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This story of extraordinary courage and survival is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This is the story of Baby Halder, a young woman working as a domestic in a home in Delhi. Hurriedly married off at the age of twelve, a mother by the time she was fourteen, Baby writes movingly and evocatively of her life as a young girl, and later as a young woman. The long absences of her father, the hardships faced by her mother, and her decision to walk out of her marriage, leaving Baby and her sister to manage the household, were the realities that shaped Baby's early life.When marriage came, Baby, still a child, yearned to play and study, but was burdened with the responsibility of being wife and mother while facing considerable violence from her husband. Escape finally came many years later, by which time the still young Baby was a mother of three, and she fled to the city in the hope of finding a job. Working in Delhi as a domestic help, Baby was lucky enough to come across an employer who encouraged her to read -- which she did voraciously -- and then to write. The story of Baby's life is a lesson in courage and survival.
Since it was first published in Hindi, this book has become a bestseller, receiving accolades from some of the best-known writers and critics in India and elsewhere. It has also been translated into other Indian languages.
Baby Halder is a writer and a domestic worker who lives and works in a home near Delhi. She is now working on her second book.
Urvashi Butalia is a publisher and writer whose work includes the award-winning oral history of Partition, The Other Side of Silence: Voices from the Partition of India.
In the third of the Foxy Four adventures, Charu, Padma, Jahan and Mandy are at it again: solving mysteries, breaking the rules, dodging eagle-eyed gatekeepers, careening around in Aunt Razia’s car, and driving their school principal crazy!
Travel with our four feisty friends to a crumbling old haveli in Bhopal; to the Kalakshetra dance school in Chennai; pandal-hopping at Durga Puja; and crime-busting in the gullies of Old Delhi.
Each story is narrated by one of the girls. Mandy, the fashionista babe, reveals a surprising brain beneath that perfect hair. Padma may be a computer geek, but she knows a thing or two about classical dance. Jahan seems like the cool-headed type, but even she gets the shivers in a haunted haveli. And then there’s Charu, who everyone knows, is just destined to be a writer...
Meet Squiggle—curious, confused and crazy!
Squiggle is confused. She doesn’t know quite what she is! So she sets off through the pages of a notebook in search of answers. Is she a comma or colon? A question mark? Surely not an exclamation! Splash, run, bump, trip and swing with her until she finds her own kind.
Natasha Sharma’s delightful book introduces young readers to the correct way to use punctuation in this deliciously comic tale. The book also includes a section with pointers on punctuation, interesting facts from history, and mayhem brought about by incorrect punctuation.
Jump into this adventure with Squiggle and you’ll never lose that comma again!
A great, fun book for teaching children about punctuation in the English language!
The dark legacies of Partition have cast a long shadow on the lives of the people of India, Pakistan and Bangladesh. The borders that were drawn in 1947, and redrawn in 1971, divided not only nations and histories but also families and friends. The essays in this volume explore new ground in Partition research, looking into areas such as art, literature, mirgation, and notions of ‘foreignness’ and ‘belonging’. It brings focus to hitherto unaddressed areas of Partition, just as the northeast and Ladakh. Contributors include: Sanjb Baruah | Sarah Ghani | Vishwajyoti Ghosh | Sanjeev Jain | Sukeshi Kamra | Rita Kothari | Kavita Panjabi | Prajna Paramita Parasher | Tarun K. Saint | Alok Sarin | Amiya Sen | Jhuma Sen | Jyotirmaya Sharma | Siddiq Wahid | Andrew Whitehead
With a domestic market of around 70 billion dollars, the Indian fashion industry employs over 60 million people and accounts for a sizeable chunk of the country’s GDP. Despite this, models—the most visible yet voiceless actors of the industry—are rarely given the recognition they deserve. It is this overlooked demographic that forms the focus of Manjima Bhattacharjya’s remarkable study, bringing these women’s voices and perspectives to us.
Tracing the rise of the modelling and beauty industry from the 1960s to the present day, Bhattacharjya argues that modelling is work, and should be recognized as such. At the heart of the book lies a difficult question: should the industry be seen as objectifying women or as acknowledging their agency? Mannequin is also an individual’s personal exploration of the changing relationship between fashion and feminism.
“This book does an impossible thing — bridge the gap between fashion and feminism. Manjima Bhattacharjya offers us a sweeping history of India’s beauty industry, but more precious are the stories she brings from behind the catwalk — stories from small towns, stories of osmosis, desire, and ultimately, empowerment. “
—Tishani Doshi, poet and writer
“Mannequin attempts to decode the link between fashion and feminism and emerges as an important voice in the struggle toward empowerment through its intensive research and empathy.”
