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This delightful, and insightful, tale is told by one of Bhutan's leading writers, Kunzang Choden. "Neypo shong gna? Is there room for me?" a wandering monk asks the little old lady who lives on the hill. The question is repeated again and again as more and more visitors remove by. The kind lady welcomes them in, one by one. And the story ends with the teaching: “There will always be room in your home, as long as there is room in your heart.”
Along with Aunty Mouse, this charming picture book makes perfect bedtime reading for youngsters, and is beautifully illustrated with evocative watercolours of the Bhutanese landscapes and people by Pema Tshering.
Inspiring, informative, insightful? meet some of India's most celebrated female scientists. What led them to choose their particular field? Who encouraged them? What were their struggles? What are their sources of inspiration? What are the key questions at the cutting edge of modern research? Why choose a life in science at all? From astrophysics to zoology, learn what it takes to make a career in science.
Hansa Wadkar (born Ratan Bhalchandra) was one of Maharashtra's best known stage and screen personalities. By the time she was married to a much older family friend and impressario when she was just 15 she had already starred in nine or ten movies and was becoming a name in the film world. Supporting her family on her earnings, her brother sick with malaria, and both parents having taken to drink, life was not easy for the young woman. But Hansa was not only beautiful and immensely talented, she was tough, willful, capricious and headstrong.
Her autobiography, published in 1970, created a sensation for its frankness and directness. It was later made into a film, Bhumika, by the well-known director Shyam Benegal and starred Smita Patil in the title role.
A hilarious, heart-warming novel from a brilliant new children’s writer.
The last place Chloe Jones wants to be is in Class Five of Premium Academy, New Delhi. That is, until a strange new girl shows up, another kid who doesn’t blend in. Divided by background, class, language, skin colour – you name it – Chloe and Lakshmi soon realise they have a lot more in common than meets the eye. With a little help from Chloe’s crazy mom, her prefect-perfect sister and a street dog called Kali, they discover that even a couple of misfits can change the world!
• Tackles some profound emotional issues – homesickness, not fitting in, finding (and losing) friends, family, social injustice/prejudice, popularity.
• First ever Indian kids’ book to deal directly with the Right to Education Act and inclusion of children from economically weaker section into mainstream/private schools.
• Questions and information on RTE at the back make this the perfect book for initiating classroom discussion.
Join the animals of Janwar Dosti — Tunnu the tiger, Zero the giraffe, Lucky the rabbit and all their jungle friends — on a magical historical journey through Delhi. Explore its many wonderful monuments, and discover new places to see and things to do. Tales of Historic Delhi is the perfect guidebook for families visiting the city, and a whole new way to bring history alive.
Come and take a walk back through time with the animals and birds to discover historic Delhi!
This book brings you a wealth of stories, in words and images, from a part of India known as the Northeast, a term that is widely contested for the ways in which it homogenizes a region of great diversity. It is also a term that has come to be a marker of identity and solidarity by many who are of the region. Here, 21 writers and artists look at the idea of ‘work’ — from street hawking to beer brewing, from mothering to dung collection — and describe their lives or those of others with humour and compassion. Parismita Singh’s wonderful compilation of the works of women asks: what are the different ways of telling a story? What if we were to attempt these tellings through poetry and portraits and essays, older traditions like textile art and applique and new genres like hashtag poetry tapped into a smartphone? Where would it take us, what would the world look like?
Contributors: Zubeni Lotha | Minam Apang | Alyen Leeachum Foning | Aheli Moitra | Soibam Haripriya | Gertrude Lamare | Rini Barman | Nitoo Das | Thingnam Anjulika Samom | Parismita Singh | Dolly Kikon | Ayangbe Mannen | Aungmakhai Chak | Jacqueline Zote | Meena Laishram | Prashansa Gurung | Shreya Debi and Bilseng R Marak | Mona Zote | Nabina Das | Mamang Dai | Sanatombi Ningombam | Kundo Yumnam
It's MADRAS 1910. Poesy and Tilly are caught in a scandal that will change their lives forever. Singing and dancing across a hundred stages as members of a troupe of Australian child performers, called The Lilliputians, they travel by steam train into the heart of India. But as one disaster follows another, money runs short and tempers fray. What must the girls do to protect themselves and how many lives will be ruined if they try to break free?
Based on a real historical incident, award-winning writer Kirsty Murray tells a tale of intrigue and skullduggery, of friendships made and betrayed, set against the heat and dust of a lost Empire.
The Lilliputians is not only a gripping adventure story, but a vividly imagined historical novel, that will enthrall young readers and take them on an unforgettable journey back in time...
