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Winner of the Joan Kelley Memorial Prize in Women's History
A huge international controversy followed the 1927 publication of Mother India, an expose written by American journalist Katherine Mayo. Mother India provided graphic details of a variety of social ills in India, especially those related to the status of women and to the particular plight of the country's child wives. The book was translated into more than a dozen languages, and it was reviewed in virtually every major publication on five continents. Mrinalini Sinha traces the controversy surrounding Mother India, explaining how the uproar became a catalyst for far-reaching changes, including a reconfiguration of the relationship between the political and social spheres in colonial India.
Mrinalini Sinha is Associate Professor of History and Women's Studies at Penn State University.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India) comprising over fifty research papers and two book-length studies detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
This volume focuses on Bangladesh, a nation born in 1971, in a birth that was as marked by bloodshed as it was by sexual violence. The history of widespread sexual violence, and incidents of sexual slavery, as well as the absence of accountability for the perpetrators, is by now well known. The essays here address the structural dynamics of impunity at the individual and societal levels, looking not only at the conditions that go into its creation, but also the elements that fuel it. They ask what helps it to become so embedded and point to its human, global and national costs. Together they explore the ways in which the women’s movement and feminist practice have worked to demand accountability and recognition for the victims and survivors of sexual violence, challenging the impunities embedded in the patriarchal structures of Bangladeshi society. In doing so, they bear witness to the continuing efforts of women’s groups in Bangladesh to give this crucial issue the attention that it deserves, for without that, justice for victims and survivors, will remain elusive.
This collection of essays focuses on the post-1980s period of the Indian feminist movement, a moment rich in new and different modes of resistance, of widespread political engagements with issues of rights, of justice, of identity and much more. The writers here, all well-known activists and founders of some of the most important of feminist institutions, describe their individual and collective journeys, bringing attention to the movement, to their struggles, their campaigns, their victories and the challenges they have faced. In using the tools of feminist analysis – a focus on life stories, on oral accounts, on group formation and more – they also make a case for advocacy through legal and socio-political means.
Despite being one of the most dynamic of feminist movements in the world, the Indian feminist movement has seldom been recognized as such. And yet, in addressing how women’s oppression and discrimination lie at the intersection of complex inequalities of caste, of region and religion, of class, of patriarchy, race, ethnicity, to name only a few, the writers in this volume make a case for the need for constant introspection, reflection and self-questioning, so that the movement can learn and grow. They show how in India, and indeed across much of South Asia, it is feminists who have stood against capitalism, war and violence, environmental degradation and fundamentalism and have forged alliances with varied movements, learning from them, working strengthening them but also infusing them with a feminist analysis.
CONTRIBUTORS: Flavia Agnes | Abha Bhaiya | Anjali Dave | Padma Deosthali | V. Geetha | Poonam Kathuria | Corinne Kumar | Kanchan Mathur | Madhu Mehra | Yashoda Pradhan | Sangeeta Rege | Jaya Sharma | Taranga Sriraman | Suneeta Thakur | Saumya Uma
Poonam Kathuria is the founder and executive secretary of SWATI (Society for Women’s Action and Training Initiative).
Abha Bhaiya is one of the founder members of Jagori, a feminist organization set up in 1984 in Delhi.
Both are activists with a longstanding involvement in the women’s movement in India.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India, as well as two standalone volumes) comprising over fifty research papers and two book-length studies, detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
In this remarkable and wide-ranging study, activist and historian V. Geetha unpacks the meanings of impunity in relation to sexual violence in the context of South Asia. The State’s misuse of its own laws against its citizens is only one aspect of the edifice of impunity; its less-understood resilience comes from its consistent denial of the recognition of suffering on the part of victims, and its refusal to allow them the dignity of pain, grief and loss.
Time and again, in South Asia, the State has worked to mediate public memory, to manipulate forgetting, particularly in relation to its own acts of commission. It has done this by refusing to take responsibility, not only for its acts but also for the pain such acts have caused. It has done this by denying suffering the eloquence, the words, the expression that it deserves and papering over the hurt of people with routine government procedures.
