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Radhaben Garva lives in a small village in Kutch. She’s an artist who has for long years documented the rural women’s movement in her area and beyond in her paintings.
These unique pictures—more than 200 of them—tell stories of the involvement of women from her village, and from the Kutch Mahila Vikas Sangathan, the NGO she works with, in campaigns for women’s rights, for economic empowerment, for resistance to globalizing corporations.
In one sequence of pictures, Radhaben receives a phone call inviting her to a meeting abroad, and she paints the entire journey from village to town to airport to the international destination and her first ride in an elevator. In another, she depicts the Chipko movement, in a third, the fragmentation of fields and farming activity as a result of globalization.
This unusual and beautiful document provides that rare thing, a political perspective from below and a vibrant portrait of the rural women’s movement in India.
This unique autobiography by veteran BBC and Associated Press journalist Sabita Goswami documents the extraordinary, single-handed fight of an ordinary woman in the heart of Assam, against family and social obstacles, to establish herself emotionally and professionally.
An unbiased and ruthless no-holds-barred account of turbulent contemporary Assam in particular and the Northeast in general, the book covers more than three decades of events in this volatile region and insightful analyses of its complex social and political history. The racy and strong narrative, recounted simply and with rare passion, makes this book a compelling read.
"Crafted with skill and full of lyrical prose, the best thing about this memoir is its honesty, as the author doesn't flinch from telling the truth." -- Abdullah Khan, Earthen Lamp Journal
"Gulabi Gang! Gulabi Gang!
Watch out, here we come!
Don't try and step out of line
for the Gulabi Gang will win!"
Donning pink saris and holding sticks in their hands, the Gulabi Gang is a threat to every policeman who refuses to file a report on violence against a dalit, every husband who beats up his wife, and every goon who grabs land that does not belong to him. In this recounted autobiographical account, Sampat Pal, the founder and leader of the Gulabi Gang, looks back to trace her journey as a young girl of twelve, forced into child marriage, who later goes on to become the leader of the most feared group of women vigilantes in the country. Her rebellious instinct, fervour for justice and her desire to free women from their everyday oppression led her to organize the women in and around her village in Uttar Pradesh into a gang.
The dark legacies of Partition have cast a long shadow on the lives of the people of India, Pakistan and Bangladesh. The borders that were drawn in 1947, and redrawn in 1971, divided not only nations and histories but also families and friends.
The essays in this volume explore new ground in Partition research, looking into areas such as art, literature, mirgation, and notions of ‘foreignness’ and ‘belonging’. It brings focus to hitherto unaddressed areas of Partition, just as the northeast and Ladakh.
Contributors include: Sanjb Baruah | Sarah Ghani | Vishwajyoti Ghosh | Sanjeev Jain | Sukeshi Kamra | Rita Kothari | Kavita Panjabi | Prajna Paramita Parasher | Tarun K. Saint | Alok Sarin | Amiya Sen | Jhuma Sen | Jyotirmaya Sharma | Siddiq Wahid | Andrew Whitehead
Part memoir, part oral testimony, part eyewitness account, Binodini's The Maharaja's Household provides a unique and engrossingly intimate view of life in the erstwhile royal household of Manipur in northeast India. It brings to life stories of kingdoms long vanished, and is an important addition to the untold histories of the British Raj.
Maharaj Kumari Binodini Devi, who wrote under the single name of Binodini, published The Maharaja's Household as a series of essays between 2002 and 2007 for an avid newspaper reading public in Manipur. Already celebrated across the state for her award-winning novel, short stories, and film scripts, Binodini entranced her readers anew with her stories of royal life, told from a woman's point of view and informed by a deep empathy for the common people in her father's gilded circle.
Elephan hunts, polo matches and Hindu temple performances form the backdrop for palace intrigues, colonial rule and White Rajahs. With gentle humour, piquant obersavations and heartfelt nostalgia, Binodini evokes a lifestyle and era that is now lost. Her book paints a portrait of the household of a king that only a princess - his daughter - could have written.
