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The states in the northeast of India have been subject to multiple protracted conflicts. In the cases where the gendered nature of these conflicts is considered, stereotypes of women as passive victims or natural peacemakers tend to be reproduced, and scholars follow the establishment’s cues in employing analyses from a conventional security studies perspective, focusing on ceasefires and surrender packages for militants, male-dominated negotiations over autonomy and statehood, and ‘homeland’ politics. Even as women have become increasingly vocal in civil society attempts to resolve conflict and build peace in the region, their voices and work are ignored. The media has turned its spotlight on activists like the Meira Paibis and Irom Sharmila, but has yet to acknowledge the significance of women’s everyday resistance, activism and agency – and this lack of attention is a further aspect of their marginalization.
This volume sheds light on the successes and failures of the women’s movements in and of the region; women’s responses and engagements with conflict and peace-building; as well as their challenges, aspirations and experiences as agents of change. It adds important insights into the debate on gender and political change in societies affected by conflict. Moreover, by engaging critically with the ‘women, peace and security’ literature, the volume takes a fresh look at ‘universalist’ feminist and interventionist biases, questioning the notion that peace processes should be treated as windows of opportunity for women’s empowerment and positing that it is crucial to understand gender relations during conflict as historically contingent, complex and multifaceted, and intertwined in the social fabric.
This touching and at times harrowing glimpse into the conflict-ridden Nagaland is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary. More than half a century of bloodshed has marked the history of the Naga people who live in the troubled northeastern region of India. Their struggle for an independent Nagaland and their continuing search for identity provides the backdrop for the stories that make up this unusual collection. Describing how ordinary people cope with violence, how they negotiate power, and force, how they seek and find safe spaces and enjoyment in the midst of terror, the author details a way of life under threat from the forces of modernization and war.
No one -- the young, the old, the ordinary housewife, the willing partner, the militant who takes to the gun, and the young woman who sings even as she is being raped -- is untouched by the violence. Theirs are the stories that form the subtext of the struggles that lie at the internal fault lines of the Indian nation-state. These are stories that speak movingly of home, country, nation, nationality, identity, and direct the reader to the urgency of the issues that lie at their heart.
Temsula Ao is the Dean, School of Humanities and Education, North Eastern Hill University, Shillong.
"Temsula Ao, like many of her predecessors has successfully described the experiences of her people. The struggle for freedom and the search for identity have been discussed by many writers and these are pivotal themes of those who had to pay a heavy price for freedom. To this end Temsula Ao must be praised for her successful attempt." -- Shagufta Yasmeen, Dawn
Winner of the Hindu Prize for Fiction, 2015.
A lone hunter, Vilie, sets out to find the river of his dreams: to wrest from its sleeping waters a stone that will give him untold power. It is a dangerous quest, for not only must he overcome unquiet spirits, vengeful sorceresses and daemons of the forest, there are men – armed with guns – on his trail. Easterine Kire’s novel transports the reader to the remote mountains of Nagaland, a place alive with natural wonder and supernatural enchantment. As Vilie treks through the forest on the trail of his dream, we are also swept along in this powerful narrative and walk alongside him in a world where the spirits are every bit as real as men and women, and where danger – or salvation – lies at every turn. Kire’s powerful narrative invites us into the lives and hearts of the people of Nagaland: the rituals and beliefs, their reverence for the land, their close-knit communities – the rhythms of a life lived in harmony with their natural surroundings. It is against this spellbinding backdrop that Kire tells the story of a solitary man driven by the mysterious pull of a dream, who must overcome weretigers and malignant widow-spirits in the search for his heart’s desire.
“...reminiscent of Marquez’s magic realism and Leslie Silko’s Native-American story-telling. At the end, though, this is a Naga story, unmistakably so, in its sense of place, time, and oral traditions.”
Paulus Pimomo, Central Washington University, USA