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ZUBAAN-SPF GRANTS FOR YOUNG RESEARCHERS: GRANTEE ANNOUNCEMENT

THE ZUBAAN-SASAKAWA PEACE FOUNDATION GRANTS FOR YOUNG RESEARCHERS FROM THE NORTHEAST: GRANTEE ANNOUNCEMENT

We received an excellent response to our call for applications and while we were pleased to see the interest among young researchers, this also made our task of choosing grantees much more difficult. However, we were lucky to have the support of a strong and informed jury from the region, and this final selection is the result of their evaluation of your proposals. We're delighted to inform you that the following candidates have been selected for the grant:

  • Abdul Kalam Azad & Angshuman Sarma
  • Bonya Baruah
  • Ditilekha Sharma
  • Gitarani Devi Leisangthem
  • Hrishita Rajbangshi
  • Huidrom Boicha Singh
  • Ilito Achumi
  • Jobeth Warjri
  • Leki Thungon & Ayangbe Mannen
  • Linggi Tilu
  • Makepeace Sitlhou
  • Mary Vanlalthanpuii
  • Natasa Thoudam
  • Prerana Choudhury & Rituparna Choudhury
  • Rini Barman
  • Rishav Thakur
  • Ronnie Nido
  • Shaheen Ahmed
  • Simashree Bora
  • Sonam Choden
  • Talilula
  • I Watitula Longkumer

We’ll be getting in touch with all the grantees shortly, and look forward to working with you all.

We'd especially like to thank all the applicants for the effort and thought that they put into their proposals. We hope that you will continue to engage with Zubaan's work, and keep an eye out for future grants or other opportunities from us; and wish you the best of luck in your future endeavours.

On Topic: The May Review

The month of May witnessed several historic judgements and events, from Soni Sori’s Award for Human Rights Defenders at Risk to the stay on Vedanta’s Sterlite Copper smelter in Tuticorin. On Topic reviews some of the news that prompted progressive conversations about gender, women and the marginalised.

Legal Judgements (India)

  • The Delhi High Court passed a judgement to regularize Kashmiri migrant teachers, who came to Delhi in 1990-93 to escape communal violence in their homeland. These teachers have been noted to work without the benefits allowed to regular teachers, such as pension, and for less than full pay. The judgement recommends that all Kashmiri migrant teachers be recognised as 'regular' teachers from the date of their appointment, and be paid the differential amounts they are entitled to.

  • The Guwahati High Court has directed a committee to study and report on the challenges faced by the transgender community in the state, and make recommendations that the state of Assam can implement for the community’s welfare. The state has been directed to examine and implement these suggestions in 6 months. Read this judgement here.

  • The Madras High Court has directed authorities to allow a child’s birth certificate to have no named father. Mathumitha Ramesh, mother of Tavishi Perara, separated from her husband by mutual consent. Tavishi was born in April 2017, through intrauterine fertility treatment. Initially, Tavishi’s birth certificate named a sperm donor as her father. After repeated appeals to the high court by Mathumitha, and separate affidavits from both her ex-husband and sperm donor, the high court directed authorities to not demand the father’s name. Tavishi is likely to be India’s first child without a father. The judgement will be passed on 11 June.

Events

  • May 2018 saw protests against Vedanta once again. Sterlite plants set up in Tuticorin, where it was observed that environmental rules regarding pollution regulation were not being followed, resulting in gas leaks that caused fatalities. Despite on and off protests in the region for 20 years, it only recently came to national attention, when Vedanta proposed to expand the plant. When protesters took to the streets, police opened fire without warning. Nine protesters were killed, with several others critically injured, in this brutal attack by the police. The Tamil Nadu government has ordered that the plant be shut permanently.

    Vedanta has a long history of violating environment protection rules. The Dongria Kondh’s struggle against bauxite mining resulted in the government shutting down Vedanta’s bauxite mining plant in 2016. 2016 also saw writers and activists protesting Vedanta’s sponsorship of the Jaipur Literary Festival in London.

  • Tribal activist Soni Sori received the 2018 Award for Human Rights Defenders at Risk. Soni Sori has been leading protests against sexual violence and alleged fake encounters in conflict zones in Chhattisgarh and other regions of central India. She has also defended educational institutions from Maoist groups. In 2016, she was the victim of an acid attack by unidentified persons. Soni Sori is one of five recipients of the award, established by Front Line Defenders, an Ireland-based human rights organisation.

  • May saw the celebration of IDAHOBIT 2018, the International Day Against Homophobia, Biphobia and Transphobia. In an organised campaign by POV Mumbai, people of different genders and sexualities shared their stories and experiences as part of a series called 'Life Only'.

Popular Culture

  • Recently released movie India Never Again Nirbhaya, based on the events of the Delhi 2012 gangrape, has come to the fore for its questionable poster. This article on The Ladies Finger brings to question the tendency of male writers and directors to fetishize gendered violence.

  • May 11 saw the release of Alia Bhatt starrer Raazi, which is based on Harinder Sikka’s novel, Calling Sehmat. The story follows Sehmat, an Indian spy who is married off to a Pakistani to obtain information. The movie has been lauded for its actors' performances, as well as its portrayal of women. Several reviews have commended the movie for not succumbing to the typical ‘war-is-sacred’ ideology, by maintaining the female protagonist’s personality, and not allowing for the typical patriotic sense of duty that is often depicted on screen. Here are some reviews (spoilers)!

World

  • Loujain al-Hathloul, a well-known activist for driving rights for women in Saudi Arabia, was arrested in early May, according to a report by Amnesty International. Weeks before the removal of the ban on women driving, an organised campaign to defame and discredit several activists for the cause has been observed. Despite the historical move to remove the ban on driving, the crackdown on dissenters is telling of a problem that is much more deeply rooted.

    Since reports of the removal of the ban on driving, men have taken to tweeting about their displeasure with the decision. Saudi women reclaimed the Twitter hashtag that translates to “you won’t drive”, by posting pictures of their future cars.