This is the memoir of a remarkable woman, Begum Kurshid Mirza, the daughter of Sheikh Abdullah and Waheed Jahan Begu, the founders of Aligarh Women's College. An intimate of an upper class Muslim family in India and Pakistan from until the recent past, this narrative is much more than an account of Kurshid Mirza's personal life. It spans the years from 1857 to 1983 and provides an insight into the the social conditions of Indian Muslims, the state of Muslim women's education, and the transition to Pakistan, while illuminating Kurshid Mirza's rich and tried life as an actor, activist, radio and TV artiste, a writer, a devoted daughter, wife and mother. Kurshid Mirza's vitality and dynamism, her pioneering spirit and unconventionally led her to leave the cloistered world of Aligarh after an early marriage to a police officer and then pursue a career in films in Bombay. She rapidly climbed the ladder to sardom as Renuka Devi and worked alongside well-known actors and directors of the time. Partition cut short her film career and she left for the new country Pakistan, where she remained deeply engaged as ever and contributed to many worthy causes, especially for the benefit of the women. The coming of Pakistan to gave her a fresh opportunity to express her theatrical talents and she soon became one of Pakistan's best known television actors winning many award in 1985. A true Woman of Substance.
A many-layered work of historical reportage, Watercolours draws on the real life story of Dina Gottliebova-Babbitt (1923-2009), a Czech-American artist of Jewish ancestry, who was a prisoner at Auschwitz, and whose story came to light in the late nineties. It was at this time that Gottliebova attempted once more to recover the art she had created in the concentration camp, and which had become the property of the Auschwitz-Birkenau State Museum. The dispute escalated into an international scandal, with the American Department of State and the Polish government becoming involved.
Here, journalist Lidia Ostalowska reconstructs Gottliebova’s time in the camp, while looking also at broader issues of historical memory, trauma, racism and the relationship between the torturer and the victim. In Gottliebova’s case, SS Doctor Josef Mengele took a special interest in her talent, commissioning her to paint portraits (the watercolours of the title) of Roma prisoners. Mengele himself is one of the many characters in this narrative.
Ostalowska draws on hundreds of studies and accounts of the hell of the camps, and tells the story of one woman’s incarceration and her battle for survival, bringing in many other supporting lives. Before she worked for Mengele, Gottliebova had decorated the children’s barracks at Auschwitz with of the Disney film, Snow White and The Seven Dwarves. After the war, she worked as an animator for Warner Brothers and married Walt Disney animator Art Babbitt, the man behind many of the world’s best-known cartoon characters including Goofy and Dumbo. Gottlibova (under the name Dina Babbitt) lived in the California until her death in 2009 at the age of 86.
Vibrant, dynamic, spirited and forceful. The contemporary women's movement in India, which began in the late 1970s protested against the dark times, the violence and the misogyny. It also colourfully celebrated liberation, solidarity among women and breaking the shackles of patriarchy. It sang, performed and painted, to draw attention to the burning issues of the time: dowry death, widow immolation, acid throwing and rape.
Over the past three decades, the women's movement has matured and broadened to include a gamut of issues related to women's health, sexuality, the environment, literacy, the impact of religion and communalism on women's lives, political participation, labour rights, disability rights, class and caste issues, and many more. Indeed, feminism meant looking at the world through women's eyes.
This book constructs a pictorial history of the complex and multi-layered women's movement through its visual representation: posters, drawings, pamphlets, reports, brochures, stickers, all writing and photographs. The posters reproduced here are part of Zubaan's Poster Women project, which has attempted to locate and archive as many posters of the movement as possible to be able to visually map the women?s movement and its concerns.
The Poster Women archive can be accessed at www.posterwomen.org.
India is changing.
At the heart of the change are its women.
The change is widespread and varied, individual and collective and is reflected across the spectrum of women’s lives, whether in politics or in economics, in their daily lives, in business, or the field of work within the home and outside.
This book attempts to map – in words and photographs – some of the change that is both visible and invisible in the India of today. Six writers from India write the stories that six photographers from the world-renowned Magnum
Photos Agency capture. Their beautiful and evocative photographs focus on the world of women working with microcredit, participating in grassroots governance, moving into new jobs, working behind the scenes in the male world of the Mumbai film industry, making their individual contributions in varied fields and imagining a new future for themselves and their sisters.
