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E-ESSAYS FROM ZUBAAN | 11 AUGUST, STATE CRIMES & IMPUNITY

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Our e-Essays project is now LIVE! Previously-released essays are available here, and each month a new essay is available for free with any other purchase.

To be added to the mailing list, subscribe here!

The first four sets of e-Essays focused on Indian women's movements, sexual violence, domestic space and kinship and religion and conflict. This week’s selection of essays—one a photo essay—sheds light on state crimes and impunity, and how women's lives are impacted by these confrontations with state power.

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1) 'Kidnapping, Abduction, and Forced Incarceration' by Aloysius Irudayam S J, Jayshree P Mangubhai & Joel G Lee from Dalit Women Speak Out: Caste, Class and Gender Violence in India, 2011.

This essay sees the authors examine various methods of kidnapping/abduction and forced incarceration—on the basis of a study of 47 narratives—and then analyze the implications of these forms of violence on the fundamental rights of Dalit women.

Examining these relationships with violence, the authors conclude that non-state actors employ the method of forced incarceration to mete out punishment in the form of sexual and physical assault against Dalit women who do not conform to caste-class-gender hierarchies. The essay also notes that state actors, primarily the police, engage in their own forms of forced incarceration by the filing of false cases or the illegal detention of Dalit women. The physical isolation and restriction from dominant caste male-dominated public spaces re-emphasizes and compounds the caste-class-gender-based social exclusion and vulnerability to violence that Dalit women face. 13pp.
Read more.

₹ 50.00

Aloysius Irudayam S. J. is currently the Program Director for Advocacy Research and Human Rights Education at the Institute of Development Education, Action and Studies (IDEAS), located in Madurai, Tamil Nadu.

Jayshree Mangubhai is a Senior Human Rights Adviser with the Pacific Community (SPC), a regional organisation that provides technical and scientific advice to Pacific Island governments, based in Fiji.

Joel G Lee is an Assistant Professor of Anthropology at Williams College, Massachusetts, USA. He teaches and conducts research on caste and religion in South Asia.

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2. 'Nobody's Children, Owners of Nothing: Sexual Violence and Impunity in Chhattisgarh' by Guneet Ahuja and Parijata Bhardwaj from Fault Lines of History: The India Papers, Vol II, 2016

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The conflict between the state and the left-wing insurgent groups in Chhattisgarh has created an environment of fear, and with it a number of impediments to the documentation of sexual violence in the affected areas. In this essay, lawyers Guneet Ahuja and Parijata Bhardwaj trace sexual violence and repression at the hands of the police, the Salwa Judum, and the state and central governments, all of which have enjoyed a great degree of impunity in the region. The essay also discusses the stories of Soni Sori and Meena Xalxo, two out of many cases of torture and extrajudicial murder, most of which do not emerge into the dominant narrative. Relying on sources both 'official' and oral which, when taken together, are telling of the extent of violence occurring in the region, Ahuja and Bhardwaj analyze what happens when authorities dismiss human lives as mere impediments to development, and state forces reject a distinction between civilians and warring groups. 46pp.
Read more.
Guneet Ahuja worked with the Jagdalpur Legal Aid Group from 2014 to 2015; since then, she has been practicing law on a range of issues in Delhi. She has previously represented Adivasis in criminal litigation in the courts in Bastar.

Parijata Bhardwaj is a criminal lawyer at the Bombay High Court and a founding member of the Jagdalpur Legal Aid Group. In Bastar, she has worked with Adivasis towards the implementation of their fundamental rights.

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3. 'Finding Face: Images of Women from the Kashmir Valley' by Sheba Chhachhi from Speaking Peace: Women's Voices from Kashmir, 2002

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In 'Finding Face', comprising of a critical essay and a series of personal testimonies interspersed with photographs, Sheba Chhachhi seeks to bring human figures back into the occupied landscape of Kashmir and give voice (/ face) to those whose lives have been obscured in the din of a prolonged war. It makes space for the individual in a history of representation that is populated with recurring tropes and warring stereotypes which, Chhachhi argues, depersonalise the Valley and its conflicts. In her work, women are no longer silent victims, they emerge as textured human beings, not only with voices with which to speak, but also with eyes that are wide open. The testimonies have been taken over a period of six years and reflect varying positions, and the interviewees are students and professionals, Muslims and Pandits, teenagers and the aged.
These photographs were part of a larger work which was initially presented as a photo-installation by Sheba Chhachhi and Sonia Jabbar. The photo-essay as a whole captures the life and times of women during conflict, including during the attempted implementation of the burqa diktat in the Valley. These individuated women stand out in the frames as they look back at the viewer in more ways than one. 37 pp.
Sheba Chhachhi is  is an installation artist, photographer, activist and writer whose work focuses on the history, experience and power of feminine consciousness. Through her work, she also depicts topics like migration, globalization, and urban transformation.
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FREE IN AUGUST, WITH THE PURCHASE OF ANY OTHER ESSAY:

'The Everyday and the Exceptional: Sexual Violence and Impunity in Our Times (Introduction)' by Uma Chakravarti from Fault  Lines of History: The India Papers II, 2016

11_The Everyday and the Exceptional - Uma Chakravarti_coverUma Chakravarti’s introduction to Fault Lines of History: The India Papers II uses a brief history of protest in the north-eastern states of India to illustrate the contract between the state, the army and the rule of law. Detailing the spread of AFSPA as a result and a feature of this contract, Chakravarti points to particular building blocks in the story of resistance in the area — the case of Manorama, Irom Sharmila’s hunger strike, the naked protest by imas in Manipur among others — and castigates mainstream state theorists’ neglect of AFSPA’s existence and growing application as a tool of oppressive state-building. She explains how the postcolonial state’s painting of AFSPA and militarisation, and the accompanying conflicts, as ‘states of exception’ is key to the contract, which is characterised by the tension between the rule of law and the state’s need for avowal of sovereign emergency.
This chapter also provides a valuable cross-section of the volume, summarising each author’s argument while drawing connections between them and larger themes of impunity, militarisation, conflict, revolution, state (un)accountability, ‘security’ and feminist scholarship. 34pp.

Dr. Uma Chakravarti is a feminist historian who taught at Miranda House, Delhi University. She writes on Buddhism, early Indian history, the 19th century and on contemporary issues.

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A note on pricing, frequency and format:

The e-Essays project is a new initiative from Zubaan, undertaken to make our near-fifteen years of feminist research more accessible to our readers and community. Ten new essays are released each month (on the 1st, 11th, 21st), each set curated to a theme, which subscribers receive in their inbox. The essays range from just a few pages to 100-page chapters, and we have therefore created three pricing tiers: 50, 70 and 95 rupees. Responses to our test survey in March indicated that a majority of readers would be willing to pay up to Rs. 100, so we've kept even the longest essay under that amount. The vast majority of our readers also included PDFs in their preference of format, and we have therefore standardised all our essays in PDF files.

If you're interested to see what's coming next, make sure you've joined our mailing list, and keep your eye out for the next mailer/blog post.

Happy Reading!

e-Essays from Zubaan: 11 July, Sexual Violence

E-essays header fixed

Our e-Essays project is now LIVE! Previously-released essays are available here, and each month a new essay is available for free with any other purchase.

To be added to the mailing list, subscribe here!

We opened our offering of the e-Essays with a focus on Indian women’s movements. Our second lot of e-Essays are picked from two brilliant volumes on sexual violence. The three pieces differently focus on the loci of this violence: both men and women in militarised Kashmir, a single survivor narrative in Nagaland, and Dalit women in the jogini system, at the intersection of various structures of patriarchal and Brahmanical violence. Published between 2011 and 2016, the authors of these pieces use survivor narratives and analysis to examine the culture of impunity around sexual violence and its varying contributing factors.


1) 'Sexual Violence' by Aloysius Irudayam S J, Jayshree P Mangubhai & Joel G Lee from Dalit Women Speak Out: Caste, Class and Gender Violence in India, 2011.

5_Sexual Violence from Dalit Women Speak Out_coverExposing the vulnerability of Dalit women to both gender-based exploitation and caste-based violence, this essay investigates the threats that follow the women into their homes, their workplace, and the streets. Covering the many different structures that enable and even perpetuate such violence, the essay focuses in particular on the jogini system that legitimises prostitution even as it creates a circle of exploitation and social discrimination. 35 pp.
Read more.

₹70.00

Aloysius Irudayam S. J. is currently the Program Director for Advocacy Research and Human Rights Education at the Institute of Development Education, Action and Studies (IDEAS), located in Madurai, Tamil Nadu.

Jayshree Mangubhai is a Senior Human Rights Adviser with the Pacific Community (SPC), a regional organisation that provides technical and scientific advice to Pacific Island governments, based in Fiji.