—Nonita Kalra, editor, Harper’s Bazaar India
“An extraordinary and unputdownable deep dive into the fascinating world of Indian fashion.”
—Sonia Faleiro, author of The Girl and Beautiful Thing: Inside the Secret World of Bombay’s Dance Bars
Manjima Bhattacharjya is a feminist researcher, writer and activist. She has been part of the Indian women’s movement for over two decades. She holds a PhD in sociology. Her areas of specialization include gender and sexuality, and labour and the body. Her first book, an edited volume Sarpanch Sahib was long-listed for the Crossword Best Non-Fiction Book of 2009. She has written for several publications including the Times of India, ELLE and Info-change India. She lives and works out of Mumbai. Find her on Twitter @manzibarr.
Shardaben's autobiography, originally written in Gujarati and published in 1938, describes the life of an Indian woman at the turn of the twentieth century. She describes her childhood, and her innermost feelings and emotions. Despite considerable opposition from society, in 1902, Shardaben and her sister became the first women graduates in Gujarat. This marked the beginning of her lifelong commitment to the cause of women's education. Here, she documents both that and the political and social changes that were sweeping over India. For over half a century, she and her husband interacted and worked in close association with many important political leaders and literary figures of India.
Purnima Bhatt is a Professor of History, Anthropology and Interdisciplinary Studies at Hood College, U.S.A. Her publications include Scholar's Guide to Washington, D.C., African Studies and Sharadabehn Mehta: Una Mujer Exceptional en al India de su Tiempo.
Svati Joshi is Professor of English Literature at Miranda House College, Delhi University.
In 2008, when the Azad Foundation, an NGO based in Delhi, began training poor women to become drivers of commercial and private vehicles, most people thought they were somewhat out of touch with reality. Poor, illiterate women, many of them from violent homes, some of them single mothers, others from families and communities which had never allowed women to step out of the home – how could these women take the wheel, drive around in unsafe cities, be confident and competent, earn money? At the time, there was only one known woman auto driver in Delhi. When Azad turned to radio cab companies to suggest they take in women drivers, there wasn’t much interest. Today, more than 300 women drivers have received training from Azad and are on the roads of several cities. Nine years after radio companies turned Azad away, special services or women with women drivers are being introduced within these same companies. In 2015, the Delhi Transport Corporation got its first woman driver, and in 2016, the Delhi Commission for Women recruited 25 women drivers to be part of their women’s helpline. Clearly, things are changing.
Lady Driver maps the journeys of twelve women from poor, marginalized communities who have transformed their lives by taking up the challenge of becoming women drivers. Each story is unique; there’s no Cinderella effect here. Reality does not change overnight. Instead, as the women featured here painstakingly claim a relationship with the road, it translates into claims for identity, for dignity, for a livelihood. Their stories are about beginnings, but have no endings – there is still quite a way to drive. OR – there are many kilometres to drive yet.
This landmark collection on colonial history is now available in a brand new edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
This collection of essays stands at an unarticulated conjuncture within the feminist movement and women's studies that have emerged in India since the 1970s. The anthology attempts to explore the inter-relation of patriarchies with political economy, law, religion and culture and to suggest a different history of 'reform' movements, and of class and gender relations. The book seeks to uncover the dialectical relation of feminism and patriarchy both in the policies of the colonial State and the politics of anticolonial movements. The writers in this volume include scholars from various disciplines.
Kumkum Sangari and Sudesh Vaid taught literature at Indraprastha College for Women, Delhi University. Together they have edited a collection of essays entitled Women and Culture and have carried out extensive research on widow immolation in Rajasthan.
In the early nineteen thirties Ayi Tendulkar, a young journalist from a small town in Maharashtra, travelled to Germany to study. Within a short time he married Eva Schubring, his professor's daughter. Soon after the short-lived marriage broke up, Tendulkar, by now also a well-known journalist in Berlin, met and fell lin love with the filmmaker Thea von Harbou, divorced wife of Fritz Lang, and soon to be Tendulkar's wife.
Many years his senior, Thea became Tendulkar's support and mainstay in Germany, encouraging and supporting him in bringing other young Indian students to the country. Hitler's coming to power put an end to all that, and on Thea von Harbou's advice, Tendulkar returned to India, where he became involved in Gandhi's campaign of non-cooperation with the British and where, with Thea's consent, he soon married Indumati Gunaji, a Gandhian activist.