  • On 25 May, a referendum was passed to remove the Eighth Amendment of the Constitution of Ireland which disallows abortion unless the pregnant woman is in mortal danger. However, in 2012, Savita Halappanavar was refused an abortion, as doctors determined that her life was not in danger, despite foreseeing that she would miscarry. Her death was catalytic in the pro-choice protests. Five years later, Ireland has repealed the Eighth in a historical referendum, with a 66% majority, now allowing women to terminate their pregnancies.

  • Kashmir Women’s Movement was launched in London, in response to “the unprecedented state terrorism perpetrated by the Indian forces on women and youth in the occupied territory.” The organisation aims to bring international attention to the human rights violations being committed in occupied Kashmir by the Indian armed forces.

  • Pakistan’s Parliament has passed a new law, the Transgender Persons (Protection of Rights) Act, guaranteeing basic rights to transgender citizens and outlawing discrimination in the workplace. The law allows citizens to express their gender identity, which is defined by the law as, "a person's innermost and individual sense of self as male, female or a blend of both, or neither; that can correspond or not to the sex assigned at birth,” and have it recognised in all legal documents, certificates and identity cards.

    Meanwhile, the Ministry of Social Justice and Empowerment of India has submitted the proposal for amendments to the Transgender Persons (Protection of Rights) Bill, 2016. The recommendations were drafted in December, 2017, nine of which have been finalised, including a revised definition of ‘transgender’. The 2016 bill received criticism from activists, and it remains to be seen whether these changes will be implemented progressively.

Sports

  • After the decision of the Indian Olympic Association to replace sarees with trousers as the official attire for women athletes during the opening ceremony of the Commonwealth Games, athletes have recommended that sarees be removed during the opening ceremony of the Asian Games as well. Representatives of the IOA have confirmed that the saree will not be part of the opening ceremony.

  • Sjoerd Marijne, who was assigned as coach to the Indian national men’s hockey team before the Commonwealth Games, has returned to the Indian national women’s team, following reports of disagreements between the men’s team and Marijne after a disappointing performance. In an interview for The Indian Express, he spoke about being glad to work with the women’s team again. Ironically, the interview is titled ‘Important that women get a voice, says Sjoerd Marijne’.

    The women’s national hockey team made it to the finals of the Asian Champions Trophy as defending champions, but lost to South Korea.

Gender-based Violence

  • After widespread protests against several cases of child rape across the country, Union Home Minister Rajnath Singh has cleared the way for a women’s safety division in the Home Ministry. Following the rape and murder of a minor girl in Kathua, the Centre has also the Criminal Law Ordinance, 2018, which provides for death penalty to rapists of girls under the age of 12, and proposes a national registry for sexual offenders.

    Several feminists have criticised the proposal, since the creation of such a registry, in the fashion of the United States, has been reported to have done more harm than good. The registry requires detailed descriptions of assault, which is not only insensitive to the plight of the victim, but also puts them at risk of being identified and further harmed. It also undermines an individual’s right to privacy, criminal or not. Such a registry is bound to lead to situations where certain groups are targeted for the purpose of being controlled. If such a registry were to be created, reports of sexual assault would also inevitably decrease, since perpetrators of such violence tend to be members of the family or somehow known to the victim. This reluctance to file a complaint would only increase, and thereby, violence will remain unchecked.

    The proposed death penalty has also received mixed reactions. Studies suggest that the death penalty does not deter perpetrators, and instead increases the likelihood of the victim being murdered, to ensure that they are not able to testify. It is even less likely that the victim would report the crime when the perpetrator is a member of their family, if the death penalty is implemented.

  • UN experts have called on the Indian government to protect journalist Rana Ayyub, who has been receiving death threats. Ayyub, author of Gujarat Files: Anatomy of a Cover Up, has been on the receiving end of a social media smear campaign. She wrote for The New York Times, detailing the attacks that were made against her. Experts recalled Gauri Lankesh, who received death threats before ultimately being murdered. It has been noted by the UN that the current government has not attempted to resolve the hostility against dissenting journalists and media people.

  • Asian College of Journalism defended its faculty member, Sadanand Menon, who has been accused of sexual assault by a student, by claiming that the college is being targeted because they are liberal. Menon appeared in Raya Sarkar’s List, but has recently come under more flak, after activists demanded that he be investigated. Amidst claims about attacks against the college, The Caravan published a series of articles about the matter. In one piece in this series, V Geetha writes about the structures that protect ‘important’, intellectual men, arguing that these systems “consider the minds of these men to be of greater value than the bodies of those women.”

  • On May 27, three transgendered persons were assaulted in Thane by workers of the Maharashtra Navnirman Sena, which is led by Raj Thackeray. The attack was reportedly prompted by the victims’ involvement in robbery and prostitution. Contrary to this claim, the police have declared the three were only begging. The incident sparked protests in Mumbai, organised by queer collective LABIA, which works with lesbians, bisexuals and trans persons, demanding stringent laws to protect the rights of transgendered people.

May at Zubaan

  • Manjima Bhattachrajya’s Mannequin: Working Women in India’s Glamour Industry was launched at an event organised by Jagori and Zubaan, on the 1st of May, at the India International Centre Annexe, Delhi, and has been receiving  some  great  reviews. We also released The Empty Room by Sadia Abbas this last month — on sale on our webstore!

  • The Indie Comix Fest, held for the first time in Delhi, saw Drawing the Line contributors Vidyun Sabhaney Ita Mehrotra as organiser and panelist, respectively. Zubaanis Ishani, Meghna and Sukruti also attended the event, speaking about Zubaan’s work in publishing graphic books as an independent, non-mainstream publisher.

  • Applications for the Zubaan-Sasakawa Peace Foundation Grants closed on 15th May. Selected candidates should expect to  hear back by the 15th of June!

