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Home Archive by category "Blog"

Page 9

“ONE HAD TO CRITIQUE”: AN INTERVIEW WITH ILINA SEN

September 30, 2015 byMoulshri Mohan / 0

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September 2015: Ilina Sen. Photograph by Moulshri Mohan.

September 2015: Ilina Sen. Photograph by Moulshri Mohan.

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I first meet Dr. Ilina Sen when she visits the Zubaan office on Thursday afternoon. Listening to her and Urvashi speak about communities, work, and solidarities from the heyday of the Indian women’s movement is just so. cool. One of the most amazing things about being an intern at Zubaan has been observing the strong connections and solidarity networks of South Asian feminists from another generation. It feels as though the work young feminists like me do today is preceded by a strong tradition, and that there are older people out there who have blazed the trail and are our allies. I always feel this irrepressible need to sit down with these older feminists and listen to them talk about every single thing they have done in their lives.

Magically, Ishani suggests I interview Dr. Sen for the Zubaan blog. And so the next morning, watery sunlight filtering through the clouds, I head to Dr. Sen’s guesthouse (she lives in Bombay and is visiting Delhi for a few days) in Central Delhi. Her room is spare yet comfortable, and she invites me to sit down and offers me chai.

Ilina Sen is largely known in popular discourse as the wife of Binayak Sen, a doctor who works with tribal people in Chhattisgarh, and was imprisoned wrongly by the government on suspicion of being a Maoist. However, in feminist circles, we also know her as a brilliant scholar and dedicated activist who lived in Chhattisgarh for many years, struggling with the mine worker trade unions (Chhattisgarh Mines Shramik Sangh, or CMSS) against corporatisation, and advocating for adivasi ecologies in her and her husband’s NGO Rupantar. Today, she primarily works as an academic in Women’s Studies. She has taught at Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya, and now teaches at Tata Institute of Social Sciences in Mumbai.

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I begin by asking Dr. Sen about her life prior to the events of 2007, when her husband was arrested. I want to know more about what brought her to feminist work, Women’s Studies, and Chhattisgarh. She responds thoughtfully to my question, outlining the history and context in which her feminist consciousness bloomed. She says that she “grew up with the women’s movement”. The post-Emergency period was a time of political vibrancy in the country – especially at JNU, where she was a student in the late 70s and early 80s. She became part of this movement, often spontaneously going to protests against dowry deaths and the Mathura rape case. “So many things happened around us: the meeting to found Manushi occurred on the lawns of JNU. I was there, along with many others – it was a huge meeting.” She tells me that Urvashi is also from that generation of feminists. That’s how long they go back.

Later, she ended up going to Hoshangabad in Madhya Pradesh for her Ph.D. field work, where she met people working in a “voluntary agency” (which we would now call an NGO) called Kishore Bharti that aimed to transform science education. She got to know rural India a little bit, and eventually heard about the mine workers’ struggle in Chhattisgarh. So she headed there. The first thing that struck her, she says, a note of admiration still in her voice, was that so many women were involved. Half of the organisation’s membership was women – about five thousand, out of a membership of ten thousand. These were mostly tribal women, and they were “visible and articulate,” very different from the women of North India she had known before. “I was very impressed,” she says. “It was an impressionable age also…I really learned so much.”

When I ask her what she learned, and how her feminist consciousness developed in her struggle with the mine workers, she tells me an anecdote of her time in Chhattisgarh. “Earlier…when I first went there for example, if we had a meeting, it would go on till 10 o’clock at night, and nobody would stir. Men, women, everybody would be there – and…if the women had small children, the women would be scolding the small babies – that for everybody it was important to be there, to participate and to understand. Later when there was relatively more prosperity, women would start getting up from the meeting at quarter to 5.” They would ask the women who were leaving where they were going, and why they weren’t staying, only to find out that the women had to leave to start cooking for their families. “As long as you are at the same level, and everybody has to work for a living, women are valued as comrade, and they are part of the movement. Later when the men start earning a family wage, they start feeling like the head of the family. Then…many of these patriarchal assumptions about gendering of labor and women’s roles within the family [come into the picture].” This experience, she says, helped her – and also everyone else in the organisation, including the women who were leaving at 4:30 to cook – to understand the pulls and pushes between women’s production and women’s social reproduction. Now, teaching at TISS Mumbai, when they discuss the theory of these contradictions, she tells this story to her students to get them to understand what it looks like in practice. “[It]…was a different way of communicating feminist understanding and consciousness across class and across settings.” She is proud that during her time in Chhattisgarh, they were successfully able to build a body of working-class women activists who were aware of the oppression.

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Sen stayed with the mine workers’ trade union, slowly getting immersed in the language and culture of Chhattisgarh. Many people, she tells me, have asked her why she chose to live in Chhattisgarh. It was not a conscious decision, but after “…learning the culture and language, I felt at home…it became impossible to think of moving away.” She sustained herself with her research, while spending most of the day working with tribal mine workers. “There was no average day, you know. An average day would be spent with people in what you would call the field – in villages, rural settings, tribal settings.Some days I would be writing up my experiences, writing as part of my research…I was speaking their language fluently, singing their songs, and I enjoyed it hugely.”

Throughout our conversation, she often emphatically says that she never felt like “a lamb that had been sacrificed.” She is resistant against the image of the upper middle class bleeding-heart NGOer, living in privation in order to uplift the lowly working-classes. “I…loved Chhattisgarh…I loved the place, I loved the people…I never felt martyred.” When she was in Chhattisgarh, she was living on Rs. 1000 a month, but she didn’t feel like anything she did was a sacrifice. Both she and her husband, Binayak, did what they did out of choice, and because they wanted to. And they both enjoyed their work very much.

She speaks about the NGO that they both set up. In Rupantar, they worked on gender issues and trainings, as well as agrobiodiversity. They started documenting the different indigenous strains of rice and seed banks Chhattisgarh had, and she started learning about adivasi ecology.

Here’s a story she told me which helped me understand how her feminist and ecological work is connected. At one point, the Bhilai Steel Plant, which employed a lot of women in the trade union as contract labor, was trying to modernise the plant. The women realised their jobs were at risk – they could potentially be replaced by machines and more formally-skilled labour that would have the technical know-how of how to operate the plant. Sen embarked on a huge study with the mine workers of how mechanisation affects women workers. The women workers, after the study, took a resolution (that the whole trade union followed through with) to think about the kind of technology a country like India needed to have. Since people were not in short supply, India did not need to follow the same automation norms many less populated countries needed to. Technology options needed to be rethought such that everyone’s work – men’s as well as women’s – was equally valued, and there was space for people to develop new skills within the job setting. “It was an entirely new way of looking at women and work,” Sen says. They needed to think about what the community needed and what kinds of lives would be livable, convivial, and sustainable. This work, it seems to me, was about prioritising development strategies that privilege those often left behind, displaced, and marginalised by traditional strategies of development – who are often women and members of the working class.

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Sen has lived through a lot of change in Chhattisgarh – for example, the granting of statehood in 2000. Earlier, she says, “Chhattisgarh was just one forgotten corner of Madhya Pradesh, and Madhya Pradesh itself is a forgotten part of India. It wasn’t well connected, except Bhopal, Gwalior…some areas like Khandwa, because of Medha Patkar’s movement…Chhattisgarh bahut zyada kabhi – it wasn’t really connected.” Unlike their neighbour Jharkhand, Chhattisgarh never had a strong movement for a separate state. However, their culture and language was very different from the rest of Madhya Pradesh’s, and administratively, living in Madhya Pradesh was difficult since everything was so far away. So when statehood was granted, Sen says, “there was general happiness that the administration was coming close…and everything was going to be more convenient. There was a sense of joy and happiness, that at last we have our place in the sun, our culture, our language [is being recognised]. That feeling lasted for four or five years.”

What happened after that? She says that the way the new state ended up taking shape disappointed her. “I realized in the 90s I think, that there was a tribal way of looking at life and doing things, and there was an administrative way, and the two were contradictory.” One area of discomfort was government education policy. Earlier, since Chhattisgarh was part of Madhya Pradesh, education was in Hindi. However, most people spoke Chhattisgarhi, not Hindi, and the two languages were very different – for example, Chhattisgarhi is not gendered like Hindi. School dropout rates were very high. So Sen, together with the rest of the CMSS, started building community schools – where everything was taught in Chhattisgarhi, where the poems children were taught were not Jack and Jill, but instead the community’s own songs. They built this curriculum from the ground up, writing down the songs, games and other material that was to be taught (Chhattisgarhi is largely an oral language). The community felt pride and ownership in this school system. However, with the new state, formal experiments had to take place in education. Sen says that they initially spoke to her, and other people, who had been doing this kind of work in the area for a long time. They were on committees and gave feedback. However, their feedback was largely disregarded, shunted aside so that the state could follow directives from the centre and from external organisations that gave them funding. They were interested in a more centralised vision of education.

Another way the new state disappointed her was the changing political climate, marketisation, mining activities and the coming of the corporates. “…Once the big corporations started to come, and tried to acquire land and push tribals out, there were many violations of basic rights that took place in that context.”

For example, Salwa Judum, a government-supported militia, was publicised as an anti-insurgent movement, specifically a movement to get rid of the Maoists. However, its real agenda was ground-clearing. It was also a movement to get rid of the people, because the government wanted to give the mineral-rich land to mining corporations. Salwa Judum led to huge abuses of human rights, including sexual violence against women. “Anyone who tried to take a position against that was persona non grata in state of Chhattisgarh…anyone who opposed the Salwa Judum was branded a Maoist sympathizer.”

