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This simple, charming picture book introduces youngsters to the importance of taking care of their own bodies. From simple tips on hygiene to an empowering message of personal safety, Shruti Singhal’s visuals and text provide perfect reading material for talking about health, safety, emotional and physical well-being with very young children.
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|ISBN||978 93 83074 91 4|
'I'm proud to be white,' the Swan proclaimed.
'I'm proud to be black,' the Raven said.
'And I,' said the Parrot, 'am justly famed for my jacket so green and scarf so red.'
But the Peacock is glum. Very glum indeed. All he wants is to be grey - now that would be really cool, and really chic! so Peacock decides to give all his colours away to the other birds. But does this make him happy? No chance! Luckily, the Glum Peacock needn't stay glum for long with the help of his clever and resourceful friend, Miss Snake.
Written by one of India's leading authors, this enchanting fable will amuse and delight children learning about colours, birds - and the importance of being happy with who you are.
Avinuo Kire is a fresh, young voice from Nagaland, in India's northeast.
In "The Power to forgive", the title story of this strong collection. Avinuo Kire tells the moving story of a rape survivor who, at the threshold of a new life, looks back on the incident that has shaped nearly two decades of her life and wonders if she made the right choice.
Called from folk and tribal traditions of Naga life, Kire's stories take us into a world where spirits converse with humans, unsuspecting people are drawn into the movement for Naga independence, a man dies quietly of cancer, a mother wonders if she did the right thing in giving her child a name different from the one she intended...
With insight and compassion, Avinuo Kire draws fine portraits of ordinary people in Naga society.
Amolik Dey is Everyman. A teacher with a young wife and son, he is dedicated to taking care of his family yet cannot turn a blind eye to the inequalities he sees around him. Torn between his wife's desire for a 'normal' life and his own passion for fighting injustice, he endangers both himself and his family with his increasing militancy. rnrnSet in a small town in the Bengal of the 1960s and 70s, this is a story of unrest and rebellion. It is a time of great upheaval, of violence and agitations, and the author subtly weaves in how the political tensions that threaten to overwhelm the state also impact the ordinary lives of this one family, destroying their world. From Naxalite uprisings which bring brutal conflict to those places that have been ignored by the political mainstream, to the complexities of class and gender, and the post-colonial hangover of a newly independent people, this gritty novel sensitively portrays a town and a people who have one foot in the past and one foot tentatively in the present.
Meet Squiggle—curious, confused and crazy!
Squiggle is confused. She doesn’t know quite what she is! So she sets off through the pages of a notebook in search of answers. Is she a comma or colon? A question mark? Surely not an exclamation! Splash, run, bump, trip and swing with her until she finds her own kind.
Natasha Sharma’s delightful book introduces young readers to the correct way to use punctuation in this deliciously comic tale. The book also includes a section with pointers on punctuation, interesting facts from history, and mayhem brought about by incorrect punctuation.
Jump into this adventure with Squiggle and you’ll never lose that comma again!
The Story of Felanee is based on real life events. It is a story of courage, of survival, of ethnic conflict and violence that tears people and communities apart in the most brutal, savage way.
Set in Assam, which has seen two major agitations that have crippled the economy, this is a story that will shock the reader by its sheer passion, and its brutal honesty. The callousness and utter disregard for human life, the ugly play for power, for electoral gain, the sham and petty hypocrisies, the bloody horror of ethnic violence all lie exposed in this powerful novel written by one of Assam’s leading fiction writers.
The story revolves around the experiences of one woman: Felanee. Her name means ‘thrown away’—so called because as her mother lay dying in the burning riot-torn village, Felanee was thrown into a swamp and left to die. But against all odds, Felanee—and thousands like her—survived.
Like the reeds that grow in such profusion along the bank of Assam’s rivers, the rootless inhabitants of the refugee camps and makeshift shanties, whose stories form the core of Felanee, are swept along by the wind and thrown onto new hostile terrain but they cling on with tenacity to take root again and again.
When Sunil is sent to stay with his Uncle Vish, he doesn't know quite what to expect.All he knows is that it's a long way from the city to the jungles of Madhya Pradesh, and that his Uncle's job is to protect the tigers that live there.
