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This simple, charming picture book introduces youngsters to the importance of taking care of their own bodies. From simple tips on hygiene to an empowering message of personal safety, Shruti Singhal’s visuals and text provide perfect reading material for talking about health, safety, emotional and physical well-being with very young children.
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|ISBN||978 93 83074 91 4|
India’s top ten best-loved animal fables come to life in a new and lively collection by Bittie Mithal.
Superb colour illustrations by Premola Ghose accompany the stories of how the monkey manages to escape being a crocodile’s breakfast, the crows escape from the hungry black snake, how the merchant’s beautiful parrot finally finds her freedom, and how even the king of the elephants needs the help of the smallest creatures sometimes.
This beautiful collection makes perfect read-aloud bed-time stories for younger children, and a gift to treasure for children starting to read for themselves.
Talaash is the second novel of the Bangladeshi writer Shaheen Akhtar. It captures the brutalities of the 1971 war of liberation and its contingent afterlife -- more specifically, the scars it has left on women. For thirty long years, Mariam, the protagonist of the novel, lives with memories of a war that refuses to end for her. The analeptic and proleptic shapings of Shaheen's prose travel in and through those shattered memories (and their public use) to construct a devastating archive of pain and anguish, far beyond the pale of cause and effect. Shaheen Akhtar's mesmerizing and moving novel, set against the background of the Bangladesh war of independence, explores the violence done to women, their courage and heartbreak, their search for love and their betrayal. Taalash (The Search) was awarded the Prothom Alo Literary Prize in 2004.
It wasn’t Radhika’s idea to move from India to some crazy place where kids are 49% fish! Even so, she’s wanted to go swimming since Day 1 in Australia, and is almost drowning in frustration over her mother’s queen-sized water phobia.
When Radhika finally gets her chance, she faces a zillion more problems, from finding a swimsuit that fits to understanding the age-old secrets of breathing. Will she sink or swim? What will Radhika do when she needs to strike out for herself?
This is an amusing story about one girl prepared to take a plunge. It’s about new experiences, unfamiliar environments and the challenge of putting together that most difficult of all jigsaw puzzles—the mind of a parent!
Fateema opened her diary and began writing: “Jihad as mentioned by the Prophet is a war against injustice and oppression. Islam means peace and surrender. Islam does not recommend killing innocent people. The Prophet released hundreds of slaves from bondage and sent themback to their native land.”
There was a lot more she could write. She would one day. Not for others, but to her own people she would explain the meaning of the word ‘Islam’.
For a bright young woman like Fateema Lokhandwala, the idea that one day she might own her own house is a daring dream. Her father has spent his life, slaving away selling scrap metal so that his children might ‘jump the fence of poverty and illiteracy’. Fateema dreams not only of owning her own house, but of higher education, a better job, a wider world. Her brother, Kareem, is persuaded down a very different path – to join the jihad, to become a holy warrior.
Ila Arab Mehta’s moving and sharply observed novel follows one woman’s struggle to find her way in a world torn by communal violence, to reconcile her conflicting loyalties to her family and friends, to find a place that she can ultimately call ‘home’, a place where fences –between communities, between people – are no longer necessary.
Two sisters, one very strange Aunt, and a flock of escaped birds... Magic and mayhem comes in unexpected shapes and sizes to one small corner of a very big city.
Each page of this spectacular picture book will delight and amaze children. Anitha Balachandran's unique illustration style combines real objects and drawing: there's so much to discover in every page. Together with the delightfully quirky text, this unique book brings to life the wonders of India and the world seen through the eyes of these to - rather special - young girls.
In the third of the Foxy Four adventures, Charu, Padma, Jahan and Mandy are at it again: solving mysteries, breaking the rules, dodging eagle-eyed gatekeepers, careening around in Aunt Razia’s car, and driving their school principal crazy!
Travel with our four feisty friends to a crumbling old haveli in Bhopal; to the Kalakshetra dance school in Chennai; pandal-hopping at Durga Puja; and crime-busting in the gullies of Old Delhi.