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I ask her how her work has changed with these changes in the political and economic environment of Chhattisgarh. In general, I am curious about how, through these dramatic changes, the political climate leading up to the arrest of Binayak Sen, and the eventual national furor over his case, her time and energy has been channeled into different things. How does she feel about this change? The answer, it seems, has many different facets for her. We spend a significant amount of time unpacking this issue.

“It’s a very complex issue and I’m still trying to come to terms with it. It wasn’t just my husband’s arrest, but the way in which the political climate in Chhattisgarh was changing…One challenge was that as people who are socially conscious and claim to have a social commitment…do we raise our voices or do we keep quiet?” The government tried to get her and other people “who straddle[d] the local culture and the public space” to join committees and become policy advisors. She did do that for a while, advising the state on educational reform and gender.“And although nobody listens to that advice, we start to feel self important, that we are engaging, we are trying to change policy…They’ll call you to meetings, they’ll stand up and give you those outward marks of respect, but actually you know whatever you are saying is not having an effect.” She wondered about the usefulness of engaging with policy issues, but eventually decided it was not worth it. She came to the conclusion that “one had to critique [the government]…because if one did not, it would lead to a total surrender of all the positions one had earlier stood for.” It was a difficult choice for her. She realised early on that such a choice would make her unpopular, and unwanted by the State.

She speaks about her path to full-time academics, which also happened around this time. This transition was related to her research and because she felt she needed to theorise and write more, but it was also because of the lack of safety she felt living under the repression of the State’s development strategies. “I felt very strongly even in 2004 that it was not going to be comfortable to sit in Chhattisgarh and articulate the kinds of positions that I wanted to articulate.” She needed to have a space where she could retreat and, in a way, change her identity in order to be more secure. An academic would be less likely to be persecuted by the State. And so in 2005, she began looking for academic opportunities.

Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya was just coming up at that time in Wardha (Maharashtra), and incidentally, their Women’s Studies program was being put together by feminist historian Uma Chakravarti, who Sen knew personally through feminist networks and through the Indian Association for Women’s Studies. She also knew many other scholars involved in the Antarrashtriya Vishwavidyalaya project, and she also had the unique advantage of being able to teach Women’s Studies in Hindi (the curriculum was in Hindi). So she was welcomed into the fold.

She tells me she also applied to an institution in Calcutta. However, she later found out that they did not consider her application “serious” because her primary work at that time was seen as activist work (despite the research she did alongside) and also because she was a Women’s Studies scholar, which the historians at that institution did not consider “mainstream academics”. “…[And that] was unfortunate, because I was really feeling that this was not a safe situation for me anymore.”

So Wardha it was, and eventually when Wardha advertised for full-time positions, she applied and was selected. Wardha was close to Raipur, and she commuted for several years, teaching in Wardha from Monday to Friday, spending the weekend in Raipur, and going back on Monday morning. Even while her husband was in jail, she would do the commute – reading up on the case on the train back to Raipur, visiting him in jail, conveying or carrying out any instructions he had, and then preparing for lectures on the way back. At Wardha, they had a huge teaching load, a very small faculty teaching M.A., M.Phil, and Ph.D. programs. During this time, she says, her own academic work came to a standstill, apart from just the bare minimum. She became seriously unwell after that period of extreme stress.

Her apprehension that the situation was not safe was confirmed with her husband’s arrest in 2007. “There were indications I too might be picked up,” she says. However, by that time she was safely employed by her university. Binayak Sen’s case, and the associated Free Binayak movement, took a toll on the family. It was an important case – not just for the Sens, but for the entire country. Ilina Sen became the public face of the case, and became known as Binayak Sen’s wife in popular discourse. For a feminist and activist with a strong body of work, it was difficult to be known primarily as someone’s wife. Laughing, she says, “I mean, I am his wife, and we’ve had our ups and downs but on the whole we enjoy a good relationship, but now it was a primary identity, and I had to deal with that.” Her return to feminist academia was also accompanied by the consciousness that she was now known in another avatar as Binayak Sen’s wife. Occupying this role in the public eye was another part of the work of fighting the case.

The first time she went to file for bail was the first time she had stepped into a courtroom, and she had “genuinely no clue” about how legal processes worked. A lot of her time was now devoted to learning about the law and fighting the case (she kept teaching throughout this time). “You can have all the lawyers in the world (and I had many, who gave their time pro bono, I had very good support)…but even then, at the end of the day, when an affidavit has to be signed, when I have to make an application on his behalf, it goes with my signature. And when I’m signing something, I must be responsible and understand all the implications. So that [was] a huge responsibility.”

Concerned relatives and friends would get in touch all the time, suggesting strategies, people to meet, things to do. While they were all extremely worried and concerned, and were trying to be helpful, dealing with them was also a drain on her time and energy. One cousin, a newly qualified lawyer, kept suggesting she file a petition in the Supreme Court on the basis of the Constitutional Right to Freedom.

While such a petition would not have been incorrect, the case had gone way beyond that. The protest against Binayak Sen’s arrest only made the government more adamant. “…[Within] six months, it had deteriorated into a prestige-based fight with the state…the State was saying he’s a hardcore Maoist ideologue, he’s this, he’s that, and cooking up all kinds of evidence…and his friends are saying he’s this doctor who could have gone anywhere in the world and he chose to work with tribals.” Neither of these constructions of Binayak Sen, she says, are true – “they are both extreme articulations.” Whatever he did, he did out of choice and because he liked doing it, she says. Neither of them ever felt martyred. Nevertheless, the positions solidified. Meanwhile, they kept applying for bail – and kept getting refused. Once, a government officer they talked to told them – even before the judgment was out – that the government was going to refuse bail because they thought it would “demoralise the police.”

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“Whatever I have done in my life and work, I can divide it into two periods…Prior to 2005, a lot of it was focused on Chhattisgarh. For anybody at that time who was doing research on Chhattisgarh, wanting to work on Chhattisgarh, when they were passing through, they would come and meet me. I met lots of people at that time – people from Delhi, international scholars – and I was recognized as someone who was au fait with those issues…When I again started writing, 2009 onwards, it was a different phase. I had seen the repressive face of the State at close quarters. My own academic interests also changed.”

While many things have changed, she reflects, she doesn’t think the transition from full-time activism to full-time academia was such a drastic change. She hasn’t left one world totally behind to move to another. Her relationships with the Chhattisgarhi mine worker women have remained strong – even after her transition to academics and moving away. “Even now when I go back to Dalli Rajhara, and go and visit my old friends – many of my old friends and very close friends are women who are mineworkers, and I still am able to meet with them with a lot of affection, spend time in their homes, eat their food, just relax there, and feel absolutely comfortable.” She acknowledges that with age, and with health issues, she may not have been able to continue activist work in any case – “it was a rough-and-tumble life.” She feels lucky to have had the resources to make a change to a less active life – despite all that has happened, she does not feel embittered.

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How did her politics change after experiencing the repressive turn of events in Chhattisgarh?

“…Well, okay, [I had known about State repression before]. It was happening in Manipur. AFSPA is there. But Manipur is very far away. And I was younger, a more optimistic person…I felt that there were special issues in Manipur. And I’m sure there are…there are dominant cultures and subordinate cultures…[and] relations between them are flawed. But I felt [Manipur was] some kind of a distant reality. But what happened in Chhattisgarh was before our eyes and in very rapid succession – and that was an eye opener.” It’s not that her political positions changed, she says, thoughtfully. But they solidified, became much more forceful, and today she has a more mature understanding of the way things work.

How do activists – especially activists who are sometimes protected by their privilege – respond to the repression? What are some strategies? She thinks that people, wherever they are located, respond to repression in different ways. Irom Sharmila has been fasting for several years. Some people write about it. For example, Praful Bidwai kept writing about the connection between the State and international political economy, and how the State plays the role of a handmaiden of imperialism and corporatisation, until his last day. “As the repression grows…it is [the duty of intellectuals] to highlight it…[But for] activists, it is much more difficult.” She brings up the case of Teesta Setalvad, persecuted for her activist work. Among many other allegations, Setalvad has been accused of buying a hairdryer with institutional funds. Sen thinks this is utterly ridiculous. “Teesta…was born with a silver spoon in her mouth. She does not need to use institutional resources to buy a hairdryer. Anil Ambani doesn’t need to stand in line for rations. The real issue is the work they have done.” Misinformation is spread about activists, she says, to degrade them in the eye of the public. Teesta is very strong and resourceful, and is still fighting the case, but many, she says, succumb. Many families fall apart under the pressure. So activists need to be watchful, to be sharp, to keep moving, and seize opportunities as and when they come – sometimes reinvent themselves, like she did. The situation must always be reassessed.

How does she feel about the women’s movement in India today? What does its future look like to her? It’s a big question, and she takes a minute to think. “I see some shifts. In the 80s and the early 90s the women’s movement was very vibrant and today it doesn’t seem to be quite that way.” She says that there are phases – in the 40s, there were many active feminist women in the azaadi ki ladai. In the 50s, there was a lull of peace. The 60s were again full of activism. So the movement reinvents itself, and she is sure that it will once again be vibrant. She thinks that queer organisations have maintained their solidarity networks through these phases, and have been a source of support in the feminist movement. However, she feels a certain disquiet with how it is right now. “There is a certain withdrawal from the external world into an inner world…identity discourses [are becoming prominent].” The lives of ordinary women – for example, migrants in a city like Delhi, abandoned women in the urban space, who often work as domestic help – should concern the women’s movement, and Women’s Studies also, much more than they do right now. These women and their circumstances should in fact be the central focus of the women’s movement, instead of the concern with personal identity. “I mean, the women’s movement has always had to engage with this dichotomy between the public and the private…I’m sure a time will come when there will be more engagement with the public space and the private life will become more influenced by that.”

