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In the run-up the fourth World Social Forum held in Mumbai, India in January 2004, civil activists and student organised a major series of seminars in Delhi University to discuss the Forum and its politics. The 'Open Space' seminar series, as it came to be called, picked up on the idea of the Forum as a relatively free space, where all kinds of ideas could not meet and be discussed. The book, the first in a series that explore the new ideas generated by the discusssions took place on all these issues, comprises chapters based on the transcripts of presentation made by academics and activists during the seminars, as well as discussions on the questions arising from the presentation. Can the World Social Forum helps us to conceptualise and actualise a new politics? Can this new politics? Can this new politics be free from violence? Can the experience and knowledge of great movements such as the movements for environment, and the women's movement, contribute to the creation of a new politics? How can such a politics be sustained? The essays in this book, written in an easy and accessible style, are informed by these question. they offer the reader different and complex ways of understanding the processes that have helped to shape the world social forum and the new politics that seems to be emerging, and what all this represents, for life, society, and politics more generally.
The essays in the volume consider the significance of nation and gender in the context of post-1989 transitions in the former Soviet Union and Yugoslavia and in the context of post-partition India. The texts critique the ways in which narratives of nationhood and womanhood naturalize and essentialize difference and hierarchy. The authors explore uses of sexualized/gendered imagery in defining the space of the nation and sexualized/gendered metaphors of state fatherhood and motherhood in defining the distribution of power within that space. of the nation (e.g. feminized landscapes and battlefields) and sexualized /gendered metaphors of state fatherhood and motherhood in defining the distribution of power within that space. The particular histories of nationalism and partition are different in the countries involved, but commonalities in the narrative structures, state ad nation-building strategies, patriarchal patterns of control, and mechanisms of inclusion and exclusion are striking. This is particularly so with respect to the ways in which exclusive national identities are constituted through gendered representations of the nation and its members.
Incisive, eclectic and politically engaged, Seeing like a Feminist is a bold and wide-ranging book that reorders contemporary society.
For Nivedita Menon, feminism is not about a moment of final triumph over patriarchy but about the gradual transformation of the social field so decisively that old markers shift forever. From sexual harassment charges against international figures to the challenge that caste politics poses to feminism, from the ban on the veil in France to the attempt to impose skirts on international women badminton players, from queer politics to domestic servants' unions to the Pink Chaddi campaign, Menon deftly illustrates how feminism complicates the field irrevocably.
"Wonderfully engaging and perfectly lucid."" - Tanika Sarkar
Why does the world’s largest democracy turn a blind eye to systematic violations of human rights in its periphery?
Drawing on the findings of a comparative research project, this volume tackles a set of intricate questions about the workings of impunity in India. How do victims of abuse and survivors of sexual violence end up being denied justice? What do those on the margins—those with the wrong sex, wrong identity markers, wrong political leanings— tell us about violence by state and non-state actors?
Bringing together senior academics, civil society leaders and fresh voices from across India, the volume offers analysis—contextual, structural and gendered—and breaks new conceptual ground on the underbelly of India Shining. The volume contains testimonies that were collected during fieldwork in four states.
Contributors include: Sanjay Barbora, Shahana Basavapatna, Anjuman Ara Begum, Uma Chakravarti, Warisha Farasat, Satish K. Jain, Ram Narayan Kumar, Harsh Mander, Bhagat Oinam
Though commonplace today as a technological quick fix for infertility, assisted reproduction is a complex phenomenon, located at the intersection of patriarchy, medicalization and commerce, These technologies create both challenges and opportunities, and responses to them have sought to balance questions of ethics, rights and politics. The essays in this volume map the journey of ARTs in different countries, examining the global industry and the challenges it poses in the context of markets, and look at regulatory frameworks in diverse settings.Together they bring a feminist lens to the examination of the now-established ART industry. Sama's long-standing work provides a special focus on India: the spread and features of the industry, the gendered nature of the burden and treatment of infertility, the destabilisation of the family as we know it, and feminist debated around surrogacy that reassess ideas of agency and commodification.