Announcing Scriptwriting Workshops: Applications are now open

 

CALL FOR APPLICATIONS FOR SCRIPTWRITING WORKSHOP

FROM THE EIGHT NORTHEASTERN STATES

focussing on sexual and gender-based violence 

As part of the projects:
Stepping Stones: Engaging with Youth in South Asia by Zubaan & Panos South Asia with IDRC
& Body of Evidence by Zubaan with Goethe-Institut


Zubaan is pleased to announce a call for applications from the eight states of Northeast India for a script writing workshop based on the material generated through the Sexual Violence and Impunity (SVI) Project. The three-and-a-half-year research project, which was supported by IDRC and concluded in 2016, looked at the history and the unaddressed concerns of sexual violence in the legal, medical and forensic fields, apart from the social issues and taboos surrounding it, in five countries (India, Nepal, Bangladesh, Pakistan and Sri Lanka).

Now, with the Stepping Stones Project with IDRC and Panos South Asia and the Body of Evidence Project with Goethe Institut, Zubaan is conducting scriptwriting workshops across India as a way to further the engagement with the findings of the SVI project through creative art forms like theatre. More details about the project can be found here.

WORKSHOP FOCUS:
The idea behind the initiatives is to take the findings of the SVI project into different forums and engage young people in discussions about the ways in which impunity for perpetrators accrues and is strengthened by existing lacunae in legal, medical and social practices. The workshop aims to develop scripts that emerge out of the SVI project. Some of the questions that guide this project are:

  • What are medical students taught about sexual violence and how do they take this knowledge into medical practice when dealing with victims/survivors?
  • What are law students taught about dealing with victims/survivors of sexual violence?
  • Why are societies so tolerant of sexual violence, and why do they continue to blame victims?
  • Why are issues of bodily autonomy difficult to grasp for our societies?

EXPECTED OUTCOMES:

  • One primary script developed which will deal with the questions raised above. This can become a resource for future use.
  • Individualized scripts developed by the participants to suit regional aspects of the focus.
  • Groups/artists whose scripts are selected will also be provided support to perform in different universities, colleges and other locations (a fixed number of performances will be decided at a later stage).

DURATION & LOCATION:
A 5-day residential workshop will be held in July 2018 in Guwahati, Assam (exact date to be announced after applications close). No fees will be levied for participating in the workshops.

HOW TO APPLY:
Interested theatre groups and artists from Arunachal Pradesh, Assam, Manipur, Meghalaya, Mizoram, Nagaland, Tripura and Sikkim can mail us their applications at projects@zubaanbooks.com including:

  • CVs and/or a background note on the group
  • One sample script they have developed, or helped to develop, with a gender focus.
  • Links to the groups/artists websites or social media sites, if applicable.

Applications will be reviewed and groups selected by the advisory board of both projects, whose names will be updated on the project page after selections. Click here to download this call for applications as a PDF.

LAST DATE FOR APPLICATIONS: 7 JUNE 2018

Applications for the Zubaan-SPF grants are now closed

ZUBAAN-SASAKAWA PEACE FOUNDATION GRANTS FOR YOUNG RESEARCHERS: APPLICATIONS PROCESS UPDATE

 

The window for submitting applications for the Zubaan- Sasakawa Peace Foundation Grant for Young Researchers is closed as of midnight on 15 May 2018. We would like to thank applicants for the overwhelming response. Due to the sheer number of applications, we will be unable to respond to every email, for which we apologize. In response to queries regarding applications submitted after the deadline, we would like to clarify that applications that arrived before the midnight deadline will be prioritized.

Selected candidates will be contacted by 15 June. Thank you for your patience. Future notifications and information about the grants, and linked project work, will be available shortly on our projects page.

 

 

On Topic: The 2018 Review (January-April)

It's been a while since the last On Topic post, and a lot has happened. The #MeToo movement has spread to the world of literature, the Hindi film and music industries, university spaces, religious and cult figures, and, overseas, has resulted in the Time’s Up initiative, a means to provide legal recourse for victims of sexual harassment in Hollywood. Back home, the Kathua and Unnao rape cases shook the country, with protests being organised in multiple cities, and dialogue focussing on rape as a political tool of power, and State impunity. We review all of this (and more) beginning from the start of the year till April.

January began with many deliberating the future of the #MeToo movement (founded by civil rights activist Tarana Burke after a conversation with a 13-year-old girl about the sexual violence she had experienced). In October 2017, the hashtag was picked up on Twitter, initially without knowledge of its origins, by the Hollywood actress Alyssa Milano who asked for survivors of sexual harassment or assault to reply to her tweet with '#MeToo'. From then, it became a global sensation with the movement’s slogan of “empowerment through empathy” extending from Hollywood to academic spaces, where a list of sexual predators in Indian academia was published by Raya Sarkar, a law student at University of California at Davis, creating a storm of debate within feminist circles in the country. Ever since Sarkar’s list, incidents of harassment have been reported, and heavily protested against, in university spaces. In March 2018 Atul Kumar Johri, a professor at the School of Life Sciences in Jawaharlal Nehru University, was accused of harassing eight female students who lodged an FIR against him. Johri denied the charges, arguing that the allegations emerged after he sent mails of compulsory attendance to these students who were not coming regularly to the department lab.

News reports on incidents of sexual assault against women have been pouring in, with some receiving a lot of public attention. The abduction, rape, and murder of an 8-year-old girl1 in a temple in Kathua, a district in Jammu and Kashmir, with the intention to threaten the Bakarwal community, a Muslim minority in a Hindu dominated Kathua region, brought up debates around rape as a political weapon. Prime Minister Narendra Modi, when addressing the incidents, chose to flatten and depoliticise the narrative. The fact that this incident, which happened in January, only came to public eye in April reflected the communal tensions, initially ignored, which were at the heart of the incident. Also in April, the 18 year old woman who was raped by BJP MLA Kuldeep Singh Sengar in his house in Unnao in 2017 (at which time she was a minor) tried to immolate herself, despairing at the lack of justice, in front of the UP’s Chief Minister Yogi Adityanath’s house. The two cases spurred protests all over the country over the State's support of the perpetrators and the consequent disinterest in meting out justice.