In her book A Space Within The Struggle, which Zubaan published, Ilina Sen spoke about how women have questioned patriarchy within social movements, and how many autonomous women’s movements have emerged out of that questioning. As I am speaking to someone who straddles the divide between the women’s movement and anti-class/anti-caste struggles, and someone who clearly has strong feelings about the need for activists in both movements to connect with each other and be conscious of their own and each other’s privileges and oppressions, I am curious as to how she navigates having a foot in both worlds. How can solidarity be forged between different movements in Indian society, where communities and oppressions are in no short supply and the political environment is often identitarian?

Sen acknowledges that in India, there is a tension between women’s organisations that are single-mindedly feminist to the exclusion of all other anti-oppression work, and the multidimensional women’s group she worked with in Chhattisgarh, which focused primarily on workers’ issues and took up many others in addition. The kind of hierarchy of issues that emerges out of an organisation that tries to dismantle multiple oppressions was fiercely critiqued by the former type of organisation. “I…lived the tension, and spent long periods interpreting class contradictions to feminists, and feminism to working class comrades. It was not easy, but sometimes the positions of autonomous women’s groups strengthened mine in my own location, by articulating positions far more categorical than I was tactically able to myself.”

At the South Asian level, she says, women have done a commendable job of recognising the intersections of oppression and struggling against them. She gives the example of women’s organisations in Pakistan and Sri Lanka, which have been in the forefront of the struggle for peace and against militarization. “It is in India that the connection between broader movements and the autonomous women’s movement is somewhat weak, and we tend to classify movements as anti communal, anti caste, et cetera.” She says that activists in any movement need to take sides, and stand with struggling people everywhere, to be able to understand the links between oppressions, and for barriers between different activist communities to dissolve.

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We end our interview by talking about her daughters. Ilina Sen has adopted two daughters, Pranhita and Aparajita, at different times. Pranhita is the older one, and Aparajita is younger. I ask her what prompted this decision – and how does her decision to adopt relate to her politics, if at all? She seems to like this question. Her voice is warm and content when she says, “I have been very happy as an adoptive mother.” People have sometimes asked her, and she has asked herself, why she decided to adopt. It’s not that she did not want a biological child. Even when she was considering having a biological child, adoption was still something she was interested in. And when a biological child did not happen, she was not devastated. “The bonding I have with my daughters is very very special, and I think it would not have been any different if they had been born of my flesh and blood. About that I am very confident and so are they.”

Sen had always intentionally told her children many adoption stories, starting with Sita. But Pranhita had some insecurities about being adopted, when she first found out. When she saw the family dog having babies, she wanted to know what was going on. Sen explained that the dog was having babies, and they were coming out of her body. She was anticipating the next question – did I come out of your body like this?, Pranhita asked. Sen said, no, not out of my body, you came out of another mother’s body, and she couldn’t take care of you – she died. But another mother was waiting, so she came in. Pranhita was shocked initially, and took a while to adjust to it, Sen says – but now she’s resolved her questions, and Aparajita, Sen says, didn’t have any, because she had an older sister who was also adopted and because the family is very open about the process.

While Sen is very open about being an adoptive mother, she obviously does not have a label on her that says she is one. So sometimes when people find out, they come to her with odd questions. She relates one such instance – a student came up to her, because she had heard and was disturbed – and said that she had heard Pranhita was her “own” daughter, and Aparajita was adopted.

“So I said that they are both my own, and they are both adopted!” We both laugh. “Because really,” she continues, “what is your own?” It’s very patriarchal to think that it is someone to whom you give your seed. For the man (whose genetic inheritance is the only kind that matters under patriarchy) to pass on his genes, and to control the sexuality of his woman partner for that purpose, is central to the system of marriage and inheritance under patriarchy. So questions of ownership become crucial.

“Whereas if you love – whether you have heteronormative partners or not – if you love, those questions of what is your own, and what is not your own, dissolve.” She has never had those questions of herself.

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Tags: activism, adivasi rights, adoption, amazing women, chhattisgarh, corporatisation, ecology, Feminism, grassroots, ilina sen, interview, profile, women's studies

ON TOPIC: ZUBAAN MELA IS AROUND THE CORNER. WE ARE FRAZZLED.

September 22, 2015 byMoulshri Mohan / 0

The Zubaan office has seen major upheaval and rearrangement over the last week. Books, shelves, and cheese(s) have been moved. We are bemused, befuddled, and often lose our way between the door and our desks. Still, we rounded up the best of the feminist interwebz for this week’s On Topic, for the benefit of our faithful readers (who should all come to the Mela).

Some well written and pertinent things we have been reading:

  • A fresh and well-researched take on how imperialism uses the rhetoric of feminism to justify itself:

    Do women, their freedom, their clothes and their marriages provide some crucial avenue into establishing hegemony, a method of representing the foreign invaders as good? The most compelling reason for this enquiry is that South Asian and Afghan feminisms are tainted by an imagined complicity with colonialism and imperialism. Making explicit just how aspects of women’s lives – their clothes and marriages – have been put into the service of Anglo-American imperial projects of domination, and how little these projects have had to do with those actual women, is a step towards lifting the weight of imperial complicity on Afghan feminism.

  • Shared on the Zubaan Books Facebook page, we feel the need to once again point to this brilliant and incisive article on being Dalit, woman, and upwardly mobile in Bengal:

    …I was told, rather absurdly by a professor that there are no Dalits in West Bengal. I had responded with a wry smile and had nothing to say. It is my contention that there are no Dalits in West Bengal because of the simple fact that Dalits are not allowed to exist. You can be a casteless Brahmin, Baidya or Kayastha. On the other side of the equation, you can be an untouchable/achyut waiting to be emancipated (accultured) by upper caste casteless radicals or you can be a scheduled caste employee perpetually embarrassed for enjoying the “privilege” of affirmative action…When I identify myself as a Dalit I am making a claim and seeking recognition for that discrimination, prejudice as well as that resistance. But inadvertently by identifying myself as a Dalit I am also doing something more. I am challenging a practice of “division of labourers” that is endemic to West Bengal. This is the division between emancipators (which includes writers, intellectuals, social activists, doctors, economists, trade union leaders, Naxalite leaders) and the to be emancipated (which includes peasants, workers in factories and homes, taxi drivers, rickshaw pullers etc).

  • In part of a series on gender (read them all!) on Medium.com’s Matter, Laurie Essig tells us why we’ve got gender all wrong:

    …what frustrates me is that “born this way” protects straight and cisgender persons from ever being one of us. They cannot be infected with our queer desires or queer gender presentations. In this worldview, we all enter this world with a stable gender identity and unwavering sexual desire. Identity is simple.

  • An MIT student shows how stereotypes of gender and race are destroyed by most sensible research studies.
  • A linguist tells us why criticising women’s speech is not only unhelpful, but also misogynistic:

    This endless policing of women’s language—their voices, their intonation patterns, the words they use, their syntax—is uncomfortably similar to the way our culture polices women’s bodily appearance. Just as the media and the beauty industry continually invent new reasons for women to be self-conscious about their bodies, so magazine articles and radio programmes like the ones I’ve mentioned encourage a similar self-consciousness about our speech. The effect on our behaviour is also similar. Instead of focusing on what we’re saying, we’re distracted by anxieties about the way we sound to others. ‘Am I being too apologetic?’ and ‘Is my voice too high?’ are linguistic analogues of ‘is my nail polish chipped?’ and ‘do I look fat in this?’

  • A profile on the West Bank’s first woman taxi driver:

    Ahmad became interested in cars at a young age – but even then, she understood that it was not considered a “normal” interest for a girl. She watched her cousins work on their engines when she was a teenager – never asking questions, but taking mental notes instead. “I can work on my own car [now]. I watched and watched, [and] now I know about cars. I can take even apart the carburettor,” Ahmad said.

  • A young Muslim girl in America coped with racism by listening to Green Day. “This language, imprecise as it was, was my first political vocabulary.“
  • TW: Sexual harassment, stalking. The editor of Khabar Lahariya writes about the sexual harassment she and her colleagues faced, and the difficulty they faced in getting the police to do anything about it:

    When…I said I wanted to file my FIR against this man, the SI said I should just switch my phone off if I didn’t want to talk to him. I said I couldn’t, that I needed to use my phone. So get a new SIM card. But people have this number and call me on it. So if he abuses you, abuse him back. Get the men in your house to do it. The calls will stop…He sounded like so many other men I knew. Let go of this desire to control your life, and everything will be ok. Really? One phone stalker was going to get me to let go of everything?

  • On the Munnar women’s agitation in Kerala:

    Two aspects of the Munnar mobilisation need to be recognised. One, the protesters openly stressed the gender aspect of the mobilisation — Pembila Orumai (Unity of Women) is how they called themselves. Two, the protesters were part of the organised sector and members of trade unions…The women were discovering agency and identifying trade unions as a male preserve, a trend increasingly visible in women dominated work sectors.