This story of extraordinary courage and survival is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This is the story of Baby Halder, a young woman working as a domestic in a home in Delhi. Hurriedly married off at the age of twelve, a mother by the time she was fourteen, Baby writes movingly and evocatively of her life as a young girl, and later as a young woman. The long absences of her father, the hardships faced by her mother, and her decision to walk out of her marriage, leaving Baby and her sister to manage the household, were the realities that shaped Baby's early life.When marriage came, Baby, still a child, yearned to play and study, but was burdened with the responsibility of being wife and mother while facing considerable violence from her husband. Escape finally came many years later, by which time the still young Baby was a mother of three, and she fled to the city in the hope of finding a job. Working in Delhi as a domestic help, Baby was lucky enough to come across an employer who encouraged her to read -- which she did voraciously -- and then to write. The story of Baby's life is a lesson in courage and survival.
Since it was first published in Hindi, this book has become a bestseller, receiving accolades from some of the best-known writers and critics in India and elsewhere. It has also been translated into other Indian languages.
Baby Halder is a writer and a domestic worker who lives and works in a home near Delhi. She is now working on her second book.
Urvashi Butalia is a publisher and writer whose work includes the award-winning oral history of Partition, The Other Side of Silence: Voices from the Partition of India.
Conflicted Democracies and Gendered Violence elucidates the centrality of political and foundational violence in the governance of conflicted democracies in the postcolony, calling attention to the urgent need for transformation. Spectacular and quotidian gendered and sexualized violence by states and collectives holds in place fraught and unjust histories and relations between elites and subalterns, majoritarian subjects and non-dominant “Others.” At the intersections of nationalist and decolonial confrontations, such violence regularizes states of emergency and exception. Through oral history, archival, and legal research undertaken over three years, this interdisciplinary work underscores the need for transitional and transformative justice mechanisms in conflicted democracies to address protracted conflict (focusing on their internal dimensions) and social upheaval. India serves as a case in point, exemplified by ongoing and recent conflicts in Jammu and Kashmir and Punjab and episodic social upheavals in Gujarat (in 2002) and Odisha (in 2008). Victim-survivor narratives of counter-memory, historical records, and legal analyses of formative cases detail the depth and texture of social suffering and illustrate the inadequacy and inhumanity of official responses to events of extraordinary violence. Expanding on methods in justice and accountability and espousing the right to heal, scholars and practitioners raise critical questions regarding the state, civil society, and diverse institutions, and the most elemental of constituents: victim-survivors.
“A very important feature of Conflicted Democracies and Gendered Violence: The Right to Heal is that it shows the ubiquity of sexual violence that is not simply concomitant to other forms of violence but is a weapon that is part and parcel of the weaponry in the hands of the state and of transnational militant movements. What are the mechanisms through which violence is continuously sustained within democracies? This exemplary book helps us ask that question without the plethora of evasions that often allow democratic states to deflect that question to some other concern—national security, national honor or the necessity of pragmatism in view of the enormity of new forms of warfare. I am so grateful for this book and for the courage of scholar-activists and the victim-survivors who have put the results of years of hard labor on these questions before us.”
Veena Das, Krieger-Eisenhower Professor of Anthropology, John Hopkins University
“The monograph provides an incisive, comparative, and contextual framework for grappling with some of the most challenging issues of our time—gender and sexual violence in conflict. The document makes a compelling case for the development of effective national accountability mechanisms for political democracies to address conflict-based issues and grave social violence. The monograph underlines the pressing need to place victims-survivors at the center of owning knowledge and defining remedy. This monumental work stands to impact scholarship, policy, and advocacy for addressing gender-based and sexualized violence in conflicted democracies.”
Navanethem Pillay, United Nations High Commissioner for Human Rights, 2008-2014
The fall of communist regimes in Eastern Europe and of dictatorships in Latin America brought new attention to democratic movements worldwide. Most interest focused on national activities, electoral politics and the expansion of capitalist markets, and though much has been written about social movements, the connections between women's grassroots organisations and democratization has been neglected. This book explores how these movements contribute to the expansion of pubic and private spaces and democratic processes. The sixteen case studies highlight women's grassroots movements in India, Hong Kong, Singapore, Eritrea, South Africa, Syria, Egypt, El Salvador, Honduras, Poland, Russia, Belgium, Ireland, Canada, the United States (Appalachia) and Australia. They reveal the connections between local political and social action and the growth of democratic processes at state, regional and global levels. The book illustrates how community-based actions, programmes and organizations that empower women contribute to the creation of a civil society and thus enhance democracy.
