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In the run-up the fourth World Social Forum held in Mumbai, India in January 2004, civil activists and student organised a major series of seminars in Delhi University to discuss the Forum and its politics. The 'Open Space' seminar series, as it came to be called, picked up on the idea of the Forum as a relatively free space, where all kinds of ideas could not meet and be discussed. The book, the first in a series that explore the new ideas generated by the discusssions took place on all these issues, comprises chapters based on the transcripts of presentation made by academics and activists during the seminars, as well as discussions on the questions arising from the presentation. Can the World Social Forum helps us to conceptualise and actualise a new politics? Can this new politics? Can this new politics be free from violence? Can the experience and knowledge of great movements such as the movements for environment, and the women's movement, contribute to the creation of a new politics? How can such a politics be sustained? The essays in this book, written in an easy and accessible style, are informed by these question. they offer the reader different and complex ways of understanding the processes that have helped to shape the world social forum and the new politics that seems to be emerging, and what all this represents, for life, society, and politics more generally.
The essays in the volume consider the significance of nation and gender in the context of post-1989 transitions in the former Soviet Union and Yugoslavia and in the context of post-partition India. The texts critique the ways in which narratives of nationhood and womanhood naturalize and essentialize difference and hierarchy. The authors explore uses of sexualized/gendered imagery in defining the space of the nation and sexualized/gendered metaphors of state fatherhood and motherhood in defining the distribution of power within that space. of the nation (e.g. feminized landscapes and battlefields) and sexualized /gendered metaphors of state fatherhood and motherhood in defining the distribution of power within that space. The particular histories of nationalism and partition are different in the countries involved, but commonalities in the narrative structures, state ad nation-building strategies, patriarchal patterns of control, and mechanisms of inclusion and exclusion are striking. This is particularly so with respect to the ways in which exclusive national identities are constituted through gendered representations of the nation and its members.
With independence, India experienced a dramatic social rupture but also a recuperation of political autonomy and a new sense of optimism that promised opportunities. The country became a crucible for experimentation in modern and utopian architecture with new buildings, cities and museums giving public face to the nation. Indian architects and architectural projects claimed international attention, and a generation of women entered professions such as architecture and design that had previously been closed to them. They emerged as a pronounced political force, and important patrons of art, architecture and public space.
The mid-19th and 20th centuries saw a significant increase in women acting as arbiters of taste and shapers of the built environment. The emerging groups of female designers and female patrons were enabled by new norms for women.
The essays in this volume address these developments, posing the important question : did, and do, women produce art and architecture that reflect a feminine perspective ? How did women, otherwise invisible and denied attention in the public sphere, gain voice? The writers look at these questions through both the political frame of gender as well as through family lineage and dynastic connections, and their importance in women's patronage of the arts.
Assisted Reproductive Technologies (ARTs) are usually publicised as 'miracle cures for infertility.' However, the social and economic context in which these technologies are developed and promoted have a strong bearing on their use or misuse.
Carefully packaged in the garb of 'modernity' and 'choice,' the efficacy of these technologies is difficult to challenge. On a deeper analysis, their costs seem to heavily outweigh the benefits. A chain of adverse effects on women's and children's health, commodification of their bodies, commercialisation of the reproductive process, unabashed encouragement to sex selection, obsession about biological progeny and eugenics are only some of the concerns that ARTs bring to the fore.
This book is an attempt to look into various aspects of ARTs - their social, medical, legal and economic implications on women in particular, and society at large. The book comprises seven essays by eminent activists and academics, each exploring a specific aspect of ART.
This powerful counter-narrative to the mainstream assumptions about the development of feminism in India in the 20th century is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
The last decade saw the emergence and assertion of separate Dalitbahujan women's organizations both at the national and regional levels. Excluded from political and cultural spheres, Dalit women's movements have sought to transform both Dalit and feminist politics in India. They have fought against the reproduction of caste within modern spaces like universities, bureaucracies and within the women's movement as well as women's studies. The assumptions about caste identities being private and personal have been questioned and serious challenges posed for understanding caste and gender in contemporary India.
Located within this context, this book brings together extracts from the work of Kumud Pawade, Urmila Pawar, Shantabai Kamble, Mukta Sarvagod, Shantabai Dani, Vimal More and Janabai Girhe.
Sharmila Rege is a Professor at the Department of Sociology, University of Pune. She has worked for several years with the Krantijyoti Savitribai Phule Women?s Studies Centre, University of Pune. She has written and published on sociology of gender, Dalit feminism and Dalitbahajun public culture in Maharashtra. Her present work concerns the documentation of music and print cultures of the Ambedkarite counterpublics in contemporary Maharashtra.