  • On the attack on the women’s train, Matribhumi, in West Bengal:

    Some women passengers reportedly said that many among the aggressors happened to be men they travelled with regularly. They expressed their utter bewilderment at the familiar dhoti-clad bhadrolok…turning into such a violent rabble of attackers and raring to assault them; an all-woman train was all that it took to rip apart the veneer of the ostensibly progressive Bengali man…Bengal prides itself on being a matribhumi state as opposed to the pitribhumi states of the Hindi heartland—a matriarchal society, not a patriarchal one. It is not uncommon to hear ordinary Bengalis, as well as political leaders representing the state, wax eloquent on Bengal’s gender equality, its respect for women, its past historic traditions of social reform, the iconic personalities of male reformers such as Ishwar Chandra Vidyasagar and Ram Mohan Roy. But the bitter truth is that Bengal, much like the rest of the nation, has rarely seen women in any role except that of a mother or sister. Regardless of the shades of radicalism that have defined its politics, individual autonomy has been conscpicously absent from public and private space,  and the conversations around gender have been stripped of any radicalism. Patriarchal roots, instead of being removed, have been inadvertently nurtured.

  • On the unpaid and unrewarded labour of being an online feminist, and how community needs to mean more than likes, comments, and shares:

    The think piece industrial complex exploits the young and digitally-native, provoking those of us who are fed up, feminist, and accustomed to unpaid intellectual labor into snapping back on public forums. This organic tone of immediacy and frustration has been made into a reproducible product for click bait and ad sales. Each article’s tagline claims to be more feminist and more urgent than the next. As it pluralizes feminism, it also threatens to dissolve the importance of community restoration and regeneration, and the need to slow down and reflect, in addition to snapping back.

  • On institutionalised misogyny in education, and how the school or college campus becomes a site for controlling women in India.
  • Mira Jacob, author of The Sleepwalker’s Guide to Dancing, writes about getting a book published as a person of colour in the U.S.:

    Here is the thing about how discrimination works: No one ever comes right out and says, “We don’t want you.” In the publishing world, they don’t say, “We just don’t want your story.” They say, “We’re not sure you’re relatable” and “You don’t want to exclude anyone with your work.” They say, “We’re not sure who your audience is.”

  • On what a #feministfail Katti Batti was:

    Today’s cinema may be a lot more open about lovers being in a relationship (or rather, not pretending to have sex behind bushes anymore) but everything is still coated with a generous layer of misogyny.

  • Speaking of movies, have you heard of 141 I Love You? (It has lesbians and animated heart shaped balloons.)

See you at the mela!

Tags: Feminism, feminisms, fillum, munnar, on topic, pop culture, racism, Zubaan mela

ON TOPIC: COME SEPTEMBER…ZUBAAN TALKS ABOUT BODY POLICING, MUSLIM WOMEN, LABOUR RIGHTS & MAKING CULTURE

September 5, 2015 byMoulshri Mohan / 0

Workers of the world, unite! On labour issues:

  • Child labour in cottonseed farms – companies are responsible for most of the exploitation, and two-thirds of the labourers are girls.
  • A beautiful article profiling a day in the life of a delivery worker for online retailers.
  • NYC nail salon workers speak out after the recent exposé: “This only happened because people organised.”
  • On the Bharat Bandh: An opinion piece arguing for democratic inclusion of labourers in the drafting of labour laws.
  • A dubiously titled piece that nevertheless has some awesome pictures of the trade union strike across different states.

 

Nuancing the narrative about Indian Muslims – especially Indian Muslim women.

  • The Wire reports: a study on Muslim women and personal laws reveals a desire for reforms.
  • A social scientist pushes for a more nuanced reading of the recent census results.
  • Al Jazeera reports on Dalit converts to Islam.
  • Kindle Mag compares Ismat Chughtai and Ayaan Hirsi Ali.
  • A great article that attends to the policing of Muslim women’s bodies and reproductive choices in the wake of Hindu nationalist fear about the recent census.

 

Body policing also crops up in other ways across and outside India: #amiotamoghna, real women, and reproductive justice

  • Kiran is trans, disabled, and making a new life for himself.
  • Some really rad African girls making change! Woo!
  • A feminist critique of the police state.
  • A troubling article about public health and contraception in India.
  • Students and artists protest against yellow journalism, standing with Tamoghna Haldar, who is being labeled as obscene by the media and Bengali intelligentsia alike.
  • Bonus: An old but important article that brings everything together. “There is no wrong way to have a body.” 

 

Indrani, Aarushi, and journalism.

  • An attendee at the launch of Avirook Sen’s “Aarushi” tells us why she won’t be reading his book.
  • A withering takedown of the way the Indrani Mukerjea murder case has been treated in the media.

 

Recent badass cultural projects that have come to our attention.

  • Partition history in objects.
  • Africans in India: A Rediscovery. An exhibition at Janpath, go see it!
  • Indians making cool art about sexuality.
  • Aunty Pakistan takes down misogyny.
  • IP College archives women’s history.

 

Speaking of history, let’s talk about the recent efforts to rewrite it!

  • On the politics of commemoration.
  • Scholars are angry about the Central Government’s efforts to revamp the Nehru Museum.

 

Powerful critiques of white feminism.

  • Taylor Swift is dreaming of a very white Africa.
  • Why Hillary Clinton is not a feminist.

 

Women being friends with other women!

  • On loving and losing female friends.
  • CHIMAMANDA NGOZI ADICHIE AND ZADIE SMITH MADE A PODCAST! AAAHHH!!!

 

Other important things:

  • Greenpeace India’s statement on the recent sexual harassment complaints made against it.
  • The Atlantic reports on the Syrian refugee crisis.

Also, this seems relevant:

Tags: art and culture, body policing, female friendship, indian muslims, journalism, labour, on topic, white feminism

Dreaming Alone, in the City: Review of Parvati Sharma’s Dead Camel and Other Stories of Love

August 24, 2015 byAaditya Aggarwal / 1

There is always a point in a collection of short stories where its poetic threads reveal themselves, where the silences in each narrative slowly disentangle, where the reader’s patient quest to seek a broken thematic bridge across the various chapters, peaks. What is it, after all, about these Stories of Love that binds them together, that makes sense for the meticulous file-organizers and genre-classifiers of the day? Is it the nature of conversations — between characters, within characters — themselves, or the absurd, beaten, mocked, loved thing called Love that sleeps restlessly in every story? With some careless, misplaced interest then, I venture to seek some semblance of the weft and warp weaving through each love note in Parvati Sharma’s The Dead Camel and Other Stories of Love.

Sharma’s stories, published in 2010, echo a startling understanding of what it means for characters to be completely incomplete in their motivations, actions, and desires, and to leave things as they are, so to speak. What launches one’s relationship with her satisfyingly curious and satisfyingly calming, patient prose is her first short story in the series, “Re: Elections, 2004”. Here, Sharma treats the memory of the unnamed protagonist’s past love with haunting care and a sense of incompletion that characterizes most of her characters, as much as it does this electorally apathetic yet politically self-conscious one. As she hesitantly reveals to the reader her distant electronic communication with her ex-partner Fatima, she navigates her relationship with Monica, her current romantic partner, her affectionate neighbours longing to parent her in their kids’ absence, and strangely, by extension, the 2004 Delhi elections. The protagonist, here, is unable to vote because she hasn’t registered for her ID. There is something about Sharma not allowing her characters access to larger spaces of national belonging, not because of any structural disadvantage they may suffer from — they are after all all middle to upper middle-class urban actors — but a warm carelessness and hesitance that seems to hang, heavily like the smell of urban trash, in the city and its bodies. So it is that not being able to vote sparks an onslaught of traumatic dreams and painfully self-conscious pauses in the protagonist’s speech. Here, the unnamed protagonist invites the reader into a mind formally invested in silencing her views for the sake of superficial stability in her relationships.

While electronic communication between Fatima and the narrator reflects the urban resident’s longing, specifically, for lost love, it also comments on the regimes of modernity — voting, citizenship, political evils, genocidal language, emails — that somehow create her practiced yet visceral reluctance to communicate. There is something to be said then about Sharma’s protagonists’ fractured love lives and their morbid, absurdly cathartic dreams that eventually transform the relationship a queer body arguably shares with the urban space and its political life. Parvati writes in dream-tongue, “ …the war is almost over; only Fatima and I remain… She turns and draws a two-finger gun, we shoot simultaneously. The war is over. Almost.” (16) The unending, non-existent war between former lovers codes the protagonist’s simultaneous guilt and sense of betrayal in her “one and only recurring dream” (16), as well as her interactions with bodies of nation and modernity i.e. elections, and the bloody vote.

The recurring dream then, is a trope that slyly masks the everyday of several stories. “The Dead Camel”, the second story of the series, becomes the rare image of animal death that first haunts the protagonist but later seems to aid her spiritually in self-knowledge and disappointment, in foreseeing and healing heartbreak. In this instance, She wants to confess to her lover, who’s just cheated on her: “It’s funny but I always imagined you, everytime you wanted to save some injured cat or bird, I always imagined you lugging the great big yellow truckload (the dead camel) in your arms to the nearest vet… And I loved you for it.” (34) Yet, all that comes out of Sharma’s silently hurting protagonist is “You”. The unsaid has so much power — a resting, immobile kind — in Sharma’s characters’ interiority, their act of dreaming, and their resultant lack of communication, especially with their lovers.