Jill M Bystdzienki is Director of Women's Studies and Professor of Sociology at Iowa State University. She is author of Women in Electoral Politics: Lessons from Norway and editor of Women Transforming Politics: Worldwide Strategies for Empowerment.
Joti Sekhon is Professor of Sociology at Greensboro College, where she is also the coordinator of the International Studies Programme. She is the author of Modern India.
This essay addresses the role that religion plays in sociopolitical processes in Mizoram by attempting to gauge the impact that churches have had in mediating conflicts and brokering peace in the state since the 1960s. It also examines the role of women (and lack thereof) in peacebuilding processes and explores gendered critiques of the same.
As Sawmveli and Tellis write, churches in Mizoram are centralized bodies that hold immense power, thus enabling church leaders to aid Mizo ‘militants’ in negotiating with the Indian government as early as 1966, when insurgency first broke out. However, women did not have much of a decision-making role, neither within the clergy nor during negotiations. The lack of women’s participation can be explained, according to the authors, by the entrenched patriarchy and misogyny in Mizo society. In fact, interviews with Mizo women reveal that they acknowledge the crucial role the church played in mediation, but did not see their exclusion from the process as an issue.
The essay further states that since most political parties in the region are aligned with churches, patriarchy in politics overlaps with patriarchal church culture to marginalize women. However, they also discuss the many women’s organizations that have come up over the years to facilitate women’s entry into the public sphere. Women are also reclaiming traditional proverbs that were used to oppress and belittle them—the essay cites Lalrinawmi Ralte’s rewriting of a popular saying that devalues women as crab meat in the form of what she calls ‘Crab Theology’.
Over the last several years, regular evaluation of development programs has become essential in measuring and understanding their true impact. Feminist and gender-sensitive evaluations have gradually emerged, drawing attention to existing inequities—gender, caste, class, location, and more—and the cumulative effect of these biases on daily life. Such evaluations are also deeply political; they explicitly acknowledge that gender-based inequalities exist, show how they remain embedded in society, and articulate ways to address them.
Based on four years of research, Voices and Values offers critical insight into how gender, class, and nationality inflect and affect sociological research. It examines how feminist evaluations could make an effective contribution to new policy formulations oriented to gender and social equity. The essays here focus centrally on the structural roots of inequity: giving weight to all perspectives; adding value to marginalized groups and people under evaluation; and taking forward the findings of evaluation into advocacy for change. In doing so, each essay advances the understanding of feminist evaluation both conceptually and as practice.
CONTRIBUTORS: Venu Arora | Sneha Bhat | Pallavi Gupta | Vasundhara Kaul | Renu Khanna | Seema Kulkarni | Ranjani K. Murthy | Rajib Nandi | Srinidhi Raghavan | Neha Sanwal | Shubh Sharma | Ratna M. Sudarshan | Enakshi Ganguly Thukral | Sonal Zaveri
Imelda Connor is a classic Irish lass—a fiery, red-headed beauty, quick to anger and fiercely protective of her younger siblings. Growing up on a small farm in the rolling hills of County Cork, she thinks she has her life completely mapped out. But Imelda soon finds that life doesn’t always go according to plan.
Everything is turned upside-down when Imelda moves to England and happens to meet a dashing Bengali man named Shu Bose. Shu is captivated by Imelda’s natural beauty and charm, and the two embark on a whirlwind romance. At the age of eighteen, in the spring of 1932, Imelda boards a ship bound for Calcutta—and a very different life to the one she had always imagined.
Milty Bose’s writing transports readers back to pre-Independence India, to London between the wars, and to the genteel life of bhadralok Bengali high society. From Cork to Calcutta tells the true story of Bose’s parents, their eccentric and unforgettable family, the trauma of loss, and the triumph of one woman’s remarkable spirit.