Joel G Lee is an Assistant Professor of Anthropology at Williams College, Massachusetts, USA. He teaches and conducts research on caste and religion in South Asia.


2)'Breaking the Silence: Sexual Violence and Impunity in Jammu and Kashmir'  by Sahba Husain from Fault Lines of History, 2016. 

6_Breaking The Silence from Fault Lines_coverSahba Husain's essay illustrates how sexual violence in the context of Kashmir takes on another layer of meaning as a deliberate strategy employed by the armed forces. It targets both women and men and has a bearing on their daily lives that are subsumed under the shadow of militancy.

Much of the analysis in the essay also stems from personal accounts of survivors who have different allegiances and religious backgrounds, which has affected them differently and has allowed the author to delve deeper into their varied experiences. 45 pp.

Sahba Husain is an independent researcher and women’s rights activist. Her research in particular focuses on the societal and gendered consequences of militarization and armed conflict in Jammu & Kashmir. Currently, she is working on writing a non-fiction book about her activism in Kashmir.

3) 'Memories of Rape: The Banality of Violence and Impunity in Naga Society' by Dolly Kikon from Fault Lines of History, 2016.
6_Breaking The Silence from Fault Lines_coverWith the Indo-Naga peace negotiations going into their twentieth year and no concrete resolution in sight, the area stands witness to many dying hopes. In this chapter, Dolly Kikon  takes an insider's view to re-contextualise incidents of violence in the conflict-ridden terrain of Nagaland.
The area of focus is the Naga woman and her experiences of occupying a space that is fraught with conflict and sexual abuse. This figure is studied as an often-neglected survivor of cultural violence, whose voice is constantly suppressed by the masculine gaze, be it of the insurgent elements or the state armed forces. 33p.
Dolly Kikon is a professor of Development Studies and Anthropology at the University of Melbourne, Australia. Her research looks at development initiatives, gender, law, extractive resources and human rights in Northeast India. Before obtaining her PhD in Social and Cultural Anthropology from Stanford University, USA, she worked as a human rights lawyer in Northeast India.

Free in July, with the purchase of any other essay:
4)  'Towards a Feminist Politics: The Indian Women's Movement in Historical Perspective' by Samita Sen from The Violence of Development: The Politics of Identity, Gender
& Social Inequalities in India
, 2002.

1_Towards a Feminist Politics from Violence of Development_ coverSamita Sen’s essay traces the history of the Indian women’s movement from the 1920s to the present day. The chronological as well as thematic logic of the essay follows three primary heads: a historical background, the Uniform Civil Code (UCC) controversy, and the political implications of the reservation for women in legislatures.

For Sen, a new feminist politics has to address struggles of class, caste, community, religion et al, without displacing gender as the central concern, making this essay one of crucial importance for understanding the origins of the issues facing feminist politics today.  53pp. Read more.

₹70.00

 

 

Samita Sen is Director, School of Women’s Studies, and Dean, Faculty of Interdisciplinary Studies, Law and Management, Jadavpur University. She writes on education, the women’s movement, marriage, domestic violence, women in governance and women’s land rights.


A note on pricing, frequency and format:

Ten new essays are released each month, and subscribers receive each new set in their inbox three times a month. The essays range from just a few pages to 100-page chapters, and we have therefore created three pricing tiers: 50, 70 and 95 rupees. Responses to our test survey in March indicated that a majority of readers would be willing to pay up to Rs. 100, so we've kept even the longest essay under that amount. The vast majority of our readers also included PDFs in their preference of format, and we have therefore standardised all our essays in PDF files.

If you're interested to see what's coming next, make sure you've joined our emailing list, and keep your eye out for the next mailer/blog post.

Happy Reading!

On Topic: War and Pieces

It’s nearly time to bring out your boots as October marks the beginning of autumn, with a slight chance of war on the horizon. Delhi is in high alert as a result of alleged surgical strikes on terrorist camps conducted by the Indian army across the Line of Control, while Pakistan’s government and media continue to deny that these surgical strikes even occurred.

Surprisingly, Indian political parties and media outlets have been united on the issue, nearly unanimously taking pro military-action stances – so much so that it appears that the country is in favour of an impending war against Pakistan. Some voices of reason, thankfully, still exist: prominent South Asian women journalists as well as people from both nations have spoken out against an outright war.

The threat of war has taken up so much screen time that it’s easy to forget that something is still rotten in the state of Kashmir. Parts of Kashmir are still under curfew, and the Kashmir Reader was forced to stop publication for disturbing the 'public tranquility'Kashmiri journalists are protesting this #mediagag.