The author argues that the State and its citizens must work together to accord social recognition to the suffering of victims and survivors of sexual violence, and thereby join in what she calls ‘a shared humanity’. While this may or may not produce legal victories, the acknowledgment that the suffering of our fellow citizens is our collective responsibility is an essential first step towards securing justice. It is this, that in a fundamental sense, challenges and illuminates the contours and details of State impunity and positions impunity as not merely a legal or political conundrum, but as resolute refusal on the part of State personnel to be part of a shared humanity.
“It is …a commendable job done by the editor Dr. Mohan Rao to have put together this very readable anthology of rare media writings about the real health issues that plague women’s lives. To which he has also contributed a very lucid and well argued preface that adds to the value of the volume.” -- Mrinal Pande, The Book Review
The contributing journalists are winners of the Panos Reproductive Health Media Fellowship.
Mohan Rao teaches at the Centre of Social Medicine and Community Health, Jawaharlal Nehru University, New Delhi. His publications include From Population Control to Reproductive Health: Malthusian Arithmetic and Disinvesting in Health: The World Bank’s Prescriptions for Health.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
Over the last several years, regular evaluation of development programs has become essential in measuring and understanding their true impact. Feminist and gender-sensitive evaluations have gradually emerged, drawing attention to existing inequities—gender, caste, class, location, and more—and the cumulative effect of these biases on daily life. Such evaluations are also deeply political; they explicitly acknowledge that gender-based inequalities exist, show how they remain embedded in society, and articulate ways to address them.
Based on four years of research, Voices and Values offers critical insight into how gender, class, and nationality inflect and affect sociological research. It examines how feminist evaluations could make an effective contribution to new policy formulations oriented to gender and social equity. The essays here focus centrally on the structural roots of inequity: giving weight to all perspectives; adding value to marginalized groups and people under evaluation; and taking forward the findings of evaluation into advocacy for change. In doing so, each essay advances the understanding of feminist evaluation both conceptually and as practice.
CONTRIBUTORS: Venu Arora | Sneha Bhat | Pallavi Gupta | Vasundhara Kaul | Renu Khanna | Seema Kulkarni | Ranjani K. Murthy | Rajib Nandi | Srinidhi Raghavan | Neha Sanwal | Shubh Sharma | Ratna M. Sudarshan | Enakshi Ganguly Thukral | Sonal Zaveri
Organizing Empire critically examines how concepts of individualism functioned to support and resist British imperialism in India. Through readings of British colonial and Indian nationalist narratives that emerged in parliamentary debates, popular colonial histories, newsletters, memoirs, biographies, and novels. Purnima Bose investigates the ramifications of reducing collective activism to individual intentions. Paying particular attention to the construction of gender, she shows that ideas of individualism rhetorically and theoretically bind colonials, feminists, nationalists, and neocolonials to one another. She demonstrates how reliance on ideas of the individual - as scapegoat or hero - enabled colonial and neocolonial powers to deny the violence that they perpetrated. At the same time, she shows how analyses of the role of the individual provide a window into the dynamics and limitations of state formations and feminist and nationalist resistance movements.
From a historically grounded, feminist perspective, Bose offers four case studies, each of which illuminates a distinct individualizing rhetorical strategy. She looks at the parliamentary debates on the Amritsar Massacre of 1919, in which several hundred unarmed Indian protestors were killed; Margaret Cousin's firsthand account of feminist organizing in Ireland and India; Kalpana Dutt's memoir of the Bengali terrorist movement of the 1930s, which was modeled in part on Irish anti-colonial activity; and the popular histories generate by ex-colonial officials and their wives. Bringing to the fore the constraints that colonial domination placed upon agency and activism, Organizing Empire highlights the complexity of the multiple narratives that constitute British colonial history.
PURNIMA BOSE is Associate Professor of English at Indiana University.
In the last couple of decades, violence as an analytic category has loomed large in the historical, literary, and anthropological scholarship of South Asia.