Befriended by a little Adivasi girl called Jungu, Sunil soon has to face some tough questions. If the tigers are to survive, then the people must be moved out of the forest. But what will happen to Jungu and all the other Baiga villagers? Don't they have a right to be there? And meanwhile, there's a very real, very dangerous gang of poachers to be caught...
Vithal Rajan's delightful tale of an unusual friendship between a city boy and an Adivasi girl introduces, children to the magical world of the Baigas, teaching tolerance, respect and the importance of protecting the natural environment.
The thrilling sequel to Payal Dhar's A Shadow in Eternity.
"I never got to tell him I'm sorry."
Meet Maya Subramaniam: thirteen years old, schoolgirl by day, Preferred by night. Throw in a pair of disapproving parents intent on stopping her forays into an alternate world, a two-metre-tall Watcher who can sense her state of mind, and a best friend who could technically be her worst enemy. Certainly, Maya's life is quite full, and the last thing she needs is an unpleasant involvement with an ancient conspiracy. But being in possession of a valuable artefact belonging to the renegade Warriors of the Shadow, she has little choice in the matter. The question is, should she believe a two-thousand-year-old jumble of calculations, or follow her instincts and trust her Watcher's logic? As events spiral towards a grim climax, Maya, Lev and their Watchers are caught in a deadly race. Will they win? And at what cost.
Early twentieth century Madras. In a dark room in the corner of a house, Goutami's mother dies in childbirth. Barely a year old, Goutami, or Goutu as everyone calls her, crawls into the birth-death room, seeing and smelling death, loss, fear -- things she does not then understand but which will mark her for life. A motherless child, a rebellious girl, a headstrong woman who will not deny her sexuality, a fighter for whom lying becomes a strategy for survival: Goutami's search for love leads her to Krishnanand, cousin and ladies' man, suave and practiced, who beds all young cousins before they marry. But life intervenes and Goutami marries Seshadri. Solid, steady, ambitious, a good husband and an adequate father, Seshadri is nonetheless unable to give her one thing she craves: love. The ins and outs of family's relationships. The search for love and a sense of belonging, form the subtext of this beautifully crafted novel by first time novelist Prema Raghunath. In the end for Goutu, as for her lovers, siblings and children, salvation comes from the very stuff of life itself.
"I was the youngest in a family of five children. I sometimes felt I was an afterthought, and maybe Father and Mother didn't quite know what to do with me. Also, because I was a girl after four boys they never seemed to be sure whether to buy me girls' clothing or let me wear leftover boys' clothing."
Young Dielieno is five years old when she is sent off to live with her disciplinarian grandmother who wants her to grow up to be a good Naga wife and mother. According to Grandmother, girls didn't need an education, they didn't need love and affection or time to play or even a good piece of meat with their gravy! Naturally Dielieno hates her with a vengeance.
This is the evocative tale of a young girl growing up in a traditional society in India's Northeast, which is in the midst of tremendous change.
Easterine Iralu writes about a place and a people that she knows well and is a part of and brings to the storytelling a lyrical beauty which can on occasion chill the reader with its realistic portrayals of the spirits of the dead that inhabit the quiet hills and valleys of Nagaland.
What does it take to become an airline pilot? A camerawoman? A surgeon? A choreographer? A vet? A wildlife expert? A senior banking executive? An actress? A TV reporter?
Women are entering and leading so many different fields these days, the career options for youngsters have never been wider, or more confusing! Together in this book for the first time, each of these extraordinary women has made a mark in her chosen profession. They give first-hand accounts of how they got their first lucky break, how they made their way in their chosen profession, what challenges and opportunities they faced.
Including Nandita Das • Barkha Dutt • Sanjna Kapoor • Naina Lal Kidwai
• Blossom Kochhar • Kalpana Sharma and many more.
“Simple, straightforward but thoroughly inspiring. A most commendable effort” -- Dawn
Fateema opened her diary and began writing: “Jihad as mentioned by the Prophet is a war against injustice and oppression. Islam means peace and surrender. Islam does not recommend killing innocent people. The Prophet released hundreds of slaves from bondage and sent themback to their native land.”
There was a lot more she could write. She would one day. Not for others, but to her own people she would explain the meaning of the word ‘Islam’.