Caught up in the whirlwind of Gandhi's activism, Indumati and Tendulkar spent several years in Indian prisions, being able to come together as a married couple only after their release -- managing thereby to comply with a condition that Gandhi had put to their marriage, that they remain apart for several years 'to serve the nation?. In this unique account, Indumati and Tendulkar's daughter, Laxmi Tendulkar Dhaul, traces the turbulent lives of her parents and Thea von Harbou against the backremove of Nazi Germany and Gandhi's India, using a wealth of documents, letters, newspaper articles and photographs to piece together the intermeshed histories of two women, the man they loved, their own growing friendship and two countries battling with violence and non-violence, fascism and colonialism.
"Few children are capable of writing about their parents' lives with empathy and clinical precision." --Somak Ghoshal, Live Mint
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
One of Hindi's best known writers, Prabha Khaitan spent much of her life as the 'second' woman in a long-term relationship with a married man. Born in a conservative Marwari family, she defied tradition and family expectations, insisting on living life as a single woman, setting up her own business and earning the respect of her peers and colleagues in the corporate world. Despite her yearning to be loved and cherished by the man to whom she gave her life, Prabha Khaitan lived life on her own terms.
With a frankness that is rare in the world of Hindi autobiographical writing by women, Prabha Khaitan here speaks of her feelings, her sense of discomfort and unease at not being the 'legitimate' woman, about what she gained and lost from a relationship that was generally frowned upon by society and how she fought to become her own woman. In doing so, she reflects on marriage, relationships, intimacy and distance, the professional and the personal, and the ways in which women are caught within these often conflicting forces.
"Prabha Khaitan's story of her life and times is possibly one of the most honest books I have ever read. Sometimes it cuts too close to the bone for middle class comfort, unsettling the safety net and entitlements of complacency and convenience. All her life, she swam upstream, defying convention, defying prejudice, questioning choices." -- Namita Gokhale
"One of the most arresting things about feminist writer and poet Prabha Khaitan's autobiography is its naked narrative and almost poetic vulnerability. Simply written, the narrative flows languorously."-- Prerna Kalbag, The Hindustan Times
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
This is the life story of Subbalakshmi married at 11 years of age and a mother at 14 in the early 20th century. Hers is yet another instance in the long annals of women whose aspirations, abilities, selfhood, the right to dream and to rebel have been snuffed out by patriarchy.
Mythily Sivaraman, a political and social activist of thirty years standing is currently the National Vice-President of the All India Democratic Women's Association. She is the granddaughter of Subbalakshmi
This richly descriptive and deeply philosophical novel from Bhutan is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
As a young girl, Tsomo asks her mother, "Where is the furthest I can travel?"
"Where," her mother responds, "I don't know. Where can a girl travel to?"
Caught in the everyday reality of household life, fifteen-year-old Tsomo is suddenly called upon to travel when her mother dies. She makes her first journey to a faraway village to light the ritual butter lamps in her mother?s memory. Beginning here, her travels take her to distant places, across Bhutan and into India. As she faces the world, a woman alone, Tsomo embarks on what becomes a life journey, in which she begins to find herself, and to grow as a person and a woman.
The first novel by a woman to come out of the Himalayan kingdom of Bhutan, The Circle of Karma, written in English, is rich in detailed descriptions of ritual life. The measured pace of its prose, the many nuances of the story, the different levels at which the narrative works, weave a complex tapestry of life in which the style and content are closely interwoven, each informing and enriching the other.
Kunzang Choden is one of Bhutan's foremost writers. In her early fifties, she has written a number of short stories and has also published collections of folk tales from Bhutan. This is her first novel.
"Kunzang Choden has given us an unforgettable tale of a simple woman's pilgrimage and journey to self-realisation." -- Anna Sujata Mathai, The Hindu
On Feb 6th 2003, Anjum Zamarud Habib, a young woman political activist from Kashmir, was arrested in Delhi and jailed under the Prevention of Terrorism Act (POTA). Her crime? Being in the wrong place at the wrong time. And being the Chairperson of the Muslim Khawateen Markaz and in that capacity, a member of the Hurriyat Conference.
In this passionate and moving account of her days in prison, Anjum Zamarud Habib describes the shock and bewilderment of arrest, the pain of realizing that there is no escape for not days, not weeks, but years, the desperation for contact with the outside world and the sense of deep betrayal at being abandoned by her political comrades. Her story is both a searing indictment of draconian state policies and expedient political practices, and a moving account of one woman's extraordinary life.
