figured as leaves, which fall vividly but irrevocably into time's stream and are recollected with a wild tenderness by the grieving S, who learns through the disciplines of meditation how to lose what is most loved.
This beautiful narrative, both memoir and elegy, offers solace and celebration to everyone who has felt the trust that passes between a person and a beloved creature.
Maharaja Icky is quite the most disgusting King you’ll ever have the misfortune to meet. The ruler of the kingdom of Icktapur regales all with his utterly vile table manners.
While he sits licking curry from hand to elbow and juggling rosogullas, his beloved nail-nibbling queen Maharani Yucky, joins him. Banned from using spoons or nail cutters, the people of Icktapur are at their wits’ end. But their hopes rise when the announcement comes that the Maharani is expecting a little baby...
With gleefully gross illustrations by highly acclaimed children’s illustrator Anitha Balachandran, Icky, Yucky,Mucky! will have children squirming in their chairs and yelling with delight. And perhaps, learning a lesson or two in table manners!
December 2012: Tens of thousands of people – women, men, families, young, old, rich, poor – come out onto the streets of towns and cities in India to protest the brutal gang rape and murder of a young medical student in Delhi. For days and months, the protests refuse to die down. People demand change, action, commitment to the ideals of democracy and egalitarianism. And they refuse to be silenced.
Soon, a new law is put in place. More and more people start to report incidents of sexual assault. New conversations, new debates begin: is violence increasing? Are we seeing more of it? Was it previously invisible?
In this bold and brilliant collection of visual stories, fourteen young women respond to the activism and debates on the ground; they negotiate anger, fear, hope, resistance. Created in a week-long workshop, these stories talk to each other as they powerfully describe the fierce determination of the writers/artists to continue the battle for change.
'I'm proud to be white,' the Swan proclaimed.
'I'm proud to be black,' the Raven said.
'And I,' said the Parrot, 'am justly famed for my jacket so green and scarf so red.'
But the Peacock is glum. Very glum indeed. All he wants is to be grey - now that would be really cool, and really chic! so Peacock decides to give all his colours away to the other birds. But does this make him happy? No chance! Luckily, the Glum Peacock needn't stay glum for long with the help of his clever and resourceful friend, Miss Snake.
Written by one of India's leading authors, this enchanting fable will amuse and delight children learning about colours, birds - and the importance of being happy with who you are.
When Younguncle and his family head off on a Himalayan holiday, you know the hills are never going to be the same again. Carrying a message from the monkeys of the plains to their mountain-dwelling relatives, Younguncle and the three children embark on a series of hilarious encounters at the gloomy, mysterious and haunted Hotel Pine-Away.
As Younguncle chats with the monkeys, debates the true nature of reality with an off-beat sect of Quantum Banana Spiritualists, the fate of the picturesque little valley hangs in the balance. Who is the strange Rat-girl, who charms the rodents out of their hotel? Can the children and their eccentric uncle thwart the plans of that 50-Lakh Bridegroom, Pradeep Dalmakhni? Can Younguncle help Dalmakhni’s intended bride to escape a fate worse than death? Or has he, finally, met his match?
For all those who have been enchanted by Younguncle in the first book, this new adventure will be a delight. And if you haven’t met him before—Younguncle will be a friend for life!
Vandana Singh was born and raised in New Delhi. As a teenager, she acquired a life-long interest in peace and environmental issues, and was one of the founders of the environmental NGO, Kalpavriksh. She obtained a doctoral degree in Physics from the United States where she now lives with her family, teaching physics in a local college, and writing fiction for children, and science fiction/fantasy for adults.
Squiggle’s back - this time, in a fun-filled adventure that helps turn muddled sentences into ones that make sense!
Squiggle’s stuck! She’s fallen into a dictionary and can’t escape. The only way out is to create a grammatically correct sentence and use it to jump off the page. She’s even got to rescue a very mixed-up character called Doodle Dude while helping him learn about verbs, nouns, prepositions and more such. Can you help them build a getaway sentence?
This new adventure follows on from Natasha Sharma’s brilliant and highly acclaimed Squiggle Takes a Walk, the best way to figure out the world of punctuation.
Hansa Wadkar (born Ratan Bhalchandra) was one of Maharashtra's best known stage and screen personalities. By the time she was married to a much older family friend and impressario when she was just 15 she had already starred in nine or ten movies and was becoming a name in the film world. Supporting her family on her earnings, her brother sick with malaria, and both parents having taken to drink, life was not easy for the young woman. But Hansa was not only beautiful and immensely talented, she was tough, willful, capricious and headstrong.
Her autobiography, published in 1970, created a sensation for its frankness and directness. It was later made into a film, Bhumika, by the well-known director Shyam Benegal and starred Smita Patil in the title role.
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