For a bright young woman like Fateema Lokhandwala, the idea that one day she might own her own house is a daring dream. Her father has spent his life, slaving away selling scrap metal so that his children might ‘jump the fence of poverty and illiteracy’. Fateema dreams not only of owning her own house, but of higher education, a better job, a wider world. Her brother, Kareem, is persuaded down a very different path – to join the jihad, to become a holy warrior.
Ila Arab Mehta’s moving and sharply observed novel follows one woman’s struggle to find her way in a world torn by communal violence, to reconcile her conflicting loyalties to her family and friends, to find a place that she can ultimately call ‘home’, a place where fences –between communities, between people – are no longer necessary.
The body as social and cultural text provides a rich site for creative experimentation in this collection of short stories by contemporary women writers of South Asia. In a world that tends to equate the body with biology, and femininity with the reproductive function, these writers from Bangladesh, Bhutan, India, Nepal, Pakistan and Sri Lanka interrogate these assumptions and reinscribe the body as a source of resistance and self-empowerment. Identity, history, myth, scientific experiment, social heirarchies, sexuality, nationalism, violence, ethics and ecology are interwoven issues for which the body in these stories becomes a powerful signifier. Together, these bodymaps chart a subversive female geography that startles with its boldly inclusive vision.
Radha Chakravary teaches English at Gargi College, University of Delhi. She translates major Bengali writers such as Mahasweta Devi, Rabindranath Tagore and Bankimchandra into English. She was nominated for the Crossword Translation Award (2004) and received the Dr Radhakrishnan Memorial Award in 2006.
Contributors: Indira Goswami, Amrita Pritam, Bhuwan Dhungana, Ismat Chughtai, Mahasweta Devi, Ambai, Yashodhara Mishra, Kunzang Choden, Kathleen Jayawardene, Manjula Padmanabhan, Selina Hossain, Asha Kardaley, Easterine Iralu, Zaheda Hina and Kamala Das. The translators include Hina Nandrajog, Manjushree Thapa, Anjana Srivastava, Lakshmi Holmstrom, Mahasweta Baxipatra, Vijita Fernando, Keerti Ramachandra, Muhammad Umar Memon, V.C. Harris and C.K. Mohamed Ummer.
"This volume...is unique because it manages to capture the socio-economic reality of the dispossessed masses without sounding didactic or condescending...Agnihotri seems to have done her research and knows what she is talking about...the first person narrative adds an autobiographical element and makes it that much more convincing." -- The Indian Express
Anita Agnihotri is an IAS officer with numerous short stories and two novels to her credit
Squiggle’s back - this time, in a fun-filled adventure that helps turn muddled sentences into ones that make sense!
Squiggle’s stuck! She’s fallen into a dictionary and can’t escape. The only way out is to create a grammatically correct sentence and use it to jump off the page. She’s even got to rescue a very mixed-up character called Doodle Dude while helping him learn about verbs, nouns, prepositions and more such. Can you help them build a getaway sentence?
This new adventure follows on from Natasha Sharma’s brilliant and highly acclaimed Squiggle Takes a Walk, the best way to figure out the world of punctuation.
A postman turns up with an unexpected letter one rainy afternoon in Cherrapunji, a letter that will turn fourteen-year-old Saphira’s world upside down.
Dalinia’s life seems perfect, with a successful husband, beautiful children and a well-appointed home. But the arrival of a handsome competitor on the manicured greens of the Shillong golf course brings back a flood of unwanted memories of her troubled past.
Told in a simple, lyrical style, Bijoya Sawian’s collection of ten short stories is not only an enthralling read but, like her debut novel Shadow Men, transports the reader to a place little known to outsiders: Meghalaya.
Strains of love, loss and longing run through all these stories, whose endings are not mere shocks, but revelations. Both her books should be read for a better understanding of India’s Northeast – its communities, its landscape, and in particular, the lives of the women who live there.