"So riveting is the narration that it is difficult to put down the book until their stories are finished. For a non-fiction academic work this is no small feat." -- Anupama Katakam, The Hindu
"The absence of gender awareness in policy and planning in the past has given rise to a variety of efficiency, welfare and equity costs. This book develops an analytical framework and a set of tools which can assist planners, as well as trainers, to ensure that gender is systematically integrated into different aspects of their work. It offers as inventory of the kinds of assumptions which lead to gender-blind policy, and assesses integrationist and transformatory strategies by feminist advocates to influence the mainstream policy agenda. An analytical framework for examining the gender inequalities generated by key institutions through which development takes place occupies a central place in the book. A selection of case studies from the Indian context serves to illustrate different aspects of the framework and its application.
This book links caste and gender to the social production of motherhood. Dandekar argues that in contradiction to the assumption about motherhood being primarily a female-centred and positive domain, subaltern agency produces it as malign, dangerous, malevolent and marginal.
Highlighting the manner in which the experience and expression of motherhood is constructed as androgynous and nonthreatening to patriarchal hegemony, the author emphasizes the consolidation of ‘lower’ caste positive identity through valorization processes and endorses high caste and class ownership and power by producing the birth and survival of a male child as its ideological validaton.
Little has been written about the experiences of motherhood in India, outside of the debates around public health statistics. Here, the author reinvents and deconstructs existing notions of maternity by interrogating the very systemic and patriarchal nature of its language that depoliticizes oppression.
Toilets, trees and gender? Can there be a connection?
Is there a gender angle to a business story? Is gender in politics only about how many women get elected to parliament? Is osteoporosis a women's disease? Why do more women die in natural disasters?
These are not the questions journalists usually ask when they set out to do their jobs as reporters, sub-editors, photographers of editors. Yet, by not asking, are they missing out on something, perhaps half the story? This is the question this book, edited and written by journalists, for journalists and the lay public interested in media, raises. Through examples from the media, and from their own experience, the contributors explain the concept of gender-sensitive journalism and look at a series of subjects that journalists have to cover - sexual assault, environment, development, business, politics, health, disasters, conflict - and set out a simple way of integrating a gendered lens into day-to-day journalism. Written in a non-academic, accessible style, this book is possibly the first of its kind in India - one that attempts to inject a gender perspective into journalism.
This story of extraordinary courage and survival is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This is the story of Baby Halder, a young woman working as a domestic in a home in Delhi. Hurriedly married off at the age of twelve, a mother by the time she was fourteen, Baby writes movingly and evocatively of her life as a young girl, and later as a young woman. The long absences of her father, the hardships faced by her mother, and her decision to walk out of her marriage, leaving Baby and her sister to manage the household, were the realities that shaped Baby's early life.When marriage came, Baby, still a child, yearned to play and study, but was burdened with the responsibility of being wife and mother while facing considerable violence from her husband. Escape finally came many years later, by which time the still young Baby was a mother of three, and she fled to the city in the hope of finding a job. Working in Delhi as a domestic help, Baby was lucky enough to come across an employer who encouraged her to read -- which she did voraciously -- and then to write. The story of Baby's life is a lesson in courage and survival.
Since it was first published in Hindi, this book has become a bestseller, receiving accolades from some of the best-known writers and critics in India and elsewhere. It has also been translated into other Indian languages.
Baby Halder is a writer and a domestic worker who lives and works in a home near Delhi. She is now working on her second book.
Urvashi Butalia is a publisher and writer whose work includes the award-winning oral history of Partition, The Other Side of Silence: Voices from the Partition of India.
Incisive, eclectic and politically engaged, Seeing like a Feminist is a bold and wide-ranging book that reorders contemporary society.
For Nivedita Menon, feminism is not about a moment of final triumph over patriarchy but about the gradual transformation of the social field so decisively that old markers shift forever. From sexual harassment charges against international figures to the challenge that caste politics poses to feminism, from the ban on the veil in France to the attempt to impose skirts on international women badminton players, from queer politics to domestic servants' unions to the Pink Chaddi campaign, Menon deftly illustrates how feminism complicates the field irrevocably.
"Wonderfully engaging and perfectly lucid."" - Tanika Sarkar
'Call Me Confused, Please' requests one of the stories in this insightful and engaging collection from women of South Asian origin living in North America. 'Made in the USA?' wonders another.