The Dead Camel, by Parvati Sharma
The Dead Camel, by Parvati Sharma

This thematic thread punctuates the urban space as well as the sexual proclivities of characters in certain stories. Often, the reader is thrown into a second-person point of view in stories like “Words Strung Out To Dry, Flapping Wetly In the Dark”, where the mightier narrative of incompletion, with lovers not quite “severing ties till the last minute”, is interlaced with an air of dread: the reader is made to enact the character’s role among trees, “crowned with vultures”, scattered “charred remains of phooljaris”, and “dead trails of rockets” (35). Diwali is immediately alluded to something close to death, and the dying. The body that is reading this text is now carefully placed “at the far end”, with an industrial  “air nipping” at the arms, “trying to remember” something (35). Much of Sharma’s storytelling reads like the body’s struggle to retain memory, to recall, to recollect and when convenient, ultimately, to forget. What does it mean then, to witness death imagery — Sharma’s description at this point being somewhat reminiscent of Anita Desai’s deathly portrayal of child’s play in “Games at Twilight” — in a text filled with the tension between keeping memory alive and covering its tracks with quiet footsteps? How do we finally reconcile her remarkable feat of written prose, at once languid, indulging and graceful, that also at times manages to read like spoken word with beats for musical punctuations (“Now: you are thirty-nine, thirty-two, leaving the Diwali debris unswept behind”)? Often, it seems, the text succeeds in negotiating the character’s spoken voice with the writer’s written one, a space, perhaps, more commonly referred to as “thought”.

In the heartbreak and loss suffered quietly and unremarkably by each character, these narratives casually queer our understandings of tenderness, desire and Love (with a big L). In more than a few stories, characters navigate the urban space and their sexual proclivities through dreams, visions and almost mythical sights. What emerges as a beautiful anomaly among all these narratives — coloured by notes on queer intimacy, affection and intergenerational conflict — is the character Mrs. Ghosh’s feverish reflections on her life now, and life then. Sharma writes “Mrs. Ghosh Goes to Goa” with a particularly ironic, fabulistic tone, about a homemaker who we see passingly, on the regular, yet don’t quite know. Mrs. Ghosh keeps things to herself, and it often seems that her constantly questioning mind informs her quiet, removed and observant exterior. There are no tears, no joys, no proclamations and no confessions in Mrs. Ghosh’s story. Just a desire to reach out, outside her sphere and seek — though this would seem to her vulgar — conversations and connections with strangers, be it her taxi driver in Goa or her new neighbours, whose love-making presence by the window both scandalizes and repulses her.

It is then the secret sighs, giggles, joys produced by one’s own body that Sharma — with her inclination to familial, spousal, and generational domesticity — is interested in. What can only be termed as a memorable moment in her collection is her penultimate story, “The Quilt”, which features two unnamed women making love as they laughingly quarrel about the meaning, intentionality and significance of Ismat Chugtai’s Lihaaf as foundational queer literature, and by extension, a queer cultural phenomenon. Ending this tale of sincere laughter and Love, Sharma concludes their quasi-intellectual feud: “She pulled the razai back on us. We giggled in the close darkness. The quilt’s light cotton cover settled gently on our naked skin. It pressed out the cold air”. It is then with playful desire, tongue-in-cheek jibes at Chugtai’s queered celebrity and for the sincere love of giving female intimacy “time” and “space” on ink, that she both manages to destabilize dominant discourses on female desire as well as pay a lighthearted, intertextual, and rather profound tribute to The Quilt, forever a foundational presence in South Asian queer aesthetic.

Sharma’s preoccupations with the intimate seek to question broader structures of the urban community, modernity, family, and legend. In many ways, her several characters’ shameless sexual life and their shameful dreamscapes are politicized with a grief, an incompletion and a hilarity so charming that it settles and absorbs quickly, crisply, like her fiery prose on paper.

Aaditya Aggarwal

Parvati Sharma’s book, ‘The Dead Camel and Other Stories of Love‘, is available for purchase here.

Tags: Parvati Sharma, queerstories, review, zubaaninternsreviewzubaanbooksforcake

ON TOPIC: THIS IS THE PART WHERE WE READ SOME MORE

August 19, 2015 byMoulshri Mohan / 0

On Dalit and working-class issues:

  • Chhaya Koregaonkar talks about why she identifies as an Ambedkarite writer.
  • On Independence Day, this blog revisits Mahasweta Devi’s words on the death of Chuni Kotal.
  • Is legal protection for domestic help in the works? This policy would prescribe a minimum salary and paid leave.
  • A feature on emerging Dalit feminisms in The Quint.
  • Caravan Magazine writes a detailed report about Unilever’s effect on the health of its employees and Kodaikanal’s climate.

 

Digital feminisms:

  • Indian feminists respond to the porn ban and un-ban…
  • …and Narayani Anand examines various viewpoints on the right-ness and wrong-ness of the ban.
  • Cyber-misogyny: An account of the harassment faced by Preetha G, online activist, and her supporters.
  • By the way, here’s the rad tumblr you never knew you needed.
  • Mumbai’s Wandering Women film festival just ended. Here are some pictures so that you can die in jealousy.
  • Lastly, a music video from queer Indians, designed to give everyone a major case of the feels, set to the tune of Ed Sheeran’s “Thinking Out Loud”.

 

Outside India:

  • Telegraph India reports that Bangladeshi political dissenters live in fear of violent conservative elements.
  • CNN visits the village most affected by recent sexual abuse crimes in Pakistan.
  • Humans of New York visits Pakistan and highlights Syeda Ghulam Fatima, anti-bonded labor activist, in a 7-part photo series and fundraiser.

 

Diasporic voices:

  • Mariya Karimjee writes about damage.
  • Fariha Róisín on her mother’s mental illness, in a moving piece for Vice.
  • An article in Brown Girl Magazine about Kiran Gandhi’s freebleeding run at the London Marathon.

 

And others:

  • Woven: on love, loss and inherited mythologies.
  • Happy birthday to Marsha “Pay It No Mind” Johnson, a major leader of the Stonewall Riots.
  • U.N. peacekeepers often become perpetrators of sexual violence.
  • Mourning lives lost to transmisogynistic and racist violence in the U.S.
  • Janelle Monáe is cut off during a speech about #blacklivesmatter and police brutality.
  • Amandla Sternberg is everything: mic.com covers how the Hunger Games actress is becoming a brilliant activist.
Tags: on topic

One of “the bravest women in the world”: an interview with Kishali Pinto-Jayawardena

August 18, 2015 byDakshita Singh / 0

There is never a dull day at Zubaan. If it’s not the discussions on the origins of water closets and showers or the age-old debate of ‘Tom-ay-to’ versus ‘Tom-ah-to’, there’s always chocolate runs and a constant stream of visitors – mailmen, writers, aspiring writers, activists, friends, interns and more mailmen – to keep things interesting. One of the most interesting aspects of working at Zubaan is the inspiring women we get to meet and interact with, who have been doing amazing work for the cause of women’s rights across South Asia.

So we recently had the privilege of a yum cashew-filled visit from Sri Lankan lawyer and human rights’ activist, Kishali Pinto-Jayawardena. Kishali has been associated with Zubaan Books in the capacity of an advisor and contributor for the Sexual Violence and Impunity project and its Sri Lanka volume. Her tireless work towards safeguarding civil liberties and outspoken criticism of human rights abuses in Sri Lanka, under a repressive state regime has led her to being acknowledged as one of the bravest women in the world.

And with the general elections in Sri Lanka around the corner in August, the eyes of the world are all trained on the island nation. So we decided to chat with her a bit about politics, women and activism in Sri Lanka. Kishali’s razor-sharp intelligence and vast knowledge base left us floored. Take a look at the conversation we had.

Kishali Pinto Jayawardena

 

Dakshita: Sri Lanka has the proud claim of having had the first ever female head-of-state in the world in Sirimavo Bandranaike (1960). Then her daughter, Chandrika Kumaratunga, became the first (and only) woman to be president of Sri Lanka in 1994. However, there has been a lull in the political scene vis-à-vis women’s participation in recent years. What, in your opinion, is the reason for that?

 

Kishali Pinto-Jayawardena: It’s like this – the appointments of Sirimavo and Chandrika – even though the two events signalled, technically, a first for women politicians, they have really not resulted in any discernible or any positive impact on the political process where women are concerned. Infact, Sri Lanka has one of the lowest rates of female representation in the region across all political assemblies from central to provincial to local. But the issues are not merely on numerical factors.  Where civil liberties and substantive issues of justice are concerned, in fact Bandranaike’s time signalled the first Southern insurrection (1971) where thousands of (Sinhalese) young people were killed. Kumaratunga’s period saw a clamping down of civil liberties, disappearances of Tamil civilians in the North and East, the fettering of the judiciary and assaults of editors and journalists. So both terms, even though, technically and theoretically they were firsts [for women] were troubling times for Sri Lanka. I have, in fact, long argued that the greatest steps taken backwards in terms of protecting the independence of democratic institutions, particularly the Sri Lankan Supreme Court, took place during Kumaratunga’s time. Her successor, Mahinda Rajapaksa only took this process forward to even greater degenerative depths.

And that’s the paradox. Particularly in the case of the political process, when women have achieved positions of leadership, there has been no filtering down or no impact really on the betterment of women as a whole or indeed for the betterment of the nation. And I think this [problem] is probably there in South Asia in general but Sri Lanka exemplifies it…really, really symbolises it.

 

D: But until very recently, there was talk of increasing political representation of women to 25% in all forms of local governments and provincial bodies within the purview of the proposed 20th Amendment to the Sri Lankan Constitution. How is that debate faring?