The unlawful arrest and the subsequent detention of the human rights defender Khurram Parvez of Jammu Kashmir Coalition of Civil Societies (JKCCS) has raised many concerns on the human rights narrative in Kashmir.

 

Meanwhile at Central University in Haryana, two teachers – Snehsata and Manoj Kumar – put together a play on ‘Draupadi’, the iconic short story by Bengali writer and activist Mahasweta Devi, which portrayed the injustices faced by Adivasi women. The two teachers are now facing backlash from the ABVP, who protested the performance, claiming that the play insulted the Indian Army.

In the national capital, the Delhi police are branching out and attempting to set up a proper cyber crime unit to help solve cases faster. Earlier this year, over 150 personnel from police stations across the city received a week long training on cybercrime and currently the cyber cell team of Delhi Police has 40 personnels.

The #PinjraTod (‘Break The Cage’) movement escalates in Delhi as LSR women recently face repeated instances of sexual harassment outside college gates and paying guest accommodations. In response to complaints made by the students at hostels and paying guest accommodations, PG owners and landlords have, rather than increasing security, resorted to imposing restrictions on women.

This is no recent phenomenon but merely the continuation of a long-standing tradition of victim blaming. In fact the call of ‘Pinjra Tod’ began in 2015 by a student’s collective (under the same name). Pinjra Tod have organised several marches for safety of women and the right to public space, demanded accountability from concerned universities, as well as safe, affordable and non gender discriminatory accommodation for women. The campaign has received support and sympathy from those across the border despite the turbulent times of the current political scenario.

Meanwhile, issues of gender inequality concerning college campuses persist across the country and the world. College-going girls in Tamil Nadu face regressive college rules that pose a threat to their mental health and career, while many universities in the US still fail to acknowledge the seriousness of the issue of campus safety and gender based violence. Emma Watson, the UN Women Ambassador, addressed the issue in her speech at the UN.

Nearly 6 million women all over Poland gathered to protest the Polish government’s plans to ban abortion and succeeded, a huge relief for women everywhere because you should never have to apologise for getting an abortion.

On the other side of the planet, Japanese politicians are heading in the right direction with the Kyushu Yamaguchi Work Life Promotion Campaign, where male governors wear ‘pregnancy’ vests to simulate the experience of a woman in the seventh month of her pregnancy. The campaign hopes to encourage Japanese men to help out at home (Japanese women do five times the housework that their husbands do) and engage men in the equal pay conversation.

 

During the PBST festival, Uma Tanuku and Anupama Chandra released their documentary The Books We Made, which attempts to trace the legacy of Urvashi Butalia and Ritu Menon’s work in feminist publishing. You can watch the trailer here.

This month’s On Topic would not be complete without mentioning the much talked about film Pink. Despite its relatively optimistic ending and Amitabh Bachchan’s male saviour complex (which is hard to ignore), Pink does an excellent job of portraying the modern working woman and nails the message that ‘No means No’. However, as a review on The Wire has mentioned, the film does not explore all the nuances of consent and the fact that while “men have to learn to take No”, “women also have to learn to say No.”

Parched arrived in Indian theatres a week after Pink, and has a similar focus on women. Yet unlike Pink, which was a courtroom drama, Parched is a female buddy film (that is reminiscent of Pan Nalin’s Angry Indian Goddesses) and received mixed reviews.

In spite of the progress made on the big screen, behind the scenes the film and television industry holds some ugly truths. Sonam Kapoor, in a rather candid essay, opens up about her experiences with body shaming and unrealistic beauty standards in the Bollywood industry.

Meanwhile, Tannishtha Chatterjee, the star of Parched, spoke out against her experience of bullying based on her dark skin on prime time television. The repeated jokes at the cost of her skin is very telling of the pervasive reality of class and caste discrimination and marginalisation. Not only are they ridiculed for their status, they are routinely ignored. Read this interesting piece of on the erasure of Dalit wisdom and this piece on what it means to be a Dalit woman.

 

In the world of books, the much coveted identity of the Italian author Elena Ferrante (pen name) has been outed by Claudio Gatti on New York Review of Books’ website. The disclosure of her identity has been cause for much discussion, her anonymity some argue is part and parcel of her artistic endeavours, and fans of the author fear she may never write again. As Dayna Tortorici writes in n+1: "It’s difficult to read a man’s attempt to “out” a writer who has said she would stop writing if she were ever identified as anything but an attempt to make her stop writing."

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