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This powerful counter-narrative to the mainstream assumptions about the development of feminism in India in the 20th century is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
The last decade saw the emergence and assertion of separate Dalitbahujan women's organizations both at the national and regional levels. Excluded from political and cultural spheres, Dalit women's movements have sought to transform both Dalit and feminist politics in India. They have fought against the reproduction of caste within modern spaces like universities, bureaucracies and within the women's movement as well as women's studies. The assumptions about caste identities being private and personal have been questioned and serious challenges posed for understanding caste and gender in contemporary India.
Located within this context, this book brings together extracts from the work of Kumud Pawade, Urmila Pawar, Shantabai Kamble, Mukta Sarvagod, Shantabai Dani, Vimal More and Janabai Girhe.
Sharmila Rege is a Professor at the Department of Sociology, University of Pune. She has worked for several years with the Krantijyoti Savitribai Phule Women?s Studies Centre, University of Pune. She has written and published on sociology of gender, Dalit feminism and Dalitbahajun public culture in Maharashtra. Her present work concerns the documentation of music and print cultures of the Ambedkarite counterpublics in contemporary Maharashtra.
"So riveting is the narration that it is difficult to put down the book until their stories are finished. For a non-fiction academic work this is no small feat." -- Anupama Katakam, The Hindu
This book makes an important contribution towards an understanding of citizenship as mediated by other collective, historically determined identities: of gender, ethnicity, class and national status. It brings together a group of prominent international scholars from moral philosophy, law, political science and sociology to offer a major re-conceptualization of the idea of citizenship. The contributors demonstrate how the growing ambivalence of State sovereignty in the face of multinational capitalism and the absence of political accountability structures are complicit in the definitions of gendered citizenship. Against these, women’s communal mobilization and political activism are considered in terms of their power effects and political potentialities.
This collection provides a synoptic representation of the development of women's studies in India from the late seventies to the present. Divided into different subject areas, the Reader captures the wealth of information in this new field, and looks at how women's studies scholarship has shaped both the academy and spheres of policy-making and advocacy. The essays included here offer not only a curriculum for the teaching of women's studies, but also act as an introductory text for the interested reader. The book represents the work of several women's studies scholars such as Vina Mazumdar, Lotika Sarkar, Devaki Jain, Nirmala Banerjee, Patricia Uberoi, Bina Agarwal, Flavia Agnes, Shohini Ghosh, Malavika Karlekar, Leela Kasturi, Joy Deshmukh, Zoya Hasan, Ratna Sudarshan, Ratna Kapur and others. Themes covered include the women's movement in India, the legal framework, politics, educational intervention, encounters with violence, the family, sexuality and work.
Mala Khullar is a freelance consultant and has worked with the Asian Centre for Women's Studies, EWHA Women's University, Seoul; the Aga Khan Foundation, New Delhi; Bernard Van Leer Foundation, the Hague; and the Centre for Women's Development Studies, New Delhi.
"Drawing from field research in Cameroon, Ghana, Viet Nam and the Amazon forests of South America, this book explores the relationship between gender and land, revealing the workings of global capital and of people's responses to it.
A central theme is the people's resistance to global forces, frequently through an insistence on the uniqueness of their livelihoods.
The book addresses a gap in the literature on land tenure and gender in developing countries. It raises new questions about the process of globalization, particularly about who the actors are (local people, the state, NGOs, multinational companies) and the shifting relations among them. The book also challenges the very concepts of gender, land and globalization. "
Dzodzi Tsikata is a senior Research Fellow at Institute of Statistical, Social and Economic Research(ISSER) and Deputy Head of the Centre for Gender Studies and Advocacy (CEGENSA) at the University of Ghana. Her research interests are the areas of gender and livelihoods, gender and development policy and practice, land and resources tenure reforms. She has several publications on these subjects including a book, Living in the Shadow of the Large Dams: Long Term Responses of Lakeside and Downstream Communities of Ghana's Volta River Project(2006).