What counts as sexual harassment and assault is an issue that hovered over even the victims of the #MeToo movement, an example of which was observed in filmmaker Mahmood Farooqui’s case. Farooqui was convicted of rape and sentenced a seven-year jail term in August 2016. However, the Supreme Court, in January, rejected the Special Leave Petition (SLP) made by the victim and acquitted Farooqui, the reasons for which were that the accused and accuser were known to each other, and that the victim’s ‘feeble no’ might have meant a ‘yes’. Urvashi Butalia spoke to the victim, Christine Marrewa Karwoski2  about her struggles after the acquittal. In April, self-proclaimed godman Asaram Bapu was sentenced with life imprisonment till death by the Jodhpur Scheduled Caste and Scheduled Tribe court for the rape of a 16-year-old Dalit girl. The other two accused received 20-year jail terms each.

The #MeToo movement brought out the rampant harassment in the world of literature too. Junot Diaz, a Pulitzer prize-winning author and creative writing professor at MIT, was recently accused of harassment by a community of women writers and has now been suspended from his position as a chairperson of the Pulitzer board. Diaz penned an article for the New Yorker, detailing his experience of sexual abuse as a child, days before the allegations against him made rounds. The Indian poetry community, in the wake of the movement and the list created by Sarkar, created a list of sexual predators in the community post allegations of harassment against Shamir Reuben, a renowned spoken word poet and head of content at Kommune, a Mumbai based arts collective.

The Time’s Up campaign, inspired by the #MeToo movement, and which marked the beginning of 2018, started as an initiative to provide a more concrete corollary to the social media movement. Hollywood actors like Meryl Streep, Natalie Portman, and Emma Watson, and activists like Rosa Clemente, Calina Lawrence, and Saru Jayarama, who are all part of this campaign that provides legal recourse to victims of sexual harassment in Hollywood and blue-collar workplaces, wore black at the 75th Golden Globes Award this January as a way to spread awareness. Tarana Burke, who accompanied Michelle Williams at the award show, wrote during the same time about the consequences of a movement like #MeToo, and her concerns that the conversation generated shouldn't be limited to the hashtag, but also extend to what happens afterwards.

The usage of public platforms like the Golden Globes award function by the Time’s Up activists stands in contrast with Bollywood’s (non)treatment of the misogyny, sexism, nepotism, 'casting couch', or even the normalized ridiculing of gender identities through cross-dressing. The Malayalam film industry isn’t far off either, illustrated by the outrage received by the actress Parvathy for speaking about sexism in the industry.

Incidents of harassment and assault against women are glossed over not just through humour or non-addressal in Bollywood but also by invoking damaging images of 'honorable' women, like in the case of the film Padmaavat, who would choose (a 'heroic') death over the spectre of sexual assault by the Muslim 'other'. The portrayal of this necessarily evil Muslim 'other' and the invisibilisation of caste (where are the Dalit women?) rings synonymous with the present state's treatment of these issues and the vision it carries for the 'nation'. Contrasting with the protests around the ‘incorrect’ representation of an honourable Rajput woman that preceded the release of the film, was the February release of Marvel’s Black Panther, whose strong female cast of characters smashed mainstream (white) stereotypes of black female characters. The film's screenwriters were also accused of straight-washing the character of Okoye  played by Danai Gurira, who in an early clip from the film was seen flirting with a queer character, Ayo played by Florence Kasumba. It is not just women characters but the increasing number of female directors and screenwriters who are changing the way sci-fi and comics, so often mistakenly considered and written solely for male interest (and gaze), are written.

The year so far has been littered with the loss of iconic people across the world who, through their lives and work, contributed immensely to the conversations around feminism and gender. In February Bollywood lost one such actor, Sridevi, who was considered a feminist trailblazer and inspired many for the kind of roles she did, for leading films without male co-stars, and demanding equal pay at a time when it was rare in Indian cinema. Naomi Parker Fraley, the woman that inspired the iconic 1940s image of Rosie the Riveter (but who for most of her life wasn’t regarded as the icon’s original inspiration) died in January, aged 97. Rajni Tilak, a Dalit rights activist and leading feminist academic who published path-breaking books like Padchaap (Marching Steps) and Hawa si Bechain Yuvtiya (Restless Women), and who advocated for the inclusion of Dalit women’s work in literary canon, died on 30th March, aged 59.

In the wake of awareness generated by social media movements and metro city pride walks comes an incident of homophobia from Kolkata, where ten students in the 9th standard at Kamala Girls High School were made to sign a written admission for allegedly "indulging in homosexuality", in March. The L in the LGBTQIA+ community is often misrepresented through hyper-sexualization and stigmatised through incidents like the above, but the #LforLove photo project is trying to bust myths by documenting the daily lives of lesbian couples, presenting the many sides of each relationship. If you want to read more about the community and are wondering where to go, the Agents of Ishq have you covered with these excellent book recommendations. Or you could check out what some of us have been reading: Are You My Mother? by Alison Bechdel, the Binti series by Nnedi Okorafor, Caliban and the Witch: Virtual Work in a Real World by Ursula Huws and Colin Leys, Headstrong: 52 Women Who Changed Science... and The World by Rachel Swaby, or Women Contesting Culture: Changing Frames of Gender Politics in India by Paromita Chakravarti and Kavita Panjabi (eds). The Zubaan book club recommends Erotic Stories for Punjabi Women by Balli Kaur Jaswal.

______________________________________________

1. Section 23 of the Protection of Children from Sexual Offences (POCSO) law lays down the procedure for the media to report cases of sexual offences against child victims and Section 228A of the Indian Penal Code (IPC) deals with disclosure of identity of victims of such offences. The penal law provides for jail term of two years with a fine. The identity of the victim of the Kathua rape case was disclosed by media houses despite the law because of their ignorance and misconception that they could name her because she was dead. The Delhi High Court directed the media houses found guilty to pay a compensation of Rs 10 lakh to the Jammu and Kashmir Victim Compensation Fund.

2. In the interview with Urvashi Butalia Christine Marrewa Karwoski reveals her decision to make her identity public because she feels she hasn't done any wrong or shameful and so hiding her name is not an option for her.