July 15, 2004, Imphal (Manipur): An amazing scene unfolds in front of Kangla Fort, the headquarters of the Assam Rifles, a unit of the Indian army. Soldiers and officers watch aghast as twelve women, all in their sixties and seventies, position themselves in front of the gates and then, one by one, strip themselves naked. The imas, the mothers of Manipur, are in a cold fury, protesting the custodial rape and murder, by the army, of Thangjam Manorama, a 32-year-old woman suspected of being a militant. The women hold aloft banners and shout, ‘Indian Army Rape Us’, ‘Take Our Flesh’. Never has this happened before: the army is appalled. Very soon, news of the protest goes viral. People around the country are shocked. Can this be possible? A naked protest in India by mothers?
In this unusual book, journalist Teresa Rehman tells the story of these twelve women, the momentous decision they took, and how they carried it out with precision and care. In doing so she connects the reader to the broader history of conflict-torn Manipur and the courage and resistance of its people, in particular its women.
This study of Pandita Ramabai's life, one of India's earliest feminists, is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary. (Now with a new Afterword)
This book outlines the reconstitution of patriarchies in nineteenth century Maharashtra through an exploration of the life, work and times of Pandita Ramabai, one of India's earliest feminists. It examines the manner in which the colonial state's new institutional structures, caste contestations, class formation and nationalism transformed and reorganized gender relations. It also explores the nature of the new agendas being set for women, how these were received by them and in what ways and to what extent their consent to these reconstructed patriarchies was produced.
Uma Chakravarti is a historian who has worked and written on issues of caste, labour and gender and is active in the democratic rights and women's movements. Among her published works are The Delhi Riots: Three Days in the Life of a Nation (co-authored) and Social Dimensions of Early Buddhism.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India) comprising over fifty research papers and two book-length studies detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
The essays in this volume focus on Nepal, which though not directly colonized, has not remained immune from the influence of colonialism in its neighbourhood. In addition to home-grown feudal patriarchal structures, the writers in this volume clearly demonstrate that it is the larger colonial and post-colonial context of the subcontinent that has enabled the structuring of inequalities and power relations in ways that today allow for widespread sexual violence and impunity in the country – through legal systems, medical regimes and social institutions.
The period after the 1990 democratic movement, the subsequent political transformation in the aftermath of the Maoist insurgency and the writing of the new constitution, has seen an increase in public discussion about sexual violence. The State has brought in a slew of legislation and action plans to address this problem. And yet, impunity for perpetrators remains intact and justice elusive. What are the structures that enable such impunity? What can be done to radically transform these? How must States understand the search for justice for victims and survivors of sexual violence? The essays in this volume attempt to trace a history of sexual violence in Nepal, look at the responses of women’s groups and society at large, and suggest how this serious and wide-ranging problem may be addressed.
The constructed “naturalness” of a world made up of two sexes, two genders, and heterosexual desire as the only legitimate desire has been continuously questioned and challenged by those marginalised by these norms. This forces us to ask some important questions: How is gender really understood and constructed in the world that we inhabit? How does it operate through the various socio-political-cultural structures around us? And, most crucially, how is it lived?
No Outlaws in the Gender Galaxy answers these questions with a research study that attempts to understand gender through the lives of queer persons assigned gender female at birth. The lived realities of the respondents, echoing in the book through their voices, help to interrogate gender as well as provide clues to how it can be envisioned or revisioned to be egalitarian.
This book explores how gender plays out in public and private institutions like the family, educational institutions, work and public spaces. Looking at each of these independently, it elaborates the specific ways in which binary gender norms are woven into each arena and it also explores the multiple ways in which interlocking systems of heteronormativity, casteism, class and ableism are enmeshed within patriarchy to create exclusion, marginalisation, pathologisation and violence. This book illustrates the multiplicity of ways in which people live gender and testifies that even if there are gender laws, in a just world there can be no gender outlaws.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
From Rokeya Sakhawat Hossain (1880-1932), the writer of the feminist utopian fantasy ‘Sultana’s Dream’, come these tales of gumptious wit, describing the twists and turns of India’s two-hundred-year relationship with the imperial British.
