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Assisted Reproductive Technologies (ARTs) are usually publicised as 'miracle cures for infertility.' However, the social and economic context in which these technologies are developed and promoted have a strong bearing on their use or misuse.
Carefully packaged in the garb of 'modernity' and 'choice,' the efficacy of these technologies is difficult to challenge. On a deeper analysis, their costs seem to heavily outweigh the benefits. A chain of adverse effects on women's and children's health, commodification of their bodies, commercialisation of the reproductive process, unabashed encouragement to sex selection, obsession about biological progeny and eugenics are only some of the concerns that ARTs bring to the fore.
This book is an attempt to look into various aspects of ARTs - their social, medical, legal and economic implications on women in particular, and society at large. The book comprises seven essays by eminent activists and academics, each exploring a specific aspect of ART.
Khabar Lahariya, an eight-page newspaper published every fortnight since 2002 from Uttar Pradesh's Chitrakoot district, covers the news that mainstream media forgot. It is brought out by an all-women team. Most of them are Dalit. Some of them, barely literate. Waves in the Hinterland takes you on a journey through women's lives in feudal Bundelkhand, on dusty pot-holed roads, through caste prejudice, water shortages, police stations, polling booths, and the world of small-town journalism to tell the story of the extraordinary women behind this extraordinary newspaper.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India) comprising over fifty research papers and two book-length studies detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
This volume, the second on India, addresses the question of state impunity, suggesting that on the issue of the violation of human and civil rights, and particularly in relation to the question of sexual violence, the state has been an active and collusive partner in creating states of exception, where its own laws can be suspended and the rights of its citizens violated. Drawing on patterns of sexual violence in Kashmir, the Northeast of India, Chhattisgarh, Haryana and Rajasthan, the essays together focus on the long histories of militarization and regions of conflict, as well as the ‘normalized’ histories of caste violence which are rendered invisible because it is convenient to pretend they do not exist. Even as the writers note how heavily the odds are stacked against the victims and survivors of sexual violence, they turn their attention to recent histories of popular protest that have enabled speech. They stress that while this is both crucial and important, it is also necessary to note the absence of sufficient attention to the range of locations where sexual violence is endemic and often ignored. Resistance, speech, the breaking of silence, the surfacing of memory: these, as the writers powerfully argue, are the new weapons in the fight to destroy impunity and hold accountable the perpetrators of sexual violence.
The Reproduction and Child Health policy (RCH) in India has been in force since 1995. Coming after the Cairo conference, 1994, the RHC was expected to usher in 'paradigm shift' in India's population policy. From a family welfare programme that has historically been top-down, even coercive, the Indian government projected the RHC to be a participatory, women-centered reproductive health service. Ironically, the policy was devised barely four years after the start of Indian State's tryst with the market development, and was launched into a political environment in ideological transition. This book provides a political analysis of RHC policy, tracking how neo-liberal and purportedly, women-centered reproductive health discourses are positioned against each other.
Good governance became the mantra in international development debates in the 1990s. The key approaches to bringing about good governance involved reforming the state and 'improving' public administration. Improving and strengthening democratic governance, while acknowledged as important by some international development agencies, was concentrated nevertheless on reforming the institutional design of the state through reforms of th electoral, judicial and legal systems and decentralization and devolution of government. But were these approaches sufficient to make governance participatory, accountable and responsive to citizens and respectful of rights? The action research on which this book is based undertaken in eight country contexts across two regions, Southern Africa and South Asia, by sixteen civil society organisations, looked at governance as political process, rather than solely as a series of technical interventions to improve state functioning. It investigated how women among marginalized groups could be enabled to stake their claim to participation in governance, and ho to create accountability of governance institutions to poor women's interest and rights. The book provides insights into the changing role of civil society organisations representing women's interest in creating 'voice' of the most marginalized women and strategies, methods and tools developed to reach poor women's voices to governance institutions in order to ensure policy responsiveness and implementation.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India, as well as two standalone volumes) comprising over fifty research papers and two book-length studies, detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
In this remarkable and wide-ranging study, activist and historian V. Geetha unpacks the meanings of impunity in relation to sexual violence in the context of South Asia. The State’s misuse of its own laws against its citizens is only one aspect of the edifice of impunity; its less-understood resilience comes from its consistent denial of the recognition of suffering on the part of victims, and its refusal to allow them the dignity of pain, grief and loss.
Time and again, in South Asia, the State has worked to mediate public memory, to manipulate forgetting, particularly in relation to its own acts of commission. It has done this by refusing to take responsibility, not only for its acts but also for the pain such acts have caused. It has done this by denying suffering the eloquence, the words, the expression that it deserves and papering over the hurt of people with routine government procedures.