“This captivating historical story will take you back to a different era and completely immerse you in the travels and troubles that happen on tour. Kirsty Murray has done a great job bringing the childrens’ tale to life!”—Hannah Mariska
The final installment of Payal Dhar's thrilling Shadow in Eternity trilogy. Maya Subramaniam's life is far more complex than that of an average fourteen-year-old. The youngest Halvard of the Sands of Time, torn between loyalty to her family and to her Watcher, and dogged by a prophcy that predicts her to be the cause of the destruction of time itself... honestly, how much can one person take? An adolescent caught up in a world of grown-ups, Maya finds herself in the middle of a Warrior conspiracy to see the Ai'diyar Prophecy to its conclusion. Homeless and confused, convinced that she wrecks the lives of those she loves, Maya finds herself doubting her ability to see right from wrong. rnAs she and her friends stumble into the Timeless Land, she is faced with a choice that could have a devastating impact on reality as we know it.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India) comprising over fifty research papers and two book-length studies detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
The essays in this volume focus on Nepal, which though not directly colonized, has not remained immune from the influence of colonialism in its neighbourhood. In addition to home-grown feudal patriarchal structures, the writers in this volume clearly demonstrate that it is the larger colonial and post-colonial context of the subcontinent that has enabled the structuring of inequalities and power relations in ways that today allow for widespread sexual violence and impunity in the country – through legal systems, medical regimes and social institutions.
The period after the 1990 democratic movement, the subsequent political transformation in the aftermath of the Maoist insurgency and the writing of the new constitution, has seen an increase in public discussion about sexual violence. The State has brought in a slew of legislation and action plans to address this problem. And yet, impunity for perpetrators remains intact and justice elusive. What are the structures that enable such impunity? What can be done to radically transform these? How must States understand the search for justice for victims and survivors of sexual violence? The essays in this volume attempt to trace a history of sexual violence in Nepal, look at the responses of women’s groups and society at large, and suggest how this serious and wide-ranging problem may be addressed.
It is 2040AD. The place is Pune, India. The future is here and now. Liquid computers. Flawless Skin. Emotional cars. Illusion pods. Synthetic life. For thirteen-yearold Tara and her elder brother Aditya, it's a world full of tough questions and infinite possibilities. Why are Tara's new friends, Francis and Ria, so freaked by the night sky? Is their strange and beautiful mother, Mandira, friend or foe? Where is their father? Is he a terrorist or a genius? And what, exactly, is the beast with nine billion feet?
As Tara and Aditya soon find out, there are no simple answers. They find themselves on very different tracks, caught up in a deadly game - a struggle for power and control, a fight for the genetic code to life itself. In the 'here and how' of Anil Menon's brilliant and disturbing debut novel, the future itself is at stake.
When fifteen-year-old Samir discovers that he's got new neighbours, he's horrified: he's left certain 'secret documents' in their flat, which should not be seen by anyone - and especially not by a cute girl his own age like Akhila Handa! But to Samir's surprise and relief, Akhila is amazingly sporting about them, and pretty soon their friendship blossoms as Samir gets to know the family: the bouncy boxer dog, Akhila's younger brother Sumit, who is 'a bit slow', and their strangely withdrawn mother. And most of all, her jolly, affectionate father who dotes upon his daughter.
Dotes, perhaps, a little too much...
Samir slowly comes to realise that all is far from well in the Handa family, and an incredible and terrible suspicion begins to form.
Smitten is a story that dares to talk about sexual abuse within the family. It is a story of love, and its opposite. Of bravery and cowardice. Of tough decisions and loyalties sorely tested.
With characteristic lightness and sureness of touch, Ranjit Lal tackles one of the great taboos in Indian society. A must for every school library and bookshelf, the book includes discussion points and questions to facilitate conversations in the classroom or at home.
In Suki, fabulist Suniti Namjoshi weaves a delightful tapestry from threads of longing, loss, memory, metaphor, and contemplation. The whole picture is a stunning evocation of the love and friendship shared between S and her Super Cat, Suki, a lilac Burmese. Suki suggests that she could be a goddess, and S her high priestess. S declines, but as they discuss the merits of vegetarianism, or the meaning of happiness, or morality, or just daily life, it soon becomes clear that the bond between them is a deep and complex one. The days of Suki's life are figured as leaves, which fall vividly but irrevocably into time's stream and are recollected with a wild tenderness by the grieving S, who learns through the disciplines of meditation how to lose what is most loved.
This beautiful narrative, both memoir and elegy, offers solace and celebration to everyone who has felt the trust that passes between a person and a beloved creature.
Two sisters, one very strange Aunt, and a flock of escaped birds... Magic and mayhem comes in unexpected shapes and sizes to one small corner of a very big city.
Each page of this spectacular picture book will delight and amaze children. Anitha Balachandran's unique illustration style combines real objects and drawing: there's so much to discover in every page. Together with the delightfully quirky text, this unique book brings to life the wonders of India and the world seen through the eyes of these to - rather special - young girls.
Meet sisters Anjali and Pooja.
They have a lot of questions about the changes their bodies have begun going through and they’ve enlisted their friends, their myth-busting didi (she’s a doctor!) and their mothers in their search for answers.
Join the adventure to find out what they learn!
This comic book can be read as a story, or used to learn about menstrual health. It's chock-full of beautiful illustrations, projects and game ideas, as well as DIY instructions to make cloth pads. It tackles many persistent myths about menstruation head-on, helping girls to redefine their relationships with their bodies in a positive way and creating the culture of sharing and sisterhood.