Each story is narrated by one of the girls. Mandy, the fashionista babe, reveals a surprising brain beneath that perfect hair. Padma may be a computer geek, but she knows a thing or two about classical dance. Jahan seems like the cool-headed type, but even she gets the shivers in a haunted haveli. And then there’s Charu, who everyone knows, is just destined to be a writer...
It's MADRAS 1910. Poesy and Tilly are caught in a scandal that will change their lives forever. Singing and dancing across a hundred stages as members of a troupe of Australian child performers, called The Lilliputians, they travel by steam train into the heart of India. But as one disaster follows another, money runs short and tempers fray. What must the girls do to protect themselves and how many lives will be ruined if they try to break free?
Based on a real historical incident, award-winning writer Kirsty Murray tells a tale of intrigue and skullduggery, of friendships made and betrayed, set against the heat and dust of a lost Empire.
The Lilliputians is not only a gripping adventure story, but a vividly imagined historical novel, that will enthrall young readers and take them on an unforgettable journey back in time...
“This captivating historical story will take you back to a different era and completely immerse you in the travels and troubles that happen on tour. Kirsty Murray has done a great job bringing the childrens’ tale to life!”—Hannah Mariska
December 2012: Tens of thousands of people – women, men, families, young, old, rich, poor – come out onto the streets of towns and cities in India to protest the brutal gang rape and murder of a young medical student in Delhi. For days and months, the protests refuse to die down. People demand change, action, commitment to the ideals of democracy and egalitarianism. And they refuse to be silenced.
Soon, a new law is put in place. More and more people start to report incidents of sexual assault. New conversations, new debates begin: is violence increasing? Are we seeing more of it? Was it previously invisible?
In this bold and brilliant collection of visual stories, fourteen young women respond to the activism and debates on the ground; they negotiate anger, fear, hope, resistance. Created in a week-long workshop, these stories talk to each other as they powerfully describe the fierce determination of the writers/artists to continue the battle for change.
Do you sometimes feel Anxious? Bored? Confused? Depressed? Enervated? Fat? Glum? Horribly Irritated? Jealous? Kleptomaniac? Low-down? Miserable? No? Or Perhaps Quite Rapturous? Super-Trendy, Uplifted, Very Wonderful, eXtremely ... Yawn.... Zzzzzzz....
Life’s tough for a kid, and problems come in all shapes and sizes: from agonizing auntie-jis to zealous parents, from acne to zits. But don’t worry – help is here! This little book is packed with hints, advice, information, things to get you thinking, stuff to do, and loads of fun for kids of all shapes and sizes. Because no matter how big (or small) the problem, you know it’s nothing you can’t handle.
Reena Daruwalla divides her time between Delhi and Mumbai. Her favourite pastime is playing with Pépé, her daschund.
Amolik Dey is Everyman. A teacher with a young wife and son, he is dedicated to taking care of his family yet cannot turn a blind eye to the inequalities he sees around him. Torn between his wife's desire for a 'normal' life and his own passion for fighting injustice, he endangers both himself and his family with his increasing militancy.
Set in a small town in the Bengal of the 1960s and 70s, this is a story of unrest and rebellion. It is a time of great upheaval, of violence and agitations, and the author subtly weaves in how the political tensions that threaten to overwhelm the state also impact the ordinary lives of this one family, destroying their world. From Naxalite uprisings which bring brutal conflict to those places that have been ignored by the political mainstream, to the complexities of class and gender, and the post-colonial hangover of a newly independent people, this gritty novel sensitively portrays a town and a people who have one foot in the past and one foot tentatively in the present.
This delightful folktale from Bhutan is retold by one of the country's leading writers, Kunzang Choden.
One day, a poor young orphan girl finds unexpected riches when she topples down a mousehole and is befriended by its charming occupant. But when a spoilt, rich brat tries to replicate the experience, her gifts are quite the opposite!
Along with Room in Your Heart, these charming picture books will make perfect bedtime reading for youngsters, and are beautifully illustrated with evocative watercolours of the Bhutanese landscapes and people by Pema Tshering.