Pamela Gholah worked as Program Officer with the Women's Rights and Citizenship Program at the International Development Research Centre, Canada. In 2009, she joined the Research and Evaluation Branch at Citizenship and Immigration Canada as a Policy and Research Analyst.
In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories.
Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, Gopinath stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian and Latinx artists such as Sheba Chhachhi, Allan deSouza, Tracey Moffat and Akram Zaatari. Unruly Visions shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality.
The queer optics produced by these visual practices create South-to-South, region-to-region and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization and diasporic dislocation as they indelibly mark both bodies and landscapes.
“A tremendous advance over the current scholarship analyzing visuality, affect, and South-to-South queer diasporic artistic expression, Unruly Visions charts new cartographies of diasporic connections that provide a fresh orientation to our understanding of settler colonialism, empire, and racialization. Gayatri Gopinath’s book is a singular achievement that will have a profound impact within queer studies, indigenous and diaspora studies, visual studies, and aesthetics.”
—Nayan Shah, author of Stranger Intimacy: Contesting Race, Sexuality, and the Law in the North American West
“A wonderfully detailed examination of queer diasporic films and visual art projects, this book explores how critical regionalism can interrupt conventional conceptions of local/global and metropolis/diaspora distinctions. Gayatri Gopinath's concept of a 'queer cartographic imaginary' resists neat categories and generalizations, offering an eclectic range of case studies—queer diaspora from Kerala and the Middle East, Latinx and U.S. cultures of immigration, and indigeneity.”
—Ann Cvetkovich, author of Depression: A Public Feeling
GAYATRI GOPINATH is Associate Professor in the Department of Social and Cultural Analysis at New York University. She works at the intersections of transnational feminist and queer studies, postcolonial studies and diaspora studies.
Kamaladevi Chattopadhyay (1903-1988) was a remarkable woman of many passions and gifts. She played an important role in the struggle for Indian independence and was similarly a key figure in the international socialist feminist movement. She was India’s ambassador to Asia and Africa, an articulate and unflinching exponent of the idea of decolonization, and one of the earliest advocates of the idea of the global South. A staunch champion of women’s rights, she held views on women’s equality that continue to resonate in our times.
Greatly disheartened by the partition of India in 1947, Kamaladevi became involved in the resettlement of refugees and appeared to withdraw from political life. Indeed, the Kamaladevi that most Indians are familiar with is a figure who, above all, revived Indian handicrafts, became the country’s most well-known expert on carpets, puppets and its thousands of craft traditions, and nurtured the greater majority of the country’s national institutions charged with the promotion of dance, drama, art, theatre, music and puppetry. Throughout her life, however, she upheld with all the intellectual vigour and emotional force at her command the idea of the dignity of every human life.
Kamaladevi wrote voluminously and her sojourns took her all over the world. She travelled in China during World War II, lectured in Japan, visited Native American pueblos in New Mexico, and forged links with working women and anti-colonial activists in countries across Asia, Africa and Europe. Sadly, most of her writings have long been out of print. The editors of this comprehensive anthology, which is the first serious scholarly attempt to grapple with Kamaladevi’s life and body of work, have sought to represent the wide range of her interests. The extensive selections, comprised largely of journal articles and excerpts from Kamaladevi’s books, are accompanied by a set of original essays by contemporary Indian and American scholars which analyse and contextualize her life and work. This volume should provide the resources for further examination and appreciation of Kamaladevi Chattopadhyay’s unusual gifts and her place in modern Indian and world history.
1943: As the British Empire draws to a close, the state of Bengal is just emerging from the grip of famine. Exploited mercilessly by feudal landlords, landless peasants rise in protest and launch a movement in 1946 to retain two-thirds of the grain they harvest - Tebhaga.
More than 50,000 women participated in this movement: one whose history and tragic end - in the crossfire between state violence and revolutionary armed struggle - became a legend in its time. Yet in the written history of Tebhaga, the full-fledged women's movement that they forged has never featured.
