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In 2008, when the Azad Foundation, an NGO based in Delhi, began training poor women to become drivers of commercial and private vehicles, most people thought they were somewhat out of touch with reality. Poor, illiterate women, many of them from violent homes, some of them single mothers, others from families and communities which had never allowed women to step out of the home – how could these women take the wheel, drive around in unsafe cities, be confident and competent, earn money? At the time, there was only one known woman auto driver in Delhi. When Azad turned to radio cab companies to suggest they take in women drivers, there wasn’t much interest. Today, more than 300 women drivers have received training from Azad and are on the roads of several cities. Nine years after radio companies turned Azad away, special services or women with women drivers are being introduced within these same companies. In 2015, the Delhi Transport Corporation got its first woman driver, and in 2016, the Delhi Commission for Women recruited 25 women drivers to be part of their women’s helpline. Clearly, things are changing.
Lady Driver maps the journeys of twelve women from poor, marginalized communities who have transformed their lives by taking up the challenge of becoming women drivers. Each story is unique; there’s no Cinderella effect here. Reality does not change overnight. Instead, as the women featured here painstakingly claim a relationship with the road, it translates into claims for identity, for dignity, for a livelihood. Their stories are about beginnings, but have no endings – there is still quite a way to drive. OR – there are many kilometres to drive yet.
July 15, 2004, Imphal (Manipur): An amazing scene unfolds in front of Kangla Fort, the headquarters of the Assam Rifles, a unit of the Indian army. Soldiers and officers watch aghast as twelve women, all in their sixties and seventies, position themselves in front of the gates and then, one by one, strip themselves naked. The imas, the mothers of Manipur, are in a cold fury, protesting the custodial rape and murder, by the army, of Thangjam Manorama, a 32-year-old woman suspected of being a militant. The women hold aloft banners and shout, ‘Indian Army Rape Us’, ‘Take Our Flesh’. Never has this happened before: the army is appalled. Very soon, news of the protest goes viral. People around the country are shocked. Can this be possible? A naked protest in India by mothers?
In this unusual book, journalist Teresa Rehman tells the story of these twelve women, the momentous decision they took, and how they carried it out with precision and care. In doing so she connects the reader to the broader history of conflict-torn Manipur and the courage and resistance of its people, in particular its women.
This delightful, and insightful, tale is told by one of Bhutan's leading writers, Kunzang Choden. "Neypo shong gna? Is there room for me?" a wandering monk asks the little old lady who lives on the hill. The question is repeated again and again as more and more visitors remove by. The kind lady welcomes them in, one by one. And the story ends with the teaching: “There will always be room in your home, as long as there is room in your heart.”
Along with Aunty Mouse, this charming picture book makes perfect bedtime reading for youngsters, and is beautifully illustrated with evocative watercolours of the Bhutanese landscapes and people by Pema Tshering.
A heartwarming tale about the importance of kindness.
India is changing.
At the heart of the change are its women.
The change is widespread and varied, individual and collective and is reflected across the spectrum of women’s lives, whether in politics or in economics, in their daily lives, in business, or the field of work within the home and outside.
This book attempts to map – in words and photographs – some of the change that is both visible and invisible in the India of today. Six writers from India write the stories that six photographers from the world-renowned Magnum
Photos Agency capture. Their beautiful and evocative photographs focus on the world of women working with microcredit, participating in grassroots governance, moving into new jobs, working behind the scenes in the male world of the Mumbai film industry, making their individual contributions in varied fields and imagining a new future for themselves and their sisters.
Published to celebrate 150 years of BNP Paribas in India and to mark the 25th anniversary of the feminist publishing house, Kali for Women/Zubaan,
Women Changing India offers a window into the lives of women living in India today and brings to public attention their complex realities and their aspirations for a better world.
Maharaja Icky is quite the most disgusting King you’ll ever have the misfortune to meet. The ruler of the kingdom of Icktapur regales all with his utterly vile table manners.
While he sits licking curry from hand to elbow and juggling rosogullas, his beloved nail-nibbling queen Maharani Yucky, joins him. Banned from using spoons or nail cutters, the people of Ickhtarpur are at their wits’ end. But their hopes rise when the announcement comes that the Maharani is expecting a little baby...