The challenge of thinking violence in its gendered incarnations fully and in all its complexity is not only theoretical or critical but also irreducibly ethical and political, given the proliferation of civil wars, pogroms and riots, fundamentalist movements, insurgencies and counterinsurgencies, and new technologies of violence and injury. All of these simultaneously feature and help constitute gendered actors and gendered scripts of violence.
States of Trauma seeks to examine this terrain by staging a set of questions. How are we to think about the moral charge that accrues to violence? What is the relationship between violence and non-violence? In considering the moral and affective economy of violence, how may we speak of the seductions of the idioms and practices of militarism and sexualized violence for women? How are these seductions/pleasures distinct from those proffered to men, if indeed they are distinct?
This powerful counter-narrative to the mainstream assumptions about the development of feminism in India in the 20th century is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
The last decade saw the emergence and assertion of separate Dalitbahujan women's organizations both at the national and regional levels. Excluded from political and cultural spheres, Dalit women's movements have sought to transform both Dalit and feminist politics in India. They have fought against the reproduction of caste within modern spaces like universities, bureaucracies and within the women's movement as well as women's studies. The assumptions about caste identities being private and personal have been questioned and serious challenges posed for understanding caste and gender in contemporary India.
Located within this context, this book brings together extracts from the work of Kumud Pawade, Urmila Pawar, Shantabai Kamble, Mukta Sarvagod, Shantabai Dani, Vimal More and Janabai Girhe.
Sharmila Rege is a Professor at the Department of Sociology, University of Pune. She has worked for several years with the Krantijyoti Savitribai Phule Women?s Studies Centre, University of Pune. She has written and published on sociology of gender, Dalit feminism and Dalitbahajun public culture in Maharashtra. Her present work concerns the documentation of music and print cultures of the Ambedkarite counterpublics in contemporary Maharashtra.
"So riveting is the narration that it is difficult to put down the book until their stories are finished. For a non-fiction academic work this is no small feat." -- Anupama Katakam, The Hindu
Shenkottai Sri Avudai Akkal, a remarkable eighteenth-century woman saint from Tamil Nadu, was a self-realised advaitin who sang passionately about the ecstasy of spiritual union with the Absolute. A desolate and stigmatised Brahmin child-widow, she was initiated into Vedanta by the great master Tiruvisainallur Shridhara Venkatesa Ayyawal. Her songs, a radical elision of the metaphysical sublime and personal devotion, are narrated through existential tropes sourced from daily life, and also offer a powerful critique of the oppressive orthodox socio-religious practices of that period.
Composed in simple, colloquial Tamil, and bringing hope and solace to women in general and widows in particular for almost three centuries, these songs by Avudai Akkal were preserved within the oral tradition by Brahmin women of Tirunellveli district who sang them on all occasions. The songs were documented in the nineteenth and twentieth centuries and have appeared in many Tamil publications. They appear in English translation for the first time in this book. Each song is accompanied by annotations and themed essays.
The essays in the volume consider the significance of nation and gender in the context of post-1989 transitions in the former Soviet Union and Yugoslavia and in the context of post-partition India. The texts critique the ways in which narratives of nationhood and womanhood naturalize and essentialize difference and hierarchy. The authors explore uses of sexualized/gendered imagery in defining the space of the nation and sexualized/gendered metaphors of state fatherhood and motherhood in defining the distribution of power within that space. of the nation (e.g. feminized landscapes and battlefields) and sexualized /gendered metaphors of state fatherhood and motherhood in defining the distribution of power within that space. The particular histories of nationalism and partition are different in the countries involved, but commonalities in the narrative structures, state ad nation-building strategies, patriarchal patterns of control, and mechanisms of inclusion and exclusion are striking. This is particularly so with respect to the ways in which exclusive national identities are constituted through gendered representations of the nation and its members.
During the past forty years, South Asia has been the location and the focus of dynamic, important feminist scholarship and activism. In this collection of essays, prominent feminist scholars and activists build on that work to confront pressing new challenges for feminist theorising and practice.