Through poems, short stories and scholarly pieces, writers who are in their twenties, thirties and forties share what it is to live and grow up in a country that is your home and yet alien to you. They touch upon issues of culture, belonging, romance, body, race, ethnicity and the notion of 'home'. Moving beyond the idea of ABCDs (America-Born Confused Desi) and the 'identity crisis', the writers grapple with the richness of their diverse inheritances to produce a more nuanced understanding of self.
"Diverse voices challenge social binaries - of race, sexuality, nationality - to showcase the many facets of brown-ness." - Bandana Purkayastha, University of Connecticut
This book focuses on feminist research methodology, exploring and analysing its constituting methods, theory, ontology, epistemology and ethics and politics, as well as the significance of the subjectivity of the researcher in research issues relating to women, gender and feminism in Sri Lanka. The book examines ways of meaning-making for political, ideological and social change, and constructs an example of feminist research praxis.
Using this South Asian country as a case study, the author looks at the means by which researchers in this field inhabit, engage with and represent the multiple realities of women and society in Sri Lanka. In analysing what constitutes feminist research methodology in a transitional country, the book links local research practices with Western feminist approaches, taking into account the commonalities, distinctions and specificities of working in a South Asian context.
With an emphasis on general issues and debates in global feminist theory and methodology, the book explores the issues of reflexivity, standpoint, gender, women’s agency, empiricism, and the feminist politics of Marxism and democracy, positivism, induction, deduction, post-modernism and postcolonialism.
Engaging with and re-conceptualising three traditionally different types of research — women’s studies, gender studies and feminist studies — Feminist Research Methodology provides a framework for researching feminist issues. Applicable at both local and global levels, this original methodological framework will be of value to researchers working in any context.
In this important study, Shirin Rai provides a comprehensive assessment of how gender politics has emerged and developed in post-colonial states.
In chapters on key issues of nationalism and nation-building, the third wave of democratization, and globalization and governance, Rai argues that the gendered way in which nationalist state-building occurred created deep fissures and pressures for development. She goes on to show how women have engaged with institutions of governance in developing countries, looking at political participation, democracy, representation, leadership and state feminism. Through this engagement, Rai claims, vital new political spaces have been created. Though Rai focuses on India, the book’s argument is highly relevant for politics across the developing world.
This is a unique and compelling synthesis of gender politics with ideas about development from an authoritative figure in the field.
“In this proof of her powerful scholarship, Shirin Rai combines discussions of key concepts in feminist and development studies, with studies of actual gender politics of development, from grass roots to global institutions.” -- Drude Dahlerup, Stockholm University
“Lucidly written, Shirin Rai’s essays are insightful contributions to recent feminist debates on democratization and globalization.” -- Bina Agarwal, Institute of Economic Growth, Delhi University
In 2008, when the Azad Foundation, an NGO based in Delhi, began training poor women to become drivers of commercial and private vehicles, most people thought they were somewhat out of touch with reality. Poor, illiterate women, many of them from violent homes, some of them single mothers, others from families and communities which had never allowed women to step out of the home – how could these women take the wheel, drive around in unsafe cities, be confident and competent, earn money? At the time, there was only one known woman auto driver in Delhi. When Azad turned to radio cab companies to suggest they take in women drivers, there wasn’t much interest. Today, more than 300 women drivers have received training from Azad and are on the roads of several cities. Nine years after radio companies turned Azad away, special services or women with women drivers are being introduced within these same companies. In 2015, the Delhi Transport Corporation got its first woman driver, and in 2016, the Delhi Commission for Women recruited 25 women drivers to be part of their women’s helpline. Clearly, things are changing.
Lady Driver maps the journeys of twelve women from poor, marginalized communities who have transformed their lives by taking up the challenge of becoming women drivers. Each story is unique; there’s no Cinderella effect here. Reality does not change overnight. Instead, as the women featured here painstakingly claim a relationship with the road, it translates into claims for identity, for dignity, for a livelihood. Their stories are about beginnings, but have no endings – there is still quite a way to drive. OR – there are many kilometres to drive yet.
Drawing from field research in Cameroon, Ghana, Viet Nam and the Amazon forests of South America, this book explores the relationship between gender and land, revealing the workings of global capital and of people's responses to it.
A central theme is the people's resistance to global forces, frequently through an insistence on the uniqueness of their livelihoods.
The book addresses a gap in the literature on land tenure and gender in developing countries. It raises new questions about the process of globalisation, particularly about who the actors are (local people, the state, NGOs, multinational companies) and the shifting relations among them. The book also challenges the very concepts of gender, lands and globalisation.