 

KPJ: Well, the debate is still on…[it] is still very much in the public forum. The January 2015  government – the minority government of the UNP (United National Party) promised to do [electoral reforms] for their own party, at least giving nominations…to have a quota [for women] for the nominations. And that’s there…that’s quite visible. But the problem that I’m having with this is that as much as one would want to see that happen, the degradation of the political process in Sri Lanka has been so profound and so great that having a technical or theoretical quota for women and letting it rest at that is very problematic. What we’ve been seeing so far is that these positions get stuffed [filled up] by the relatives of the male politicians. So this is the problem with making the struggle for nominations or for the quota the be-all and end-all in itself. Because there is really no functional political process to speak of, you know.

And we have this pattern, very clearly seen over the last two decades or so, where you get powerful politicians, male politicians at the centre putting their nieces, their wives and their daughters in various posts. It’s quite visible in Sri Lanka probably because it is a small country and everybody knows everybody else, it’s very obvious. And while I don’t want to put this forward as a reason for not giving the quota at all, because that is not a good position to take! But one has to be cautious and one has to be mindful that this cannot stop there. And as we have seen in the past, women when they come into positions of power have proved to be no better than men and sometimes they have proved to be worse.

 

D: And what are your views on women’s participation in public life currently? These days one gets to read about Sri Lankan women making headway in various fields – aviation, IT, even business – fields that have so far been inaccessible to them.

 

KPJ: Well again, theoretically you have the numbers, in terms of not the political process, but you have the numbers of women in university life, in the judiciary, in public administration, in the media. But whether they exert significant influence on affairs or on the process is another question all together.

I would say that in the field of public commentary, for example during the Rajapaksa regime it was amusing that some (male) commentators remarked on the fact that the women were the boldest in speaking out, in other words, that it was women who had the ‘balls’ so to say! So from that perspective, in terms of opinion-making, women have had a visible role but in policy-making, I wouldn’t really say that there has been significant influence exerted.

 

D: Even reading through your work, one can see that you have always been a very uninhibited critic of the state especially on the issue of civil liberties. Which begs the question of whether you have ever feared censorship.

 

KPJ: No, absolutely not. I have never in any way…on a personal level I have never let that govern what I write. I’ve always said what I wanted to say very directly and for some reason or the other…probably because the government also wanted particular dissenting voices to be there to show to the world or to show to people that ‘we have so and so and so and so…’ – I have only been subjected to hate propaganda not to actual physical threats.

I can’t remember a point where I’ve ever constrained or censored myself. But of course you took risks knowing that particular consequences may follow.

 

D: But in the aftermath of the war, one reads of how dissent has become problematic in Sri Lanka. Most political discourse would like the world to concentrate on the more positive aspects of the rebuilding of the nation. Do you really think there are enough safe spaces to generate and express dissent?

 

KPJ: Oh absolutely. This is an interesting question, because even during the worst of the times there were spaces within which one could work and you could fashion out spaces which were safe, in that process. In a sense, there was a little bit more vigour then than now, because at that time you were very conscious of the dangers around you and you were pushing the boundaries fully conscious of that and there is a certain push that comes with that because you’re doing it knowing what may happen but you’re doing it nevertheless.

Now it is a little bit more complex…because on the face of it there are more spaces within which one can work and far more freedom as it were. But there is also a certain sense of, not exactly disillusionment but a certain sense of acknowledgement that we have really deteriorated to a large extent. And the extent of deterioration is being realised only now. You can see the extent to which institutions are run by corrupt men and women, including the law, where we have bribe-takers and one (alleged) rapist sitting in the judiciary! I mean these are not things Sri Lanka was comfortable or familiar with decades ago. So these are the realities now that one has to contend with.

 

D: Yes, it has been almost over half a decade since the civil conflict in Sri Lanka came to a pronounced end. And there is now, of course, the larger issue of examining the extent and impact of human rights violations and atrocities committed during the war. In this context, do you see the state working consciously to address and redress women’s issues?

 

KPJ: There’s a very significant lack of gender sensitivity in the making of policy, particularly in the issues of liberty and security – you find that lacuna very strongly evident. Sometimes the impression is that we are talking of Sri Lanka as a country that has had to contend with this war for 30 years. But the point is that the problem Sri Lanka has, really goes beyond the war. So we have had not only the Northern and the Eastern war, but we have had civil conflicts in other parts of the country, twice during the ’70s and the ’80s, where over 60000 or so young Sinhalese teenagers died – women and girls and boys. So coming from that there has been a complete militarisation of the country’s civic structures and civic processes, to the extent that emergency law has actually but replaced the normal law for many, many years – for decades. And of course the North-East conflict brutalised society; in the war terrain,the minority had to contend with high levels of state and non-state terror while in the South, life became perilous with constant fear and suspicion prevalent between communities. These are common effects of long drawn out conflict, I assume.

In that context, women have become really fragile and vulnerable. Post war many of these problems have not been really looked at. And the state has actually taken no special steps towards addressing that. So if you look at the post-war years, the issue of safety and the issue of security have become predominant…not only for women in the North and East but also women in the South, because there has been an overall brutalisation of the culture and the process.

So for example, over last 2-3 years, in particular, we have had increasing incidents of rape being reported from all parts of the country, because there has been a breakdown of law enforcement. And you do not see the state or the government reacting strongly, and in a focussed manner to address these issues. It has just become political rhetoric which everyone is tired of.

 

D: But there has always been the presence of a strong feminist voice in Sri Lanka, in stalwarts like Kumari Jayawardena, Malathi de Alwis, Sunila Abeyasekara, yourself and many, many more. Looking beyond the government’s apathy, how has the Sri Lankan populace reacted to women’s movements? How significant is the society’s attitude to women’s empowerment?

 

KPJ: At one level, women’s movements have not really been stigmatised or demonised as has been done to other movements like the human rights. You know you work on human rights in Sri Lanka and you are immediately demonised, so it’s like you’re this Western lackey… But the same hostility and the vituperative impact has not been seen with regard to women’s movements. The marginalisation of women has not been evidenced to that extent in Sri Lanka, because as you said, women ascending positions of significance and articulating authoritative views have never been strange to Sri Lankan public.

But that does not mean that women have not been oppressed; across classes…at all levels…there is oppression. There is the oppression of working women, oppression of professional women and there is oppression of those women who are….particularly those who are in very security conscious, militarised environments.

And again discussions on, say for example the legalisation of prostitution. It’s got so bound up in the false ideas of morality and what a Buddhist country should be like. ‘We should not have prostitutes…we are very moral…this is a country which has Theravada Buddhism.’ Such tying up of religious and moral values into this narrative has actually had the impact of marginalising women even more! There are very powerful forces when you talk of religion, you know, in a society like Sri Lanka. So that oppression comes at various levels…at societal, at legal and at….law enforcement, or administrative, government machinery, or bureaucracy, as the case may be.

 

D: While reading about the Sri Lankan civil war, I was fascinated by the kind of activism that was born as a result of the civil war. I learnt about the ‘Mothers Fronts’ – a peace effort – a distinctive convergence of women, across fault lines, who had lost their children to either death or worse, disappearance in war. Are these fronts still in existence or have different causes taken precedence? How is activism in present-day Sri Lanka shaping?

 

KPJ: The Mothers’ Fronts were a signal example of women coming together across racial and ethnic boundaries. And to my mind, it was actually one of the best achievements of activism that activist movements in Sri Lanka can talk of. Because that recognised the pain of mothers regardless of what area of the country they came from, you know. But unfortunately that movement was subverted by political forces and it ultimately faded away to nothingness at a point long years ago. And this politicisation of movements is a highly worrying factor in Sri Lanka. The inability of movements to stand up against irritants of all colours and all hues has been a persistent problem within the last 10-15 years.

So the nature of political movements that we see now in Sri Lanka, particularly after the defeat of the former president in January 2015…they have been very vibrant, very vocal…particularly the vernacular which was not so earlier, and I see that as a very good sign because earlier the movements and the activism was very confined to English-speaking [communities/circles]…to elites. But now, from January – or December onwards, that has been conducted more in the vernacular – both Sinhala and Tamil – interestingly and importantly. But the problem is that within a country where there are such fractured histories of political movements, subversion of political movements and the corrosive influence of politics, as it were, on activism….the problem I see now is how to sustain the momentum…in an intellectually rigorous manner, without letting that momentum fizzle out or deteriorate.

Because even though the government changed and though the president changed, the old problems still remain the same. And these are problems impacting directly on women. Like, for example, the issue of security. Like, for example the issue of democratic electoral process. You know enabling good women to come into politics. Who wants to enter politics? Because it’s so corrupt and so horrendous now! So these are institutional, systemic problems that remain with us even though there has been a change of political leadership.

 

D: And what are your views on the involvement of the Sri Lankan youth in facilitating the democratic process? Considering the fact that the generation that is coming of age has only experienced the war from a safe distance.

 

KPJ: You don’t have a generation right now in existence, in Sri Lanka, that has not experienced the war in any way at all. The generation that is coming of age has in fact seen the war, because the war ended only in 2009. The difference in us is that we have seen the war in all parts of the country and not only limited to the North and the East.

When I was studying in the Faculty of Law in Colombo and simultaneously involved in political journalism, I saw the unfolding of the second Southern insurrection along with the Northern war and its devastating impact on communities…that the young generation now has not seen. They have experienced only the Northern war as a distant…essentially a distant war…but resulting in bombs and calamities in the South, though not actual fighting in the South.