Published to celebrate 150 years of BNP Paribas in India and to mark the 25th anniversary of the feminist publishing house, Kali for Women/Zubaan,
Women Changing India offers a window into the lives of women living in India today and brings to public attention their complex realities and their aspirations for a better world.
In the early nineteen thirties Ayi Tendulkar, a young journalist from a small town in Maharashtra, travelled to Germany to study. Within a short time he married Eva Schubring, his professor's daughter. Soon after the short-lived marriage broke up, Tendulkar, by now also a well-known journalist in Berlin, met and fell lin love with the filmmaker Thea von Harbou, divorced wife of Fritz Lang, and soon to be Tendulkar's wife.
Many years his senior, Thea became Tendulkar's support and mainstay in Germany, encouraging and supporting him in bringing other young Indian students to the country. Hitler's coming to power put an end to all that, and on Thea von Harbou's advice, Tendulkar returned to India, where he became involved in Gandhi's campaign of non-cooperation with the British and where, with Thea's consent, he soon married Indumati Gunaji, a Gandhian activist.
Caught up in the whirlwind of Gandhi's activism, Indumati and Tendulkar spent several years in Indian prisions, being able to come together as a married couple only after their release -- managing thereby to comply with a condition that Gandhi had put to their marriage, that they remain apart for several years 'to serve the nation?. In this unique account, Indumati and Tendulkar's daughter, Laxmi Tendulkar Dhaul, traces the turbulent lives of her parents and Thea von Harbou against the backremove of Nazi Germany and Gandhi's India, using a wealth of documents, letters, newspaper articles and photographs to piece together the intermeshed histories of two women, the man they loved, their own growing friendship and two countries battling with violence and non-violence, fascism and colonialism.
"Few children are capable of writing about their parents' lives with empathy and clinical precision." --Somak Ghoshal, Live Mint
The midnight knock on the door and the disappearance of a loved one into the hands of authorities is a 20th-century horror story familiar to many destined to “live in interesting times.” Yet, some stories remain untold. Such is the account of the internment of ethnic Chinese who had settled for many years in northern India. When the Sino-Indian Border War of 1962 broke out, over 2,000 Chinese-Indians were rounded up, placed in local jails, then transported over a thousand miles away to the Deoli internment camp in the Rajasthan Desert.
Born in Calcutta, India, in 1949, and raised in Darjeeling, Yin Marsh was just thirteen years old when first her father was arrested, and then she, her grandmother and her eight-year-old brother were all taken to the Darjeeling Jail, then sent to Deoli. Ironically, Nehru – India’s first Prime Minister and the one who had authorized the mass arrests – had once “done time” in Deoli during India’s war for independence. Yin and her family were assigned to the same bungalow where Nehru had also been unjustly held.
Eventually released, Yin emigrated to America with her mother, attended college, married and raised her own family, even as the emotional trauma remained buried. When her own college-age daughter began to ask questions and when a friend’s wedding would require a return to her homeland, Yin was finally ready to face what had happened to her family.
On Feb 6th 2003, Anjum Zamarud Habib, a young woman political activist from Kashmir, was arrested in Delhi and jailed under the Prevention of Terrorism Act (POTA). Her crime? Being in the wrong place at the wrong time. And being the Chairperson of the Muslim Khawateen Markaz and in that capacity, a member of the Hurriyat Conference.
In this passionate and moving account of her days in prison, Anjum Zamarud Habib describes the shock and bewilderment of arrest, the pain of realizing that there is no escape for not days, not weeks, but years, the desperation for contact with the outside world and the sense of deep betrayal at being abandoned by her political comrades. Her story is both a searing indictment of draconian state policies and expedient political practices, and a moving account of one woman's extraordinary life.
"Prisoner No 100 illuminates the darkest corners of Kashmir's political experience. A brilliant critique of patriarchy in politics, a searing tale of the terrible humiliations visited upon political prisoners, a poignant story of a woman who dedicated her life to political change in Kashmir, a passionate love letter to Kashmir. Everyone interested in Kashmir should read it." -- Basharat Peer, author of Curfewed Nights
Toilets, trees and gender? Can there be a connection?
