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"All Mrinalini Singh wants, she has. A loving husband, a competent cook, the vague hope of a book deal one day. But when her old roommate Jahanara accuses her of being selfish, Mrinalini is forced to practise altruism on the nearest available target: her maid’s toddler. All this caring doesn’t come easy, though; and it hardly helps that her husband Siddhartha has quit his lucrative job and acquired parental ambitions. Or that Brajeshwar Jha, her upstairs tenant and literary rival, has not only published his book before Mrinalini, but also lampooned her and Siddhartha in it. Close to Home is a wry look at the small compromises, manipulations and sustained self-delusion of young men and women possessed of good fortune... and only looking for good lives.
East is East and West is West, but the twain meet with a crash in Gurgaon - the epicentre of the outsourcing revolution in India, where thousands of the country's youth live with their bodyclocks set to US time zones and their cultural antennae pointing west. Into this maelstrom walk three very different young women:
Ayra, the golden girl: with a high profile job and a fancy title, everything seems to be going her way, until she finds herself at the helm of what could be the worst disaster of her career,
Shivaa, the perfect housewife turned desperate career woman who has to fight life, marriage and her irrational new boss to make sense of her existence, and
Sara, the shy college graduate turned spunky office-goer, who is willing to risk it all rather than be pushed into an early marriage by her anxious parents.
Debut author, Shruti Saxena weaves a very modern fairytale of professional jealousy and ruthless manipulation, heroic victories and egoistic cowardice, unfulfilled dreams and desires and raw, unadulterated ambition as seen though the eyes of these three extraordinary woman and the men who love them.
A thick mist envelopes an isolated house and a cottage atop a hill. Raseel, looking out from the verandah of the house, watches the mist as it covers first the plants, then the trees and finally the house. Suddenly it parts, and three men come into view, furtive, quick. Then they're gone. Minutes later, Raseel hears the sound of shots. Then there is silence.
The reader is pulled into Bijoya Sawian's tense and dramatic story of the strange death of a dkhar, an outsider, in the beautiful hill town of Shillong in northeastern India. Why was he killed? Who are the killers? Are they known to the housekeeper and driver? As she begins to unravel this mystery, Raseel finds herself caught in a tale of intrigue and violence that mirrors the world of insurgency around her. In lyrical, haunting prose, Bijoya Sawian paints a dark, threatening picture and shows how violence has tainted the very fabric of everyday life in a place that was once peaceful, untroubled and calm.
This collection of mind-expanding stories is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
Already a name in the world of science fiction and fantasy writing, Vandana Singh presents her first collection of stories, bringing this unique imagination to a wider audience. In the title story, a woman tells her husband of her curious discovery: that she is inhabited by small alien creatures. In another, a young girl returning home through the streets of Delhi comes across a mysterious tetrahedron: is it a spaceship? Or a secret weapon? Each story in this fabulous collection opens up new vistas -- from outer space to the inner world -- and takes the reader on an incredible journey to both
"A most promising and original young writer" -- Ursula K. LeGuin, author of The Earthsea Trilogy
"I'm looking forward to the collection despite the fact that I haven't actually read that much of Singh's work, or perhaps because of that fact, because everything I've read has impressed me -- the past and future visions in 'Delhi', the intensity of 'Thirst', the feeling of escape at the end of 'The Tetrahedron'..." -- Niall Harrison, Vector (British Science Fiction Association)
"...attracts all the inadequate adjectives reviewers pull out when rendered nearly speechless: beautiful, evocative, mysterious, brilliant, stunning..." -- www.sfsite.com
"...the first writer of Indian origin to make a serious mark in the SF world, ... she writes with such a beguiling touch of the strange." -- Nilanjana Roy, Business Standard
"Singh says that speculative fiction has a 'unique, revolutionary potential'. If so, The Woman Who Thought She Was a Planet is as enjoyable as a revolutionary text you're likely to find." -- Jess McCabe, The F Word.