The author argues that the State and its citizens must work together to accord social recognition to the suffering of victims and survivors of sexual violence, and thereby join in what she calls ‘a shared humanity’. While this may or may not produce legal victories, the acknowledgment that the suffering of our fellow citizens is our collective responsibility is an essential first step towards securing justice. It is this, that in a fundamental sense, challenges and illuminates the contours and details of State impunity and positions impunity as not merely a legal or political conundrum, but as resolute refusal on the part of State personnel to be part of a shared humanity.
This book addresses the current issues of violence, masculinity and power in the postcolonial context and their representation in films.The essays contribute critical insights into the analyses of films based on societal violence in postcolonial cultures: be it in the context of colonial oppression, terrorism, genocide, communal riots, criminal underworld or mob violence etc.
The volume seeks to investigate some of those variegated facets of postcolonial 'violences' as they are played out in historically and culturally diverse public spaces of different postcolonial societies through the paradigm of cinematic representation. Although the book seeks to explore the phases of differences among postcolonial cultures, the essays hinge around common questions ? How does the experience and representation of violence change with the specificity of the postcolonial context? How do postcolonial cinemas negotiate ideas of conflict through the scenes of violence? How does violence as a cinematic trope shape postcolonial identities, especially of masculinities?
The authors set out to discuss these through the spectacle of violence in postcolonial films, consequently invoking issues of both representational and affective aspects of violence as a performative act in the postcolonial public space.
"Feminist Post-Development Thought addresses the crucial question of what development means for women. Is it still their best hope of social progress and equality, or does it simply raise false expectations for the future? In this groundbreaking collection with its diverse perspectives, feminist thinkers explore whether Third World women ought to continue along the path of development or abandon full-scale modernization and seek post-development alternatives instead. It represents the first attempt to ascertain the possibilities, and limitations, of the post-development path for women.
This landmark collection on colonial history is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This collection of essays stands at an unarticulated conjuncture within the feminist movement and women's studies that have emerged in India since the 1970s. The anthology attempts to explore the inter-relation of patriarchies with political economy, law, religion and culture and to suggest a different history of 'reform' movements, and of class and gender relations. The book seeks to uncover the dialectical relation of feminism and patriarchy both in the policies of the colonial State and the politics of anticolonial movements. The writers in this volume include scholars from various disciplines.
Kumkum Sangari and Sudesh Vaid taught literature at Indraprastha College for Women, Delhi University. Together they have edited a collection of essays entitled Women and Culture and have carried out extensive research on widow immolation in Rajasthan.
This book is an attempt to understand the causes, nature and consequences of gender-based violence in public spaces. It provides a framework that locates gender based violence within the politics and dynamics of public space, and helps us to understand the commonality between these diverse forms of violence, ranging from sexual harassment, sexual assault, moral policing, 'honour' killing, acid throwing, witch hunting, parading naked, tonsuring, rape and homicide. The writers unpack and examine the idea of a 'public' space: although by and large a notional space, they begin by identifying it as the geographical space between the home and the workplace and then, go beyond this to look at the violation faced by homeless women and girls who live on the streets, as well as those who work in public spaces in the unorganised sector.
This volume documents the focus on the widow, regarded as the dark half of womankind in tradition, the structural counterpart of the sumangali or the auspicious married woman, and to provide an archive on widowhood. The archive comprises prescriptions, injunctions, laws and other accounts dating back to the 5th century BC from Sanskrit texts as well as extracts from official documents, pamphlets and essays in many languages, published in the 19th and 20th centuries. The material is arranged in three parts: documents, personal narratives and creative writing in an attempt to capture the complexities of the experience of widowhood, its diversity and range across India. With the emergence of the women's movement in the last quarter of the 20th century, the terms of analysis have changed and feminist inspired scholarship has raised new questions. In the anthology the widow comes across not just as a passive 'pitiable' object, oppressed, victimised and patronised but as an active resisting survivor - it is this last image that stays with the reader.
Globalization and the failure of development have led to the feminization of poverty, environmental degradation, and an uncertain future for global peace and security. Development studies has reached an impasse, both in its theoretical paradigms and its practical prescriptions. Too economistic, too little focused on the daily lives of women, and devoid of vision, the field needs a radical imaginative overhaul. The contributors to this book, who work at the intersection of cultural studies, feminist studies, and critical development studies, articulate a new theoretical framework that they call Women, Culture and Development. They apply it to a range of issues and, through a series of shorter think pieces, present their ideas for the future.
This book provides a holistic analysis of the gendered nature of armed conflict and political violence, and in a broader understanding of the complex, changing roles and power relations between women and men during such circumstances, predominantly viewed as ‘male domains’, perpetrated by men acting as soldiers, guerillas, paramilitaries or peacemakers. The involvement of women has received far less attention, with a tendency to portray a simplistic division of roles between men as aggressors and women as victims, particularly of sexual abuse. Consequently the gendered causes, costs and consequences of violent conflicts have been, at best, under-represented and, most often, misrepresented.