 

Announcing writing grants for researchers from Northeast India!

THE ZUBAAN-SASAKAWA PEACE FOUNDATION GRANTS FOR YOUNG RESEARCHERS FROM THE NORTHEAST

 

Zubaan Publishers Pvt. Ltd and the Sasakawa Peace Foundation are offering a number of research grants for the year 2018 for young researchers from the eight northeastern states. The grants provide a small fund to prepare research papers/essays/oral history set against the broad framework of women’s multiple histories and focuses on the issue of gender in the Northeast.

 

                                                             

Grant Details

The idea behind the grant is to provide financial and academic support to young researchers who may wish to look into particular aspects of the history, politics, culture of the northeastern states in relation to women and gender. The papers will be written in English. All papers written with the support of the grant will be published electronically by Zubaan on various digital platforms and made widely available. The papers may be academic research papers, long-form journalistic essays or long interviews on a particular subject to do with gender. Hybrid or creative forms are welcome.

 

Eligibility criteria

  1. You must be from Arunachal Pradesh, Assam, Manipur Meghalaya, Mizoram, Nagaland, Sikkim  and Tripura, and less than 40 years of age.
  2. You must be fluent in reading and writing English.
  3. You must commit to researching and writing a 10,000 word (minimum) essay. The grant also allows for you to develop graphic narratives, or do extended interviews, or produce creative works such as a story, in lieu of the essay, all within a specified timeline.

Duration

The first draft of the selected papers is expected in four months after the methodology workshop, details of which are mentioned in the attachment. Papers may need to be revised after the first draft depending on the feedback. Depending on the feedback, a month may be given for the required revisions.

The grant's value is Rs 35,000 less applicable taxes.

 

How to apply

Interested persons should send their application, including the following documents, to projects@zubaanbooks.com:

  1. A grant proposal (maximum two pages) which clearly describes what you wish to do, what sources you will tap (primary and secondary), the subject of your research and a timeline.
  2. A sample of previous work that can be written material of roughly 500 words, a two-page spread of a graphic story, or an transcript extract from an interview you have conducted.
  3. Your CV and any other relevant information about yourself that you think is necessary, including proof of age.
  4. Two names of referees, ideally people you have worked with.

 

Grant proposals may be creative and do not need to be written in academic language.

The last date of submission of application is 15 May 2018.

Click here to download this page and detailed instructions.

On Topic: October and the Weinstein Effect

October has been an eventful month with several protests and movements taking Indian social media by a storm, bringing many important conversations about sexual harassment to the forefront. These conversations have been long overdue in the larger scheme of things, and it's imperative that they continue. So we would like to take this 'On Topic' to review everything that happened this month related to sexual harassment.

It seemed to begin with the Harvey Weinstein allegations, with multiple female actors and employees accusing the Hollywood film producer of sexual harassment and assault. A decade-worth of allegations against him surfaced, bringing to light a conspiracy of silence that allowed sexual harassment to go unchecked. In India, parallels are visible between Weinstein and powerful Indian men like RK Pachauri, who benefitted from collective complicity and murky work practices.

Another man compared to Weinstein was Khodu Irani, the owner of High Spirits, a popular club and performance venue in Pune. Several allegations of sexual harassment were made against him and social media was flooded with accounts of him groping, making lewd comments and sending inappropriate messages to patrons and employees. As people admitted to their own role in propagating his behaviour, a conversation was started about how certain cultural and media spaces, such as the club, accept and promote toxic behaviours.

Another outcome of the media attention paid to the Weinstein allegations was the #MeToo campaign started by Hollywood actress Alyssa Milano, where she encouraged women who had ever faced sexual harassment to come forward on social media. In India too, the movement gained a lot of momentum. The campaign promised a safe space for women and others to share their experiences with sexual harassment, with unwavering support and solidarity, with people admitting to having abused someone or being complicit in abuse before. With the emergence of the hashtag #HimToo, the conversation turned to pinpointing men who had gotten away with abusive behaviour, much like Weinstein had for all these years.

The #MeToo campaign also brought to surface offline whisper networks that women usually use to keep themselves and each other safe. One such network was created online through the Google spreadsheet titled “Shitty Media Men”, and was circulated among women journalists in New York, with allegations ranging from flirting to physical and sexual violence. In India, a similar list of names of alleged sexual harassers in Indian academia was published on Facebook by law student Raya Sarkar, along with a Google spreadsheet. Here too, the aim was to warn women and students about these men, by creating an online whisper network. But while the American spreadsheet was met with some support after being put on Buzzfeed and made public, the Indian list became a topic of contention among the Indian feminist community. Several prominent Indian feminists condemned the list for naming and shaming seemingly innocent men and not following due-process, in a statement on Kafila and their own writing. They, in turn, were critiqued for supporting the men on the list, most of whom were their colleagues and acquaintances.

The varied responses to the list have highlighted a schism in the Indian feminist movement, with a majority of established feminists on one side, and a new growing generation of feminists on the other, questioning the idea of a single feminist narrative in the country. Events in the past month have shown how sites like Facebook and Twitter have become an alternate avenue for feminist protest, especially for those who might not have access to the more traditional forms of protest within the Indian feminist community.

In dissecting the intention behind and validity of Raya Sarkar’s list, feminist conversations have neglected the well-being of survivors within an already inefficient system that fails to curb sexual harassment in educational spaces. Due process rarely provides justice, as is evident to some in the recent Farooqui judgement. In many ways the men named in the list are being rewritten as left liberal heroes and/or victims of a vicious attack. The conversation, this time even within the movement, is being shifted away from the issue itself towards questioning the intentions and trustworthiness of victims and protesters.

Meanwhile, after several setbacks in sexual harassment law in September, a recent Supreme Court verdict has shifted the age of consent within marriage from 15 years to 18 years, thus criminalizing all forms of child sexual abuse, even if the minor is married to the abuser. As a reminder, marital rape of women above the age of 18 continues to be legally and socially acceptable in the country.

