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Who is the 'Good Indian Girl?' What does she look like? How does she dress? Is she real -- or is she a myth? In this funny, wicked, touching, irreverent, poignant collection of stories, Annie Zaidi and Smriti Ravindra lift the veil (or sari pallu) on the lives and loves of girls who have been born or raised in the subcontinent. The niceties have to be observed, but the urge to subvert is often overwhelming. As they shimmy down drainpipes at midnight, or steal covert glances at the boys across the street, the real life incidents from which these stories are drawn will ring a bell with any woman who has negotiated the minefield of family love and romantic longing and desire that lies between childhood and womanhood.
Early twentieth century Madras. In a dark room in the corner of a house, Goutami's mother dies in childbirth. Barely a year old, Goutami, or Goutu as everyone calls her, crawls into the birth-death room, seeing and smelling death, loss, fear -- things she does not then understand but which will mark her for life. A motherless child, a rebellious girl, a headstrong woman who will not deny her sexuality, a fighter for whom lying becomes a strategy for survival: Goutami's search for love leads her to Krishnanand, cousin and ladies' man, suave and practiced, who beds all young cousins before they marry. But life intervenes and Goutami marries Seshadri. Solid, steady, ambitious, a good husband and an adequate father, Seshadri is nonetheless unable to give her one thing she craves: love. The ins and outs of family's relationships. The search for love and a sense of belonging, form the subtext of this beautifully crafted novel by first time novelist Prema Raghunath. In the end for Goutu, as for her lovers, siblings and children, salvation comes from the very stuff of life itself.
Inspiring, informative, insightful? meet some of India's most celebrated female scientists. What led them to choose their particular field? Who encouraged them? What were their struggles? What are their sources of inspiration? What are the key questions at the cutting edge of modern research? Why choose a life in science at all? From astrophysics to zoology, learn what it takes to make a career in science.
'I'm proud to be white,' the Swan proclaimed.
'I'm proud to be black,' the Raven said.
'And I,' said the Parrot, 'am justly famed for my jacket so green and scarf so red.'
But the Peacock is glum. Very glum indeed. All he wants is to be grey - now that would be really cool, and really chic! so Peacock decides to give all his colours away to the other birds. But does this make him happy? No chance! Luckily, the Glum Peacock needn't stay glum for long with the help of his clever and resourceful friend, Miss Snake.
Written by one of India's leading authors, this enchanting fable will amuse and delight children learning about colours, birds - and the importance of being happy with who you are.
The Goddess and the Nation charts the pictorial life and career of Bharat Mata, 'Mother India,' the Indian nation imagined as mother/goddess, embodiment of national territory, and unifying symbol for the country's diverse communities. Soon after Mother India's emergence in the late nineteenth century, artists began to incorporate the map of India into her visual persona. The images they produced enabled patriotic men and women in a heterogeneous population to collectively visualize India, affectively identify with it, and even become willing to surrender their lives for it. Combining visual studies, gender studies, and the history of cartography, The Goddess and the Nation offers a rigorous analysis of Mother India's appearance in painting, print, poster art, and pictures from the late nineteenth century to the present. By exploring the entanglement of the scientifically mapped image of India and a (Hindu) mother/goddess, Sumathi Ramaswamy reveals Mother India as a figure who relies on the British colonial mapped image of her dominion to distinguish her from the other goddesses of India, and to guarantee her novel status as embodiment, sign, and symbol of national territory. Providing an exemplary critique of ideologies of gender and the science of cartography, Ramaswamy demonstrates that images do not merely reflect history, they actively make it.
Arjun is not a potter by birth. He is a low caste cobbler but he is determined to succeed in his chosen profession which deals with clay and straw instead of leather. Through Arjun's struggle, the author explores caste and class discrimination that continues to plague society in contemporary India.
The story unfolds against the backdrop of the violence of the Naxal movement of the 1960s and '70s that wiped out an entire generation of Bengal's youth. Anita Agnihotri sensitively handles a difficult subject and interweaves these two struggles: the one of the idol maker and the other of the families of the young Naxalite revolutionaries whom the state destroyed.