Is there a gender angle to a business story? Is gender in politics only about how many women get elected to parliament? Is osteoporosis a women's disease? Why do more women die in natural disasters?
These are not the questions journalists usually ask when they set out to do their jobs as reporters, sub-editors, photographers of editors. Yet, by not asking, are they missing out on something, perhaps half the story? This is the question this book, edited and written by journalists, for journalists and the lay public interested in media, raises. Through examples from the media, and from their own experience, the contributors explain the concept of gender-sensitive journalism and look at a series of subjects that journalists have to cover - sexual assault, environment, development, business, politics, health, disasters, conflict - and set out a simple way of integrating a gendered lens into day-to-day journalism. Written in a non-academic, accessible style, this book is possibly the first of its kind in India - one that attempts to inject a gender perspective into journalism.
This story of extraordinary courage and survival is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This is the story of Baby Halder, a young woman working as a domestic in a home in Delhi. Hurriedly married off at the age of twelve, a mother by the time she was fourteen, Baby writes movingly and evocatively of her life as a young girl, and later as a young woman. The long absences of her father, the hardships faced by her mother, and her decision to walk out of her marriage, leaving Baby and her sister to manage the household, were the realities that shaped Baby's early life.When marriage came, Baby, still a child, yearned to play and study, but was burdened with the responsibility of being wife and mother while facing considerable violence from her husband. Escape finally came many years later, by which time the still young Baby was a mother of three, and she fled to the city in the hope of finding a job. Working in Delhi as a domestic help, Baby was lucky enough to come across an employer who encouraged her to read -- which she did voraciously -- and then to write. The story of Baby's life is a lesson in courage and survival.
Since it was first published in Hindi, this book has become a bestseller, receiving accolades from some of the best-known writers and critics in India and elsewhere. It has also been translated into other Indian languages.
Baby Halder is a writer and a domestic worker who lives and works in a home near Delhi. She is now working on her second book.
Urvashi Butalia is a publisher and writer whose work includes the award-winning oral history of Partition, The Other Side of Silence: Voices from the Partition of India.
'Call Me Confused, Please' requests one of the stories in this insightful and engaging collection from women of South Asian origin living in North America. 'Made in the USA?' wonders another.
Through poems, short stories and scholarly pieces, writers who are in their twenties, thirties and forties share what it is to live and grow up in a country that is your home and yet alien to you. They touch upon issues of culture, belonging, romance, body, race, ethnicity and the notion of 'home'. Moving beyond the idea of ABCDs (America-Born Confused Desi) and the 'identity crisis', the writers grapple with the richness of their diverse inheritances to produce a more nuanced understanding of self.
"Diverse voices challenge social binaries - of race, sexuality, nationality - to showcase the many facets of brown-ness." - Bandana Purkayastha, University of Connecticut
From the heart of a well-known family of Hyderabad to life in a single room with the barest of necessities, Shaukat Kaifi's memoir of her life with the renowned poet Kaifi Azmi speaks of love and commitment. A marriage of over a half a century, a life steeped in poetry and progressive politics, continuing involvement with the Indian People's Theatre Association, the Progressive Writers Association, Prithvi Theatre... all of these and more inform this beautifully told tale of love. Shaukat Kaifi's writing details life in a communist commune, a long career in theatre and film and a life spent bringing up her two children, cinematographer Baba Azmi and actor Shabana Azmi. Nasreen Rehman's deft and fluent translation brings this luminous memoir alive with warmth and empathy. "To say that this is a lovely book would be an understatement. It is an enchanting recollection of the life of a hugely talented and sensitive human being, shared with a great poet." -- Amartya Sen.