"Prisoner No 100 illuminates the darkest corners of Kashmir's political experience. A brilliant critique of patriarchy in politics, a searing tale of the terrible humiliations visited upon political prisoners, a poignant story of a woman who dedicated her life to political change in Kashmir, a passionate love letter to Kashmir. Everyone interested in Kashmir should read it." -- Basharat Peer, author of Curfewed Nights
This collection of mind-expanding stories is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary.
Already a name in the world of science fiction and fantasy writing, Vandana Singh presents her first collection of stories, bringing this unique imagination to a wider audience. In the title story, a woman tells her husband of her curious discovery: that she is inhabited by small alien creatures. In another, a young girl returning home through the streets of Delhi comes across a mysterious tetrahedron: is it a spaceship? Or a secret weapon? Each story in this fabulous collection opens up new vistas -- from outer space to the inner world -- and takes the reader on an incredible journey to both
"A most promising and original young writer" -- Ursula K. LeGuin, author of The Earthsea Trilogy
"I'm looking forward to the collection despite the fact that I haven't actually read that much of Singh's work, or perhaps because of that fact, because everything I've read has impressed me -- the past and future visions in 'Delhi', the intensity of 'Thirst', the feeling of escape at the end of 'The Tetrahedron'..." -- Niall Harrison, Vector (British Science Fiction Association)
"...attracts all the inadequate adjectives reviewers pull out when rendered nearly speechless: beautiful, evocative, mysterious, brilliant, stunning..." -- www.sfsite.com
"...the first writer of Indian origin to make a serious mark in the SF world, ... she writes with such a beguiling touch of the strange." -- Nilanjana Roy, Business Standard
"Singh says that speculative fiction has a 'unique, revolutionary potential'. If so, The Woman Who Thought She Was a Planet is as enjoyable as a revolutionary text you're likely to find." -- Jess McCabe, The F Word.
Part memoir, part oral testimony, part eyewitness account, Binodini's The Maharaja's Household provides a unique and engrossingly intimate view of life in the erstwhile royal household of Manipur in northeast India. It brings to life stories of kingdoms long vanished, and is an important addition to the untold histories of the British Raj.
Maharaj Kumari Binodini Devi, who wrote under the single name of Binodini, published The Maharaja's Household as a series of essays between 2002 and 2007 for an avid newspaper reading public in Manipur. Already celebrated across the state for her award-winning novel, short stories, and film scripts, Binodini entranced her readers anew with her stories of royal life, told from a woman's point of view and informed by a deep empathy for the common people in her father's gilded circle.
Elephan hunts, polo matches and Hindu temple performances form the backdrop for palace intrigues, colonial rule and White Rajahs. With gentle humour, piquant obersavations and heartfelt nostalgia, Binodini evokes a lifestyle and era that is now lost. Her book paints a portrait of the household of a king that only a princess - his daughter - could have written.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
This wide-ranging collection of voices from India's Northeast is now available in a brand new paperback edition as part of the Zubaan Classics series to celebrate Zubaan's 10th anniversary
When Thangjam Manorama was arrested and killed by the Assam Rifles in July 2004 in Manipur, it unleashed a protest likes of which no one had witnessed before. This was one of the triggers for this collection - to provide a space for women and men from the 'Northeast' to tell us about the issues that confronted them daily, to talk about the pressures, the insecurities, the uncertainties confronting them in an area that has been facing low intensity warfare for decades.
The anger and the frustrations of the Manipuri women who staged that dramatic protest after Manorama's killing have in many ways been vindicated. Each essay in this book brings to mind that troubling image, each contributor points to the Manipuri women, holding them up as a flag of rebellion, of protest, of questioning. Each essay questions issues of nation, identity, of what makes the people of the Northeast so alienated from the 'mainstream'.
Many contributors are writers, academics or activists from the Northeast but there are many are, like the editor, 'outsiders'. But outsiders who share a passion for the region and an intense desire to see change, to see peace.
"It's impossible to cover the import of all the essays in the span of one review. But in short, the book is a brave attempt to cover just about everything there is to know about the region from a concerned citizen's point of view."-- Susan Abraham, DNA
Best known as a young revolutionary who took up arms against the British establishment, Bina Das numbers among the heroes of Indian history - alongside Bhagat Singh, Rajguru, Preetilata Wadedar - who took up arms against the colonisers.
This short memoir movingly recounts the story of her involvement in the shooting of the British Governor of Bengal, Stanley Jackson, at the Annual Convocation Meeting of Calcutta University in 1932, her subsequent incarceration, and her growing involvement in politics.