In the mid-nineties, Birjees Dawar Ali returns to Pakistan to seek out a history left unfinished long ago, a history from which, nursing heartbreak and betrayal, she had once earlier fled, back to her home in partitioned India. Will she find the family that so generously gave her succour, the home that became her own, the people who gave her unquestioning love? Or, will all these certainties have fled with the march of history? A deeply moving narrative of love and loss, All Passion Spent focuses on the unresolved question of the 1947 Partition of India and the emergence of India and Pakistan as two separate countries. Zaheda Hina's richly layered narrative brought alive in this lyrical and poetic translation by Neelam Hussain, touches on the many unanswered questions that surround this painful history: the profound sense of grief and displacement, the lives sundered midstream, the lost friendships and the quest for new roots and lands under different skies.
"Drawing from field research in Cameroon, Ghana, Viet Nam and the Amazon forests of South America, this book explores the relationship between gender and land, revealing the workings of global capital and of people's responses to it.
A central theme is the people's resistance to global forces, frequently through an insistence on the uniqueness of their livelihoods.
The book addresses a gap in the literature on land tenure and gender in developing countries. It raises new questions about the process of globalization, particularly about who the actors are (local people, the state, NGOs, multinational companies) and the shifting relations among them. The book also challenges the very concepts of gender, land and globalization. "
Dzodzi Tsikata is a senior Research Fellow at Institute of Statistical, Social and Economic Research(ISSER) and Deputy Head of the Centre for Gender Studies and Advocacy (CEGENSA) at the University of Ghana. Her research interests are the areas of gender and livelihoods, gender and development policy and practice, land and resources tenure reforms. She has several publications on these subjects including a book, Living in the Shadow of the Large Dams: Long Term Responses of Lakeside and Downstream Communities of Ghana's Volta River Project(2006).
Pamela Gholah worked as Program Officer with the Women's Rights and Citizenship Program at the International Development Research Centre, Canada. In 2009, she joined the Research and Evaluation Branch at Citizenship and Immigration Canada as a Policy and Research Analyst.
Globalization and the failure of development have led to the feminization of poverty, environmental degradation, and an uncertain future for global peace and security. Development studies has reached an impasse, both in its theoretical paradigms and its practical prescriptions. Too economistic, too little focused on the daily lives of women, and devoid of vision, the field needs a radical imaginative overhaul. The contributors to this book, who work at the intersection of cultural studies, feminist studies, and critical development studies, articulate a new theoretical framework that they call Women, Culture and Development. They apply it to a range of issues and, through a series of shorter think pieces, present their ideas for the future.
Four musicians: a bright, young, aspiring student, two highly respected gurus married to each other, and a globe-trotting star, each deeply immersed in the tradition of Hindustani shastriya sangeet. Their lives intersect in the small mofussil town of Tamulbari on the banks of the Brahmaputra.
Against the backdrop of a magnificent musical heritage and the haunting and timeless ragas that sweep through the pages of this wonderfully evocative novel, Mitra Phukan presents the ambitious sitarist Kaushik Kashyap, already a 'name,' who tours the world with his beautiful Italian student, Nomita, the shy, small-town vocalist, whom Kaushik's parents have chosen for him, Nomita's Guruma, the beautiful, calm Sandhya Senapati, and her husband, the handsome Tridib Barua, who seem to be hiding deep, dark secrets, and Guruma's friendship with the well-known industrialist Deepak Rathod.
As the eventful monsoon months give way to autumn, the characters come to a deeper understanding of themselves even as their lives change dramatically and forever. By turns serious, deeply moving and utterly irreverent, Mitra Phukan's eye for detail, her immense knowledge of Hindustani classical music and her profound understanding of human nature come together in this remarkable novel.