For more than ten years now Irom Sharmila, a young woman from Manipur, has been on hunger strike, demanding the removal of the Armed Forces (Special Powers) Act, a draconian law that allows the army unfettered powers in areas that are considered politically sensitive or disturbed. Taken into custody and released every twelve months by the State for attempting suicide (considered illegal in India) Sharmila is being force fed to keep her alive. Her unique battle for peace in her strife torn homeland, has become a powerful symbol for all those engaged in fighting for peace in the northeast of India. As she fulfils her chosen role in this movement, Sharmila sometimes longs for all those things that young women treasure love, freedom, the sheer joy of living a free life, even simple things like being able to drink water, to brush her teeth. This small compilation of twelve of her poems in her native language Meiteilon and in English translation, provides a moving account of the underbelly of one woman's lone struggle for peace.
All proceeds from the sale of this book will go towards supporting Sharmila's campaign.
In the run-up the fourth World Social Forum held in Mumbai, India in January 2004, civil activists and student organised a major series of seminars in Delhi University to discuss the Forum and its politics. The 'Open Space' seminar series, as it came to be called, picked up on the idea of the Forum as a relatively free space, where all kinds of ideas could not meet and be discussed. The book, the first in a series that explore the new ideas generated by the discusssions took place on all these issues, comprises chapters based on the transcripts of presentation made by academics and activists during the seminars, as well as discussions on the questions arising from the presentation. Can the World Social Forum helps us to conceptualise and actualise a new politics? Can this new politics? Can this new politics be free from violence? Can the experience and knowledge of great movements such as the movements for environment, and the women's movement, contribute to the creation of a new politics? How can such a politics be sustained? The essays in this book, written in an easy and accessible style, are informed by these question. they offer the reader different and complex ways of understanding the processes that have helped to shape the world social forum and the new politics that seems to be emerging, and what all this represents, for life, society, and politics more generally.
This endearing, witty, self-deprecating memoir documents the life of one of the leading feminists of the contemporary Indian women's movement. Vina Mazumdar, one of the key researchers and writers of the landmark report of the Committee on the Status of Women in India, Towards Equality, here documents her early life, her gradual politicization in a household of liberal, educated Bengalis, and her involvement in women's issues and the women's movement.
Brought up to be outspoken and frank, Vinadi, as she is affectionately known, began by becoming involved in university-led politics in Bihar. Marriage and a young family did not prevent her from pursuing her studies and her career, in the teeth of considerable opposition from relatives but with constant support from her mother. On her return to India, Vinadi first moved into the field of education, and then, with her involvement in the research and writing of Towards Equality, was catapulted into the women's movement. An activist and institution builder, Vinadi set up the Centre for Women's Development Studies in Delhi, one of the leading research and outreach institutions for women in the country. In this rare memoir, Vinadi provides a rich history of the contemporary women's movement in India.
Imelda Connor is a classic Irish lass—a fiery, red-headed beauty, quick to anger and fiercely protective of her younger siblings. Growing up on a small farm in the rolling hills of County Cork, she thinks she has her life completely mapped out. But Imelda soon finds that life doesn’t always go according to plan.
Everything is turned upside-down when Imelda moves to England and happens to meet a dashing Bengali man named Shu Bose. Shu is captivated by Imelda’s natural beauty and charm, and the two embark on a whirlwind romance. At the age of eighteen, in the spring of 1932, Imelda boards a ship bound for Calcutta—and a very different life to the one she had always imagined.
Milty Bose’s writing transports readers back to pre-Independence India, to London between the wars, and to the genteel life of bhadralok Bengali high society. From Cork to Calcutta tells the true story of Bose’s parents, their eccentric and unforgettable family, the trauma of loss, and the triumph of one woman’s remarkable spirit.
Best known as a young revolutionary who took up arms against the British establishment, Bina Das numbers among the heroes of Indian history - alongside Bhagat Singh, Rajguru, Preetilata Wadedar - who took up arms against the colonisers.
This short memoir movingly recounts the story of her involvement in the shooting of the British Governor of Bengal, Stanley Jackson, at the Annual Convocation Meeting of Calcutta University in 1932, her subsequent incarceration, and her growing involvement in politics.
Despite her importance in Indian history, Bina Das disappeared from public view in later life and is rumoured to have passed away in Rishikesh in early 1997. This account captures the early years of her life and gives insights into the context and history of the times that inspired Bina to take the path that she chose.
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