“…powerfully describes how Dalit women free themselves from the degrading stereotypes of impurity, inferiority and inequality…” — Bama, author of Karukku and Sangati
“…personal and profound, Singh smashes disciplinary boundaries while illuminating the lived experiences of women who have long been marginalized by traditional feminist discourse…” — Smita Narula, author of Broken People: Caste Violence Against India’s ‘Untouchables’
“A powerful, poignant treatment of the Dalit plight and predicament with a courageous vision of resistance.” — Dr. Cornel West, scholar, writer, activist and philosopher
“From the moment I received Sara Ahmed’s new work, Living a Feminist Life, I couldn’t put it down … Ahmed lifts us higher.” — bell hooks
"I read Living a Feminist Life with a deep sense of recognition. This is a book that feminists will find illuminating—acutely painful at times, but mostly profoundly insightful … A beautifully written, smartly provocative book that belongs on our shelves, in our classrooms, and in our daughters’ hands." — Chandra Talpade Mohanty, author of Feminism without Borders: Decolonizing Theory, Practicing Solidarity
“It was perhaps in the rancorous tumult of the breaking and making of nations that Rokeya Sakhawat Hossain’s word and vision was lost.” — Rafia Zakaria, Dawn
“You can feel Hossain’s anger... and her scathing criticism of a system that allows what she saw as lazy, violent men to dominate while their gentler, wiser female counterparts are marginalized.” — Tahmima Anam, NPR
"“Hossain slyly pointed out back in 1905 what is often discussed now, particularly in the subcontinent—why should women be taught to stay safe, when men are not taught to not threaten or abuse or rape or be a danger to women?” — Mahvesh Murad, Tor.com
With a domestic market of around 70 billion dollars, the Indian fashion industry employs over 60 million people and accounts for a sizeable chunk of the country’s GDP. Despite this, models—the most visible yet voiceless actors of the industry—are rarely given the recognition they deserve. It is this overlooked demographic that forms the focus of Manjima Bhattacharjya’s remarkable study, bringing these women’s voices and perspectives to us.
Tracing the rise of the modelling and beauty industry from the 1960s to the present day, Bhattacharjya argues that modelling is work, and should be recognized as such. At the heart of the book lies a difficult question: should the industry be seen as objectifying women or as acknowledging their agency? Mannequin is also an individual’s personal exploration of the changing relationship between fashion and feminism.
“This book does an impossible thing — bridge the gap between fashion and feminism. Manjima Bhattacharjya offers us a sweeping history of India’s beauty industry, but more precious are the stories she brings from behind the catwalk — stories from small towns, stories of osmosis, desire, and ultimately, empowerment. “ —Tishani Doshi, poet and writer
“Mannequin attempts to decode the link between fashion and feminism and emerges as an important voice in the struggle toward empowerment through its intensive research and empathy.” —Nonita Kalra, editor, Harper’s Bazaar India
“An extraordinary and unputdownable deep dive into the fascinating world of Indian fashion.” —Sonia Faleiro, author of The Girl and Beautiful Thing: Inside the Secret World of Bombay’s Dance Bars
Feminist artists have always been bold, original and outspoken, and The Elephant in the Room honours this legacy by offering up a delightfully thought-provoking, myth-busting visual feast. Across its pages, sixteen comic artists from India and Germany explore how women see the world and themselves, taking apart and repurposing ideas of identity, power and love; sex, family, and bodies.
Confronting the elephant with humour and passion, these graphic artists insistently draw the awkward and the difficult. As feminist art has always done, this book reminds us that the personal is the political. Exploring taboos, exploding myths, raising awkward questions and posing visionary answers, each story shines a light on the 'elephant in the room'–what does it mean to be a woman?