In which an uncast ballot precipitates social embarrassment and recalls a past love, a young housewife finds her kitchen plagued by unabashed canoodling in the flat next door, an aspiring novelist tries to forget near-manslaughter, a schoolgirl discovers the travails of depilation, and, in a locked room, two medieval noblewomen recount the amorous avowals of a young soldier.
There’s also the small matter of a dead camel lying unattended on the streets of Delhi.
These twelve stories explore the unsaid, the unfinished and the misunderstood, the shocks and nuances of love and sexuality, responsibility and ambition, and our tentative attempts to peel away the layers of stories that make up our lives.
“Beautifully precise writing. These stories capture people with such exactitude that you know they must come from a serious student of life. But this is one of those serious books at which you never stop laughing, for Parvati Sharma’s sense of the world is lively, generous and wickedly original.”
— Rana Dasgupta, author of Solo
The women's movement in India has a long and rich history in which millions of women live, work and struggle to survive in order to remake their family, home and social lives. Whether fighting for safe contraception, literacy, water and electricity or resisting sexual harassment, they are participating in vibrant and active women's movements that are thriving in many parts of India today. Fields of Protest explores the political and cultural circumstances under which groups of women organize to fight for their rights and self-worth. Starting with Bombay and Calcutta, Raka Ray discusses the creation of "political fields"- structured, unequal and socially constructed political environments within which organisations exist, flourish or fail. Women's organisations are not anonymous or free agents; rather, they inherit a "field" and its accompanying social relations, and when they act, they act in response to it and within it. Drawing on the literature of both social movements and feminism, Ray analyses the striking differences between the movements in these two cities.
Raka Ray is an Assistant Professor in the department of Sociology at the University of California, Berkeley. Her areas of specialization are gender and feminist theory, social movements, and relations between dominant and subaltern groups in India. She is editor of Feminist Studies.
Talaash is the second novel of the Bangladeshi writer Shaheen Akhtar. It captures the brutalities of the 1971 war of liberation and its contingent afterlife -- more specifically, the scars it has left on women. For thirty long years, Mariam, the protagonist of the novel, lives with memories of a war that refuses to end for her. The analeptic and proleptic shapings of Shaheen's prose travel in and through those shattered memories (and their public use) to construct a devastating archive of pain and anguish, far beyond the pale of cause and effect. Shaheen Akhtar's mesmerizing and moving novel, set against the background of the Bangladesh war of independence, explores the violence done to women, their courage and heartbreak, their search for love and their betrayal. Taalash (The Search) was awarded the Prothom Alo Literary Prize in 2004.
A long time ago, a young prince, the heir to a great South-Asian kingdom, wielded Siva's mighty bow and won the heart of a brave princess.
The story of what happened next to the married couple, the Ramayana, told and re-told countless times over the centuries, begins where most stories end. The twenty-five stories in Breaking the Bow take a similar courageous leap into the unknown. Inspired by the Ramayana and its cultural importance, the anthology dares to imagine new worlds.
Here you will find magic realist and surreal stories. Robot and cyberpunk stories. Fantasy and science fiction stories. Hard-to-classify stories.
Stories by some of the best writers in contemporary south-Asian fiction, including Abha Dawesar, Rana Dasgupta, Priya Sarukkai Chabria, Tabish Khair, Kuzhali Manickavel, Mary Anne Mohanraj and Manjula Padmanabhan. Stories not only from India, Sri Lanka and Thailand, but also Dubai, Israel, Holland, the United Kingdom, Canada and the United States.
Breaking the Bow is a collection of brilliant, original and beautifully told tales, guaranteed to enlighten and entertain.
It has been ten years since Ram's return from fallen Lanka. Ayodhya is shining. Ayodhya is prosperous. But darkness lurks at the heart of the victrorious regime. A pointed question piques a young journalist's curiousity: What happened to Sita? Where is Ram's absent wife whose abduction triggered the war with Lanka?