In this authoritative study, based on interviews and women's memories, Kavita Panjabi sets the balance right with rare sensitivity and grace. Using critical insights garnered from oral history and memory studies, Panjabi raises questions that neither social history nor left historiography ask. In doing so, she claims the past for a feminist vision of radical social change. This account of the transformation of the struggle is unique in feminist scholarship movements.
"Women always face violence from men. Equality is only preached, but not put into practice. Dalit women face more violence every day, and they will continue to do so until society changes and accepts them as equals." --Bharati from Andhra Pradesh
The right to equality regardless of gender and caste is a fundamental right in India. However, the Indian government has acknowledged that institutional forces arraigned against this right are powerful and shape people's mindsets to accept pervasive gender and caste inequality. This is no more apparent than when one visits Dalit women living in their caste-segregated localities. Vulnerably positioned at the bottom of India's gender, caste and class hierarchies, Dalit women experience the outcome of severely imbalanced social, economic and political power equations in terms of endemic caste-class-gender discrimination and violence.
This study presents an analytical overview of the complexities of systemic violence that Dalit women face through an analysis of 500 Dalit women's narratives across four states. Excerpts of these narratives are utilised to illustrate the wider trends and patterns of different manifestations of violence against Dalit women.
This landmark collection on colonial history is now available in a brand new edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This collection of essays stands at an unarticulated conjuncture within the feminist movement and women's studies that have emerged in India since the 1970s. The anthology attempts to explore the inter-relation of patriarchies with political economy, law, religion and culture and to suggest a different history of 'reform' movements, and of class and gender relations. The book seeks to uncover the dialectical relation of feminism and patriarchy both in the policies of the colonial State and the politics of anticolonial movements. The writers in this volume include scholars from various disciplines.
Kumkum Sangari and Sudesh Vaid taught literature at Indraprastha College for Women, Delhi University. Together they have edited a collection of essays entitled Women and Culture and have carried out extensive research on widow immolation in Rajasthan.
The last few decades have witnessed growing theoretical and practical concerns with intersections between violent conflict and development. Links between poverty and natural resources have been minutely explored, and attention has also been given to how state collapse and bad governance have contributed to violent conflict. However, gender relations and ideologies have often been overlooked in theorization of these interconnections, as well as in designing development strategies meant to mend the devastating impact that war leaves on a society.
This book looks at the intersections between development practice and violent conflict from an explicit gender perspective and situates the fields of inquiry within a global condition of neo-liberal economy and militarism. Using the notions of femininity and masculinity as analytical tools, contributors question theoretical, political and policy approaches pertaining to specific development strategies in times of prolonged violent conflict, transitions to peace, and post-conflict periods. They further analyse various social, cultural, economic and political processes and relations of power that impact upon different groups of women, men and children in the contexts of militarization and violence.
Dubvravka Zarkov is a senior lecturer at the Institute of Social Studies, The Hague. She works on gender, sexuality, ethnicity and violent conflict. With Cynthia Cockburn she has co-edited The Postwar Moment: Militaries, Masculinities and International Peacekeeping, on experiences in Bosnia and the Netherlands. Her book The Fe/Male Body and the Productive Power of Violence: On `Media War’ and `Ethnic War’ in Former Yugoslavia, is forthcoming.
Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. In this first full-length study on the subject, Halberstam catalogues the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among 'transgender dykes,' 'lesbians who pass as men' and female-to-male transsexuals who may find the label of 'lesbian' a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviours and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not somernbad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.
Mahua Sarkar examines how Muslim women in colonial Bengal came to be more marginalized in nationalist discourse than their Hindu counterparts. She considers how their near-invisibility, except as victims, underpins the construction of the ideal citizen-subject in late colonial India. She argues that the nation-centredness of history as a discipline, and the intellectual politics of liberal feminism, have together contributed to the production of Muslim women as the oppressed, mute, and invisible 'other' of the normative modern Indian subject.
Drawing on extensive archival research and oral histories, Sarkar traces Muslim women as they surface and disappear in colonial, Hindu, nationalist and liberal Muslim writings. This compelling study concludes by tracing the complex links between past constructions of Muslim women, current representations, and the violence against them in contemporary India.