A thematic history of the women's movement in India both before and after independence, this book covers the period from the nineteenth century to the present day. It looks at how women's issues were raised, initially by men and as part of the movements for social reform, and then with the involvement of women in the nationalist movement, by women themselves. Using photographs, old and new documents, excerpts from letters, books and informal writings, the author documents the growing involvement of women and the formation of the early women's organizations, she examines the foregrounding of the `women's issue' during the reform and nationalist movements and its subsequent disappearance from the agenda of public debate until the post independence period of the sixties and seventies when it surfaces again.
Radha Kumar is Senior Fellow and Director of the project on Ethnic Conflict, Partition and Post-Conflict Reconstruction at the Council on Foreign Relations in New York. She is author of Divide and Fall: Bosnia in the Annals of Partition. She was formerly Executive Director, Helsinki Citizen's Assembly.
Following from huge success of Ghose's Tales of Historic Delhi , this is a fun-filled activity book for children from age 5 and up, featuring the popular cast of animal characters that Premola is famous for. A package of fun and education, the book is full of activities with simple instructions and information about Delhi, monuments and history.
Fateema opened her diary and began writing: “Jihad as mentioned by the Prophet is a war against injustice and oppression. Islam means peace and surrender. Islam does not recommend killing innocent people. The Prophet released hundreds of slaves from bondage and sent themback to their native land.”
There was a lot more she could write. She would one day. Not for others, but to her own people she would explain the meaning of the word ‘Islam’.
For a bright young woman like Fateema Lokhandwala, the idea that one day she might own her own house is a daring dream. Her father has spent his life, slaving away selling scrap metal so that his children might ‘jump the fence of poverty and illiteracy’. Fateema dreams not only of owning her own house, but of higher education, a better job, a wider world. Her brother, Kareem, is persuaded down a very different path – to join the jihad, to become a holy warrior.
Ila Arab Mehta’s moving and sharply observed novel follows one woman’s struggle to find her way in a world torn by communal violence, to reconcile her conflicting loyalties to her family and friends, to find a place that she can ultimately call ‘home’, a place where fences –between communities, between people – are no longer necessary.
Meet Squiggle—curious, confused and crazy!
Squiggle is confused. She doesn’t know quite what she is! So she sets off through the pages of a notebook in search of answers. Is she a comma or colon? A question mark? Surely not an exclamation! Splash, run, bump, trip and swing with her until she finds her own kind.
Natasha Sharma’s delightful book introduces young readers to the correct way to use punctuation in this deliciously comic tale. The book also includes a section with pointers on punctuation, interesting facts from history, and mayhem brought about by incorrect punctuation.
Jump into this adventure with Squiggle and you’ll never lose that comma again!
This simple, charming picture book introduces youngsters to the importance of taking care of their own bodies. From simple tips on hygiene to an empowering message of personal safety, Shruti Singhal’s visuals and text provide perfect reading material for talking about health, safety, emotional and physical well-being with very young children.
As the monsoon rains wash over the city of Kolkata, four women sit and read and talk in the kitchen of Kailash-- the old mansion of the Chattopadhyays where Uma comes to live after her marriage in the summer of 1962. Her husband's silence about his mother and the childhood tragedy that beckons him from the shadowy landing of Kailash, the embroidered handkerchiefs in an old soap box in her father-in-law's room and the presence of the old, green-eyed Pishi intrigue Uma. But it is only as she begins to read aloud the traditional Chandimangal composed by her husband's grandfather to celebrate the goddess that the smothered stories begin to emerge... The novel weaves in the history of the militant goddess recast as wife, the Portuguese in Bengal, the rise of print and the making of memories from the Swadeshi movement to the turbulent sixties in Bengal as Uma discovers that the foundation of Kailash is not only very deep but also camouflages the stench of death.
How can women live fully? If autonomy is critical for humans, why do women have little or no choice vis-à-vis motherhood? Do women know they have a choice, if they do? How 'free' are these choices in a context where the self is socially mired and deeply enmeshed into the familial? What are implications of motherhood on how human relatedness and belonging are defined?
These questions underlie Amrita Nandy's remarkable research on motherhood as an institution, one that conflates 'woman' with 'mother' and 'personal' with 'political'.
As the bedrock of human survival and an unchallenged norm of 'normal' female lives, motherhood expects and even compels women to be mothers—symbolic and corporeal. Even though the ideology of pronatalism and motherhood reinforce reproductive technology and vice versa, the care work of mothering suffers political neglect and economic devaluation. However, motherhood (and non-motherhood) is not just physiological. As the pivot to a web of heteronormative institutions (such as marriage and the family), motherhood bears an overwhelming and decisive influence on women's lives. Against the weight of traditional and contemporary histories, socio-political discourse and policies, this study explores how women, as embodiments of multiple identities, could live stigma-free, 'authentic' lives without having to abandon reproductive 'self'-determination.
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