Caroline O. N. Moser, a social anthropologist and social policy specialist, is a Research Fellow at the Overseas Development Institute, London.
Fiona C. Clark is an independent researcher.
Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona construction, Mookherjee opens the possibility for a more politico-economic, ethical, and nuanced inquiry into the sexuality of war.
Drawing from field research in Cameroon, Ghana, Viet Nam and the Amazon forests of South America, this book explores the relationship between gender and land, revealing the workings of global capital and of people's responses to it.
A central theme is the people's resistance to global forces, frequently through an insistence on the uniqueness of their livelihoods.
The book addresses a gap in the literature on land tenure and gender in developing countries. It raises new questions about the process of globalisation, particularly about who the actors are (local people, the state, NGOs, multinational companies) and the shifting relations among them. The book also challenges the very concepts of gender, lands and globalisation.
Celebratory new features about India's thriving middle class tell only part of the story of the country's recent economic rise, frequently glossing over the 300 million Indians who live on the margins and struggle to survive under economic liberalization. How do those, cast out of their country's successes, perceive and respond to their position and mobilize against disempowerment?
Aradhana Sharma takes up these questions, focusing on the work of an innovative women's programme called Mahila Samakhya, that is part governmental and part non-governmental and strives to empower those rural Indian woman who have been pushed aside. Detailing the awkward ideological articulations and paradoxical outcomes of this unique activist-cum-government organization, Paradoxes of Empowerment fosters a deeper understanding of development and politics in contemporary India.
_Feminist Subversion and Complicity_ interrogates a specific form of feminist practice, that which has involved engaging with state and international institutions to insert gender knowledge in their development interventions. Bringing together contributions from eight feminists located in very different kinds of institutions and spaces from Bangladesh, Nepal, Pakistan, Sri Lanka and India, this book is the outcome of a deeply reflexive process to produce a critique from within of this present day feminist practice. An array of experiences and encounters are scrutinised from bringing feminist perspectives to governmental projects on education, health, and legal reform to transformations in the discourses and practices of women’s movements and feminisms as they encountered developmentalisms. The writers show that feminist politics is not merely assimilated in governmental projects but that it interrupts these projects even as it is assimilated; a feminist politics in which complicity is often a subversive activity, is destabilizing and contesting of meaning.
In this important study, Shirin Rai provides a comprehensive assessment of how gender politics has emerged and developed in post-colonial states.
In chapters on key issues of nationalism and nation-building, the third wave of democratization, and globalization and governance, Rai argues that the gendered way in which nationalist state-building occurred created deep fissures and pressures for development. She goes on to show how women have engaged with institutions of governance in developing countries, looking at political participation, democracy, representation, leadership and state feminism. Through this engagement, Rai claims, vital new political spaces have been created. Though Rai focuses on India, the book’s argument is highly relevant for politics across the developing world.
This is a unique and compelling synthesis of gender politics with ideas about development from an authoritative figure in the field.
“In this proof of her powerful scholarship, Shirin Rai combines discussions of key concepts in feminist and development studies, with studies of actual gender politics of development, from grass roots to global institutions.” -- Drude Dahlerup, Stockholm University
“Lucidly written, Shirin Rai’s essays are insightful contributions to recent feminist debates on democratization and globalization.” -- Bina Agarwal, Institute of Economic Growth, Delhi University
Across the South Asian region, water determines livelihoods and in some cases even survival. However, water also creates exclusions. Access to water, and its social organisation, are intimately tied up with power relations. This book provides an overview of gender, equity and water issues relevant to South Asia. The essays empirically illustrate and theoretically argue how gender intersects with other axes of social difference such as class, caste, ethnicity, age and religion to shape water access, use and management practices. Divided into six thematic sections, each of which starts with an introduction of relevant concepts, debates and theories, the book looks at laws and rights, policies, technologies and intervention strategies. In all, the book clearly shows how understanding and changing the use, distribution and management of water is conditional upon understanding and accommodating gender relations.
This book links caste and gender to the social production of motherhood. Dandekar argues that in contradiction to the assumption about motherhood being primarily a female-centred and positive domain, subaltern agency produces it as malign, dangerous, malevolent and marginal.
Highlighting the manner in which the experience and expression of motherhood is constructed as androgynous and nonthreatening to patriarchal hegemony, the author emphasizes the consolidation of ‘lower’ caste positive identity through valorization processes and endorses high caste and class ownership and power by producing the birth and survival of a male child as its ideological validaton.
Little has been written about the experiences of motherhood in India, outside of the debates around public health statistics. Here, the author reinvents and deconstructs existing notions of maternity by interrogating the very systemic and patriarchal nature of its language that depoliticizes oppression.
Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women’s autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences and diaries, to prose, fiction, architecture and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing - in whatever form it takes - provides the means towards more fully understanding the historical, social and cultural milieu in which the author performs herself and creates her subjectivity.
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