October at Zubaan

Zubaan celebrated its ‘Cultures of Peace’ festival on 14th October at the Asian Confluence in Shillong. We also organized events in collaboration with TISS Guwahati on 12th and 13th October. Our E-essays project released two sets of essays this month – on the Nation and Women’s Writing/Literature. This month our feminist fiction book club discussed Women Without Men: A Novel of Modern Iran by Shahrnush Parsipur. Next month we will be discussing Hav by Jan Morris.

P.S. We will be launching Centrepiece, our new anthology of writing and art by women in the Northeast, on the 10th of November at Dzukou in Hauz Khas market. Join us!

E-ESSAYS FROM ZUBAAN | 16 OCTOBER, WOMEN'S WRITING/LITERATURE

Our e-Essays project is now LIVE!

Previously-released essays are available here, and each month a new essay is available for free with any other purchase. To be added to the mailing list, subscribe here! 

Our previous sets of e-Essays focused on Indian women's movementssexual violencedomestic space and kinshipreligion and conflictstate crimes and impunitytraumahealth, violence against womenand nation.

The essays in this set study women’s writing in historical context, and the ways in which it fashions discourse. Authors Meenakshi Moon and Urmila Pawar focus on Dalit women’s voices in the rich literary tradition of the mid-twentieth century; while Uma Chakravarti looks specifically at writing about widowhood, both personal and critical; and Tilottoma Misra’s work showcases Assamese women, detailing the subjective experience of violence through poetry and prose. Together the pieces offer an alternative understanding of how notions of ‘literature’ come to be, through specificities of theme, language, politics and law.

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 1. 'ON WIDOWHOOD: THE CRITIQUE OF CULTURAL PRACTICES IN WOMEN'S WRITING' by UMA CHAKRAVARTI, from REWRITING HISTORY: THE LIFE AND TIMES OF PANDITA RAMABAI (1998)

35_On Widowhood_cover

This essay examines women’s writing in the 19th century on the oppression of widows, focusing on voices that writer Uma Chakravarti believes have been invisibilized over the years. Stating that the history of social reforms and widowhood has been predominantly understood from a knowledge-based male perspective, Chakravarti proposes balancing the discourse with several female perspectives based on experiencing widowhood first-hand.

The essay is divided into three parts: the first focuses on women’s works on widowhood, examining the writing of Sushila Devi, Tarabai Shinde and Rakhmabai. The second section looks at widows from Poona Widows’ Home writing about their own experiences, and the third at writers like Pandita Ramabai and Parvati Athavale who were actively involved in providing support to other widows. From scathing criticism to personal experiences, the works criticize the then existing male-dominant Reformist movement, which focused only on widow remarriage, and outline the problems faced by widows, such as deprivation of basic needs like food, clothing and shelter, and the enforcement of unpaid and unacknowledged labour. 54 pp. Read more.

₹70.00

Dr. Uma Chakravarti is a feminist historian who taught at Miranda House, Delhi University. She writes on Buddhism, early Indian history, the 19th century and on contemporary issues.

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2. 'ENLIGHTENMENT THROUGH LITERATURE' by MEENAKSHI MOON, URMILA PAWAR, WANDANA SONALKAR (TRANS.), from WE ALSO MADE HISTORY: WOMEN IN THE AMBEDKARITE MOVEMENT (1989)

36_Enlightenment Through Literature

This essay is a historical overview of Dalit literature, focusing on the contribution of women writers. The authors Urmila Pawar and Meenakshi Moon show how the Dalit movement gained momentum with the rise of Dalit centric newspapers and literary societies, which gave a voice to the Dalit people. Led by Babasaheb Ambedkar, this literary movement was strengthened through talks, discussions, analysis of folk songs, and by spreading literacy and encouraging research. By the 1960s, Dalit writers had created a huge collection of short stories, poems, novels, autobiographies and analytical pieces.

The authors focus on the gradual increase of female voices and perspectives in Dalit writing – on topics ranging from religious customs like funerary rites, birth control, to mixed marriages. Appreciating these works for their literary merits as well as social significance, the authors suggest that they helped people understand and appreciate their own history, and facilitated the spread of radical ideas of identity and self-worth. 12 pp. Read more.

Meenakshi Moon was a close associate of B. R. Ambedkar. Her essays, research papers, articles study the daily religious practices and marital rules of Dalit communities, the practice of ritual prostitution, women’s issues and the Dalit movement.

Urmila Pawar received an MA from the University of Bombay and worked in the Maharashatra department of labour welfare. A former actor of radical Marathi theatre, she writes non-fiction and short stories informed by her self-definition as a Dalit, Buddhist and a feminist.

Wandana Sonalkar (translator) teaches economics at Dr. Babasaheb Marathwada University, Aurangabad. She is a founding member of Aalochana Centre for Documentation and Research on Women.

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3. 'WOMEN WRITING IN TIMES OF VIOLENCE' by TILOTTOMA MISRA from THE PERIPHERAL CENTRE: VOICES FROM INDIA'S NORTHEAST (2010)

37_Women Writing in Times of Violence_cover

This essay uncovers how the writings of women have emerged as forms of protest in Assam, a region torn by political violence and prolonged militancy. For Tilottoma Misra, these voices are doing more than simply responding to a need to represent the marginalised; they are attempting to depict the trauma that the women experience in their lives. In discussing the power of the narrative, Misra lays out those aspects of traumatic events that a literary discourse can grasp more expansively than a strictly historical narrative.

Written by women during times of conflict, these stories and poems help explore nuances of the ways in which one's psyche is affected by the conflict. With a population facing discoveries of mass graves and an increasing breakdown of basic civic amenities, Misra poses urgent questions as to the role of the writer in such difficult times. 25 pp. Read more.

50.00

Tilottoma Misra is an academic and author. She formerly taught English Literature at Indaprastha College, New Delhi and Dibrugarh University, Assam. She was awarded the Ishan Puraskar by the Bharatiya Bhasha Parishad for her novel Swarnalata. Currently, she is writing on literature and society of eastern India and is engaged in a research project on customary law and women’s rights in Northeast India.