With gleefully gross illustrations by highly acclaimed children’s illustrator Anitha Balachandran, Icky, Yucky, Mucky! will have children squirming in their chairs and yelling with delight. And perhaps, learning a lesson or two in table manners!
A stunningly illustrated picture book that tells the tale of King Icky, the slobbish King of Ickhtarpur.
In Suki, fabulist Suniti Namjoshi weaves a delightful tapestry from threads of longing, loss, memory, metaphor, and contemplation. The whole picture is a stunning evocation of the love and friendship shared between S and her Super Cat, Suki, a lilac Burmese. Suki suggests that she could be a goddess, and S her high priestess. S declines, but as they discuss the merits of vegetarianism, or the meaning of happiness, or morality, or just daily life, it soon becomes clear that the bond between them is a deep and complex one. The days of Suki's life are figured as leaves, which fall vividly but irrevocably into time's stream and are recollected with a wild tenderness by the grieving S, who learns through the disciplines of meditation how to lose what is most loved.
This beautiful narrative, both memoir and elegy, offers solace and celebration to everyone who has felt the trust that passes between a person and a beloved creature.
A thematic history of the women's movement in India both before and after independence, this book covers the period from the nineteenth century to the present day. It looks at how women's issues were raised, initially by men and as part of the movements for social reform, and then with the involvement of women in the nationalist movement, by women themselves. Using photographs, old and new documents, excerpts from letters, books and informal writings, the author documents the growing involvement of women and the formation of the early women's organizations, she examines the foregrounding of the `women's issue' during the reform and nationalist movements and its subsequent disappearance from the agenda of public debate until the post independence period of the sixties and seventies when it surfaces again.
Radha Kumar is Senior Fellow and Director of the project on Ethnic Conflict, Partition and Post-Conflict Reconstruction at the Council on Foreign Relations in New York. She is author of Divide and Fall: Bosnia in the Annals of Partition. She was formerly Executive Director, Helsinki Citizen's Assembly.
How can women live fully? If autonomy is critical for humans, why do women have little or no choice vis-à-vis motherhood? Do women know they have a choice, if they do? How 'free' are these choices in a context where the self is socially mired and deeply enmeshed into the familial? What are implications of motherhood on how human relatedness and belonging are defined?
These questions underlie Amrita Nandy's remarkable research on motherhood as an institution, one that conflates 'woman' with 'mother' and 'personal' with 'political'.
As the bedrock of human survival and an unchallenged norm of 'normal' female lives, motherhood expects and even compels women to be mothers—symbolic and corporeal. Even though the ideology of pronatalism and motherhood reinforce reproductive technology and vice versa, the care work of mothering suffers political neglect and economic devaluation. However, motherhood (and non-motherhood) is not just physiological. As the pivot to a web of heteronormative institutions (such as marriage and the family), motherhood bears an overwhelming and decisive influence on women's lives. Against the weight of traditional and contemporary histories, socio-political discourse and policies, this study explores how women, as embodiments of multiple identities, could live stigma-free, 'authentic' lives without having to abandon reproductive 'self'-determination.
A moving memoir by one of the most highly respected and important authors from India’s Northeast.
Temsula Ao was born in 1945 in the Assamese town of Jorhat. Her happy childhood with her five siblings was cut tragically short with the deaths of both their parents. Desperately poor, emotionally scarred, lonely and often hungry, the young Temsula made up for her lack of resources with courage and determination.
From these unpromising beginnings, Ao went on to build a distinguished teaching career, serving as Director of the Northeast Zone Cultural Centre, and finally Dean of the School of Humanities and Education, North- Eastern Hill University, Shillong.
Temsula Ao describes the book as “an attempt to exorcise my own personal ghosts from a fractured childhood that was ripped apart by a series of tragedies... [it] is about love and what it is like to be deprived of it.”
For her readers, Ao’s memoir gives not only an insight into her role as a leading figure in the Northeast, but is also a moving account of a writerly life.