Examining recent feminist interventions in India, Pakistan, Sri Lanka, and Bangladesh, they address feminist responses to religious fundamentalism and secularism, globalisation, labour, and migration, militarisation and state repression, public representations of sexuality' and the politics of sex work. Their essays attest to the diversity and specificity of South Asian locations and feminist concerns, while also demonstrating how feminist engagements in the region can enrich and advance feminist theorising globally.
In Queer Activism in India, Naisargi N. Dave examines the formation of lesbian communities in India from the 1980s to the early 2000s. Based on ethnographic research conducted with activist organizations in Delhi, a body of letters written by lesbian women, and research with lesbian communities and queer activist groups across the country, Dave studies the everyday practices that constitute queer activism in India.
Dave argues that activism is an ethical practice comprising critique, inven- tion, and relational practice. She investigates the relationship between the ethics of activism and the existing social norms and conditions from which activism emerges. Through her analysis of different networks and institutions, Dave documents how activism oscillates between the potential for new social arrangements and the questions that arise once the activists’ goals have been achieved. Queer Activism in India addresses a relevant and timely phenomenon and makes an important contribution to the anthropology of queer communi- ties, social movements, affect, and ethics.
“The exciting aspect of this book is how Dave draws on the everyday practices of queer activism, in particular lesbian activism in India, to expose the deeply considered and ethical positions that they take. . . . Dave’s book marks a significant contribution to the archive of queer scholarship generally, but more importantly to making visible a postcolonial perspective in this scholarship.” — Ratna Kapur, Journal of Anthropological Research
“A beautifully written ethnography, offering a passionately detailed ethnographic perspective on queer politics, feminism, and social movements in India.” — Kamala Visweswaran, author of Un/common Cultures: Racism and the Rearticulation of Cultural Difference
“Dave’s book, with its anecdotes, observations, and rich endnotes, will no doubt add to our understanding of urban lesbian activism while compelling us to reflect about methods and ethics in the age of “affect.”” — Shohini Ghosh, Journal of Asian Studies
The last few decades have witnessed growing theoretical and practical concerns with intersections between violent conflict and development. Links between poverty and natural resources have been minutely explored, and attention has also been given to how state collapse and bad governance have contributed to violent conflict. However, gender relations and ideologies have often been overlooked in theorization of these interconnections, as well as in designing development strategies meant to mend the devastating impact that war leaves on a society.
This book looks at the intersections between development practice and violent conflict from an explicit gender perspective and situates the fields of inquiry within a global condition of neo-liberal economy and militarism. Using the notions of femininity and masculinity as analytical tools, contributors question theoretical, political and policy approaches pertaining to specific development strategies in times of prolonged violent conflict, transitions to peace, and post-conflict periods. They further analyse various social, cultural, economic and political processes and relations of power that impact upon different groups of women, men and children in the contexts of militarization and violence.
Dubvravka Zarkov is a senior lecturer at the Institute of Social Studies, The Hague. She works on gender, sexuality, ethnicity and violent conflict. With Cynthia Cockburn she has co-edited The Postwar Moment: Militaries, Masculinities and International Peacekeeping, on experiences in Bosnia and the Netherlands. Her book The Fe/Male Body and the Productive Power of Violence: On `Media War’ and `Ethnic War’ in Former Yugoslavia, is forthcoming.
Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women’s autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences and diaries, to prose, fiction, architecture and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing - in whatever form it takes - provides the means towards more fully understanding the historical, social and cultural milieu in which the author performs herself and creates her subjectivity.
"At various levels, from the city to the institutions and from the neighborhood to the dwelling, the ideal and the real about the social relationship between men and women is expressed in the built form. Cultural rules govern the use of space and codes regulate behavior between genders.
This book examines the role of women as consumers and creators of the built space and focuses particularly on India and parts of South Asia. The essays included here explore the gender perspective from various angles. They cover a wide range of issues such as domesticity and home, women laborers and construction work, the practice of architecture, education in general and in schools of architecture, women and leisure as well as women's relationship to the public sphere and housing in the vernacular mode."