However, the reason why the government was defeated in January 2015, was in large part because of the young people and due to the social media, because they came out in numbers and said they wanted a change…and there was a lot of momentum around them…pressure…and I think the pressure is still there. You know, the significant contribution made by young people who are just attaining the age of voting is quite strong. And I see that continuing for the future as well, in a very positive way.

 

D: On that note, I’d like to shift the focus to you and your work…

 

KPJ: On a general level my work has to do with how systems and institutions in Sri Lanka have survived as a result of decades of degenerative political assaults and attacks and seeing how some core values can be fashioned out of this collapse. So my focus has primarily been that – legal institutions and legal process.

The work I have been doing for many years has focussed mainly on where the gaps in the systems have been…where the failures have been. So now seeing all that in perspective, and in a context where we don’t have authoritarian leadership anymore, seeing where we can build anew ….renew…and encouraging discussion and debate around those issues. And making people aware of the basic problem – that the issue with Sri Lanka is systemic impunity, it’s not to do with one political leader or one particular government or period. It is decades of impunity and insensitivity. So how to tackle that really and to engage in the rebuilding and renewing of Sri Lanka’s democratic process and institutions.

 

D: You have also been working as an advisor for Zubaan’s Sexual Violence and Impunity project. What kind of collaborations in women’s movements do you see forming, across South Asia?

 

KPJ: One major issue of collaboration is exactly this – sexual violence and state violence. And I think that really is a focal point…it should be a focal point! It’s extremely important and I think that right now the context that South Asia finds itself in, is very, very central to the discourse.

It is also looking at impunity from various aspects and identifying issues that are common across the region so that you understand that this is also part of a shared problem in the region and that it is not peculiar to a country, as it were. So I think that is really very important.

 

As told to Dakshita Singh. Title quote from Amnesty International.

Tags: amazing women, interview, Kishali Pinto-Jayawardena, Sri Lanka

ON TOPIC: August, Blog-ust! Women’s Selfie Nudes, Veil Ban, “Gender Bender” and Lots More

August 10, 2015 byAaditya Aggarwal / 0

“August is the winter of summer I’m resting assured.” ~ Ayesha Siddiqi

Policies, Systems and Resistance

  • In a landmark case, the Supreme Court allows the fourteen-year old rape survivor to abort, although the law excuses abortion only within 20 weeks of pregnancy (TW: discussion of sexual violence)
  • Following up on the veil ban by Supreme Court, an Aligarh University student speaks out on the misogyny specifically targeting Muslim women at the heart of this law
  • A recent study by the Socio-Economic and Caste Census 2011 reveals that women head 23 million households in rural India and many other findings about gender
  • In a scathing piece, Thenmozhi Soundarajan explains how India’s caste culture is a culture that condones rape and sexual violence of Dalit women

 

Yours, Mine & Ours: On Bodies, Lives and Lived Experiences

  • Lalita Iyer shares her experience of consciously and critically growing into loving her body, and the ambivalent “politics of thin”
  • Here’s an interesting read in Tehelka about Indian migrant nurses, most of whom are women from the South, and their precarious status as employees in the UK
  • Anuradha Roy is the only Indian to be selected on the Man Booker Prize 2015 longlist. Read about her book and her story here, amid an array of female nominees at par in number with the male candidates at this year’s Booker selections.
  • Read Sneha Rajaram’s commentary on the intersection of radical feminism and chick lit in Sarai Walker’s Dietland
  • Sonali Gulati on her life as a lesbian navigating family, rejecting marriage, and Section 377 in light of marriage equality in the States.
  • Meet Meghna Kaur Jaswal, a writer whose book Inheritance, sparks a dialogue around the less-talked-about Sikh diaspora in Singapore
  • Why is the “know your neighbourhood rapist” rhetoric insidious, and more?
  • Nirbashito, a film about the struggles and experiences of exiled Bangladeshi writer Taslima Nasreen (and her cat) is “on screen” this week!
  • Check out what this The Ladies’ Finger article has to say about “Gender Bender”, the playful, diverse art show focusing on gender performativity and presentation, organized in Bangalore earlier this month.
  • Read about what Panmai, the first of its kind transgender theater group in Tamil Nadu, has to say about trans productions as a platforms to tell their stories
  • What does it mean for women to photograph their nudes? What kind of relationships do selfies allow many to forge with their bodies? Nishita Jha shares women’s varied experiences with cyber-stalking, abuse, sex positivity on the internet, desire and selfie-care/love.

 

On Gender, Race and Popular Culture

  • The trailer for the upcoming film Stonewall, based on the LGBT+ liberation in Stonewall Riots, erases the Black Drag Queens and trans women of colour who spearheaded the movement. Read more criticisms about the whitewashing of queer liberation struggles in film here and here.
  • OOMK (One of My Kind): This London-based zine run by queer Muslim women and people of colour uses multimedia art to help youth navigate their identity, girlhood and race in the emerging “war of terror”
  • What happens when female rapper Sofia Ashraf raps on Nicki-Minaj-inspired-Anaconda-beat about the the environmental and health damage caused by Hindustan Unilever in Kodaikanal, the hill station that is increasingly also, a sight of immense political resistance? Read more about the struggle in context of the music video here.

 

A warm and lazy goodbye, feminists! Have a restful and exciting week, unlearning (and self-caring).

Tags: gender bender, Kodaikanal, Man Booker Prize, on topic, section 377, Stonewall, veil ban

ON TOPIC: PERIOD POLITICS, #SAYHERNAME, AND “MAKING LAUNDRY FUN FOR MEN”

July 29, 2015 byAaditya Aggarwal / 0

Let’s talk. Period.

  • Comic duo Key & Peele’s ‘Menstruation Orientation’ for men
  • Bloody Hell! A new feminist, self-published zine that is all about periods
  • Artist Rupi Kaur of the ‘period-photographs-removed-from-Instagram-as-inappropriate-content fame’ on her work and why men need to see it most
  • The lovely piece from Ladies Finger that we are hearting, on menstrual cups and the need for sustainable means of menstruation management
  • Period activism and transphobia in the media: read about how period activism often alienates trans-women, -men, and gender non-conforming folks here and here

 

Policies, Systems and Resistance

  • The recent anti-Muslim Supreme court verdict forbids hijabi women from taking an exam in the veil. Ratna Kapur speaks out, questioning the Islamophobia of the courts
  • More about women’s voices in light of the verdict: a Muslim hijabi woman discusses her experience on being religiously/cultural profiled when seeking housing in the city of Delhi
  • “Saving” The Girl Child: These brave women conduct sting operations to help activists uncover the sex selection practice perpetuated by doctors to “alert” pregnant mothers
  • This recent Scroll article reveals the declining numbers of senior women advocates in India’s courts
  • Delhi’s first LGBTQ flash mob stuns the crowd at Connaught Place! Watch the video here.
  • What happens when adivasi women spearhead a powerful resistance movement to protect and safeguard their communities, and the forests of India?

 

Yours, Mine &  Ours: On Lives, and Lived Experiences

  • Rati Ramadas Girish speaks to the trying (and pleasurable) experiences of working, stay-at-home mothers
  • Catch a glimpse of the incredibly refreshing work of Sohini Basak, Nandini Dhar and Divya Ranjan: three emerging Indian women poets you cannot ignore
  • Kausar Ansari’s creation of Rehnuma Library Centre, a space exclusively for young women and girls to read, learn and grow in Mumbra, a Muslim-populated, ghettoized township outside of Mumbai

 

Sandra Bland, #BlackLivesMatter and the Lives of Black Women

  • On what happened to Sandra Bland, #BlackLivesMatter responses to her death, and why we must #SayHerName
  • Roxane Gay, writer of Bad Feminist, on writing as a Black woman about Sandra’s death
  • Africa Is A Country remembers Sandra Bland, as a woman who “knew her rights“
  • Charlotte Alter and Kila Nicole Gross comment on how police brutality disproportionately affects Black women’s bodies

 

On Gender, Race and Popular Culture

  • Critics discuss Baahubali’s romanticization of rape, and “masculinity porn“, while some explore the consequences of this criticism in lieu of the misogynistic films in the Telugu film industry.
  • Women Doing Housework in Ads and “Making Laundry Fun for Men”:  what are the noteworthy, and what are the irksome, aspects in Ariel’s recent “progressive” ad, in a culture of sexist advertising of domestic goods like washing powder?
  • Nicki Minaj’s instagram posts about Sandra Bland and why they matter
  • The 101 on the Nicki Minaj-Taylor Swift Twitter exchange and Girl Squad Feminism.
  • Model Nykhor Paul’s open letter calling out racism in the fashion industry.
  • A beautiful exhibit on Black British girlhood curated by Bekke Popoola.
  • Zeba Blay on MTV documentary ‘White People’ and the much-needed dialogue on race.
  • In a first, 2 African-American women nominated for an Emmy in the Best Actress, Drama category.

 

Keep reading for other engaging updates and interesting stories! We ope you had a blissful (and not-so-soggy) July.

Tags: #BlackLivesMatter, Adivasi Women, Feminism, LGBTQ Resistance, Nicki Minaj, on topic, periods, Sandra Bland, Supreme Court

ON TOPIC: As July splatters on

July 16, 2015 byDakshita Singh / 0

Women and Sports:

  • An unfortunate article on women tennis players and body image and a counter-point on all that is wrong with the article.
  • The brilliant, albeit US-centric, ESPN Body Issue.
  • On 50 ways to love Serena Williams.
  • The Women’s Football World Cup: the sexism, the celebrations.
  • Indian Squash player Deepika Pallikal takes a stand on wage gap.