The Sexual Violence and Impunity in South Asia research project (coordinated by Zubaan and supported by the International Development Research Centre) brings together, for the first time in the region, a vast body of knowledge on this important – yet silenced – subject. Six country volumes (one each on Bangladesh, Nepal, Pakistan, Sri Lanka, and two on India) comprising over fifty research papers and two book-length studies detail the histories of sexual violence and look at the systemic, institutional, societal, individual and community structures that work together to perpetuate impunity for perpetrators.
This volume focuses on Bangladesh, a nation born in 1971, in a birth that was as marked by bloodshed as it was by sexual violence. The history of widespread sexual violence, and incidents of sexual slavery, as well as the absence of accountability for the perpetrators, is by now well known. The essays here address the structural dynamics of impunity at the individual and societal levels, looking not only at the conditions that go into its creation, but also the elements that fuel it. They ask what helps it to become so embedded and point to its human, global and national costs. Together they explore the ways in which the women’s movement and feminist practice have worked to demand accountability and recognition for the victims and survivors of sexual violence, challenging the impunities embedded in the patriarchal structures of Bangladeshi society. In doing so, they bear witness to the continuing efforts of women’s groups in Bangladesh to give this crucial issue the attention that it deserves, for without that, justice for victims and survivors, will remain elusive.
The midnight knock on the door and the disappearance of a loved one into the hands of authorities is a 20th-century horror story familiar to many destined to “live in interesting times.” Yet, some stories remain untold. Such is the account of the internment of ethnic Chinese who had settled for many years in northern India. When the Sino-Indian Border War of 1962 broke out, over 2,000 Chinese-Indians were rounded up, placed in local jails, then transported over a thousand miles away to the Deoli internment camp in the Rajasthan Desert.
Born in Calcutta, India, in 1949, and raised in Darjeeling, Yin Marsh was just thirteen years old when first her father was arrested, and then she, her grandmother and her eight-year-old brother were all taken to the Darjeeling Jail, then sent to Deoli. Ironically, Nehru – India’s first Prime Minister and the one who had authorized the mass arrests – had once “done time” in Deoli during India’s war for independence. Yin and her family were assigned to the same bungalow where Nehru had also been unjustly held.
Eventually released, Yin emigrated to America with her mother, attended college, married and raised her own family, even as the emotional trauma remained buried. When her own college-age daughter began to ask questions and when a friend’s wedding would require a return to her homeland, Yin was finally ready to face what had happened to her family.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
A little chicken is in a hurry!
Choozu Mian is a special little chicken — or so he thinks!
As he hurries off to the King's Palace, he meets Fire, Wind and Water, each of whom is in trouble. But he's in too much of a rush to stop and help them.
But when he's in the soup, will anyone come to his rescue?
The Magic Key is a series of illustrated folktales retold by India's third President, Dr Zakir Hussain. 'For all children,' he wrote, 'the first books they read are the key to the magic of the world.' Translated into English by the author's great-granddaughter Samina Mishra, these books will delight anyone learning to read for the first time, and are perfect for parents and teachers to read aloud.
Fateema opened her diary and began writing: “Jihad as mentioned by the Prophet is a war against injustice and oppression. Islam means peace and surrender. Islam does not recommend killing innocent people. The Prophet released hundreds of slaves from bondage and sent themback to their native land.”
There was a lot more she could write. She would one day. Not for others, but to her own people she would explain the meaning of the word ‘Islam’.
For a bright young woman like Fateema Lokhandwala, the idea that one day she might own her own house is a daring dream. Her father has spent his life, slaving away selling scrap metal so that his children might ‘jump the fence of poverty and illiteracy’. Fateema dreams not only of owning her own house, but of higher education, a better job, a wider world. Her brother, Kareem, is persuaded down a very different path – to join the jihad, to become a holy warrior.