In the 1950s, ten-year-old Dayamoyee watches with bewilderment and curiosity as her village, Dighpait, begins to change and people she knows and loves start to pack their belongings and move away. India has been partitioned, and Dighpait has now become part of a new country, (East) Pakistan. Soon, Dayamoyee's aunt, with whom she lives, also begins to prepare to travel across the border, to Hindustan where Dayamoyee's parents, both teachers, have made their home. Forced to leave her beloved home, her friends, and especially their family retainer, Majam, whom she calls Dada, Dayamoyee resolves, on her journey from Pakistan to Hindustan, never to mention the home they have left behind. And so, from childhood to adulthood, from adulthood to middle age, Dayamoyee never speaks of Dighpait. And then, in the early 1990s, she hears of Majam's death and the floodgates of memory open. Sunanda Sikdar's beautiful and moving memoir A Life Long Ago (Dayamoyeer Katha in Bengali) was awarded the Lila Puraskar by Calcutta University in 2008, and the Ananda Puraskar in 2010.
Rabia is growing up in a conservative community in southern India. One day, she
and her friends sneak off to the pictures. Caught on her return home, Rabia gets a beating from her mother, Zohra, who cries as she beats her daughter into submission. Firdaus is beautiful and of marriageable age. A groom is found for her, a wealthy man who lives abroad. On her wedding night, she takes one look at him and says, 'I’m not going to live with you, don’t touch me!’ Inside their male dominated world, Rabia,
Zohra, Firdaus, and many others make their small rebellions and compromises, friendships are made and broken, families come together and fall apart, and almost imperceptibly change creeps in. Salma’s beautiful, evocative, poetic novel recreates the sometimes suffocating, and sometimes heartbreaking world of Muslim women in southern India. The Hour Past Midnight is translated into English by Lakshmi Holmstrom.
Meet Squiggle—curious, confused and crazy!
Squiggle is confused. She doesn’t know quite what she is! So she sets off through the pages of a notebook in search of answers. Is she a comma or colon? A question mark? Surely not an exclamation! Splash, run, bump, trip and swing with her until she finds her own kind.
Natasha Sharma’s delightful book introduces young readers to the correct way to use punctuation in this deliciously comic tale. The book also includes a section with pointers on punctuation, interesting facts from history, and mayhem brought about by incorrect punctuation.
Jump into this adventure with Squiggle and you’ll never lose that comma again!
When Younguncle and his family head off on a Himalayan holiday, you know the hills are never going to be the same again. Carrying a message from the monkeys of the plains to their mountain-dwelling relatives, Younguncle and the three children embark on a series of hilarious encounters at the gloomy, mysterious and haunted Hotel Pine-Away.
As Younguncle chats with the monkeys, debates the true nature of reality with an off-beat sect of Quantum Banana Spiritualists, the fate of the picturesque little valley hangs in the balance. Who is the strange Rat-girl, who charms the rodents out of their hotel? Can the children and their eccentric uncle thwart the plans of that 50-Lakh Bridegroom, Pradeep Dalmakhni? Can Younguncle help Dalmakhni’s intended bride to escape a fate worse than death? Or has he, finally, met his match?
For all those who have been enchanted by Younguncle in the first book, this new adventure will be a delight. And if you haven’t met him before—Younguncle will be a friend for life!
Vandana Singh was born and raised in New Delhi. As a teenager, she acquired a life-long interest in peace and environmental issues, and was one of the founders of the environmental NGO, Kalpavriksh. She obtained a doctoral degree in Physics from the United States where she now lives with her family, teaching physics in a local college, and writing fiction for children, and science fiction/fantasy for adults.
A postman turns up with an unexpected letter one rainy afternoon in Cherrapunji, a letter that will turn fourteen-year-old Saphira’s world upside down.
Dalinia’s life seems perfect, with a successful husband, beautiful children and a well-appointed home. But the arrival of a handsome competitor on the manicured greens of the Shillong golf course brings back a flood of unwanted memories of her troubled past.
Told in a simple, lyrical style, Bijoya Sawian’s collection of ten short stories is not only an enthralling read but, like her debut novel Shadow Men, transports the reader to a place little known to outsiders: Meghalaya.
