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Tag Archives: Arunava Sinha

Fresh Off the Press! Latest Titles by Zubaan

Happy New Year Folks!

We're ushering in 2012 with some fantastic new titles that are wonderfully written and make for an excellent read. Poignant, political and provocative, that seems to be the three qualities these titles share with each other.

First up, we have Easterine Kire's Bitter Wormwood. If you're at all interested in the politics of India's Northeast, this book is right up your alley, and if your knowledge of Nagaland is limited to Akhuni and Raja mirchi, then this book is the perfect introduction. You can buy your copy here. Read Easterine's introduction to the book for free right here on The Zubaan Blog.

Next, we have Saswati Sengupta's The Song Seekers. As the monsoon rains wash over the city of Kolkata, four women sit and read and talk in the kitchen of Kailash?the old mansion of the Chattopadhyays where Uma comes to live after her marriage in the summer of 1962.

Her husband s silence about his mother and the childhood tragedy that beckons him from the shadowy landing of Kailash, the embroidered handkerchiefs in an old soap box in her father-in-law s room and the presence of the old, green-eyed Pishi intrigue Uma. But it is only as she begins to read aloud the traditional Chandimangal composed by her husband s grandfather to celebrate the goddess that the smothered stories begin to emerge...

The novel weaves in the history of the militant goddess recast as wife, the Portuguese in Bengal, the rise of print and the making of memories from the swadeshi movement to the turbulent sixties in Bengal as Uma discovers that the foundation of Kailash is not only very deep but also camouflages the stench of death."

You can pick up your copy here

And we have Seventeen, a brilliant new collection by Anita Agnihotri, translated by Arunava Sinha.  By turn intense, brittle, angry sad and torn apart in conflict, the stories bring out the different faces of human hardship and explore the India that is still largely unknown. Set in metros and villages, in small-town India and in international suburbia, the stories run the gamut of experiences both everyday and extraordinary. From deeply personal relationships against the backremove of turmoil to intensely social truths told through the unique life of individuals, each of these stories is a picture of human fragility. This is literary craftsmanship at its best.

Pick up your copy here

 

Review: Swarnalata

http://www.livemint.com/2011/12/30194653/The-marriage-plot.html

At one point in Tilottoma Misra’s Swarnalata, the parents of the eponymous heroine attempt to make a match for her with Rabindranath Tagore. The youthful poet, who has seen the attractive young girl from Assam—now in Calcutta to study—after a performance of his musical Balmiki Protibha, seems willing. But his father, the formidable Maharshi Devendranath Tagore, nixes the alliance.

Of course, history would have changed had Tagore Senior not taken this step. But Misra cleverly weaves the central skein of her novel into this one attention-grabbing incident. Swarnalata’s Brahmo parents, Gunabhiram and Bishnupriya Barua, are almost heartbroken at the rejection, which is explained to them in the novel by another real-life Brahmo elder, Sivanath Sastri, with these words:

 

Wonder years: Misra examines childhood and youth in 19th century Assam. Subhamoy Bhattacharjee

Wonder years: Misra examines childhood and youth in 19th century Assam. Subhamoy Bhattacharjee

 

“There could be only one reason for this. Devendranath Tagore has never been able to fully accept the idea of widow re-marriage. You must be aware that though he appears to be a liberal in his outlook, his attachment to some of the rites and beliefs of Hindu society seems to be growing with every passing day. It is quite possible, however, that the younger generation of Tagores may not be with him in this. But no one at Jorasanko would really dare to go against Devendranath’s wishes.”

 

The rejection, surmise the Baruas of Nagaon, a small town in Assam, stems from Gunabhiram’s decision to flout the conventions of Hindu Assamese society and marry Bishnupriya, a widow with two children. Gunabhiram’s act is congruent with the values of the Brahmo Samaj, which broke away from Hinduism to speak up and act for liberal thinking, for equality between the genders, and for Western-style education. But it still does not earn him the right to metaphorically sup at the table of the orthodoxy. In this contradiction are sublimated all the other conflicts that Misra depicts in her unhurried, sprawling and socially realistic novel named after the young woman whose life it traces from childhood to motherhood and beyond against the backdrop of change in late 19th century Assam.

Change is indeed palpable in the placid, hill-encircled land of Assam as nationalist sentiments emerge among a handful of revolutionary young men willing to defy the deep-rooted Brahmin servility to authority in general and to the British in particular. Meanwhile, Christian missionaries spread the gospel and offer the opportunity of education to people systematically deprived of it, in the process gaining converts. Then there are the Brahmos like Barua, intent on asserting equal rights for women and widows.

Misra brings each of these narratives of tension to a boil on a slow fire, charting the stories of representative characters. Here’s Swarnalata—daughter of privileged, enlightened parents, but still subject to the same biases as other women, which she must overcome in her own way. And here are her friends—Lakhi, a child-widow and daughter of a conflicted father caught between tradition and progress, and Tora, converted to Christianity and with a mind of her own.

 

Swarnalata: Zubaan, 293 pages, Rs 295.

 

 

Of these, Lakhi’s journey is the hardest. She gets a taste of new ideas from her childhood friendship with Swarna, but is soon wedged into the marriage-at-nine ritual. Her husband dies before she can join him after puberty, and she faces the prospect of several decades of widowhood and all its attendant shackles. Her defiant progress in the face of these obstacles makes for the most absorbing of the three women’s stories.

 

Circling these women—each pushed by personal circumstances that are symbols of the larger societal truth—are a handful of enlightened men who are eager to break laws that they identify as stultifying and demeaning. Chief among them is Dharmakanta, fiery of mind and spirit and contemptuous of convention. His determination to change the status quo is both inspiring and heartbreaking in its intensity.

Misra does not peer deeply within the minds of her characters. Instead, her concerns are with the battles waged between the individual spirit and societal suppression, where every person is powered by dreams and desires that constitute a reaction to the world they inhabit. Like the Brahmaputra flooding its banks, curving around obstacles and pushing on slowly but relentlessly, this novel too meanders, but always with the intent of reaching its end.

Although old-fashioned in its technique and lacking dramatic highs and punctuated cadences, the story shines out through a translation ranging between the competent and the ill-at-ease. In capturing the collective aspiration of a people from a part of India whose literature is unjustly under-circulated, Swarnalata becomes a rich panel in the patchwork quilt that is contemporary Indian fiction.

IN SIX WORDS

Three women in search of freedom

Arunava Sinha is the translator of Rabindranath Tagore’s Three Women andBankim Chandra Chattopadhyay’s The Chieftain’s Daughter.

Write to lounge@livemint.com

Click to buy the book

Swarnalata: Zubaan, 293 pages, Rs. 295.

 

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