 

On the ‘Runaways’ revelations:

  • Jason Cherkis’ original investigative piece in the Huffington Post, on Jackie Fox, sexual assault and the Runaways.
  • Fellow band members, Cherie Currie and Joan Jett‘s responses to Jackie Fox’s coming out about her rape.
  • An interview with Jason Cherkis on his article, Jackie Fox and the sordid realities of the music industry of the ’70s.
  • A thoughtful read on the need to speak up about and against rape.

 

On Rihanna’s ‘Bitch Better Have My Money’ video: 

  •  An interesting read on female music artists and the appropriation of violence in music videos like ‘BBHMM’ and ‘Bad Blood’.
  • On why Rihanna’s video is disturbingly misogynistic and why it is not.
  • On how the video is ultimately empowering in the context of Black Feminism. Here and here.

 

Meanwhile here in India:

  • A progressive Supreme Court verdict upholding the right of a single mother to sole-guardianship of her child and a think piece on what’s left to be desired. 
  • A Bangalore-based jeweler hosted a ‘Dowri Collection‘.
  • A kick-ass list of 101 women artists in India, making their mark.
  • An open letter to the Delhi Police demanding the provision of sanitary napkins for women protesters.
  • On SEBI’s move to promote gender equality in the corporate sector.
  • On how to win the debate for porn.

 

Read on!

Tags: Feminism, helpful lists, on topic, rihanna, sports, the runaways

LALA FROM LAHORE – II

July 9, 2015 byDakshita Singh / 0

So a cup of coffee later, our conversation with Lala Rukh continues…where we talk about censorship, modern-day Pakistan and the death of activism.

 

Dakshita: Could you tell us about the kinds of events that transpired between ’81 till ’83?

 

Lala: We used to do all kinds of things. The two years before the big demonstration, there were all these issues coming up. Like I said the first protest was about the Pakistan Women’s Hockey team, we went to the airport and protested there. But that was a very initial one, humara experience bhi kuch nahi tha (We also didn’t have much experience). But I remember the political workers were also protesting, they were courting arrests and so on. People were tortured; I mean it was really bad martial law. So he (Zia-ul-Haq) had already done these things in the first few years.

From ’79 onwards he started changing school textbooks. I remember at that time one of my father’s friends used to work on the textbook board and once he came home for lunch and talked about what was going on. He told us “Har ek department mein maulvi bithaya gaya hai” (A maulvi has been appointed in every department), who would go through all texts. For instance there was one story about a letter. Matlab khat apni kahani suna raha hai, kaise us ko likha gaya aur lifaafe mein bandh kiya gaya, stamp lagayi aur phir daakia us ko ek ghar leke gaya aur usne ghanti bajai. Kisi ne darwaza khola (That a letter is narrating its story, the manner in which someone wrote inside it and then enclosed it in an envelope, how it was stamped and then the postman took it to a home where he rang the bell. And then somebody opened the door). So this maulvi said “You can’t have that, you have to say very clearly that a man opened the door!” (Laughs) The implication here was that it could be a letter written by a boy to a girl! And they were having none of that.

So we did a study on the impact of Zia-ul-Haq’s measures on education, film, also various aspects of media, ads etc. He effectively finished the film industry for a very long time. You couldn’t have women half-dressed on cinema hoardings. So what they would do was to put crosses on all of the parts of the body that would show skin — legs, arms…But there was no ban on men holding guns and things like that!

 

Shamini: You’d mentioned earlier that when you meet young people who think in a certain way, you know that they have read from the textbooks that were printed during Zia-ul-Haq’s time. Could you elaborate on that, in terms of whether it is still possible to locate that kind of thinking, is it common or are things changing?

 

L: Yeah things haven’t changed very much, you know? Because kids still have to go through those aspects of the curriculum, especially history which was entirely distorted but now they’re trying to change that slowly. Social studies bhi khatam ho gai thi (Social studies had been rendered obsolete). In place they introduced what was known as ‘Pakistan Studies’ and ‘Islamiyat’ which is mandatory all the way up to graduation. The kids that have come out of that education have actually been quite religious. I mean, we were secular people but our children are religious, because they’ve been through that education system. Although some things have changed and a lot of contradictory things are taking place now…On the one hand, you have globalization and exposure to all kinds of media but on the other side, you also have the Taliban types. So they’re somewhere in the middle and some do see that this kind of religious extremism is not acceptable. But if you end up in an argument with any of these kids, they will defend religion to death.

 

D: You had said that their basic idea was that Islam can be imposed by curtailing women’s freedom. So in terms of the censorship of women’s bodies what were the changes that took place? Was there an immediate change over to wearing burkhas or…?

 

L: No, not immediately. But he had imposed a dress-code. So if you were a government servant or especially if you were on television you had to cover your head. There was one woman that refused to wear a dupatta over her head, Mehtab Channa. She was an anchor person or newscaster and basically she just resigned over the issue and she was the only woman to do that. Everyone else covered their heads to save their jobs.

 

D: What about you and the members of WAF?

 

L: As you can see *pointing to photograph* (laughs).

October 1982: Lala (in front) at the national convention of the Women’s Action Forum in Lahore. Photograph by Lala Rukh.

October 1982: Lala (in front) at the national convention of the Women’s Action Forum in Lahore. Photograph by Lala Rukh.

D: So just to compare, around the same time in ’79, Iran also witnessed the Islamic Revolution when Khomeini came back and women completely lost any freedom…

 

L: Yes, in fact we would compare and say “ki inko dekho, inka toh kitna bura haal hai” (Look at them, their condition is a lot worse). Some women had come, not to meet us but for some government work, and they couldn’t even show both eyes, it was just one eye. It was that extreme! Now slowly things are changing and I think you can roam around in Iran with just a headscarf.

 

D: This is an interesting parallel, in that the coup [in Pakistan] and the revolution [in Iran] happened at the same time and in Iran things became really radical and extreme, whereas Pakistan showed serious resistance. Why do you think that is?

 

L: Geo-politics really makes a big impact. If you look at what was happening in Afghanistan at the time, the Russians had taken over. I don’t know if Zia-ul-Haq would’ve had such a long life if the Russians had not walked into Afghanistan. So, of course, America prolonged his political life, giving him full backing, arms, ammunition…you name it and he developed the Afghan Mujahideen [to counter the Soviet occupation]. These are the same people who’ve become the Taliban now, by the way, you know?

So such elements…obviously people were not very happy with Afghan refugees coming in, because that changed the whole nature of social structures. They’re much more conservative – the Afghans, especially the tribal pathaans – they’re very conservative. I think all of these radical changes were taking place at the time, and a lot of resistance was also building-up at the same time. Of course, we [WAF] were at the forefront, in the sense that we were the only ones who were organised and doing something.

On the question of why Islamisation was such a success in Iran…they had a revolution! Khomeini was brought back by people, which was not the case in Pakistan – here it was imposed. That’s the difference. And in fact in Pakistan we have never really had a conservative government. People just do not elect religious parties…they never have the majority.

 

S: You mentioned yesterday that some of the demonstrations that were held by WAF had huge support from men too — radical poets, artists etc., but that it was a conscious decision for it to be an only women’s demonstration. So where did you and these other left-wing men meet, where did you differ?

 

L: We mostly agreed on the whole issue of martial law and the issue of Islamization. But we believed, at least at the time that if you let men come into our space then they will take over. And then women don’t have that kind of confidence to push them out or express their ideas as much. So that was one of the major reasons to keep the men out. I mean c’mon, men don’t realize the kind of macho thinking they have unless you point it out to them. And then when you do, they get defensive. I mean they had never been challenged before and when we kept them out, they made jokes about us. They would call us WAFS or Wives or Waifs. (laughs) I mean they joked about it but I don’t think it came from a humorous place.

 

S: Yes, it sounds more passive-aggressive.

 

L: Yeah it was! And they felt threatened because it was a loss of control for them. I mean they were quite supportive but they loved to tell us what to do. And we wouldn’t let them! (laughs)

 

D: Do you see any parallels between the activism that happens in India and in Pakistan?

 

L: Both the Indian and Pakistani women were one of the first to start networking across the border. And because of us a lot of things started, we generated a kind of cross-border networking. But things have changed a lot now. People choose to go to conferences and seminars, things like this – which is true across world, I guess. And also I think this generation of activists are now all in senior positions. And the very nature of activism has changed, really.

 

D: Is WAF still active?

 

L: Not really. I mean what happens is that when democracy comes WAF becomes dormant. That sense of urgency is gone. But when Emergency (2007) happened we were the ones fighting at the forefront, holding up the men. 55 of us got arrested! And we were the ones to initiate any kind of serious challenge to the whole business of Talibanisation in Pakistan. And in the last Peoples Party government, a lot of our members in power and we had access to parliamentarians. In fact, they would as us, ask WAF for inputs when passing a proposed bill. So this is the kind of work that is being done more now than any street activism.

 

D: And do you regret the loss of this kind of activism in Pakistan?

 

L: Personally, I do. I mean those were very heady days. They were also dangerous but very, very heady. (laughs)

 

As told to Dakshita and Shamini Kothari

Tags: amazing women, Feminism, interview, Lala Rukh, Pakistan, women's movement

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