Despite her importance in Indian history, Bina Das disappeared from public view in later life and is rumoured to have passed away in Rishikesh in early 1997. This account captures the early years of her life and gives insights into the context and history of the times that inspired Bina to take the path that she chose.
July 15, 2004, Imphal (Manipur): An amazing scene unfolds in front of Kangla Fort, the headquarters of the Assam Rifles, a unit of the Indian army. Soldiers and officers watch aghast as twelve women, all in their sixties and seventies, position themselves in front of the gates and then, one by one, strip themselves naked. The imas, the mothers of Manipur, are in a cold fury, protesting the custodial rape and murder, by the army, of Thangjam Manorama, a 32-year-old woman suspected of being a militant. The women hold aloft banners and shout, ‘Indian Army Rape Us’, ‘Take Our Flesh’. Never has this happened before: the army is appalled. Very soon, news of the protest goes viral. People around the country are shocked. Can this be possible? A naked protest in India by mothers?
In this unusual book, journalist Teresa Rehman tells the story of these twelve women, the momentous decision they took, and how they carried it out with precision and care. In doing so she connects the reader to the broader history of conflict-torn Manipur and the courage and resistance of its people, in particular its women.
When Younguncle and his family head off on a Himalayan holiday, you know the hills are never going to be the same again. Carrying a message from the monkeys of the plains to their mountain-dwelling relatives, Younguncle and the three children embark on a series of hilarious encounters at the gloomy, mysterious and haunted Hotel Pine-Away.
As Younguncle chats with the monkeys, debates the true nature of reality with an off-beat sect of Quantum Banana Spiritualists, the fate of the picturesque little valley hangs in the balance. Who is the strange Rat-girl, who charms the rodents out of their hotel? Can the children and their eccentric uncle thwart the plans of that 50-Lakh Bridegroom, Pradeep Dalmakhni? Can Younguncle help Dalmakhni’s intended bride to escape a fate worse than death? Or has he, finally, met his match?
For all those who have been enchanted by Younguncle in the first book, this new adventure will be a delight. And if you haven’t met him before—Younguncle will be a friend for life!
Vandana Singh was born and raised in New Delhi. As a teenager, she acquired a life-long interest in peace and environmental issues, and was one of the founders of the environmental NGO, Kalpavriksh. She obtained a doctoral degree in Physics from the United States where she now lives with her family, teaching physics in a local college, and writing fiction for children, and science fiction/fantasy for adults.
An excellent choice for fans of stories featuring strange goings-on, like stories by Roald Dahl, or Ruskin Bond's Rusty.
At twenty-one, Deen is dismayed by the poverty around him and trapped in negativity. Alienated from family and society, heroin is his drug of choice.
Deen and his partner in crime, AJ, ride high on acid and amphetamines, philosophize in the university canteen, party in a politician’s posh pad and contemplate God at a roadside tea stall. From Maria, a chemically imbalanced diva, to a rickshaw-walla who reflects on the importance of positive energy, to a group of fakirs who sing about love, and a detective who has his own take on addiction, the characters in Shazia Omar’s debut novel crackle with life.
They represent the despair, hopes and aspirations of a generation struggling to survive in the harsh realities of life in modern Dhaka. Hard-hitting and intensely moving, this is an extraordinary novel, and one that is destined to launch Omar as a major contemporary voice from South Asia.
"Shazia Omar's energetic debut novel heralds a new voice in Bangaldeshi fiction. Located in the urban chaos of Dhaka city, Like a Diamond in the Sky shines a light on the crime, drug addiction, love, and loneliness at the heart of the modern metropolis."- TAHMIMA ANAM, author of A Golden Age
A moving memoir by one of the most highly respected and important authors from India’s Northeast.
Temsula Ao was born in 1945 in the Assamese town of Jorhat. Her happy childhood with her five siblings was cut tragically short with the deaths of both their parents. Desperately poor, emotionally scarred, lonely and often hungry, the young Temsula made up for her lack of resources with courage and determination.
From these unpromising beginnings, Ao went on to build a distinguished teaching career, serving as Director of the Northeast Zone Cultural Centre, and finally Dean of the School of Humanities and Education, North- Eastern Hill University, Shillong.
Temsula Ao describes the book as “an attempt to exorcise my own personal ghosts from a fractured childhood that was ripped apart by a series of tragedies... [it] is about love and what it is like to be deprived of it.”
For her readers, Ao’s memoir gives not only an insight into her role as a leading figure in the Northeast, but is also a moving account of a writerly life.
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