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FREE IN OCTOBER, WITH THE PURCHASE OF ANY OTHER ESSAY:

31_India as Home_cover

'INDIA AS HOME' by GEETANJALI SINGH CHANDA from INDIAN WOMEN IN THE HOUSE OF FICTION (2008)

Geetanjali Singh Chanda explores, in this essay, the idea of the nation and its representation as a house or home in postcolonial Indian English literature. The author identifies that this literature has a dual parentage that manifests in its narratives, where characters with fragmented identities negotiate to make India their home.

Chanda explores this depiction of ‘Indianness’ through three prominent literary works: Nayantara Sahgal’s Rich Like Us (1983), Meena Alexander’s Nampally Road (1991), and Arundhati Roy’s The God of Small Things (1997). She focuses on the treatment of history within these narratives, and the struggle of characters to reconcile their personal or national history with the post-colonial present. This is done by connecting the events in the text to a significant historical event – like the Indian Independence in 1947, or the Emergency of 1975. 37 pp. Read more.

Dr. Geetanjali Singh Chanda is a senior lecturer in the Women’s, Gender, and Sexuality Studies Programme at Yale University, USA. She has taught courses on globalization, autobiographies, family, cultural identity, popular culture, international feminisms and postcolonial India since 2001.

_____________________________________________________________________________________________________________

A note on pricing, frequency and format:

The e-Essays project is a new initiative from Zubaan, undertaken to make our near-fifteen years of feminist research more accessible to our readers and community. New essays are released in sets each month, curated to a theme; subscribers receive each curated set in their inbox. The essays range from just a few pages to 100-page chapters, and we've therefore created three pricing tiers: 50, 70 and 95 rupees. Responses to our test survey in March indicated that a majority of readers would be willing to pay up to Rs. 100, so we've kept even the longest essay under that amount. The vast majority of our readers also included PDFs in their preference of format, and we have accordingly standardised all our essays in PDF files.

If you're interested to see what's coming next, make sure you've joined our mailing list, and keep your eye out for the next mailer/blog post. Happy Reading!

#THROWBACKTHURSDAY | THE MOTHERS OF MANIPUR

tbt3

 Welcome to #ThrowbackThursday, a new series where we will revisit backlist titles one Thursday every month. This August, we’re looking at The Mothers of Manipur: Twelve Women Who Made History by Teresa Rehman.


About the book

tmomJuly 15, 2004, Imphal (Manipur): An amazing scene unfolds in front of Kangla Fort, the headquarters of the Assam Rifles, a unit of the Indian army. Soldiers and officers watch aghast as twelve women, all in their sixties and seventies, position themselves in front of the gates and then, one by one, strip themselves naked. The imas, the mothers of Manipur, are in a cold fury, protesting the custodial rape and murder, by the army, of Thangjam Manorama, a 32-year-old woman suspected of being a militant. The women hold aloft banners and shout, ‘Indian Army Rape Us’, ‘Take Our Flesh’.

In this book, journalist Teresa Rehman tells the story of these twelve women, the momentous decision they took, and how they carried it out with precision and care. In doing so she connects the reader to the broader history of conflict-torn Manipur and the courage and resistance of its people, in particular its women.


About the author

Teresa Rehman is an award winning journalist, and the founder-editor of The Thumb Print, a webzine with a special focus on India’s North-East. She has previously worked with India Today magazine, The Telegraph and Tehelka. Rehman also has a personal blog, www.teresarehman.net.


 Quotes from readers

 Award-winning journalist Teresa Rehman tells us the extraordinary story of otherwise ordinary women. Through meticulous reporting, she brings into focus a hitherto blurred, pixelated picture of collective action. [...] Through Rehman’s stories, a “hazy geo-political riddle in a remote corner” of India comes alive. We learn of its protest songwriters and poets. The Meira Paibis who keep vigil against social evils and human rights violations. The activism around HIV/AIDS. - Namita Bhandare, The Quint

The Mothers of Manipur fills a void. Rehman gives faces to those naked bodies and turns them into real women. They are little girls who grew up wanting to go to school, daughters who looked after families, wives who earned respect from their husbands or abandoned them, women who fought against injustice and for change in their societies, and friends who supported each other and sometimes failed in doing all these. They are activists, poets, actors, businesswomen. [...] As a feminist, I thank Rehman for this book. I think that her visits to the women and hearing their stories also gave the women a sense of pride. - Banamallika Choudhary, The Hoot

She (Rehman) weaves her interviews with the Imas (mothers) along with vignettes of Manipur’s society and culture. [.....] What emerges is a series of fascinating portraits of Manipuri women, negotiating for spaces to accommodate their various shades of activism in a very traditional society. - Freny Manecksha, The Wire.in

E-ESSAYS FROM ZUBAAN | 1 OCTOBER, NATION

Our e-Essays project is now LIVE!

Previously-released essays are available here, and each month a new essay is available for free with any other purchase. To be added to the mailing list, subscribe here! 

Our previous sets of e-Essays focused on Indian women's movements, sexual violence, domestic space and kinship, religion and conflict, state crimes and impunity, trauma, health and violence against women.

This set of essays considers how various conceptions of the ‘nation’/statehood — the Peshwai, the British Raj, the Indian state — have negotiated their relationship with their women ‘citizens’, and vice versa. Discussing how gendered and casteist social codes created paradigms for the ‘pure’ (Brahman, male) citizen (as exemplified by the Peshwai reign) in Indian polity, Uma Chakravarti chronologically points the way towards Radha Kumar’s essay, which engages with how women, when finally considered (future) citizens of a to-be-independent India, began to take part in civil disobedience and nationalist projects of the early 20th century. Farida Abdulla picks apart the ways in which independent India's nation-building project now re-negotiates, through violence and armed conflict, Kashmiri women’s citizenship as one forged in terror and precarious kinship. This month’s free essay is a complement to these others, focusing on the metaphor of the nation as home in Indian women’s writing.