Ila Arab Mehta’s moving and sharply observed novel follows one woman’s struggle to find her way in a world torn by communal violence, to reconcile her conflicting loyalties to her family and friends, to find a place that she can ultimately call ‘home’, a place where fences –between communities, between people – are no longer necessary.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
This is the memoir of a remarkable woman, Begum Kurshid Mirza, the daughter of Sheikh Abdullah and Waheed Jahan Begu, the founders of Aligarh Women's College. An intimate of an upper class Muslim family in India and Pakistan from until the recent past, this narrative is much more than an account of Kurshid Mirza's personal life. It spans the years from 1857 to 1983 and provides an insight into the the social conditions of Indian Muslims, the state of Muslim women's education, and the transition to Pakistan, while illuminating Kurshid Mirza's rich and tried life as an actor, activist, radio and TV artiste, a writer, a devoted daughter, wife and mother. Kurshid Mirza's vitality and dynamism, her pioneering spirit and unconventionally led her to leave the cloistered world of Aligarh after an early marriage to a police officer and then pursue a career in films in Bombay. She rapidly climbed the ladder to sardom as Renuka Devi and worked alongside well-known actors and directors of the time. Partition cut short her film career and she left for the new country Pakistan, where she remained deeply engaged as ever and contributed to many worthy causes, especially for the benefit of the women. The coming of Pakistan to gave her a fresh opportunity to express her theatrical talents and she soon became one of Pakistan's best known television actors winning many award in 1985. A true Woman of Substance.
Winner of the Hindu Prize for Fiction, 2015.
A lone hunter, Vilie, sets out to find the river of his dreams: to wrest from its sleeping waters a stone that will give him untold power. It is a dangerous quest, for not only must he overcome unquiet spirits, vengeful sorceresses and daemons of the forest, there are men – armed with guns – on his trail. Easterine Kire’s novel transports the reader to the remote mountains of Nagaland, a place alive with natural wonder and supernatural enchantment. As Vilie treks through the forest on the trail of his dream, we are also swept along in this powerful narrative and walk alongside him in a world where the spirits are every bit as real as men and women, and where danger – or salvation – lies at every turn. Kire’s powerful narrative invites us into the lives and hearts of the people of Nagaland: the rituals and beliefs, their reverence for the land, their close-knit communities – the rhythms of a life lived in harmony with their natural surroundings. It is against this spellbinding backdrop that Kire tells the story of a solitary man driven by the mysterious pull of a dream, who must overcome weretigers and malignant widow-spirits in the search for his heart’s desire.
“...reminiscent of Marquez’s magic realism and Leslie Silko’s Native-American story-telling. At the end, though, this is a Naga story, unmistakably so, in its sense of place, time, and oral traditions.”
Paulus Pimomo, Central Washington University, USA
This endearing, witty, self-deprecating memoir documents the life of one of the leading feminists of the contemporary Indian women's movement. Vina Mazumdar, one of the key researchers and writers of the landmark report of the Committee on the Status of Women in India, Towards Equality, here documents her early life, her gradual politicization in a household of liberal, educated Bengalis, and her involvement in women's issues and the women's movement.
Brought up to be outspoken and frank, Vinadi, as she is affectionately known, began by becoming involved in university-led politics in Bihar. Marriage and a young family did not prevent her from pursuing her studies and her career, in the teeth of considerable opposition from relatives but with constant support from her mother. On her return to India, Vinadi first moved into the field of education, and then, with her involvement in the research and writing of Towards Equality, was catapulted into the women's movement. An activist and institution builder, Vinadi set up the Centre for Women's Development Studies in Delhi, one of the leading research and outreach institutions for women in the country. In this rare memoir, Vinadi provides a rich history of the contemporary women's movement in India.
When Revathi’s powerful memoir, The Truth About Me, first appeared in 2011, it caused a sensation. Readers learned of Revathi’s childhood unease with her male body; her escape from her birth family to a house of hijras (the South Asian generic term for transgender people), and her eventual transition to being the woman she always she knew was. This new book charts her remarkable journey from relative obscurity to becoming India’s leading spokesperson for transgender rights and an inspiration to thousands.
Revathi describes her life, her work in the NGO Sangama, which works with people across a spectrum of gender identities and sexual orientations, and how she rose from office assistant to director in the organization. Today she is an independent activist, theatre person, actor and writer, and works for the rights of transgender persons.
In the second part of the book, Revathi offers the reader insight into one of the least talked about experiences on the gender trajectory, that of being trans men. Calling several female-to-male trans persons her sons, Revathi puts before us their moving, passionate and sometimes tragic stories of marginalisation, courage, resistance and triumph.
An unforgettable book, A Life in Trans Activism will leave the reader questioning the ‘safe’ and ‘comfortable’ binaries of male/female that so many of us take for granted.