"With a poet's sensitivity [Agnihotri]... has an eye and ear for others' conflicts and vulnerabilities, she is a passionate writer given to neither pretension nor partisanship." - Kalpana Bardhan
It is 2040AD. The place is Pune, India. The future is here and now. Liquid computers. Flawless Skin. Emotional cars. Illusion pods. Synthetic life. For thirteen-yearold Tara and her elder brother Aditya, it's a world full of tough questions and infinite possibilities. Why are Tara's new friends, Francis and Ria, so freaked by the night sky? Is their strange and beautiful mother, Mandira, friend or foe? Where is their father? Is he a terrorist or a genius? And what, exactly, is the beast with nine billion feet?
As Tara and Aditya soon find out, there are no simple answers. They find themselves on very different tracks, caught up in a deadly game - a struggle for power and control, a fight for the genetic code to life itself. In the 'here and how' of Anil Menon's brilliant and disturbing debut novel, the future itself is at stake.
What is happening to my body? Am I attractive? Am I 'normal'? Do I want to be? What is this sex stuff really all about? When is the right time to start? How will I know if my relationship is good for me? Can I have fun safely? Will it still be fun? In this book, young adults can find information about different aspects of sexuality and relationships. The Blue Book has been written keeping in mind what young adults may want to know and what they might already know but might be confused by. It is a guide to exploring sexuality as well as a great conversation-starter for any questions young adults might have.
The Blue-necked God (Nilakantha Braja), published in 1976, is one of Indira Goswami's early novels and the first time that a writer highlighted the exploitation and poverty of widows, dumped in a 'sacred' city to eke out their days in prayer by uncaring, callous families under the guise of religious sanction and tradition. It was a book that raised many eyebrows when it was first published for this amazing narrative combined fact and fiction, autobiography and reflection in a fascinating mix as she tried to depict the confusion and the mental agony she herself experienced after the death of her husband through her character Saudamini. The physical, emotional, financial deprivation faced by the young widow has been woven into a perceptive text that drew on the author's own research and experiences as she roamed the streets of Vrindavan and exposed, for the first time, the uglier side of the city and its traditions.
"Indira Goswami is one of the pre-eminent literary figures in India and a woman of remarkable courage and conviction... She has also been an important voice in championing women's causes, and has done much to highlight the plight of widows. [She] is one of those rare figures whose achievements as a writer are closely paralleled by their accomplishments as a social and political activist." -- Amitav Ghosh
Set in late 19th century Assam, The Bronze Sword of Tengphakhri Tehsildar is the heroic tale of a Bodo freedom fighter who was, arguably, the first woman revenue collector in British India. It was Indira Goswami's last work of fiction and this is the first-ever English edition, powerfully and sensitively translated from the Assamese by Aruni Kashyap.
"Indira Goswami is one of the pre-eminent literary figures in India and a woman of remarkable courage and conviction... She has also been an important voice in championing women's causes, and has done much to highlight the plight of widows. [She] is one of those rare figures whose achievements as a writer are closely paralleled by their accomplishments as a social and political activist." - Amitav Ghosh
This richly descriptive and deeply philosophical novel from Bhutan is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
As a young girl, Tsomo asks her mother, "Where is the furthest I can travel?"
"Where," her mother responds, "I don't know. Where can a girl travel to?"
Caught in the everyday reality of household life, fifteen-year-old Tsomo is suddenly called upon to travel when her mother dies. She makes her first journey to a faraway village to light the ritual butter lamps in her mother?s memory. Beginning here, her travels take her to distant places, across Bhutan and into India. As she faces the world, a woman alone, Tsomo embarks on what becomes a life journey, in which she begins to find herself, and to grow as a person and a woman.
The first novel by a woman to come out of the Himalayan kingdom of Bhutan, The Circle of Karma, written in English, is rich in detailed descriptions of ritual life. The measured pace of its prose, the many nuances of the story, the different levels at which the narrative works, weave a complex tapestry of life in which the style and content are closely interwoven, each informing and enriching the other.
Kunzang Choden is one of Bhutan's foremost writers. In her early fifties, she has written a number of short stories and has also published collections of folk tales from Bhutan. This is her first novel.
"Kunzang Choden has given us an unforgettable tale of a simple woman's pilgrimage and journey to self-realisation." -- Anna Sujata Mathai, The Hindu
Following from huge success of Ghose's Tales of Historic Delhi , this is a fun-filled activity book for children from age 5 and up, featuring the popular cast of animal characters that Premola is famous for. A package of fun and education, the book is full of activities with simple instructions and information about Delhi, monuments and history.
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