“A clear-eyed view of life’s innate contradictions” —Mita Ghose, The Hindu
“Allahabad may just have found her Chekov” — Irwin Allan Sealy
“Touches of poetry” — Anjana Basu, Outlook
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This terrific book gently introduces ideas of identity and selfhood through textured typography and rich, striking colours.
"Eloquent" — Sudipta Dutta, The Financial Times
"A poetic imagination" — Tim Parks, translator and author
"Ambitious and inventive" — George Szirtes, translator and poet
"Lyrically written" — Rashmi Vasudeva, Deccan Herald
“A delicate touch and passionately humanist sensibilities sweep through this magnificent collection, which ranges from the near future of our world to eras far away in space and time.” — Publishers Weekly
“Singh is laying the groundwork attempt to re-write the plots of Chosen Ones, dystopian governments, and self-actualizing hero tropes common to Western literature, where the quest for “the meaning of life” is often seeking a single endpoint, an origin. Singh’s characters wish only to know for the sake of knowing. Life isn’t defined by linear time, it is the richness of experience.” — Aerogram
Praise for Anita Agnihotri:
“Agnihotri draws you in with her well fleshed out characters. Their dreams, idiosyncrasies and disappointments are all too real; as are their failures.” —Aparna Singh, Women’s Web
“Urgently told and precise in their direction... Each story crackles with intensity and purpose.” —Mike McClelland, Spectrum Culture
“[Anita Agnihotri] sensitively and beautifully chronicles the plight of a major chunk of the country’s population.” —Abdullah Khan, The Hindu
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“Think of the vicious wit of Virginia Woolf, laced with the tender melancholia of Hélène Cixous, spiked with the subtle eroticism of Anaïs Nin.” — Somak Ghoshal, Livemint
“Her writing is both wry and brave, rooted and uprooting. It is, in fact, as the title suggests fabulous writing.” —Annie Zaidi, author of Gulab and Love Stories #1-14
“Namjoshi’s radicalism is not simply one of overturning structures, or of arguing for the recognition of women but, in the best practice of feminism, investigates, rethinks and revalues.” —Robyn Cadwallader, Verity La
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