"...an analytically insightful, genuinely original work that breaks new ground in South Asian history, gender and women's studies, postcolonial theory, and historical sociology." -- Antoinette Burton
This collection of mind-expanding stories is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
Already a name in the world of science fiction and fantasy writing, Vandana Singh presents her first collection of stories, bringing this unique imagination to a wider audience. In the title story, a woman tells her husband of her curious discovery: that she is inhabited by small alien creatures. In another, a young girl returning home through the streets of Delhi comes across a mysterious tetrahedron: is it a spaceship? Or a secret weapon? Each story in this fabulous collection opens up new vistas -- from outer space to the inner world -- and takes the reader on an incredible journey to both
"A most promising and original young writer" -- Ursula K. LeGuin, author of The Earthsea Trilogy
"I'm looking forward to the collection despite the fact that I haven't actually read that much of Singh's work, or perhaps because of that fact, because everything I've read has impressed me -- the past and future visions in 'Delhi', the intensity of 'Thirst', the feeling of escape at the end of 'The Tetrahedron'..." -- Niall Harrison, Vector (British Science Fiction Association)
"...attracts all the inadequate adjectives reviewers pull out when rendered nearly speechless: beautiful, evocative, mysterious, brilliant, stunning..." -- www.sfsite.com
"...the first writer of Indian origin to make a serious mark in the SF world, ... she writes with such a beguiling touch of the strange." -- Nilanjana Roy, Business Standard
"Singh says that speculative fiction has a 'unique, revolutionary potential'. If so, The Woman Who Thought She Was a Planet is as enjoyable as a revolutionary text you're likely to find." -- Jess McCabe, The F Word.
Why does the world’s largest democracy turn a blind eye to systematic violations of human rights in its periphery?
Drawing on the findings of a comparative research project, this volume tackles a set of intricate questions about the workings of impunity in India. How do victims of abuse and survivors of sexual violence end up being denied justice? What do those on the margins—those with the wrong sex, wrong identity markers, wrong political leanings— tell us about violence by state and non-state actors?
Bringing together senior academics, civil society leaders and fresh voices from across India, the volume offers analysis—contextual, structural and gendered—and breaks new conceptual ground on the underbelly of India Shining. The volume contains testimonies that were collected during fieldwork in four states.
Contributors include: Sanjay Barbora, Shahana Basavapatna, Anjuman Ara Begum, Uma Chakravarti, Warisha Farasat, Satish K. Jain, Ram Narayan Kumar, Harsh Mander, Bhagat Oinam
Celebratory new features about India's thriving middle class tell only part of the story of the country's recent economic rise, frequently glossing over the 300 million Indians who live on the margins and struggle to survive under economic liberalization. How do those, cast out of their country's successes, perceive and respond to their position and mobilize against disempowerment?
Aradhana Sharma takes up these questions, focusing on the work of an innovative women's programme called Mahila Samakhya, that is part governmental and part non-governmental and strives to empower those rural Indian woman who have been pushed aside. Detailing the awkward ideological articulations and paradoxical outcomes of this unique activist-cum-government organization, Paradoxes of Empowerment fosters a deeper understanding of development and politics in contemporary India.
Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona construction, Mookherjee opens the possibility for a more politico-economic, ethical, and nuanced inquiry into the sexuality of war.
This collection of essays focuses on the post-1980s period of the Indian feminist movement, a moment rich in new and different modes of resistance, of widespread political engagements with issues of rights, of justice, of identity and much more. The writers here, all well-known activists and founders of some of the most important of feminist institutions, describe their individual and collective journeys, bringing attention to the movement, to their struggles, their campaigns, their victories and the challenges they have faced. In using the tools of feminist analysis – a focus on life stories, on oral accounts, on group formation and more – they also make a case for advocacy through legal and socio-political means.