And so begins the journalist's search for the missing queen. Soon her investigation attracts the notice of Ayodhya's all-powerful secret police and its mysterious head, the Washerman. Forced to flee Ayodhya, the journalist makes her way through a war-devastated Lanka in search of answers.
In this stylish speculative thriller, Samhita Arni skilfully combines her love for mythology with riveting storytelling.
"Pacy, gritty and very clever." -- Samit Basu
"Of late, a jungle of mythological retellings seems to have sprouted on Indian bookshelves. But this highly original take by Samhita Arni is a rare exception. A refreshing even radical revisiting brings new insights while providing a thrilling read." -- Ashok Banker
"Samhita Arni started telling stories from the Mahabharata, in an enchanting way, to her grandmother. And here she gets entangled at the same time in the Ramayana and today's world." --Roberto Calasso
It is now widely recognized that gender analysis has both challenged and enriched many of the standard assumptions and concepts that inform economic analysis of different kinds, whether to do with paid work or unpaid work, peasant studies, care labour and many other areas. Despite this, changes in economic policies have been few and far between, and most do not translate into women-friendly economics policies. Nor have the important contributions of women's studies research to the field of economics- been given its due importance or recognition.
This collection of essays by some of the best known academics and practitioners in the fields of economics, women's studies and development, examine a wide range of areas in which women's studies has made crucial contribution. They look at the market, the money economy, at the development policies, at water rights and at macroeconomics methodologies, in order to address the question of gender matters. Together they bring new insights and new approaches to the question of how a gender analysis of macroeconomic policies needs to be given wider acceptance and to be integrated into policies and planning. Accessibly written and rigorously researched, this book will be useful for academic and general readers, and for those in the related fields of economics, development and gender studies.
Amolik Dey is Everyman. A teacher with a young wife and son, he is dedicated to taking care of his family yet cannot turn a blind eye to the inequalities he sees around him. Torn between his wife's desire for a 'normal' life and his own passion for fighting injustice, he endangers both himself and his family with his increasing militancy. rnrnSet in a small town in the Bengal of the 1960s and 70s, this is a story of unrest and rebellion. It is a time of great upheaval, of violence and agitations, and the author subtly weaves in how the political tensions that threaten to overwhelm the state also impact the ordinary lives of this one family, destroying their world. From Naxalite uprisings which bring brutal conflict to those places that have been ignored by the political mainstream, to the complexities of class and gender, and the post-colonial hangover of a newly independent people, this gritty novel sensitively portrays a town and a people who have one foot in the past and one foot tentatively in the present.
This book makes an important contribution towards an understanding of citizenship as mediated by other collective, historically determined identities: of gender, ethnicity, class and national status. It brings together a group of prominent international scholars from moral philosophy, law, political science and sociology to offer a major re-conceptualization of the idea of citizenship. The contributors demonstrate how the growing ambivalence of State sovereignty in the face of multinational capitalism and the absence of political accountability structures are complicit in the definitions of gendered citizenship. Against these, women’s communal mobilization and political activism are considered in terms of their power effects and political potentialities.
"The absence of gender awareness in policy and planning in the past has given rise to a variety of efficiency, welfare and equity costs. This book develops an analytical framework and a set of tools which can assist planners, as well as trainers, to ensure that gender is systematically integrated into different aspects of their work. It offers as inventory of the kinds of assumptions which lead to gender-blind policy, and assesses integrationist and transformatory strategies by feminist advocates to influence the mainstream policy agenda. An analytical framework for examining the gender inequalities generated by key institutions through which development takes place occupies a central place in the book. A selection of case studies from the Indian context serves to illustrate different aspects of the framework and its application.
Be transported into dystopian cities and alternate universes.
Hang out with unicorns, cyborgs and pixies.
Learn how to waltz in outer space.
Be amazed and beguiled by a fairy tale with an unexpected twist,
a futuristic take on a TV cooking show,
and a playscript with tentacles.
In other words, get ready for a wild ride!