PLEASE NOTE: This copy is discounted at 70% and is in saleable but not pristine condition. It may show signs of age or wear.
Vibrant, dynamic, spirited and forceful. The contemporary women's movement in India, which began in the late 1970s protested against the dark times, the violence and the misogyny. It also colourfully celebrated liberation, solidarity among women and breaking the shackles of patriarchy. It sang, performed and painted, to draw attention to the burning issues of the time: dowry death, widow immolation, acid throwing and rape.
Over the past three decades, the women's movement has matured and broadened to include a gamut of issues related to women's health, sexuality, the environment, literacy, the impact of religion and communalism on women's lives, political participation, labour rights, disability rights, class and caste issues, and many more. Indeed, feminism meant looking at the world through women's eyes.
This book constructs a pictorial history of the complex and multi-layered women's movement through its visual representation: posters, drawings, pamphlets, reports, brochures, stickers, all writing and photographs. The posters reproduced here are part of Zubaan's Poster Women project, which has attempted to locate and archive as many posters of the movement as possible to be able to visually map the women?s movement and its concerns.
The Poster Women archive can be accessed at www.posterwomen.org.
This book brings you a wealth of stories, in words and images, from a part of India known as the Northeast, a term that is widely contested for the ways in which it homogenizes a region of great diversity. It is also a term that has come to be a marker of identity and solidarity by many who are of the region. Here, 21 writers and artists look at the idea of ‘work’ — from street hawking to beer brewing, from mothering to dung collection — and describe their lives or those of others with humour and compassion. Parismita Singh’s wonderful compilation of the works of women asks: what are the different ways of telling a story? What if we were to attempt these tellings through poetry and portraits and essays, older traditions like textile art and applique and new genres like hashtag poetry tapped into a smartphone? Where would it take us, what would the world look like?
Contributors: Zubeni Lotha | Minam Apang | Alyen Leeachum Foning | Aheli Moitra | Soibam Haripriya | Gertrude Lamare | Rini Barman | Nitoo Das | Thingnam Anjulika Samom | Parismita Singh | Dolly Kikon | Ayangbe Mannen | Aungmakhai Chak | Jacqueline Zote | Meena Laishram | Prashansa Gurung | Shreya Debi and Bilseng R Marak | Mona Zote | Nabina Das | Mamang Dai | Sanatombi Ningombam | Kundo Yumnam
Shardaben's autobiography, originally written in Gujarati and published in 1938, describes the life of an Indian woman at the turn of the twentieth century. She describes her childhood, and her innermost feelings and emotions. Despite considerable opposition from society, in 1902, Shardaben and her sister became the first women graduates in Gujarat. This marked the beginning of her lifelong commitment to the cause of women's education. Here, she documents both that and the political and social changes that were sweeping over India. For over half a century, she and her husband interacted and worked in close association with many important political leaders and literary figures of India.
Purnima Bhatt is a Professor of History, Anthropology and Interdisciplinary Studies at Hood College, U.S.A. Her publications include Scholar's Guide to Washington, D.C., African Studies and Sharadabehn Mehta: Una Mujer Exceptional en al India de su Tiempo.
Svati Joshi is Professor of English Literature at Miranda House College, Delhi University.
Imelda Connor is a classic Irish lass—a fiery, red-headed beauty, quick to anger and fiercely protective of her younger siblings. Growing up on a small farm in the rolling hills of County Cork, she thinks she has her life completely mapped out. But Imelda soon finds that life doesn’t always go according to plan.
Everything is turned upside-down when Imelda moves to England and happens to meet a dashing Bengali man named Shu Bose. Shu is captivated by Imelda’s natural beauty and charm, and the two embark on a whirlwind romance. At the age of eighteen, in the spring of 1932, Imelda boards a ship bound for Calcutta—and a very different life to the one she had always imagined.
Milty Bose’s writing transports readers back to pre-Independence India, to London between the wars, and to the genteel life of bhadralok Bengali high society. From Cork to Calcutta tells the true story of Bose’s parents, their eccentric and unforgettable family, the trauma of loss, and the triumph of one woman’s remarkable spirit.
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