Despite being one of the most dynamic of feminist movements in the world, the Indian feminist movement has seldom been recognized as such. And yet, in addressing how women’s oppression and discrimination lie at the intersection of complex inequalities of caste, of region and religion, of class, of patriarchy, race, ethnicity, to name only a few, the writers in this volume make a case for the need for constant introspection, reflection and self-questioning, so that the movement can learn and grow. They show how in India, and indeed across much of South Asia, it is feminists who have stood against capitalism, war and violence, environmental degradation and fundamentalism and have forged alliances with varied movements, learning from them, working strengthening them but also infusing them with a feminist analysis.
CONTRIBUTORS: Flavia Agnes | Abha Bhaiya | Anjali Dave | Padma Deosthali | V. Geetha | Poonam Kathuria | Corinne Kumar | Kanchan Mathur | Madhu Mehra | Yashoda Pradhan | Sangeeta Rege | Jaya Sharma | Taranga Sriraman | Suneeta Thakur | Saumya Uma
Poonam Kathuria is the founder and executive secretary of SWATI (Society for Women’s Action and Training Initiative).
Abha Bhaiya is one of the founder members of Jagori, a feminist organization set up in 1984 in Delhi.
Both are activists with a longstanding involvement in the women’s movement in India.
In the run-up the fourth World Social Forum held in Mumbai, India in January 2004, civil activists and student organised a major series of seminars in Delhi University to discuss the Forum and its politics. The 'Open Space' seminar series, as it came to be called, picked up on the idea of the Forum as a relatively free space, where all kinds of ideas could not meet and be discussed. The book, the first in a series that explore the new ideas generated by the discusssions took place on all these issues, comprises chapters based on the transcripts of presentation made by academics and activists during the seminars, as well as discussions on the questions arising from the presentation. Can the World Social Forum helps us to conceptualise and actualise a new politics? Can this new politics? Can this new politics be free from violence? Can the experience and knowledge of great movements such as the movements for environment, and the women's movement, contribute to the creation of a new politics? How can such a politics be sustained? The essays in this book, written in an easy and accessible style, are informed by these question. they offer the reader different and complex ways of understanding the processes that have helped to shape the world social forum and the new politics that seems to be emerging, and what all this represents, for life, society, and politics more generally.
"The absence of gender awareness in policy and planning in the past has given rise to a variety of efficiency, welfare and equity costs. This book develops an analytical framework and a set of tools which can assist planners, as well as trainers, to ensure that gender is systematically integrated into different aspects of their work. It offers as inventory of the kinds of assumptions which lead to gender-blind policy, and assesses integrationist and transformatory strategies by feminist advocates to influence the mainstream policy agenda. An analytical framework for examining the gender inequalities generated by key institutions through which development takes place occupies a central place in the book. A selection of case studies from the Indian context serves to illustrate different aspects of the framework and its application.
Patriarchy asserts men are superior to women
Feminism clarifies women and men are equal
Queerness questions what constitutes male and female
Queerness isn’t only modern, Western or sexual, says mythologist Devdutt Pattanaik. Take a close look at the vast written and oral traditions in Hinduism, some over two thousand years old, and you will find many overlooked tales, such as those of Shikhandi, who became a man to satisfy her wife; Mahadeva, who became a woman to deliver a devotee’s child; Chudala, who became a man to enlighten her husband; Samavan, who became the wife of his male friend, and many more . . .
Playful and touching—and sometimes disturbing—these stories, when compared with their Mesopotamian, Greek, Chinese and Biblical counterparts, reveal the unique Indian way of making sense of queerness.
Drawing from feminist, post modern, cultural, sociological and medical anthropological literature, this work shows the complex intertwining of illness and culture in the context of mental disorder.
The ethnographic context of the study is the interface between mental health professionals, patients and their families in a local psychiatric hospital in New Delhi. The book anchors the discussion around feminist thinking and praxis in the mental health realm, along with the traditions of cultural psychiatry and medical anthropology.
Deconstructing Mental Illness is relevant and contemporary, and makes an important contribution to the field of mental health of women. This important new work extends the frontiers of social science research and offers alternative perspectives on women, health and disability.
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