This collection of sci-fi and fantasy writing, including six graphic stories, showcases twenty of the most exciting writers and artists from India and Australia, in an all-female, all-star line-up!
Samhita Arni, Kuzhali Manickavel, Manjula Padmanabhan, Vandana Singh, Payal Dhar, Anita Roy, Annie Zaidi, Penni Russon, Kate Constable, Isobelle Carmody, Justine Larbalestier, Alyssa Brugman, Kirsty Murray, Margo Lanagan, Priya Kuriyan, Prabha Mallya, Amruta Pail, Lily Mae Martin, Nicki Greenberg and Mandy Ord.
"I was the youngest in a family of five children. I sometimes felt I was an afterthought, and maybe Father and Mother didn't quite know what to do with me. Also, because I was a girl after four boys they never seemed to be sure whether to buy me girls' clothing or let me wear leftover boys' clothing."
Young Dielieno is five years old when she is sent off to live with her disciplinarian grandmother who wants her to grow up to be a good Naga wife and mother. According to Grandmother, girls didn't need an education, they didn't need love and affection or time to play or even a good piece of meat with their gravy! Naturally Dielieno hates her with a vengeance.
This is the evocative tale of a young girl growing up in a traditional society in India's Northeast, which is in the midst of tremendous change.
Easterine Iralu writes about a place and a people that she knows well and is a part of and brings to the storytelling a lyrical beauty which can on occasion chill the reader with its realistic portrayals of the spirits of the dead that inhabit the quiet hills and valleys of Nagaland.
This is the memoir of a remarkable woman, Begum Kurshid Mirza, the daughter of Sheikh Abdullah and Waheed Jahan Begu, the founders of Aligarh Women's College. An intimate of an upper class Muslim family in India and Pakistan from until the recent past, this narrative is much more than an account of Kurshid Mirza's personal life. It spans the years from 1857 to 1983 and provides an insight into the the social conditions of Indian Muslims, the state of Muslim women's education, and the transition to Pakistan, while illuminating Kurshid Mirza's rich and tried life as an actor, activist, radio and TV artiste, a writer, a devoted daughter, wife and mother. Kurshid Mirza's vitality and dynamism, her pioneering spirit and unconventionally led her to leave the cloistered world of Aligarh after an early marriage to a police officer and then pursue a career in films in Bombay. She rapidly climbed the ladder to sardom as Renuka Devi and worked alongside well-known actors and directors of the time. Partition cut short her film career and she left for the new country Pakistan, where she remained deeply engaged as ever and contributed to many worthy causes, especially for the benefit of the women. The coming of Pakistan to gave her a fresh opportunity to express her theatrical talents and she soon became one of Pakistan's best known television actors winning many award in 1985. A true Woman of Substance.
"At various levels, from the city to the institutions and from the neighborhood to the dwelling, the ideal and the real about the social relationship between men and women is expressed in the built form. Cultural rules govern the use of space and codes regulate behavior between genders.
This book examines the role of women as consumers and creators of the built space and focuses particularly on India and parts of South Asia. The essays included here explore the gender perspective from various angles. They cover a wide range of issues such as domesticity and home, women laborers and construction work, the practice of architecture, education in general and in schools of architecture, women and leisure as well as women's relationship to the public sphere and housing in the vernacular mode."
After the success of These Hills Called Home and Once Upon a Life, Temsula Ao returns to her beloved Nagaland to bring readers the beautifully crafted story of Aosenla, a woman who is coming to terms with herself. The novel opens on a typical summer afternoon that soon turns into another oppressive evening. Aosenla sits listening to her children playing nearby and is seized by a great lethargy. As she casts a watchful gaze over the house she has called home for so many years, Aosenla wonders how an inanimate structure like a house can exercise such power over a human being.
Looking down at a wedding invitation in her hands, Aosenla begins to recall her own wedding many years ago, initiating a deep and moving reflection on the life that others made for her and the life that she eventually created for herself.
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