Freedom Fables begins with the two eponymous fables, both compact in form but temporally vast. The first story ‘Muktiphal’ (translated in this volume as ‘The Freedom Tree’) traces the rise of and divisions within India’s Congress party. ‘Gyanphal’ or ‘The Tree of Knowledge’, the second fable, begins in the Garden of Eden and moves swiftly to an idealised Kanakadwipa where a trading company beguiles the prosperous country and proceeds to ruin it. Throughout both, the fantastic floats easily over mere facts. Adam and Eve, the Almighty, djinns, paris, demons, and Mayavi magicians: these classic characters play decisive, intriguing roles.
These major political satires are accompanied in this edition by six essays and two poems, which the intrepid Hossain wrote over a period of seventeen years. Interwoven through her writings are ideals that endure even today: education and emancipation for women, dignity for those living in the subcontinent, and freedom from colonial rule and influence.
“It was perhaps in the rancorous tumult of the breaking and making of nations that Rokeya Sakhawat Hossain’s word and vision was lost.”
— Rafia Zakaria, Dawn
“You can feel Hossain’s anger... and her scathing criticism of a system that allows what she saw as lazy, violent men to dominate while their gentler, wiser female counterparts are marginalized.”
— Tahmima Anam, NPR
"“Hossain slyly pointed out back in 1905 what is often discussed now, particularly in the subcontinent—why should women be taught to stay safe, when men are not taught to not threaten or abuse or rape or be a danger to women?”
— Mahvesh Murad, Tor.com
ROKEYA SAKHAWAT HOSSAIN was a feminist activist and writer, as well as a visionary campaigner for women’s education. Born in 1880 in Rangpur (in what is contemporary Bangladesh), Hossain—also known as Begum Rokeya—wrote prolifically on issues of women’s liberation and against British colonial rule over India. Her ‘Sultana’s Dream’, written in 1905, is arguably the first work of feminist science fiction from Asia. Hossain founded the Muslim Women’s Association in 1916 to fight for women’s education and employment. She remained fiercely engaged in feminist debates and conferences until her death in 1932.
KALYANI DUTTA is an award-winning translator. Her translations from Bengali to English form a part of The Essential Tagore, published by Harvard University Press in 2011. She is also the co-author of Women, Education, and Politics: The Women’s Movement and Delhi’s Indraprastha College which brings together her twin interests, women’s studies and education.
This volume documents the focus on the widow, regarded as the dark half of womankind in tradition, the structural counterpart of the sumangali or the auspicious married woman, and to provide an archive on widowhood. The archive comprises prescriptions, injunctions, laws and other accounts dating back to the 5th century BC from Sanskrit texts as well as extracts from official documents, pamphlets and essays in many languages, published in the 19th and 20th centuries. The material is arranged in three parts: documents, personal narratives and creative writing in an attempt to capture the complexities of the experience of widowhood, its diversity and range across India. With the emergence of the women's movement in the last quarter of the 20th century, the terms of analysis have changed and feminist inspired scholarship has raised new questions. In the anthology the widow comes across not just as a passive 'pitiable' object, oppressed, victimised and patronised but as an active resisting survivor - it is this last image that stays with the reader.
Organizing Empire critically examines how concepts of individualism functioned to support and resist British imperialism in India. Through readings of British colonial and Indian nationalist narratives that emerged in parliamentary debates, popular colonial histories, newsletters, memoirs, biographies, and novels. Purnima Bose investigates the ramifications of reducing collective activism to individual intentions. Paying particular attention to the construction of gender, she shows that ideas of individualism rhetorically and theoretically bind colonials, feminists, nationalists, and neocolonials to one another. She demonstrates how reliance on ideas of the individual - as scapegoat or hero - enabled colonial and neocolonial powers to deny the violence that they perpetrated. At the same time, she shows how analyses of the role of the individual provide a window into the dynamics and limitations of state formations and feminist and nationalist resistance movements.