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34_Towards Becoming The Mothers of the Nation_cover 1. 'TOWARDS BECOMING 'THE MOTHERS OF THE NATION'' by RADHA KUMAR, from THE HISTORY OF DOING: AN ILLUSTRATED ACCOUNT OF MOVEMENT FOR WOMEN'S RIGHTS AND FEMINISM IN INDIA, 1800-1990 (1999)

This chapter from The History of Doing focuses on the late nineteenth century and early twentieth century, when social reform movements in India were beginning to show results and women were becoming more visibly present in the public sphere. Kumar provides a thematic history of the women’s movement before independence, beginning with focusing on the 1889 session of the Indian National Congress in Bombay where ten women delegates attended the assembly for the first time.

Using photographs and a wide variety of print sources from books to newspapers, Kumar looks at how women’s issues were raised and how women were involved in addressing these. The essay discusses at length the steps taken to regulate prostitution by the British in India and the level of support this received from reformers and moderate nationalists. The turn of the century saw a proliferation of homes for widows, with schemes to train widows as teachers. The Swadeshi movement in Bengal during this time period marked the beginning of women’s participation in national activities on a larger scale. Kumar offers detailed portraits on the lives of some of the women involved in the above movements and reforms like Swarnakumari Debi, her daughter Sarala Debi Ghosal and Bhikaiji Cama.  21 pp. Read more.

50.00

Dr. Radha Kumar is the Chair of the United Nations University Council and the Director General of the think tank Delhi Policy Group. She has published various books and journal articles, and her work looks at ethnic conflicts, peacemaking and peacebuilding from a feminist perspective.

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32_A Life of Peace and Dignity_coverfixed2. 'A LIFE OF PEACE AND DIGNITY' by FARIDA ABDULLA from SPEAKING PEACE: WOMEN'S VOICES FROM KASHMIR (2002)

Written by Farida Abdulla, this essay is a personal account of her experience in Kashmir - before, during and after the enforcement of centralized government rule over the area. Born and brought up in Kashmir, she reflects on the seething resentment of people treated like more border territory than citizens of the country.

Through the essay Adulla looks at ‘what’ instead of ‘why’ – she does not delve into the historical context for the rule, but focuses on the effects of such a rule on the local population. By narrating two incidents strongly embedded in her mind, she attempts to show the complexity of the situation, and the pain and confusion of the people living there. 6 pp. Read more.

₹ 50.00

Farida Abdulla is professor, Educational Studies at the Jamia Millia Islamia in Delhi where she headed the same department from 2007-09. She has taught psychology and education in departments of Education of Jawaharlal Nehru University and at the Central Institute of Education of the University of Delhi.

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33_Caste, Gender and State in Eighteenth Century Maharashtra_cover

3. 'CASTE, GENDER AND THE STATE IN EIGHTEENTH CENTURY MAHARASHTRA' by UMA CHAKRAVARTI from REWRITING HISTORY: THE LIFE AND TIMES OF PANDITA RAMABAI (1998)

This essay discusses caste, gender and the state, and the relationship between the three in the context of militarisation under Peshwa rule in eighteenth century Maharashtra. Analysing materials available in the Peshwa daftar, Uma Chakravarti illustrates the different ways in which the state played a decisive role in upholding the caste system and in installing social codes to legitimise women’s sexuality.

Chakravarti points out how the Peshwa state upheld Brahmanical social order by prohibiting ‘untouchables’ from approaching the temple of Vithoba (which also housed a shrine for Chokhamela, a saint belonging to the Mahar community), threatening punishment if they failed to conform. She also explores ideological structures of enforced widowhood, the difference in punishment that women and men who committed adultery faced, and the role of the state in arranging marriage for girls between ages seven and ten. Connecting caste with women’s sexuality, the essay gestures towards Brahmanya’s investment in the undiluted purity of its women. 42 pp. Read more.

Dr. Uma Chakravarti is a feminist historian who taught at Miranda House, Delhi University. She writes on Buddhism, early Indian history, the 19th century and on contemporary issues.

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FREE IN OCTOBER, WITH THE PURCHASE OF ANY OTHER ESSAY:

31_India as Home_cover

'INDIA AS HOME' by GEETANJALI SINGH CHANDA from INDIAN WOMEN IN THE HOUSE OF FICTION (2008)

Geetanjali Singh Chanda explores, in this essay, the idea of the nation and its representation as a house or home in postcolonial Indian English literature. The author identifies that this literature has a dual parentage that manifests in its narratives, where characters with fragmented identities negotiate to make India their home.

Chanda explores this depiction of ‘Indianness’ through three prominent literary works: Nayantara Sahgal’s Rich Like Us (1983), Meena Alexander’s Nampally Road (1991), and Arundhati Roy’s The God of Small Things (1997). She focuses on the treatment of history within these narratives, and the struggle of characters to reconcile their personal or national history with the post-colonial present. This is done by connecting the events in the text to a significant historical event – like the Indian Independence in 1947, or the Emergency of 1975. 37 pp. Read more.

Dr. Geetanjali Singh Chanda is a senior lecturer in the Women’s, Gender, and Sexuality Studies Programme at Yale University, USA. She has taught courses on globalization, autobiographies, family, cultural identity, popular culture, international feminisms and postcolonial India since 2001.

_____________________________________________________________________________________________________________

A note on pricing, frequency and format:

The e-Essays project is a new initiative from Zubaan, undertaken to make our near-fifteen years of feminist research more accessible to our readers and community. New essays are released in sets each month, curated to a theme; subscribers receive each curated set in their inbox. The essays range from just a few pages to 100-page chapters, and we've therefore created three pricing tiers: 50, 70 and 95 rupees. Responses to our test survey in March indicated that a majority of readers would be willing to pay up to Rs. 100, so we've kept even the longest essay under that amount. The vast majority of our readers also included PDFs in their preference of format, and we have accordingly standardised all our essays in PDF files.
If you're interested to see what's coming next, make sure you've joined our mailing list, and keep your eye out for the next mailer/blog post. Happy Reading!
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