Strains of love, loss and longing run through all these stories, whose endings are not mere shocks, but revelations. Both her books should be read for a better understanding of India’s Northeast – its communities, its landscape, and in particular, the lives of the women who live there.
“Love, loss and longing are the predominant emotions in these tales. With a touch of Blakesian magic, Sawian’s songs of innocence and experience are lyrical and pantheistic. [The] stories, like vintage wine, have a mature blend of wit and irony, sense and sensibility and the ability to stay with the reader long after the covers are closed.”—Sudipta Bhattacharjee, Telegraph
It was on a sabbatical in England in the late seventies that Suniti Namjoshi discovered feminism - or rather, she discovered that other feminists existed, and many among them shared her thoughts and doubts, her questions and visions.
Since then, she has been writing - fables, poetry, prose autobiography, children's stories - about power, about inequality, about oppression, effectively using the power of language and the literary tradition to expose what she finds absurd and unacceptable.
This new collection brings together in one volume a huge range of Namjoshi's writings, starting with her classic collection, Feminist Fables, and coming right up to her latest work.
"Namjoshi is a fabulist who is never preachy. A feminist who is never humourless. A poet who is never arcane. An intellectual who is never pedantic... Her work points to a deeply internalized radicalism, one that has as much depth as it has edge. Quirky, funny, intellectually agile, capable of making connections between the mundane and the metaphysical, adept at sniffing out the archetypal in the culturally particular, they point to a mind that is as engaged as it is engaging." -- Arundhathi Subramaniam
Be transported into dystopian cities and alternate universes.
Hang out with unicorns, cyborgs and pixies.
Learn how to waltz in outer space.
Be amazed and beguiled by a fairy tale with an unexpected twist,
a futuristic take on a TV cooking show,
and a playscript with tentacles.
In other words, get ready for a wild ride!
This collection of sci-fi and fantasy writing, including six graphic stories, showcases twenty of the most exciting writers and artists from India and Australia, in an all-female, all-star line-up!
Samhita Arni, Kuzhali Manickavel, Manjula Padmanabhan, Vandana Singh, Payal Dhar, Anita Roy, Annie Zaidi, Penni Russon, Kate Constable, Isobelle Carmody, Justine Larbalestier, Alyssa Brugman, Kirsty Murray, Margo Lanagan, Priya Kuriyan, Prabha Mallya, Amruta Pail, Lily Mae Martin, Nicki Greenberg and Mandy Ord.
In which an uncast ballot precipitates social embarrassment and recalls a past love, a young housewife finds her kitchen plagued by unabashed canoodling in the flat next door, an aspiring novelist tries to forget near-manslaughter, a schoolgirl discovers the travails of depilation, and, in a locked room, two medieval noblewomen recount the amorous avowals of a young soldier.
There’s also the small matter of a dead camel lying unattended on the streets of Delhi.
These twelve stories explore the unsaid, the unfinished and the misunderstood, the shocks and nuances of love and sexuality, responsibility and ambition, and our tentative attempts to peel away the layers of stories that make up our lives.
“Beautifully precise writing. These stories capture people with such exactitude that you know they must come from a serious student of life. But this is one of those serious books at which you never stop laughing, for Parvati Sharma’s sense of the world is lively, generous and wickedly original.”
— Rana Dasgupta, author of Solo
'Call Me Confused, Please' requests one of the stories in this insightful and engaging collection from women of South Asian origin living in North America. 'Made in the USA?' wonders another.
Through poems, short stories and scholarly pieces, writers who are in their twenties, thirties and forties share what it is to live and grow up in a country that is your home and yet alien to you. They touch upon issues of culture, belonging, romance, body, race, ethnicity and the notion of 'home'. Moving beyond the idea of ABCDs (America-Born Confused Desi) and the 'identity crisis', the writers grapple with the richness of their diverse inheritances to produce a more nuanced understanding of self.
"Diverse voices challenge social binaries - of race, sexuality, nationality - to showcase the many facets of brown-ness." - Bandana Purkayastha, University of Connecticut
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