“Love, loss and longing are the predominant emotions in these tales. With a touch of Blakesian magic, Sawian’s songs of innocence and experience are lyrical and pantheistic. [The] stories, like vintage wine, have a mature blend of wit and irony, sense and sensibility and the ability to stay with the reader long after the covers are closed.”—Sudipta Bhattacharjee, Telegraph
A woman haunted by the wind. A land where ghosts speak for the voiceless. A washer of the dead who begins to hear them speak...These are the stories of the unquiet. Women whisper through this collection. They voice their loves, lives, fears and yearnings. To label this collection as 'ghost stories' or 'feminist stories' is to miss the nuances and range of female experience. As ghost stories they make you look uneasily over your shoulder, as female narrative they stun you with the power of their keen insight. Whimsical, terrifying and compelling, these powerful and haunting tales about our commonplace fears and tragedies provide a scathing commentary on the lives of women in India and are universal in their appeal.
These deceptively simple stories uncover both the complexity and irony of women's lives in Bhutan today. They show how ordinary lives, choices and experiences are both remarkable and poignant. In I am a Small Person, a despised woman uses her femininity as a means to control a man, the young girl in I Won't ask Mother suddenly feels empowered and confident when she makes a decision without consulting her mother.
All the stories take place in rural settings, to which creeping urbanisation brings gradual change, and tensions surface between the new and the old, or the traditional and the modern. For many rural women, being able to connect to the city and all its perceived power and glamour is a very real aspiration. This yearning is exemplified in Look at her Belly Button, where a young woman effortlessly slips out of the role of a farmer to become a 'real Bhutanese' urbanite.
At twenty-one, Deen is dismayed by the poverty around him and trapped in negativity. Alienated from family and society, heroin is his drug of choice.
Deen and his partner in crime, AJ, ride high on acid and amphetamines, philosophize in the university canteen, party in a politician’s posh pad and contemplate God at a roadside tea stall. From Maria, a chemically imbalanced diva, to a rickshaw-walla who reflects on the importance of positive energy, to a group of fakirs who sing about love, and a detective who has his own take on addiction, the characters in Shazia Omar’s debut novel crackle with life.
They represent the despair, hopes and aspirations of a generation struggling to survive in the harsh realities of life in modern Dhaka. Hard-hitting and intensely moving, this is an extraordinary novel, and one that is destined to launch Omar as a major contemporary voice from South Asia.
"Shazia Omar's energetic debut novel heralds a new voice in Bangaldeshi fiction. Located in the urban chaos of Dhaka city, Like a Diamond in the Sky shines a light on the crime, drug addiction, love, and loneliness at the heart of the modern metropolis."- TAHMIMA ANAM, author of A Golden Age
The Foxy Four are BACK! Mandy, Padma, Jahan and Charu - along with Razia, the 'Aunt who Rocks' - are on their way to India's holiest city, Varanasi, to take part in a national quiz. But when a rare idol of a goddess is stolen from a temple nearby, they soon discover that there's more to puzzle out than quiz questions. And when a film crew rolls into town, the girls become entangled in a plot straight out of Bollywood.
Their quest takes them through the narrow lanes and beautiful ghats of an ancient city, encountering astrologers and godmen, heroines and reporters... and a rather charming young priest. Can the intrepid four outwit a bunch of clever criminals? Will Mandy ever become a film star? Will Jahan really have to change her name? Can the girls save the goddess before she is smuggled out of the country? Find out in STAR STRUCK - the second 'Foxy Four' adventure!
It was on a sabbatical in England in the late seventies that Suniti Namjoshi discovered feminism - or rather, she discovered that other feminists existed, and many among them shared her thoughts and doubts, her questions and visions.
Since then, she has been writing - fables, poetry, prose autobiography, children's stories - about power, about inequality, about oppression, effectively using the power of language and the literary tradition to expose what she finds absurd and unacceptable.
This new collection brings together in one volume a huge range of Namjoshi's writings, starting with her classic collection, Feminist Fables, and coming right up to her latest work.
"Namjoshi is a fabulist who is never preachy. A feminist who is never humourless. A poet who is never arcane. An intellectual who is never pedantic... Her work points to a deeply internalized radicalism, one that has as much depth as it has edge. Quirky, funny, intellectually agile, capable of making connections between the mundane and the metaphysical, adept at sniffing out the archetypal in the culturally particular, they point to a mind that is as engaged as it is engaging." -- Arundhathi Subramaniam
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