In the early nineteen thirties Ayi Tendulkar, a young journalist from a small town in Maharashtra, travelled to Germany to study. Within a short time he married Eva Schubring, his professor's daughter. Soon after the short-lived marriage broke up, Tendulkar, by now also a well-known journalist in Berlin, met and fell lin love with the filmmaker Thea von Harbou, divorced wife of Fritz Lang, and soon to be Tendulkar's wife.
Many years his senior, Thea became Tendulkar's support and mainstay in Germany, encouraging and supporting him in bringing other young Indian students to the country. Hitler's coming to power put an end to all that, and on Thea von Harbou's advice, Tendulkar returned to India, where he became involved in Gandhi's campaign of non-cooperation with the British and where, with Thea's consent, he soon married Indumati Gunaji, a Gandhian activist.
Caught up in the whirlwind of Gandhi's activism, Indumati and Tendulkar spent several years in Indian prisions, being able to come together as a married couple only after their release -- managing thereby to comply with a condition that Gandhi had put to their marriage, that they remain apart for several years 'to serve the nation?. In this unique account, Indumati and Tendulkar's daughter, Laxmi Tendulkar Dhaul, traces the turbulent lives of her parents and Thea von Harbou against the backremove of Nazi Germany and Gandhi's India, using a wealth of documents, letters, newspaper articles and photographs to piece together the intermeshed histories of two women, the man they loved, their own growing friendship and two countries battling with violence and non-violence, fascism and colonialism.
"Few children are capable of writing about their parents' lives with empathy and clinical precision." --Somak Ghoshal, Live Mint
Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women’s autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences and diaries, to prose, fiction, architecture and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing - in whatever form it takes - provides the means towards more fully understanding the historical, social and cultural milieu in which the author performs herself and creates her subjectivity.
Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona construction, Mookherjee opens the possibility for a more politico-economic, ethical, and nuanced inquiry into the sexuality of war.
The women's movement in India has a long and rich history in which millions of women live, work and struggle to survive in order to remake their family, home and social lives. Whether fighting for safe contraception, literacy, water and electricity or resisting sexual harassment, they are participating in vibrant and active women's movements that are thriving in many parts of India today. Fields of Protest explores the political and cultural circumstances under which groups of women organize to fight for their rights and self-worth. Starting with Bombay and Calcutta, Raka Ray discusses the creation of "political fields"- structured, unequal and socially constructed political environments within which organisations exist, flourish or fail. Women's organisations are not anonymous or free agents; rather, they inherit a "field" and its accompanying social relations, and when they act, they act in response to it and within it. Drawing on the literature of both social movements and feminism, Ray analyses the striking differences between the movements in these two cities.
Raka Ray is an Assistant Professor in the department of Sociology at the University of California, Berkeley. Her areas of specialization are gender and feminist theory, social movements, and relations between dominant and subaltern groups in India. She is editor of Feminist Studies.
It is now widely recognized that gender analysis has both challenged and enriched many of the standard assumptions and concepts that inform economic analysis of different kinds, whether to do with paid work or unpaid work, peasant studies, care labour and many other areas. Despite this, changes in economic policies have been few and far between, and most do not translate into women-friendly economics policies. Nor have the important contributions of women's studies research to the field of economics- been given its due importance or recognition.
This collection of essays by some of the best known academics and practitioners in the fields of economics, women's studies and development, examine a wide range of areas in which women's studies has made crucial contribution. They look at the market, the money economy, at the development policies, at water rights and at macroeconomics methodologies, in order to address the question of gender matters. Together they bring new insights and new approaches to the question of how a gender analysis of macroeconomic policies needs to be given wider acceptance and to be integrated into policies and planning. Accessibly written and rigorously researched, this book will be useful for academic and general readers, and for those in the related fields of economics, development and gender studies.
In the last 15 years, queer movements in many parts of the world have helped secure the rights of queer people. These moments have been accompanied by the brutal rise of crony capitalism, the violent consequences of the ‘war on terror’, the hyper-juridification of politics, the financialization/managerialization of social movements and the medicalization of non-heteronormative identities/practices. How do we critically read the celebratory global proliferation of queer rights in these neoliberal times?
This volume responds to the complicated moment in the history of queer struggles by analysing laws, state policies and cultures of activism, to show how new intimacies between queer sexuality and neoliberalism that celebrate modernity and the birth of the liberated sexual citizen, are in fact, reproducing the old colonial desire of civilizing the native. By paying particular attention to the problematics of race, religion and class, this volume engages in a rigorous, self-reflexive critique of global queer politics and its engagements, confrontations, and negotiations with modernity and its investments in liberalism, legalism and militarism, with the objective of queering the ethics of our queer politics.
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