From a historically grounded, feminist perspective, Bose offers four case studies, each of which illuminates a distinct individualizing rhetorical strategy. She looks at the parliamentary debates on the Amritsar Massacre of 1919, in which several hundred unarmed Indian protestors were killed; Margaret Cousin's firsthand account of feminist organizing in Ireland and India; Kalpana Dutt's memoir of the Bengali terrorist movement of the 1930s, which was modeled in part on Irish anti-colonial activity; and the popular histories generate by ex-colonial officials and their wives. Bringing to the fore the constraints that colonial domination placed upon agency and activism, Organizing Empire highlights the complexity of the multiple narratives that constitute British colonial history.
PURNIMA BOSE is Associate Professor of English at Indiana University.
The first full-length autobiography in Bengali, Amar Jiban (My Life) was written in the early nineteenth century by an upper-caste rural housewife named Rashundari Debi. Published in 1868 when she was 88 years old, the book is a fascinating snapshot of life for women in the nineteenth century. Debi, who gave birth to eleven children—her first was born when she was 18-years-old, the last when she was forty-one—ruminates on her very individual understanding of bhakti as well as the new times that were unfolding around her.
Offering a translation of major sections of this remarkable autobiography, Words to Win is a portrait of a woman who wants to compose a life of her own, wishes to present it in the public sphere, and eventually accomplishes just that. The words, in the end, win out. First published in 1999, the book is a must-read for anyone interested in nineteenth-century Indian history. The classic text is reissued here in a new paperback format.
"Sarkar's dissection of the text - the autobiography of an upper-caste East Bengali widow from a family of landlords, who teaches herself to read and write in secrecy as it's a taboo to do so - yields a cracking yarn of social history." -- Pothik Ghosh, Outlook
A searing memoir of a political life that took the Telugu literary world by storm.
Well-known as the widow of Kondapalli Seetharamaiah (KS), founder of the Maoist movement in Andhra Pradesh, Koteswaramma’s life spans a tumultuous century of the Independence movement, the Communist insurrection and the Naxalite movement in Andhra Pradesh. A dedicated worker for the Communist Party, she went underground in the difficult years of the late forties, living a secret life, running from safe house to safe house. Throughout, it was the support and companionship of her husband, Seetharamaiah, that gave her strength. And then, everything changed when he deserted her.
Refusing to be cowed down, Koteswaramma rebuilt her life step by painful step. She educated herself, took up a job, raised her grandchildren, wrote poetry and prose and established herself as a thinking person in her own right. This moving memoir is a testimony of her courage and tenacity in the face of overwhelming odds, as well as her understanding of the frailties of human beings and political institutions. That women in India often face incredible suffering is known. That they can fight back and emerge winners is exemplified in Koteswaramma’s life.
The book interrogates the experience of being young and becoming adult in rural Bangladesh, in a context of profound processes of socioeconomic change.
Throughout South Asia, new educational opportunities and an increase in the age at which girls and boys get married are opening new spaces for young people to live the passage to adulthood. This book documents and describes the everyday reality of this changing gendered transition for young people in a rural area of South West Bangladesh. It focuses on three main areas that are central to young people's experience: those of college and student life, friendships and relationships with those of the same sex and across sexes and marriage and the issues involved in the choice of a marriage partner.
An innovative collection of essays on events and dynamics across South Asia, this volume addresses how violence marks the present in wars of direct and indirect conquest. Anti-colonial struggles that achieved independence to form postcolonial nation-states have consolidated themselves through prodigious violence that defines and disfigures communities and futures. This book examines the very borders such brutality enshrines and its intimate inscriptions upon bodies and memories, examining the performance of gendered violence through the spectacular and in everyday life, through wars, nationalisms and displacements. Women in and of South Asia offer inspired, gendered and contested histories of the discontinuous present, excavating nation-making and its intersections with projects of militarisation and cultural assertion, modernisation and globalisation, noting how Gujarat, post-9/11 mobilisations, and the war on Afghanistan and Iraq by Empire, signify the rapidity with which brutal events continue to encompass lives and cultures globally.
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