Inclusive Citizenship seeks to go beyond the intellectual debates of recent years on democratization and participation to explore a related set of issues around changing conceptions of citizenship. People’s understandings of what it means to be a citizen go to the heart of the various meanings of identity, including national identity, political and electoral participation, and rights. The researchers in this volume come from a wide variety of societies, including the industrial countries in the North, and they seek to explore these difficult questions from different angles. Themes include: Citizenship and Rights, Citizenship and Identity, Citizenship and Political Struggle and the policy implications of substantive notions of citizenship.
Naila Kabeer is Professorial Fellow at the Institute of Development Studies, Sussex, and a member of the Poverty and Social Policy Research Team. Her research interests include gender, population and poverty issues. Her recent books include The Power to Choose: Bangladeshi Women and Labour Market Decisions in London and Dhaka and Reversed Realities.
This remarkable study focuses on the relationship between forms of prostitution, discourses on law making, and law enforcement practices.
Across the 19th and early 20th centuries, the colonial government in Bombay city formulated laws on prostitution that were enormously repetitive. Activities such as soliciting men, pimping and procuring women and girls for prostitution were banned in identical ways in multiple eras. Across the same hundred years, commercial sex grew vast in scale, and Bombay became a node in a transnational sex trade circuit.
This book argues that while the expansion of Bombay's sex trade over the past century might suggest that laws were simply ineffectual, law making was instead a productive process that sustained particular forms of prostitution. In examining this dimension of colonial governance, Tambe evaluates the uses and limits of Foucault's approach to law and sexuality.
While women's language, women's writings, and women's views about the world we live in have all been the focus of much debate and study, this book explores the translation of these experiences and these writings in the context of India, with its multifaceted, multilingual character. If women's language is different from the patriarchal language that forms the basis of communication in most language communities, what has been the impact of writings from the women's perspective and how have these writings been translated? Indian women writers have been translated into English in the Indian context as well as into other western languages. What are the linguistic and cultural specificities of these literary productions? What is foregrounded and what is erased in these translations? What are the politics that inform the choices of the authors to be translated? What is the agency of the translators, and of the archivist, in these cultural productions? What is the role of women translators? These are some of the questions that this book explores. The book contains insightful essays by some of the best translation scholars in India with an in-depth Introduction and an essay by the well-known writer Ambai on her experience of being translated.
1943: As the British Empire draws to a close, the state of Bengal is just emerging from the grip of famine. Exploited mercilessly by feudal landlords, landless peasants rise in protest and launch a movement in 1946 to retain two-thirds of the grain they harvest - Tebhaga.
More than 50,000 women participated in this movement: one whose history and tragic end - in the crossfire between state violence and revolutionary armed struggle - became a legend in its time. Yet in the written history of Tebhaga, the full-fledged women's movement that they forged has never featured.
In this authoritative study, based on interviews and women's memories, Kavita Panjabi sets the balance right with rare sensitivity and grace. Using critical insights garnered from oral history and memory studies, Panjabi raises questions that neither social history nor left historiography ask. In doing so, she claims the past for a feminist vision of radical social change. This account of the transformation of the struggle is unique in feminist scholarship movements.
This book addresses the current issues of violence, masculinity and power in the postcolonial context and their representation in films.The essays contribute critical insights into the analyses of films based on societal violence in postcolonial cultures: be it in the context of colonial oppression, terrorism, genocide, communal riots, criminal underworld or mob violence etc.
The volume seeks to investigate some of those variegated facets of postcolonial 'violences' as they are played out in historically and culturally diverse public spaces of different postcolonial societies through the paradigm of cinematic representation. Although the book seeks to explore the phases of differences among postcolonial cultures, the essays hinge around common questions ? How does the experience and representation of violence change with the specificity of the postcolonial context? How do postcolonial cinemas negotiate ideas of conflict through the scenes of violence? How does violence as a cinematic trope shape postcolonial identities, especially of masculinities?
The authors set out to discuss these through the spectacle of violence in postcolonial films, consequently invoking issues of both representational and affective aspects of violence as a performative act in the postcolonial public space.
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